Category Archives: Computer Art

Armor

Enamored Armor, Rowan University Art Gallery

ENAMORED ARMOR
The Potency of the Female Figure

GLASSBORO, NJ – Rowan University Art Gallery welcomes guest curator Amie Potsic with this exhibition. Three women artists reframe the cultural construct of feminine as empowering in Enamored Armor. The opening reception and artist talk is on Thursday, November 29 from 6:00 – 8:00 p.m. The exhibit is on display from November 29, 2018 – January 12, 2019.

Featuring work by Marjan Moghaddam, Mari Ogihara, and Tiantian Li, Enamored Armor includes references inspired by art history, cultural specificity, and contemporary society. The classical figure serves as a basis, as the artists investigate the multiplicity of ways in which women choose to present and redefine themselves in pursuit of potency and self-discovery. Through video, painting, sculpture, and Augmented Reality, their work spans a historical spectrum of millennia with a finger on the pulse of current artistic practice, the women’s empowerment movement, and emerging technologies.

Marjan Moghaddam is an award-winning and pioneering digital artist and animator who works primarily with 3d computer graphics, motion capture, and digital media for animation, post-internet art. Her work has been exhibited internationally, in addition to curated shows at the Armory Show in NYC and Art Basel Miami. In her digital female bodies, Marjan utilizes aesthetic styles as part of a figural vocabulary that explores the evolving nature of humanity. The figures represent the deconstruction of the organic, and its fracturing and fragmentation as it migrates from the physical to the digital.

Mari Ogihara’s work ranges from female figures to colorful biomorphic sculptures. She connects her understanding of how a samurai got ready for battle with the way women throughout history have prepared their physical appearance for sexual intimacy. Ogihara has held international residencies in France, Japan, Brazil, and Mexico in addition to multiple residencies in the United States.

Tiantian Li’s work has been shown in numerous Philadelphia galleries in addition to major art museums in China. In her watercolors she explores ideation of female intimacy and emotions expressed through portraits of her lingerie superposition with portraits of historical characters from the renaissance period, which represents a time of enlightenment and romantic expression. She is encouraging women to take a positive perspective on their bodies and female representation while giving themselves the attention, humor, and respect they deserve.

The Rowan University Art Gallery is located at 301 High Street West. Free 2-hour public parking is available in the Mick Drive Parking Garage across the street from the gallery. Admission to the gallery, lecture, and reception is free and open to the public. Regular gallery hours are Monday – Wednesday, 10:00 a.m. to 5:00 p.m. and Thursday – Saturday, 10:00 a.m. to 7:00 p.m. Directions can be found on the gallery website. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

Support for programming at Rowan University Art Galleries is also made possible by funds from the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts.

Baisser in Mary Boone, in Glassish & Waxish Glitch from marjan moghaddam on Vimeo.

Thank you to Mary Salvante for the content of this post.

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SLEEP

SLEEP + MUSIC, MikronesiaRecording in Manila, India in the foothills of the Himalayas. Michael McDermott

SLEEP + MUSIC

Event Horizon
Friday April 13, 8pm
Juan Garces, BEEP, Mikronesia w/ William Fields​
The Rotunda

“Hello everyone, I’m back from three months of traveling, listening, creating, sharing and exploring in Thailand, Myanmar and India. I’m excited to be back in Philadelphia for the month and looking forward to sharing lots of sounds with the world!” – Michael McDermott

First up, two events the weekend of April 13a solo concert and a day-long retreat / sleep concert!

Mikronesia will be playing a solo show at Event Horizon at the Rotunda. For this show Michael Mcermott will be joined by his old friend and artistic collaborator William Fields on real-time visuals. This show will feature a live presentation of Mikronesia’s Landscapes work. In this series he works with field recordings from environments and decontextualize them using “sonic photography” techniques to explore the intersection of inner and outer landscapes realized through memory, emotion, time and place. This show will feature recordings and sonic memories from ThailandMyanmar and India.

I can’t wait to experience these sounds on the nice sound system at the Rotunda and with Bill’s realtime visuals, it’s going to be something else! (Below is an image of Bill’s work, check out his website williamfields.com for more of his amazing AV work).

SLEEP + MUSIC, Mikronesia

Event Horizon

Friday April 13, 8pm
Juan Garces, BEEP, Mikronesia w/ William Fields​
The Rotunda4014 Walnut St, Philadelphia, Pennsylvania 19104

Facebook event: https://www.facebook.com/events/189508868357704/

SLEEP + MUSIC, Mikronesia

Dream Yoga Retreat

April 14th – 15th

“The second event will be a day-long retreat of yoga, meditation, Deep Listening and an overnight sleep concert. This will be another event with a collaborator from my past with yoga/meditation teacher Michelle Stortz. Michelle and I worked together years ago when I provided music for some of her beautiful choreography. Currently Michelle and I both teach meditation at Springboard Sangha. In addition she does amazing work teaching yoga to people with cancer and as a Yoga Nidra (sleep yoga) teacher.

For this retreat, we’ll both be teaching and leading talks, classes and sessions throughout the day. Plus I’ll perform an overnight sleep concert at the retreat for people to practice lucid dreaming and listening (un)consciousness. If you’ve never experienced one of my overnight sleep concerts or my meditation / Deep Listening teaching, now is your chance! Also St. Raphaela Center is a beautiful space with lots of outdoor areas for walking and listening. The retreat cost includes the teaching, space, three meals and a place to sleep. Be sure to bring a sleeping bag and blanket for the overnight concert.” – Michael McDermott

Thank you to Michael McDermott, Mikronesia, for the content of this post.

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Vast

Diane Burko, Rowan University Art GalleryColumbia Glacier Lines of Recession 1980-2005

Vast and Vanishing

ART, ACTIVISM, AND THE ARCTIC

Diane Burko uses art to examine monumental geological phenomena

GLASSBORO, NJ – Exploring the confluence of arts, science, and activism Rowan University Art Gallery showcases the work of environmental artist Diane Burko in Vast and Vanishing. On display from March 8 – April 21.

Diane Burko’s artistic practice is at the intersection of art, science, and activism focused on climate change. For over a decade, she has been documenting glacial recession in large-scale paintings and photographs developed in collaboration with scientists, studying their research, and utilizing their data. She is especially committed to understanding and incorporating climate science and sees this intersection as crucial to her artistic development. Her activism led her to make research expeditions to the ice fields of Antarctica, Greenland, Patagonia, and Svalbard where she documented and collected data for her work.

By employing many of the methods used by climate scientists such as recession lines, satellite imaging, and repeat photography, Burko’s research, coupled with her experiences, are translated into monumental paintings and photographs. The results are emotionally expansive works that function as a visual record of glacial recession, a call to action, and metaphor for the socio-political discourse on climate change. Curated by Mary SalvanteVast and Vanishing comprises works that capture the inexhaustible dichotomies and the inescapable tension that Diane witnessed in these extreme frozen environments.

Diane Burko, Rowan University Art GalleryOrtophoto Kongsfjorden 1869 _1990 (after NPI)

Brooklyn-born. Philadelphia-based Burko focuses her work on monumental geological phenomenon. Since 2006 her practice has been at the intersection of art and science, devoted to the urgent issues of climate change. Her current work reflects expeditions to the three largest ice fields in the world. She has sailed around Svalbard with artists and also spent four days in Ny-Alesund with scientists from the Norwegian Polar Institute. She has visited Greenland’s Ilulissat and Eqi Sermia glaciers and first traveled to the Antarctic Peninsula in 2013, returning in January 2015, and explored the Patagonian ice field of Argentina. Burko’s expeditions can be followed at www.dianeburko.com/polarinvestigations.

Aside from showing her art, Burko has gained attention from the scientific community, often speaking on how the arts can communicate science. She is an affiliate of INSTAAR, and has participated in numerous conferences such as those hosted by the Geological Society of America and American Geophysical Union. She is committed to public engagement, using both facts and images to make the invisible visual and visceral.

Diane Burko, Rowan University Art GalleryPetermann Calving

Rowan University Art Gallery is located at 301 High Street West. Free 2-hour public parking is available in the Mick Drive Parking Garage across the street from the gallery. Eynon Ballroom is located in Chamberlain Student Center on the university campus. Admission to the gallery, discussion, and receptions is free and open to the public. Regular gallery hours are Monday – Wednesday, 10:00 a.m. to 5:00 p.m. and Thursday – Saturday, 10:00 a.m. to 7:00 p.m. Directions can be found on the gallery website. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

Support for programming at Rowan University Art Galleries is made possible by funds from the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts.

Thank you to Mary Salvante for the content of this post.

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Virtually

Virtually Rudy, Michener Art MuseumCharles Rudy with Cornish Red Chicken

Michener Art Museum to Present Innovative Sculpture Exhibition

Virtually Rudy: New Dimensions in Sculpture opens on February 17, 2018

DOYLESTOWN, PA–Beginning February 17, 2018, the James A. Michener Art Museum will present Virtually Rudy: New Dimensions in Sculpture, an innovative sculpture exhibition that joins 20th century art with 21st century technology. Nine sculptures by artist Charles Rudy (1904-1986) will be on display alongside three-dimensional representations made possible through a partnership with the Google Cultural Institute.

Through Google Cardboard viewers, visitors will be able to explore the sculptures in virtual-reality mode. The exhibition will be on view through April 8, 2018.

“This is a first-of-a-kind show–not only for the Michener, but for many art museums in the United States,” said Adrienne Neszmelyi-Romano, director of interpretation and innovation, who co-curated the exhibition with assistant curator Louise Feder. “We are very proud that our museum, which has long been committed to showcasing the work of important regional artists, is also at the forefront of technology, and is taking a leading role in understanding how technology can enhance the visitor experience.”

The James A. Michener Art Museum was the first institution on the East Coast to partner with the Google Cultural Institute 3D Operations team to digitize objects from its permanent collection, making 26 objects–including 15 of Rudy’s sculptures–accessible in 3D in 2015 to a global audience. Virtually Rudy pairs the tangible with the intangible, presenting scan and sculpture side by side for the first time. A graduate of the Pennsylvania Academy of the Fine Arts, Charles Rudy achieved national status as a sculptor for his work on public buildings across the country as well as for his prize-winning sculptures. His most notable commissions include the Noah on the Bronx post office in New York and the Sun Seaman’s Memorial in Delaware. In 1936, Rudy and his wife purchased a 70-acre farm in Ottsville, Pennsylvania, where he located his studio. His sculptures of farm animals, several of which are featured in this exhibition, are said to have been inspired by his time spent on his farm. A 1942 Guggenheim fellow, Rudy taught as the head of Cooper Union’s sculpture department for ten years. He also held teaching positions at the Philadelphia Academy of Fine Art, Michigan State College, and Philadelphia Museum School of Art.

Through a partnership with the Perkiomen School in Pennsburg, PA, 3D-printed reproductions of Rudy’s sculptures will be available for visitors to handle, and live demonstrations of the 3D printing process will take place during visiting hours. The 3D printer and the models will be provided by the school’s Entrepreneur Institute, the students of its additive manufacturing class, and the Perk Tech Hub. Throughout the exhibition, museum visitors can register to win 3D-printed models of the sculptures through periodic drawings.

For more information and to purchase tickets in advance, visit MichenerArtMuseum.org.

Thank you to the James A. Michener Art Museum for the content of this post.

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Bowie

Philly Loves Bowie 2018

Philly Loves Bowie Week 2018

An Open Call to All Artists

We are currently looking for gallery ready works of art, relating to David Bowie, to be shown at an Philadelphia Olde City gallery on January 5th for a pop-up event for #PhillyLovesBowie Week January 5th – 13th, 2018. If you currently have Bowie related work, in any medium, or are able to produce a piece prior to the deadline of December 1st 2017, please send an image with the medium, dimensions, etc to bowieweek@gmail.com. You must submit images prior to your work being accepted. Please feel free to share!

Thank you to Patti Brett for the content of this post.

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