Category Archives: Digital Art

Armor

Enamored Armor, Rowan University Art Gallery

ENAMORED ARMOR
The Potency of the Female Figure

GLASSBORO, NJ – Rowan University Art Gallery welcomes guest curator Amie Potsic with this exhibition. Three women artists reframe the cultural construct of feminine as empowering in Enamored Armor. The opening reception and artist talk is on Thursday, November 29 from 6:00 – 8:00 p.m. The exhibit is on display from November 29, 2018 – January 12, 2019.

Featuring work by Marjan Moghaddam, Mari Ogihara, and Tiantian Li, Enamored Armor includes references inspired by art history, cultural specificity, and contemporary society. The classical figure serves as a basis, as the artists investigate the multiplicity of ways in which women choose to present and redefine themselves in pursuit of potency and self-discovery. Through video, painting, sculpture, and Augmented Reality, their work spans a historical spectrum of millennia with a finger on the pulse of current artistic practice, the women’s empowerment movement, and emerging technologies.

Marjan Moghaddam is an award-winning and pioneering digital artist and animator who works primarily with 3d computer graphics, motion capture, and digital media for animation, post-internet art. Her work has been exhibited internationally, in addition to curated shows at the Armory Show in NYC and Art Basel Miami. In her digital female bodies, Marjan utilizes aesthetic styles as part of a figural vocabulary that explores the evolving nature of humanity. The figures represent the deconstruction of the organic, and its fracturing and fragmentation as it migrates from the physical to the digital.

Mari Ogihara’s work ranges from female figures to colorful biomorphic sculptures. She connects her understanding of how a samurai got ready for battle with the way women throughout history have prepared their physical appearance for sexual intimacy. Ogihara has held international residencies in France, Japan, Brazil, and Mexico in addition to multiple residencies in the United States.

Tiantian Li’s work has been shown in numerous Philadelphia galleries in addition to major art museums in China. In her watercolors she explores ideation of female intimacy and emotions expressed through portraits of her lingerie superposition with portraits of historical characters from the renaissance period, which represents a time of enlightenment and romantic expression. She is encouraging women to take a positive perspective on their bodies and female representation while giving themselves the attention, humor, and respect they deserve.

The Rowan University Art Gallery is located at 301 High Street West. Free 2-hour public parking is available in the Mick Drive Parking Garage across the street from the gallery. Admission to the gallery, lecture, and reception is free and open to the public. Regular gallery hours are Monday – Wednesday, 10:00 a.m. to 5:00 p.m. and Thursday – Saturday, 10:00 a.m. to 7:00 p.m. Directions can be found on the gallery website. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

Support for programming at Rowan University Art Galleries is also made possible by funds from the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts.

Baisser in Mary Boone, in Glassish & Waxish Glitch from marjan moghaddam on Vimeo.

Thank you to Mary Salvante for the content of this post.

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DoNArTNeWs – celebrating ten years reporting on Philadelphia artists and art.

Virtually

Virtually Rudy, Michener Art MuseumCharles Rudy with Cornish Red Chicken

Michener Art Museum to Present Innovative Sculpture Exhibition

Virtually Rudy: New Dimensions in Sculpture opens on February 17, 2018

DOYLESTOWN, PA–Beginning February 17, 2018, the James A. Michener Art Museum will present Virtually Rudy: New Dimensions in Sculpture, an innovative sculpture exhibition that joins 20th century art with 21st century technology. Nine sculptures by artist Charles Rudy (1904-1986) will be on display alongside three-dimensional representations made possible through a partnership with the Google Cultural Institute.

Through Google Cardboard viewers, visitors will be able to explore the sculptures in virtual-reality mode. The exhibition will be on view through April 8, 2018.

“This is a first-of-a-kind show–not only for the Michener, but for many art museums in the United States,” said Adrienne Neszmelyi-Romano, director of interpretation and innovation, who co-curated the exhibition with assistant curator Louise Feder. “We are very proud that our museum, which has long been committed to showcasing the work of important regional artists, is also at the forefront of technology, and is taking a leading role in understanding how technology can enhance the visitor experience.”

The James A. Michener Art Museum was the first institution on the East Coast to partner with the Google Cultural Institute 3D Operations team to digitize objects from its permanent collection, making 26 objects–including 15 of Rudy’s sculptures–accessible in 3D in 2015 to a global audience. Virtually Rudy pairs the tangible with the intangible, presenting scan and sculpture side by side for the first time. A graduate of the Pennsylvania Academy of the Fine Arts, Charles Rudy achieved national status as a sculptor for his work on public buildings across the country as well as for his prize-winning sculptures. His most notable commissions include the Noah on the Bronx post office in New York and the Sun Seaman’s Memorial in Delaware. In 1936, Rudy and his wife purchased a 70-acre farm in Ottsville, Pennsylvania, where he located his studio. His sculptures of farm animals, several of which are featured in this exhibition, are said to have been inspired by his time spent on his farm. A 1942 Guggenheim fellow, Rudy taught as the head of Cooper Union’s sculpture department for ten years. He also held teaching positions at the Philadelphia Academy of Fine Art, Michigan State College, and Philadelphia Museum School of Art.

Through a partnership with the Perkiomen School in Pennsburg, PA, 3D-printed reproductions of Rudy’s sculptures will be available for visitors to handle, and live demonstrations of the 3D printing process will take place during visiting hours. The 3D printer and the models will be provided by the school’s Entrepreneur Institute, the students of its additive manufacturing class, and the Perk Tech Hub. Throughout the exhibition, museum visitors can register to win 3D-printed models of the sculptures through periodic drawings.

For more information and to purchase tickets in advance, visit MichenerArtMuseum.org.

Thank you to the James A. Michener Art Museum for the content of this post.

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Asynchronist

Asynchronist, Alex Eckman-Lawn and Jason ChenHollow, Jason Chen and Alex Eckman-Lawn, 2017. Layered cut paper/collage/woven photo. 16.75 x 12.75 inches. Courtesy Paradigm Gallery + Studio.

Paradigm Gallery + Studio is pleased to announce Asynchronist, an exhibition of new works by Alex Eckman-Lawn and Jason Chen.

The presentation explores the aesthetic and conceptual connections between the artists’ practices, with a particular focus on the use of paper cut mediums to investigate the notion of separation. Several works on view were made collaboratively, a first for both artists. The exhibition is on view through October 21, 2017.

Calling to mind the work of Max Ernst and Joseph Cornell, this exhibition presents Eckman-
Lawn’s cut paper and collage pieces that explore the artist’s fear of the body, particularly how Hollow, Jason Chen and Alex Eckman-Lawn, 2017. Layered cut paper/collage/woven photo. 16.75 x 12.75 inches.

Asynchronist, Alex Eckman-Lawn and Jason ChenCaptive Witness, Alex Eckman Lawn, 2017

The body physically entraps and cages the human subject. Drawing from his experience as an
illustrator, he creates a visual narrative using his own distinct vocabulary of symbols and
images, combining seemingly disparate images and sources. Jason Chen will present a new series of handwoven photographs that investigates the notion of duality, interrogating the liminal space between aesthetic perspectives. Rather than a concern with patterning that typifies much of woven artwork, Chen utilizes the process of weaving to deconstruct and reconstruct the photographic image.

About Alex Eckman-Lawn

Alex Eckman-Lawn creates multi-layered, hand-cut, paper collages using everything from his
original digital paintings to imagery from old medical texts. Each layer is spaced, creating a
depth that draws you into the works. His work has appeared in comic books, on album covers,
book covers, T-shirts, music videos, and posters. His cut paper works have most recently been
on display at SCOPE Miami Beach, Art on Paper NY, Paradigm Gallery + Studio, Arch Enemy
Arts, Art Dept., Gallery 1988, Crane Arts Ice Box, Bottleneck Gallery, and more. Eckman-Lawn
received his BFA in Illustration from the University of the Arts in 2007, and is a Philadelphia
native.

About Jason Chen

Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the
University of Arts in 2008. Jason is a Philadelphia based Photographer specializing in Fashion,
Editorial, and Alternative Process Photography. He is the Co-Founder of Paradigm Gallery + Studio and Juggling Wolf (a film and animation production studio). Jason’s work has been
displayed in galleries and venues including: Paradigm Gallery + Studio, Crane Arts, The Light
Room Gallery, Trust Gallery, Kimmel Center, and Commerce Square.

Asynchronist, Alex Eckman-Lawn and Jason ChenWhat If, Jason Chen, 2017

About Paradigm Gallery + Studio

Established February 2010, Paradigm Gallery + Studio® started as a project between co-
founders and curators, Jason Chen and Sara McCorriston, to create a space in which to make artwork, to exhibit the work of their peers, and to invite the members of the local community make their own artwork in a welcoming gallery setting. Over the years, Paradigm Gallery + Studio has become a gallery of diverse contemporary artwork from around the world, but still with a focus on Philadelphia artists.

Paradigm Gallery + Studio provides an artistic space for both the visual and performing arts,
with a focus on dedicated, emerging to established Philadelphia-based visual artists. We
provide artists with individualized attention, strong promotional support and a transformable
gallery space to make their own. We strive to make art accessible to the whole community
through free bi-weekly events and support work that welcomes a wide audience.

SOCIAL MEDIA

Instagram: @ParadigmGS
Twitter: @ParadigmGS
Tumblr: paradigm-gallery.tumblr.com
Facebook: facebook.com/paradigmgallery

Thank you to Thomas Brown, Account Manager, for the content of this post. www.aopublic.com  Art + Culture Public Relations (e) thomas@aopublic.com

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Anahata

John Singletary - Anahata, James Oliver Galleryclick for large images

John Singletary – Anahata, James Oliver Gallery

James Oliver Gallery, 723 Chestnut Street, 4th Floor, Philadelphia, PA 19106

215-923-1242 (office)

267-918-7432 (mobile)

jamesolivergallery@gmail.com

May 6th – June 9th, 2017

Opening Reception: Saturday, May 6th, 6:00 -10:00 PM

Gallery Hours: Wednesday – Friday 5:00pm – 8:00pm, Saturday 12:00pm – 8:00pm

John Singletary - Anahata, James Oliver GalleryDetail of “Providence, 30′ x 5′, Photography Based OLED Installation.

Philadelphia native, John Singletary, is a fine art photographer and multi-media artist.  His educational training includes both Drexel University and The University of the Arts. He has exhibited at The Pennsylvania State Museum of Art, LG Tripp Gallery and Gallery 1401. As well, his work is represented in the permanent collections at the Philadelphia Museum of Art, The Center for Fine Art Photography and The Free Library of Philadelphia.

Anahata is a photographic exhibition that uses its mode of presentation to transcend the limitations of the medium in a multi-disciplinary installation experience. Photographs are animated through multiple state-of-the-art organic LED panels used as electronic canvases. The technology is synchronized to create joined, large format displays, some forming 8′ x 8′ luminous squares or a 30′ Greco-Roman frieze-inspired compositions. Images materialize out of walls and recede back into darkness, as would apparitions in this oddly familiar living space. These and other works are set to original music composed by John Singletary and Matt Hollenberg. In addition, the show will feature a live performance by dancers Amber Malmstadt and Megan Hannon.

John Singletary - Anahata, James Oliver GalleryDetail of “Providence“, 30’x5′ Photography Based OLED Installation.

While the ambition in Singletary’s presentation is of distinct merit, it’s not mere technology doing the real work. The photographic quality in his highly ornamented images demonstrates a conscious and masterful use of the medium. Influenced by a production approach found in theater and cinema, Singletary and his crew built a black box studio in a Victorian house in Germantown, PA as a set for the photography in Anahata. This long term collaborative project enlisted dancers, theater performers, costume designers, make-up artists, choreographers and set technicians. And, in this black box studio, the dream-like imagery, extracted from mythology, symbolism and mysticism directs the narrative in Anahata as it explores human relationships and their connection to the divine.

John Singletary - Anahata, James Oliver Gallery“The Dance of Hades”, 5’x3′ Photography Based OLED Installation.

In John Singletary’s inventive world of Anahata, the artist commands an ancient cry from demons and gods in spear-decorated headdresses and cocoon-like webs that conquer and connect us. From there, he uses an advanced understanding of technology to take us seamlessly forward into a hyper-lit future. With his sensitivity in making this unique grand scale production personal and his exacting print work, the fantasticality in Anahata becomes very real.

John Singletary - Anahata, James Oliver Gallery“Clarise”, 8’x8′ Photography Based OLED Installation.

Thank you to John Singletary for the content of this post.

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afterimage

Robert McNellis : afterimage | photostructures at ARTSPACE 1241

Robert McNellis : afterimage | photostructures at ARTSPACE 1241

April 8, 2017 to April 27, 2017

“The contemporary new work of Robert McNellis is a bold departure from his lit abstractions of the last year. Expanding from the previous structural solutions, he has turned to using surprising, anonymous images derived from photographs, or photographs derived from anonymous images, and combining these with precise, sleek structures. The elements that makes this possible are vague, almost anonymous, figuration and focused light. In the earlier abstract work, the image relied almost entirely on the structure. This new work is an attempt to bring image and structure onto a more equal footing. This required a movement towards limited figuration in the images, for abstraction rests almost entirely on structure. The brilliant resonances produced are sure to reward those who are able to spend time with the work.” – 1241 CARPENTER

Reception Saturday, April 8, 4 – 7 pm

1241 CARPENTER Studios / Ground Floor + @HBHQ  |  A creative community : artist studios : creative businesses : exhibition spaces.

1241 CARPENTER – Over fifty artists and craftspeople working in an awesome 19th Century factory building.

We’re in the Hawthorne neighborhood of Philadelphia. We’re often lumped in with Bella Vista to the east and South Philadelphia which officially begins south of Washington Avenue. Our building is always buzzing with our many creative businesses and art studios.

One exhibition venues is ARTSPACE 1241. It features our tenants and some guest artists each month.

Our close proximity to the Italian Market is terrific for us and our visitors. It’s an authentic taste of Philadelphia!”

Thank you to 1241 CARPENTER for the content of this post which DoN lifted in whole without permission from the press release and website.

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