Category Archives: Design

Design.

Phillustration 7

Phillustration 7, The Philadelphia Sketch Club, Tom LeonardPhillustration 7The Philadelphia Sketch Club, Tom Leonard, Sea Mammal Alphabet Book Cover, acrylic on illustration board

Phillustration 7, Illustration Exhibition at The Philadelphia Sketch Club

Phillustration 7 is an exhilarating exhibition dedicated to illustration in the historic art studio at The Philadelphia Sketch Club. The room is filled with information packed works, pulsing with memes, telling tales and making artistic insinuations to stir the imagination. The top prize went to Tom Leonard for Sea Mammal Alphabet Book, it’s cool to see a Philadelphia artist and educator win since the show has entries juried in from around the country. The panel he created is exquisite in it’s magical realism and information design.

“In the past seven years Tom Leonard has focused his work on children’s books usually with a view toward nature. His recent work combines a folk-art sophistication with a scientifically realistic interpretation. He has illustrated five books for Hyperion and Golden.

Tom Leonard now lives in Philadelphia and teaches illustration at the University of the Arts, in Philadelphia. He regularly goes to schools to discuss his work. His work has appeared in the Graphis Annual and several times in the Society of Illustrators.” – University of the Arts in Philadelphia

Illustrators are interesting people because they communicate visually using the languages of color, character and composition. Making metaphors and messaging with mark making, they possess a skill that is so rarified and refined their influence is felt throughout contemporary culture. For a unique opportunity to experience an exhibition of fine art illustration and an historic Pennsylvania landmark, go see Phillustration 7.

Phillustration 7, Philadelphia Sketch ClubPiya Wannachaiwong, Ymgarl Genestealer, digital and pencil, Phillustration 7, The Philadelphia Sketch Club

In researching this post I visited the websites of the artists, each one is as exciting and entertaining as any magazine. The breadth of media employed to achieve an artwork that stands on it’s own and promotes an idea, product or position is truly astonishing. The Philadelphia Sketch Club has a long history of presenting fine art exhibitions, providing illustration it’s own venue to share the art and adventure of creating effective commercial art is important.

Piya Wannachaiwong (that’s P-ya Wanna-chai-wong) was born in Yonkers, New York. He misspent his childhood drawing dinosaurs on paper, kitchen tables, windows, school books and living room walls. He earned his B A in Studio Arts from the College of the Holy Cross in Worcester, MA in 2001. Looking for a more thorough art education, he suddenly found himself at the Admissions office of the Academy of Art University in the City by the Bay (San Francisco). Three years later, someone gave him a piece of paper with the letters MFA 2005 on it, tossed him out the door and told him to be useful and get a job.” – Piya Wannachaiwong

Phillustration 7, Zachary Manbeck, Philadelphia Sketch ClubPhillustration 7, Zachary Manbeck, Something Wicked, digital, The Philadelphia Sketch Club

“I am currently studying Illustration at Philadelphia’s University of the Arts and will be receiving my BFA in Illustration in 2018.  I enjoy creating art that tells a story while being both playful and imaginative. Often in my images I ask myself “What is the narrative within the narrative?”, opening the door for multiple colliding stories packed into one fun image.  It is this thought process that keeps my illustrations unique and amusing, allowing their viewers to jump in and get lost in my imagery.” – Zachary Manbeck

Phillustration 7, Jacqueline Hines, The Philadelphia Sketch Club

Phillustration 7, Jacqueline Hines, Ichabod the Autumn Spirit, graphite and Photoshop CS6, The Philadelphia Sketch Club

“Earning their nickname due to their physique, choice of clothing, and a life goal to achieve green skin, Jacqueline a.k.a The Gothic Stringbean is a highly caffeinated, award-winning illustrator currently working on their BFA in Illustration at Moore College of Art and Design. Upon graduation, they plan to travel, listen to some good tunes and be content with a simple life of making good art.

Outside of illustration, some may notice them silently stalking around Philadelphia, PA in colorful polyester and yellow aviators. Otherwise, they like to drink tea, listen to their ever-growing record collection and learn about the wonderful world of the spooky paranormal.” – Jacqueline Hines

Phillustration 7, Pat Achilles, The Philadelphia Sketch ClubPhillustration 7, Pat Achilles, Ghost Tour from ‘Let’s Visit New Hope’, acrylic paint on illustration board, The Philadelphia Sketch Club

Pat Achilles captures that magic moment you always experience when you visit New Hope, the arts community along the Delaware River north of Philly. The atmospheric limited palette and shifty shapes immediately draws the viewer into a story, a ghost story. Sparking the imagination and telling tales is the goal of illustrators, to take us on a trip through a different realm.

Pat Achilles is an award-winning illustrator with over 20 years of experience in corporate, advertising, book and editorial illustration. Her styles range from highly realistic to humorous cartoons to children’s literature. She is a magna cum laude graduate of Moore College of Art in Philadelphia, where she was taught by the delightful Beth and Joe Krush and Bob Byrd. Pat is a co-founder of the Bucks County Illustrators Society and gives presentations on ‘What Authors Should Know about Book Illustration,’ geared especially for children’s book writers, and ‘Marketing for Illustrators.’ She is an adjunct professor in the illustration department at Moore.” – Pat Achilles

Phillustration 7, The Philadelphia Sketch ClubThis kid, Phillustration 7 through November 27th, 2015, The Philadelphia Sketch Club

Robert Bohne told me a story about when he was a kid an uncle took him to the Sketch Club and he knew right away he would be a member one day. Now Bob monitors a popular costumed life model workshop on Thursday afternoons, guiding and advising some of Philly’s finest artists that come to the club to draw and paint. I was drawing at Bob’s workshop last week and the energy and excellence of the artwork around me pushed me to really see what I was looking at and make marks that mean something. The Philadelphia Sketch Club’s President Rich Harrington chaired the exhibit and achieved a level of excellence that, for me, is transformative in it’s exploration of fine illustration.

The Philadelphia Sketch Club Gallery hours: Wednesday, Friday, Saturday, Sunday: 1:00 PM to 5:00 PM, 235 South Camac Street, Philadelphia PA, 19107

Phillustration 7 through November 27th, 2015.

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Written and photographed by DoN Brewer except where noted.

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Mimi

Mimi Lien, 2015 MacArthur Genius Grant,

Philadelphia Festival of the Arts 2016

Congratulations! Exciting news about the Philadelphia Festival of the Arts (PIFA 2016) newly announced set designer Mimi Lien. September 2015 she was awarded a 2015 MacArthur Genius Grant alongside performing arts titans such as Lin Manuel Mirand. You may recall, Ms. Lien designed the 81-ft. tall replica of the Eiffel Tower that was in the Kimmel Center’s Commonwealth Plaza for PIFA 2013. She has also made contributions to the Philadelphia arts scene designing sets for the Pennsylvania Ballet, The Wilma Theater, and Pig Iron Theater Company.

Now Mimi Lien has been selected by The Kimmel Center for the Performing Arts as the designer for the massive lobby exhibit that will serve as the centerpiece for PIFA 2016 (Philadelphia Festival of the Arts). The PIFA 2016 design will be a large-scale, interactive art installation that will be on display throughout the Festival. More details about PIFA will be announced in October and details about Lien’s design will be unveiled later this fall.

The Wall Street Journal on Mimi Lien:

“Mimi Lien, 39, is a set designer for theater, opera and dance in New York who draws on architectural training to create large immersive sets that wash over the audience as well as traditional scenes bounded by the proscenium. From pictures of decadence to those of stark simplicity, Ms. Lien’s sets amplify the work of those on her stages. For more information about Lien visit her website www.mimilien.com

According to the MacArthur Foundation:

“The grant is a “no strings attached” award of $625,000 (paid in installments over five years) that is given directly to individuals rather than to support specific projects or institutions. In other words, recipients are not expected to produce specific work and are not evaluated by the foundation during the grant period. Instead, the award is “an investment in a person’s originality, insight and potential,” the foundation writes on its website. “The purpose of the MacArthur Fellows Program is to enable recipients to exercise their own creative instincts for the benefit of human society.”

PIFA 2016

April 8 – April 23, 2016

“A city-wide, 15-day celebration of art and community, PIFA 2016 showcases innovation and a breadth of local and international performances and installations. With events ranging from a living, participatory paper jungle to a jaw-dropping fire installation and everything in between, the festival will kick off with over 50 events across genres and will conclude with the celebrated PIFA Street Fair, providing an incredible day of fun and festivities for the entire family.  From the expected, PIFA creates the unexpected. And from our own city, it takes us someplace wholly new.  Visit kimmelcenter.org for more information.”

Thank you to Laura Krebs Miller, Vice President, Cashman & Associates for the content of this post.

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Here

Joseph Opshinsky Here & ThereFrameWorks Studio & Gallery presents: Joseph Opshinsky Here & There

October 10 – November 28, 2015. Opening Reception: Saturday, October 10, 2015: 5-8 P.M.

On display beginning October 10th, FrameWorks Studio & Gallery proudly presents Here & There, a solo exhibition featuring twelve new cut-paper collages by Joseph Opshinsky. From the artist who created last spring’s popular Philadelphia A to Z series, Here & There showcases large-scale collages inspired by two Pennsylvania cities significant in the artist’s life – Scranton and Philadelphia.

The exhibition runs October 10 to November 28 with an artist’s opening reception on Saturday, October 10, 2015, from 5-8 p.m. The exhibition and opening reception at FrameWorks Studio & Gallery are FREE and open to the public. Through Here & ThereJoseph Opshinsky invites the viewer to explore the two locales through the eyes of one who has called both cities, “home”. Though connected to each city, Opshinsky’s depictions juxtapose the observations of a native resident, intimately tied to the region’s heritage, to that of a transplanted inhabitant – observing and creating history anew.

In Here & ThereJoseph Opshinsky demonstrates an evolution of his unique medium, cut paper collage, elevating his craft with the increased intricacy and delicacy. The vibrant color palette further enhances the divergent perspectives. In the Scranton works, Opshinsky’s palette – a stark contrast from the traditionally muted colors of post-industrial representations – challenges the viewer to discover the unexpected beauty in forgotten or overlooked settings. In contrast, the bold assemblage of cut paper revealing Philadelphia’s most iconic landscapes offers the historic landmarks a renewed vibrancy, created by fresh perspective.

Joseph Opshinsky’s award-winning work has been selected for regional exhibitions at galleries, including the State Museum of Pennsylvania, Savery Gallery, Roberson Museum, and GoggleWorks Center for the Arts, since 2004. Most recently, Opshinsky’s small scale cut-paper collage series, Philadelphia A-Z, was featured in a joint exhibition with Philadelphia-artist, Mark Price at FrameWorks Studio & Gallery. In addition, Opshinsky has completed seven public murals for the City of Scranton. Opshinsky is a fine arts graduate of The University of the Arts and Keystone College.

FrameWorks Studio & Gallery, serving the Philadelphia community since 2008, is located at 2103 Walnut Street in Philadelphia. FrameWorks Studio & Gallery is open Monday-Thursday 11 a.m.-7 p.m., Friday and Saturday 11 a.m.-6 p.m. and Sunday by appointment. For more information on Here & There, call 215.567.6800 or visit www.JosephOpshinsky.com

Thank you to Kylie P. Grant, UArts BFA ’03 (Painting & Drawing), Owner,FrameWorks Studio & Gallery for the content of this post.

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Red Bull

Red Bull Art of the Can

The Red Bull Art of Can Comes to Dilworth Plaza, Philadelphia

NATIONAL MULTI-MEDIUM ART COMPETITION COMES TO PHILADELPHIA’S DILWORTH PARK

Calling Artists of All Formats to Create for the 2015 Red Bull Art of Can  

PHILADELPHIA, PA. – What can a creative mind design and create, all starting with a can of Red Bull for inspiration?  Coming this fall, the landscape of Philadelphia’s Dilworth Park will be transformed into an interactive, digital and physical art gallery as the nationwide creative competition, Red Bull Art of Can, comes to the city known for it’s famed public art. Artists of varying formats and aspiring creatives from across the country are challenged to make a work of art inspired by a can of Red Bull.

Now through June 15th, submitted art can come in the form of all art disciplines including physical, and digital mediums. A selection will then be made by a panel of judges from the art community to be displayed at a special showcase at Dilworth Park in Center City Philadelphia.

Participants can submit to three categories in the 2015 competition:

  • “Physical Art”: A physical piece of art that uses the actual Red Bull Can as the primary material in the final work.
  • “Digital Displayed Art”:A work of art that can be displayed on a screen and includes a digital version of the Red Bull Can in the final piece.  We are not designating a specific format or genre.  Submissions could take the form of an animation, a digital short film, stop motion, or GIF. Essentially any displayed digital medium is fair game.
  • “Interactive Installation Art”:A piece of artwork that merges both the physical and digital world and uses the Red Bull Can as its primary source of inspiration.

Red Bull Art of the Can

The Red Bull Art of Can exhibition will run from October 1 through October 8, with a special public opening event the weekend of Oct 2 -3 at Dilworth Park.

For more information and to register your art, please visit www.redbullartofcan.com

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Morphing

Morphing, Group Motion, Diane Litten

Morphing in Design and Motion, Group Motion Community Performance Project, Diane Litten Fiber Artist

Diane Litten is playfully exploring unconventional fashion: no patterns, no sewing, just fabrics. All shapes, sizes, misshapes, holes, intentional and not, textures and colors. These fabrics were formerly used to create spaces and dress windows, and she is excited to be bringing them back to life, ‘dancing’.  While working with them, a jingle organically came about that she will be singing in the background from time to time. She calls the line and the jingle ‘No Sew Fabulous‘.”  – Diane Litten

Diane Litten is able to successfully bring together chaotic beauty with structured form, creating pieces that make a statement…  Her ability to create whimsy while helping the wearer make a definitive statement is nothing short of genius.” – Philadelphia Art Alliance 2011

Morphing, Group Motion, Diane Litten

GROUP MOTION Performance Project… is an extension of the Group Motion Friday night workshop that has been running in Philly for over forty years, guiding participants into a space of authenticity, communication and play, and into personal and collective journeys. PP has been ongoing for thirteen years, and is offered twice each year to engage and celebrate a focused experience of dance/movement and music as a form of ritual and community. With a different theme for each Performance Project, we engage in a process of collaborative creation and play to investigate themes based on PERSONAL stories, ENVIRONMENTAL concerns, BODY IMAGE, or DREAMS, and aim to create a sacred space where landscapes and archetypal images can emerge.

  • Idea & Direction/Choreography: Brigitta Herrmann in collaboration with Fiber Artist, Diane Litten
  • Dancers: Laura Bertin, Grace Kamfonas, Megan King, Kristin Narcowich, Nina Sherak, and Sofia Trovato.
  • Keyboard: Carla Mariani
  • PhotosDiane Litten
  • Tech Support: Matt Sharpfs

Community Education Center, Meetinghouse Theater, 3500 Lancaster Avenue, Philadelphia, PA 19104 (Parking in the Rear – enter lot from Filbert Street)                                                               March 22nd at 3:00pm. Admission: $15.00/$10.00 Students/Dancers/Seniors – buy tickets here.

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