Category Archives: Digital Art

Asynchronist

Asynchronist, Alex Eckman-Lawn and Jason ChenHollow, Jason Chen and Alex Eckman-Lawn, 2017. Layered cut paper/collage/woven photo. 16.75 x 12.75 inches. Courtesy Paradigm Gallery + Studio.

Paradigm Gallery + Studio is pleased to announce Asynchronist, an exhibition of new works by Alex Eckman-Lawn and Jason Chen.

The presentation explores the aesthetic and conceptual connections between the artists’ practices, with a particular focus on the use of paper cut mediums to investigate the notion of separation. Several works on view were made collaboratively, a first for both artists. The exhibition is on view through October 21, 2017.

Calling to mind the work of Max Ernst and Joseph Cornell, this exhibition presents Eckman-
Lawn’s cut paper and collage pieces that explore the artist’s fear of the body, particularly how Hollow, Jason Chen and Alex Eckman-Lawn, 2017. Layered cut paper/collage/woven photo. 16.75 x 12.75 inches.

Asynchronist, Alex Eckman-Lawn and Jason ChenCaptive Witness, Alex Eckman Lawn, 2017

The body physically entraps and cages the human subject. Drawing from his experience as an
illustrator, he creates a visual narrative using his own distinct vocabulary of symbols and
images, combining seemingly disparate images and sources. Jason Chen will present a new series of handwoven photographs that investigates the notion of duality, interrogating the liminal space between aesthetic perspectives. Rather than a concern with patterning that typifies much of woven artwork, Chen utilizes the process of weaving to deconstruct and reconstruct the photographic image.

About Alex Eckman-Lawn

Alex Eckman-Lawn creates multi-layered, hand-cut, paper collages using everything from his
original digital paintings to imagery from old medical texts. Each layer is spaced, creating a
depth that draws you into the works. His work has appeared in comic books, on album covers,
book covers, T-shirts, music videos, and posters. His cut paper works have most recently been
on display at SCOPE Miami Beach, Art on Paper NY, Paradigm Gallery + Studio, Arch Enemy
Arts, Art Dept., Gallery 1988, Crane Arts Ice Box, Bottleneck Gallery, and more. Eckman-Lawn
received his BFA in Illustration from the University of the Arts in 2007, and is a Philadelphia
native.

About Jason Chen

Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the
University of Arts in 2008. Jason is a Philadelphia based Photographer specializing in Fashion,
Editorial, and Alternative Process Photography. He is the Co-Founder of Paradigm Gallery + Studio and Juggling Wolf (a film and animation production studio). Jason’s work has been
displayed in galleries and venues including: Paradigm Gallery + Studio, Crane Arts, The Light
Room Gallery, Trust Gallery, Kimmel Center, and Commerce Square.

Asynchronist, Alex Eckman-Lawn and Jason ChenWhat If, Jason Chen, 2017

About Paradigm Gallery + Studio

Established February 2010, Paradigm Gallery + Studio® started as a project between co-
founders and curators, Jason Chen and Sara McCorriston, to create a space in which to make artwork, to exhibit the work of their peers, and to invite the members of the local community make their own artwork in a welcoming gallery setting. Over the years, Paradigm Gallery + Studio has become a gallery of diverse contemporary artwork from around the world, but still with a focus on Philadelphia artists.

Paradigm Gallery + Studio provides an artistic space for both the visual and performing arts,
with a focus on dedicated, emerging to established Philadelphia-based visual artists. We
provide artists with individualized attention, strong promotional support and a transformable
gallery space to make their own. We strive to make art accessible to the whole community
through free bi-weekly events and support work that welcomes a wide audience.

SOCIAL MEDIA

Instagram: @ParadigmGS
Twitter: @ParadigmGS
Tumblr: paradigm-gallery.tumblr.com
Facebook: facebook.com/paradigmgallery

Thank you to Thomas Brown, Account Manager, for the content of this post. www.aopublic.com  Art + Culture Public Relations (e) thomas@aopublic.com

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Anahata

John Singletary - Anahata, James Oliver Galleryclick for large images

John Singletary – Anahata, James Oliver Gallery

James Oliver Gallery, 723 Chestnut Street, 4th Floor, Philadelphia, PA 19106

215-923-1242 (office)

267-918-7432 (mobile)

jamesolivergallery@gmail.com

May 6th – June 9th, 2017

Opening Reception: Saturday, May 6th, 6:00 -10:00 PM

Gallery Hours: Wednesday – Friday 5:00pm – 8:00pm, Saturday 12:00pm – 8:00pm

John Singletary - Anahata, James Oliver GalleryDetail of “Providence, 30′ x 5′, Photography Based OLED Installation.

Philadelphia native, John Singletary, is a fine art photographer and multi-media artist.  His educational training includes both Drexel University and The University of the Arts. He has exhibited at The Pennsylvania State Museum of Art, LG Tripp Gallery and Gallery 1401. As well, his work is represented in the permanent collections at the Philadelphia Museum of Art, The Center for Fine Art Photography and The Free Library of Philadelphia.

Anahata is a photographic exhibition that uses its mode of presentation to transcend the limitations of the medium in a multi-disciplinary installation experience. Photographs are animated through multiple state-of-the-art organic LED panels used as electronic canvases. The technology is synchronized to create joined, large format displays, some forming 8′ x 8′ luminous squares or a 30′ Greco-Roman frieze-inspired compositions. Images materialize out of walls and recede back into darkness, as would apparitions in this oddly familiar living space. These and other works are set to original music composed by John Singletary and Matt Hollenberg. In addition, the show will feature a live performance by dancers Amber Malmstadt and Megan Hannon.

John Singletary - Anahata, James Oliver GalleryDetail of “Providence“, 30’x5′ Photography Based OLED Installation.

While the ambition in Singletary’s presentation is of distinct merit, it’s not mere technology doing the real work. The photographic quality in his highly ornamented images demonstrates a conscious and masterful use of the medium. Influenced by a production approach found in theater and cinema, Singletary and his crew built a black box studio in a Victorian house in Germantown, PA as a set for the photography in Anahata. This long term collaborative project enlisted dancers, theater performers, costume designers, make-up artists, choreographers and set technicians. And, in this black box studio, the dream-like imagery, extracted from mythology, symbolism and mysticism directs the narrative in Anahata as it explores human relationships and their connection to the divine.

John Singletary - Anahata, James Oliver Gallery“The Dance of Hades”, 5’x3′ Photography Based OLED Installation.

In John Singletary’s inventive world of Anahata, the artist commands an ancient cry from demons and gods in spear-decorated headdresses and cocoon-like webs that conquer and connect us. From there, he uses an advanced understanding of technology to take us seamlessly forward into a hyper-lit future. With his sensitivity in making this unique grand scale production personal and his exacting print work, the fantasticality in Anahata becomes very real.

John Singletary - Anahata, James Oliver Gallery“Clarise”, 8’x8′ Photography Based OLED Installation.

Thank you to John Singletary for the content of this post.

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afterimage

Robert McNellis : afterimage | photostructures at ARTSPACE 1241

Robert McNellis : afterimage | photostructures at ARTSPACE 1241

April 8, 2017 to April 27, 2017

“The contemporary new work of Robert McNellis is a bold departure from his lit abstractions of the last year. Expanding from the previous structural solutions, he has turned to using surprising, anonymous images derived from photographs, or photographs derived from anonymous images, and combining these with precise, sleek structures. The elements that makes this possible are vague, almost anonymous, figuration and focused light. In the earlier abstract work, the image relied almost entirely on the structure. This new work is an attempt to bring image and structure onto a more equal footing. This required a movement towards limited figuration in the images, for abstraction rests almost entirely on structure. The brilliant resonances produced are sure to reward those who are able to spend time with the work.” – 1241 CARPENTER

Reception Saturday, April 8, 4 – 7 pm

1241 CARPENTER Studios / Ground Floor + @HBHQ  |  A creative community : artist studios : creative businesses : exhibition spaces.

1241 CARPENTER – Over fifty artists and craftspeople working in an awesome 19th Century factory building.

We’re in the Hawthorne neighborhood of Philadelphia. We’re often lumped in with Bella Vista to the east and South Philadelphia which officially begins south of Washington Avenue. Our building is always buzzing with our many creative businesses and art studios.

One exhibition venues is ARTSPACE 1241. It features our tenants and some guest artists each month.

Our close proximity to the Italian Market is terrific for us and our visitors. It’s an authentic taste of Philadelphia!”

Thank you to 1241 CARPENTER for the content of this post which DoN lifted in whole without permission from the press release and website.

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Out

Out of the Box, Open Juried Art Show at The Plastic Club

Out of the Box, Open Juried Art Show at The Plastic Club

UNLEASH YOUR INNER CREATIVE BEAST AT THE PLASTIC CLUB

The Plastic Club is inviting artists to break new creative ground for the club’s next juried art exhibition. The February show will feature the theme of ‘Out of the Box‘ – highlighting ‘work related to the notion of invention and inspiration’. The exhibition will run from February 5th to February 23rd, with an opening party on Sunday, February 5 from 2 PM to 5 PM.

The prospectus explains that the subject may be ‘personal, political, scientific, or otherwise’. Submitted work may also be ‘a piece that is itself an experiment, new subject matter, or new medium for you as an artist’.

“Some example ideas,” the prospectus explains, would be “a piece that represents a new direction in your practice or features a material or medium that is new for you; a portrait of an inventor or innovative thinker; a depiction of an inspirational place, event, or historical turning point; subject matter about a break in convention; an illustrative or abstract response to any of these concepts.”

The show’s prospectus is downloadable from The Plastic Club‘s website, www.plasticclub.org.

The show’s juror will be interdisciplinary artist Jacob Rivkin, a teacher at the University of Pennsylvania School of Design and a member of Philadelphia’s OOF Collective, an animation collective.

Jacob Rivkin Bio

“I am an interdisciplinary artist living in Philadelphia, PA. I currently teach Fine Art courses in the University of Pennsylvania School of Design and at the Mason Gross School of the Arts at Rutgers University. I am currently a member of the OOF Collective. I received my MFA from the University of Pennsylvania in 2013 and BA from Vassar College in 2007. My animations and sculptures focus on understanding how, and if, environments and its geological qualities imbue sentiment and distinct character to its inhabitants.

My animation work has screened at the Animation Block Party in Brooklyn, NY, Vox Populi in Philadelphia, PA, and the Peephole Cinema in San Francisco. My sculptures have been exhibited at the Vancouver Art Gallery in Vancouver, BC, The Chemical Heritage Foundation Museum, Philadelphia, PA, the Arlington Art Center in Arlington, VA and Julius Caesar Gallery in Chicago, IL. Awards include the Juror’s Prize at the 25th Annual McNeese Works on Paper Juried Exhibition in 2012, a Fulbright Grant in 2008 to study Chinese traditional landscape painting in Hangzhou, China, and the Weitzel Barber Art Travel Prize in 2006 to study Buddhist sculpture practices in Western China. In 2014 I was an Artist-in-Residence at the Hacktory in Philadelphia. My studio is located at the Queen Memorial Work Studios in Grays Ferry.” – Jacob Rivkin

The Plastic Club, located on quaint Camac Street, the Avenue of the Artists, was founded in 1897 to promote the visual (plastic) arts. Although initially formed as a women’s group, membership was expanded to include men in 1991. The Plastic Club has over 200 members from the Philadelphia area, long-distance members hail from three continents.

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Society

Photographic Society of Philadelphia, DoN BrewerCoiled, digital photograph, lustre inkjet print, 15″ x 19″, DoN Brewer

Photographic Society of Philadelphia, 2016 Photography Salon

at The Plastic Club

Opening Reception: Sunday, October 2nd, 1:00 – 5:00pm at The Plastic Club, 247 South Camac Street, Philadelphia, PA 19107, 215-545-9324

Additional Receptions: October 9th, 16th and 23rd, 1:00 – 5:00pm

The Photographic Society of Philadelphia* is the oldest active photography society in the country. We have been looking at the world through the camera lens since 1860!

Photography has dramatically evolved since 1860.  Back then the techniques of photography were limited to a few. Photographers developed their own processes, grounded their own lenses, made their own cameras and tripods.  “Instant” could be many minutes, images were captured on glass plates and slowly teased into visibility, and the lightest camera still weighed many pounds.  But such was the “cutting-edge technology” of the time.

The evolution of photographic technology and techniques over the last century and a half has been daunting.  Never more so than today, where film technology and digital technology both draw the photographer’s attention.  Today, lenses and cameras are designed by computer, “instant” is a tiny fraction of a second, “film” may be a digital camera’s memory card, and even the traditional darkroom may now be complemented by a cleverly used computer and digital printer.

Through it all the Photographic Society of Philadelphia has been there. The Society, throughout its history, has provided just such a place to share new technologies, ideas, and techniques.  Documentary, artistic, and scientific works by many of its members have featured prominently in the history of American photography.  And its purpose remains the same today as it has been since 1860—to increase and diffuse knowledge of the natural laws which relate to the action of light, and particularly to promote improvements in the art of photography.

* The Photographic Society of Philadelphia is a not-for-profit and tax-exempt organization under section 501(c)(3) of the Internal Revenue Code. We’re open to all film and digital photographers, from enthusiasts to professionals from all over the world.

psop1

Photographic Society of Philadelphia, 2016 Photography Salon at The Plastic Club

Opening Reception: Sunday, October 2nd, 1:00 – 5:00pm at The Plastic Club, 247 South Camac Street, Philadelphia, PA 19107, 215-545-9324

Additional Receptions: October 9th, 16th and 23rd, 1:00 – 5:00pm

About the Plastic Club

Since 1897, The Plastic Club has been devoted to the promotion and preservation of the visual (plastic) arts in Philadelphia. The busy gallery schedule offers several annual exhibitions for members and non-members, as well as invited artists in solo and group exhibitions. Members include well-known Philadelphia artists.

The name ” Plastic Club,” suggested by Blanche Dillaye, referred to any work of art unfinished, or in a “plastic” state. The term also refers to the changing and tactile sense of painting and sculpture.

Among the founding members of The Plastic Club were the “Red Rose Girls” — Violet Oakley, Jessie Willcox Smith, and Elizabeth Shippen Green — outstanding artists of their time. The name was given to this group of talented women by their teacher Howard Pyle.

Although initially formed as a women’s group, The Plastic Club has always hosted exhibitions and lectures by prominent men and women artists. Membership was expanded to include men in 1991, and they now number about half of the active members.

The Club’s home is a historic double townhouse located on one of Philadelphia’s “little streets” in the heart of the city. Built in 1824, it houses the club’s spacious studio, gallery spaces, offices and dining facilities. The club purchased the property in 1909, and expanded it to include the house next door in 1910. In the past ten years the building has undergone many renovations so that it now functions like a 21st century building, but still retains its 19th century charm.

We are happy to have the venerable Philadelphia Sketch Club as our neighbor to the north on Camac Street. At one time there were several other clubs here, including the Cushman Club, now in private hands, which earned the alley the nickname “Little Street of Clubs”. On October 21 2001, the historical value of our tiny street was formally recognized with the designation “Avenue of the Artists” by the City of Philadelphia.

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