Tag Archives: sculpture

In/Dwelling

In/Dwelling: Meditations on Built Environments as Cultural Narrative

The Galleries at Rowan presents

In/Dwelling: Meditations on Built Environments as Cultural Narrative
February 22 – April 14, 2016

Introducing our new location 301 High Street, Glassboro New Jersey

Artist’s talk and reception Thursday, February 25, 5 – 8 pm

Rowan University Art Gallery at High Street explores built environments, both external and internal, as emblems of a cultural past, present, and future with In/Dwelling: Meditations on Built Environments as Cultural Narrative. The exhibition is on display from February 22 to April 14, with an artist’s lecture and reception onFebruary 25 from 5:00 – 8:00 p.m.

We are compelled to imagine a time when architectural spaces and objects were new representations of manufacturing, design, and aesthetic tastes and trends. The urban / suburban motifs have time and again provided artists with the perfect vehicle in which to explore universal topics such as: the complexity of infrastructure, commerce, demographics, and identity as inspiration to create new work. In this exhibition the participating artists imbue architectural structures and domestic objects with interpretations of historical experiences, social customs, and emotional memories as a cultural narrative. Artists include Philadelphia based artists: Lewis Colburn, Ben Grasso, Kay Healy, Erin Murray, and Miriam Singer. Chicago based artist Ann Toebbe, and New York based artist Brian Tolle. A work by Louise Bourgeois is included courtesy of the gallery permanent collection.

The catalyst behind the framing of this exhibition concept was the print Femme Maison, 1984, by Louise Bourgeois from the gallery collection. Femme Maison, which means both “woman-house” and “house-wife,” is one of Louise Bourgeois’s most famous motifs. For the artist, who was raised in France, the home was closely connected to female identity. By combining residential architecture and the curvaceous female body, Bourgeois portrays a woman who is obscured and entrapped by the domestic realm that she simultaneously supports.

The selected artists for this exhibition approach domesticity, architecture, and everyday objects from singular and accumulative perspectives. Brian Tolle creates a cross-wiring of reality and fiction in his sculptures and installations and blurs the border between the contemporary and historical with recurring themes of architecture, site, and technology. Lewis Colburn, of Philadelphia, sees objects as unreliable tour guides. He investigates ways in which we re-interpret and re-tell the past through the filter of our current experience. Ben Grasso, of Brooklyn, NY, presents a re-imagining of what actually exists and recasts these things in new terms creating a re-alignment of logic that makes plastic the anxiety underlying objects in the world through his painting. Miriam Singer, looks perceptually at multiple locations in Philadelphia and expresses the fragmentation of a fictional city as a collage of noise, pattern, and density.

By recounting memories of unique, collective, or habitual memories these artists investigate identity and history through interior and exterior experiences. Kay Healy, a Philadelphia based artist, creates large-scale screen printed and stuffed fabric furniture based on other people’s descriptions of their childhood homes and investigates how we relate to objects and cope with the fact that there is no way to truly return home. Ann Toebbe, a Chicago based artist, creates meticulous paintings using reconstructed memory and multiple perspectives to depict domestic and architectural spaces in cut-out paper doll fashion. Erin Murray, of Philadelphia, relates to buildings and built forms as being understood to represent our physical body, our cultural history, our economic reality, and our long-formed habits.

Brian Tolle, from New York, offers a lecture on February 25. He has completed several public art installations in New York, including the Irish Hunger Memorial in New York City. He has exhibited around the world and his work is included in numerous museum collections. He holds a B.A. in Political Science from SUNY at Albany; a B.F.A. from Parsons the New School for Design, NY; and an M.F.A. from Yale University in New Haven, CT.

The lecture will be presented at Westby Hall Room 111 beginning at 5:00 p.m. A reception follows at 301 High Street in Glassboro at 6:00 p.m.

Shuttle vans will be provided for guests traveling from Westby Hall to High Street. Return service will not be provided, but High Street is only a 15-minute walk away. Free public parking is available on High Street and neighboring streets. Municipal parking areas are available off Lake Street (behind Little Beefs Deli) and near the Barnes and Noble shopping complex between New Street and Rowan Blvd.

In/Dwelling: Meditations on Built Environments as Cultural NarrativeImages: top, Brian Tolle, Outgrown, platinum silicon rubber, toys. Courtesy the artist and CRG gallery. Bottom: Ann Toebbe, Jim’s Apartment, paper, gouache and pencil on panel.

Thank you to Rowan University Art Gallery for the content of this post.

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Cairns

Brian Dickerson, Cairns, with an Essay by Miriam Seidel,  John Thornton Films

Brian Dickerson is an artist who knows how to wander, and how to make his way through uncertainty. Seeing the stone cairns of rural Ireland, he recognized them for what they were: mediators of mysterious places, markers for the lost, messages from the past. In Cairns, his new series of constructed paintings, he brings this understanding into a new form.” –Miriam Seidel

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Edgeless

The Edgeless Divide by Sun Young Kang

The Edgeless Divide by Sun Young Kang, Susquehanna Art Museum, Harrisburg, PA.

“Nearly every facet of life that we understand is dependent on our visual perception of the world, predisposing us to only see the “present.” But it is not difficult to perceive that our world is composed of two antithetical ideas: presence and absence, life and death. These ideas can be understood in the Buddhist philosophy of “Emptiness”—every existence, every single moment that has ever existed, can only be conceived as either past or future. The abstract nature of this concept is often difficult to grasp, but my work is an attempt to secularize this fundamental idea. 

Negative space in various structures of books or installations is the essential part of my work. The empty space suggests to readers or viewers a meditative moment. In this moment, the negative space provides an opportunity to reflect on one’s self and the meaning of Emptiness in our lives. I cut out pages, burn out texts, hang prints in space or cast various containers to create a physical and metaphorical Emptiness. The important parts of the structures are absent. The absence becomes a presence in the visual objects. 

Most recently I have created installations consisting of many tiny tubes that question the boundary of all antithetical ideas. Boundaries can be physical and visual, but also language, religion, culture, politics, indeed all human relationships and social creations involve boundaries. Whether a boundary is physical or not, it does not just divide one entity from another, it implies another side or space or existence. Light and shadow and the delicacy yet strength of thin paper are metaphors for the inseparability of life and death. They are also installation devices creating two conceptual spaces.

Through the irony of my working process, which is visualizing non-visuals, I try to question this non-describable concept—the continual parallels of presence and absence, their inseparability. I also would like the audience to think about the meaning of absence in their lives as part of nature, through their own interpretation of “Emptiness.”

Sun Young Kangsunyoungkang.com

The Edgeless Divide by Sun Young Kang, Susquehanna Art Museum, Harrisburg, PA.

HOURS & ADMISSION: Monday, closed, Tuesday through Saturday 10:00 AM – 5:00 PM
Sunday 12:00 – 5:00 PM

Adult Admission: $8, Military, Seniors (65+), & Educator Discount: $5, Children under 12: FREE

1401 North 3RD Street, Harrisburg, PA 17102, (717) 233-8668

Thanks to Sun Young Kang for the content of this post.

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Red Bull

Red Bull Art of the Can

The Red Bull Art of Can Comes to Dilworth Plaza, Philadelphia

NATIONAL MULTI-MEDIUM ART COMPETITION COMES TO PHILADELPHIA’S DILWORTH PARK

Calling Artists of All Formats to Create for the 2015 Red Bull Art of Can  

PHILADELPHIA, PA. – What can a creative mind design and create, all starting with a can of Red Bull for inspiration?  Coming this fall, the landscape of Philadelphia’s Dilworth Park will be transformed into an interactive, digital and physical art gallery as the nationwide creative competition, Red Bull Art of Can, comes to the city known for it’s famed public art. Artists of varying formats and aspiring creatives from across the country are challenged to make a work of art inspired by a can of Red Bull.

Now through June 15th, submitted art can come in the form of all art disciplines including physical, and digital mediums. A selection will then be made by a panel of judges from the art community to be displayed at a special showcase at Dilworth Park in Center City Philadelphia.

Participants can submit to three categories in the 2015 competition:

  • “Physical Art”: A physical piece of art that uses the actual Red Bull Can as the primary material in the final work.
  • “Digital Displayed Art”:A work of art that can be displayed on a screen and includes a digital version of the Red Bull Can in the final piece.  We are not designating a specific format or genre.  Submissions could take the form of an animation, a digital short film, stop motion, or GIF. Essentially any displayed digital medium is fair game.
  • “Interactive Installation Art”:A piece of artwork that merges both the physical and digital world and uses the Red Bull Can as its primary source of inspiration.

Red Bull Art of the Can

The Red Bull Art of Can exhibition will run from October 1 through October 8, with a special public opening event the weekend of Oct 2 -3 at Dilworth Park.

For more information and to register your art, please visit www.redbullartofcan.com

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Making Beautiful

Making Beautiful Objects, The Art and Life of Stoney Lamar, John Thornton Films

Stoney Lamar makes beautiful sculptures out of wood and his work is traveling the country in a show called A Sense of Balance. His work can be seen at Philadelphia’s Center for Art in Wood and the Synderman – Works Galleries through April 18, 2015. He talks about his life and career and how Parkinson’s Disease is affecting his work. – John Thornton

“What is true is that no matter how striking, unique and evolutionary Stoney Lamar’s career has been, he arrived at its beginning some decades ago by an entirely different path. He learned his geometrical theory in a pool hall; he aggravated his minister-father; he grappled with a war; he set out in a career direction that he neither liked nor decided he was much good at; he almost by accident discovered what he was good at, at long last feeling the call in his hands and soul.” – excerpt artist statement Stoney Lamar

William Stoney Lamar (b. 1951) has contributed exceptional skill and vision to the world of wood turning for over 25 years. Stoney Lamar’s sculpture is created primarily through a unique approach to multi-axial lathe work, giving his pieces a distinct sense of line and movement unlike other works of turned wood. He lets the shape, color and modeling of the wood determine a piece’s finished appearance and employs paint and metal in his forms. Stoney Lamar is a founder of the American Association of Woodturners, teaches and lectures, and has served on the boards of the American Craft Council, The Center for Craft, Creativity & Design, and of the Southern Highland Craft Guild. The Center for Art in Wood is proud to present this retrospective, the final venue on the national tour, in our Gerry Lenfest Gallery.” – Center for Art in Wood website

Stoney Lamar: Standing Forms. On view from March 6, 2015 to April 18, 2015. This exhibit is in conjunction with A Sense of Balance: The Sculpture of Stoney Lamar, a solo exhibit traveling throughout the US, which will open at the Center for Art in Wood in mid-February.

Saturday, March 7, 2015 | 2:00 – 4:00 | Tour of Stoney Lomar: Standing Forms at Synderman – Works Galleries, followed by a gallery talk, tour of A Sense of Balance: The Sculpture of Stoney Lamar, and reception at The Center for Art in Wood with Stoney Lamar, Curator Andrew Glasgow, and studio artist and writer Bruce Metcalf. The Center for Art in Wood is located across the street from Synderman – Works Galleries at 141 N. 3rd Street, Philadelphia, PA.” – Synderman – Works Galleries

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