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Cover Image: Amazing Watercolor Techniques You Have to Try

PAINTING

Amazing Watercolor Techniques You Have to Try

by Candace Osmond

Watercoloring isn’t just a thing for the artists: it is straight-up therapeutic regardless of whether you have any talent or not (by the way, did you know that talent can be learned?). But if you’re serious about learning a thing or two about watercoloring, even if it’s just for creating better projects for your own personal satisfaction, here are some watercolor techniques you have to try.

Underpainting

Vintage style monochrome illustration of young pine-tree forest. Watercolor sepia painting

This technique basically describes a monochrome wash that allows you to create the painting’s first layer. Then, you will add more layers of transparent washes over this initial one, creating luminous effects that seem very real.

You can use shades of green, blue, or purple to help you get started. Paint within the outline of your subject, making sure that you use light brush strokes and take into account shade and light as well. The entire technique is based on using a single color, which allows you to focus on the shape a little bit more.

Make sure that you use a soft brush for this technique. When you’re done underpainting and want to move on to creating the next layer, make sure you leave it to dry first. This will prevent muddy colors.

Watercolor washes

Watercolor ultraviolet, purple and pink abstract background with washes

There are basically two types of watercolor washes, dry and wet:

  • If you want to create a dry wash, you will have to use a round or a flat brush and an angled surface (if you have an easel, absolutely use it for this technique). Choose a color that you like and mix it with plenty of water. Soak your brush in the color as much as you can, then use it to draw a steady horizontal line on the top side of your canvas/paper. There will be water dripping to the bottom edge of your line, so you’ll have to quickly dip your brush in color again and use it to make another stoke below the first one. You want to make sure that the top edge of the second line and the bottom edge of the first line overlap. You want to repeat the process until you’ve reached the bottom side of your paper. When you finish your final stroke, blot the brush on a piece of paper towel. With the dry tip, absorb any excess water that might have dripped to the bottom edge of your last stroke. Leave the paper to dry before removing it from the easel.
  • Wet washes are a bit more interesting to make. While very similar to dry wash, in this particular case you will have to moisten the paper before creating the strokes. To do that, dip a clean brush in water and brush the entire surface of the paper/canvas. When you’re done, simply create the lines of color, just like you did for the previously-shown technique.

Watercolor layers

Abstract watercolor background with yellow, blue, red layers

Let’s assume that you’ve painted a basic item, like a fruit. You will have to leave the paint to dry, and then you can add layers that will add dimension to your painting, but also color variations. Leaving the painting to dry before adding layers will prevent colors from blending together.

Simple paint the second color on top of the first one, but make sure that you avoid using too much water, or else the base layer will get moist and the colors will blend. If you want your second layer to have less severe lines, simply dip the brush in water and use gentle stroke to feather the line.

Watercolor blooms

You might have experienced these wet paint spreads that look like really abstract flowers. Those are called watercolor blooms, and they’re actually a pretty cool technique that you might want to know about, for future references and projects. What actually happens is that the original pigment spreads out when you use wet paint on a damp wash.

Watercolor garden and wild red flowers. Watercolor Floral bouquet illustration

If you want to know how to make these, it’s pretty simple. Create a colorful wet wash and leave it dry for a few minutes. Grab your brush and soak it in water. Touch the paper with the tip of the brush, allowing the liquid to create the blooms.

Pigment removal

Yes, it is actually possible to remove pigment from the painting, which can help correct a mistake or help you add more white space to your painting. The technique you have to apply depends on the state of the watercolor:

  • If you want to remove wet watercolors, you will have to blot your brush and use it to lift color from the paper. What happens is that the damp brush will absorb a lot of water, so make sure that you remove it quickly to make sure it picks up the color from the painting. Some prefer to use a paper towel to remove the color, but that won’t render the best results in all cases (works best when you want less controlled white space).
  • Dry watercolor is a bit more complicated to remove because you’ll actually have to use an eraser to do it. First off, water the area and then use a dry brush or a piece of paper towel to lift the color. Then you should be able to finish the job with an eraser.

Gradients

Top view of female hands drawing papaya with watercolor paints and paintbrush on yellow table

Gradients will always be the kings of colored PowerPoint presentation backgrounds, so why not learn how to paint them as well? Needless to say, color blending and gradients add a stunning visual effect to your paintings.

To master this technique, you will have to add watercolor to a wet paint surface. Right next to it, you can add a different color or perhaps a more intense version of the hue. Since the paints are both wet, they will likely blend in together to create the gradient. The wetness of the paint will determine the gradient result.

Feathering

Gradient works differently when you’re starting off with an intense color and want to end up with a more transparent one. Adding more color won’t do it. Instead, you’ll have to add water. This technique is called feathering, and it goes like this: you will have to start by adding strong color to your painting. Then, by using a wet brush, diffuse that color in order to create the gradients effect.

Lines

watercolor striped lines background

Lines are an important part of every painting, but that really depends on the style you’re going for. You can easily create lines using watercolor because you can control their shape and thickness when you have the right set of brushes. To practice this technique, create a bunch of lines that are placed next to one another.

If you’re looking to obtain the hatching or cross-hatching effect, you can either make these lines perpendicular or parallel to each other. Those of you that want to obtain clear lines, can use a pointed brush with color and just a little bit of water. The amount of water you use will determine if your lines are crisp or flowy.

Splattering

Collection of colorful abstract watercolor backgrounds

This is a really fun watercoloring technique to try because it allows you to get messy. They can help create paintings filled with energy, but it’s also a technique that’s more difficult to control compared to others where you basically just draw using your brush. There are three ways to obtain the splattering effect:

  • The tapping method requires that you fill your paintbrush with pigment, and then gently tap the brush above your paper. This technique is useful for those who want to cover a lot of ground with this particular effect, but it does make paint difficult to control.
  • The flicking method is all about getting your hands dirty. You fill your paintbrush with pigment and hold the brush so that its tip points at the paper. Using your other hand, run your fingers on the edge of the brush. As you do so, your finger will pull back the bristles, and the paint is launched onto the canvas when the bristles are released.
  • For a more controlled result, you can always use a stencil. Grab a piece of paper and then cut shapes inside it. Place the stencil over the canvas and splatter the paint using either one of the two techniques mentioned above.

Stippling

Abstract stippled texture. Love heart.

Stippling is the creation of several dots of paint in a concentrated area. The texture itself is fascinating and can be used for drawing leaves on tree branches, for instance. There are two approaches to this technique: you can either create overlapping dots for a freeform effect, or you can have a neat and tidy group of freshly-painted dots.

Depending on what you want the final result to look like, you can use a wet brush for a looser look, or so with a dry one that clearly points out the dots. Also depending on what you’re looking to stipple, make sure you use a brush that’s of an appropriate size.

Scumbling

This technique is defined by a series of brush strokes and irregular motions that can be used to make layers and lines of paint. It is the equivalent of scribbling if you will. Practicing this technique is all about simply drawing without trying to follow any rules or patterns.

Sponging

Using a sponge to paint can actually render some very interesting and cool results. This is an even better method to try if you want to create dense tree foliage, for example. All you have to do it drip the sponge in paint and then press it against the paper.

Using tape

Hand removing masking tape also known as sticky tape

Creating clean edges can be very complicated if you’ve yet to master a steady hand in your watercoloring endeavors. Not to worry, there is a trick that can help you and it is called tape. You can simply add tape to create the imaginary edges of your object, or even at the edges of the painting itself

You can use this technique any time you want to create hard edges, but you’ll have to make sure that the tape you use isn’t going to rip the paper apart when you’re trying to remove it. To prevent that from happening, you can buy painter’s tape. Make sure that you only remove the tape once the painting is dry, otherwise, you’re bound to end up with less elegant edges.

Darker details

Once you’ve moved on to more complicated projects, you’ll find yourself wanting to create dark details to finish off your work. That is precisely the trick that will get you the best results: leave the darkest colors and details for the end of the project.

Keep in mind that watercolor painting is a lot about using transparent medium, so your edges will be light until you’re ready to finish things off with dark curves, lines, and details.

Backwashing

Abstract acrylic and watercolor painted background. Texture paper.

This technique is perfect for many different drawings, and especially when you’re looking to draw water-like effects. Similar to blooms, backwashing requires that you use a wet wash of color and a tilted surface. You want your color to drift to one side of your painting, after which you can lie the paper flat. The effect will cause the water to sleep upwards as the water dries, creating a stunning visual effect.

Conclusion

If you’ve decided to try a bunch of these new watercolor techniques, keep in mind to stock on some of the prerequisites that will make your life easier, such as erasers, pencils, and paper towels. When you have everything close to you, it will be much easier to fix mistakes if it comes to that point.

Mastering watercolor techniques isn’t just about practicing your skill, but also about working with a variety of different brushes and quality paints, so make sure you stock up on those as well.

Amazing Watercolor Techniques You Have to Try - Info

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Thank you to Nicole Garcia of MostCraft for sharing the content of this post. Thank you to Candace Osmond, the author, for the fine writing. Thank you to Mostcraft for sharing their content with DoNArTNeWs. www.MostCraft.com

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DoNArTNeWs – celebrating eleven years reporting on Philadelphia artists and art.

Flower Art

Art of the Flower, J D Mitchell

Art of the Flower 2015, The Philadelphia Sketch Club, Donald C. Meyer Medal

Art of the Flower 2015 at The Philadelphia Sketch Club is a juried group art exhibition dedicated to florals in honor of Donald C. Meyer. Dianne Meyer presented the First Prize winner, Kimberle Nentwig for her watercolor painting titled Dahlia Darling, a golden medal in remembrance of her late husband.

The exhibition is an exuberant display of floral artwork, the jurors were Al Gury, chair of the painting department at Pennsylvania Academy of the Fine Arts, Lauren Sweeney, fine artist and Marylyn Waltzer, member of the Guild of Natural Science Illustrators. The entry process is completed on-line at The Philadelphia Sketch Club website and hundreds of artists submitted images for consideration by the jury who then select artworks for the awards. The jurors selected an eclectic mix of media for the awards but being in the show is a goal itself for many regional artists.

View the on-line gallery here.

Art of the Flower, Alice ChungArt of the Flower 2015, The Philadelphia Sketch Club, Alice Chung, Spring, oil, 17″ x 15″

Spring is all everyone is thinking about, The Art of the Flower show excites the desire to preserve some of that delightful satisfaction of better days. Alice Chung captures a moment of quiet and warmth in her composition, the balance of color, tone and brushwork feels satisfying and serene. Flowers have always been used for decoration, welcoming guests, gifts of love and adornment for sacred ceremonies. Alice Chung‘s Spring is naturally atmospheric, defining a magical moment in time with loose, liquid strokes, empathetic marks and gestural cues to an energetic concept of a space and time of renewal.

Art of the Flower. Doris PeltzmanArt of the Flower 2015, The Philadelphia Sketch Club, Doris PeltzmanA Cup Full of Peonies, oil on plexiglass, 10″x10″

“I am a direct painter, painting from life to capture the moment. The excitement of the moment and the immediacy are what drive me. It is that total impression that creates the completed painting. focus on color, harmony, light, mood, texture, composition and the calligraphy of my brush strokes. I love to experiment with a variety of palettes and surfaces. It is the visual stimulation that drives and moves me forward.” – Doris Peltzman artist statement, Artists’ House Gallery

A Cup Full of Peonies by Doris Peltzman possesses a subdued yet elegant presence, the painting has an ethereal quality. Even though the palette is restrained, the alla prima mark-making expresses the subject though tone, light and action in powerful impressionism. Peonies are my favorite flower but they really only last a day, Doris narrates that brevity with experience and skill.

Art of the Flower, Suzanne ComerArt of the Flower 2015, The Philadelphia Sketch Club, Suzanne Comer, Panoply, photo montage on archival paper, 21″ x 17″

Suzanne Comer was so sweet to me at the reception for Art of the Flower 2015 at The Philadelphia Sketch Cluboffering to take a photo of me with my accepted entry. She said people rarely take pictures of me with my work and we each took photos of each other with our artwork. It was a nice surprise to see that both of us had used digital photo montage to make floral artwork. While my composition has an informal composition, Suzanne Comer‘s Panoply is a formal composition with a coherent balance of shape, color and negative space with the charm of individual flowers emphasized.

Suzanne Comer regards photography as an art form, often expanding the boundaries by using portions of her photographs to digitally create a new and different whole or montage. With the perspective of a painter, Suzanne’s style stimulates the viewer’s own interpretation and feelings. Therefore, in full circle, creating new personal meanings” – Media Arts Council

Art of the Flower, The Philadelphia Sketch ClubArt of the Flower 2015, The Philadelphia Sketch Club, Kimberle Nentwig, Dahia Darling, watercolor, First Prize and Maria Kurtzman, White Roses and Kumquats, oil on board, Second Place

Art of the Flower, Laura DucceschiArt of the Flower 2015, The Philadelphia Sketch Club, Laura Ducceschi, Lotus in Repose, photography, Third Place

Laura Ducceschi’s photography captures the magical way natural light accentuates beauty in nature and in people. Laura’s award-winning fine art photography portrays an intimate view of our beautiful world. Her images reveal how natural light emphasizes color and texture._ excerpt Laura Ducceschi artist statement

As a photographer and painter I was particularly satisfied to see a top award go to a deserving photograph. Photography isn’t about just shooting hundreds of photos to find a good image, the photographer has to make it happen. The tools of a photographer are not unlike painters, the goals are similar, the time and effort equivalent. To have a jury of peers, experts in their field, select a photograph signals the change in acceptance towards the art form. There are a lot of photographs in the show, Philly is as much a photography town as it is a painters town. The history of photography in Philadelphia parallels PAFA and the influence of photography on modern painting is undeniable.

Art of the Flower, Gus SermasArt of the Flower 2015, The Philadelphia Sketch Club, Gus Sermas, Morning Flower, acrylic, work on paper, HM

Art of the Flower, J D MitchellArt of the Flower 2015, The Philadelphia Sketch Club, J D Mitchell, Chestnut Hill Iris, digital print on 100 lb paper, 12″ x 12″ framed

The excitement of an opening, meeting the artists and their families, taking pictures, drinking and eating, is a social practice that is a reward in itself. It is so much fun to watch folks checking out the competition, eves dropping on critiques and comparing and contrasting the artworks with friends. One wonders why artists subject themselves to the process of acceptance and I think it’s the feeling of accomplishment, aside from the exclusivity, of being recognized for your hard work.

Art of the Flower, Lauren SweeneyArt of the Flower 2015, The Philadelphia Sketch Club, Lauren Sweeney, One Person art show, Observations in Watercolor,  in The Stewart Room Gallery (the pool room).

Dear Artists and Art Lovers,

Please join us at historic The Philadelphia Sketch Club for an ongoing exhibition of works by one of our professional member. Free and open to the public. STEWART ROOM GALLERY New works by Lauren Sweeney. March 7-30, 2015See her Online Gallery under “Sweeney” in our PSC Member Gallery HERE . Reception: Saturday March 21, 20152:00 – 4:00pm at The Philadelphia Sketch Club. Open to all.

A lifetime of scientific observation is the underpinning of the artist’s interest in capturing the essence of her subjects in watercolor. In her still life compositions, she focuses on close observation of the organic forms of flowering plants, vegetables, seashells and gourds for their exuberant variations in shape, color, texture and pattern.” – Lauren Sweeney

Art of the Flower 2015, The Philadelphia Sketch Club through March 28th, 2015

Written and photographed by DoN Brewer except where noted.

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