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Still Life Crew: Gardening Above, Paradigm Gallery + Studio

Still Life Crew: Gardening Above at Paradigm Gallery, Philadelphia

Still Life Crew: “Gardening Above”A collaborative exhibition between January 27, 2023 – February 19, 2023. Opening ReceptionFriday, January 27 • 5:30 PM-8:00 PM RSVP here* Appreciated but not required

To kick off 2023 at Paradigm, Still Life Crew returns with their second exhibition as a duo at Paradigm. The artists behind the joint “Gardening Above” collection, Mando Marie and Hyland Mather, are bringing their collaborative work to a new level in this exhibition through a seamless creative process. The two have discovered new methods of formation through layering processes that have the feeling of tagging in a teammate in a competition or marathon, so in sync, but with each artist’s contributions and special skills holding their own through the details of the individual pieces. Rather than the previous side by side solo work collection previously shown on the gallery’s walls, each artist poured their hearts and vision onto the same surface for this exciting next step in the Still Life Crew’s growing and impactful oeuvre.

Mando Marie primarily uses stencil and mixed-media collage to create paintings that tether the viewer to a feeling of haunting nostalgia. Straddling a line between comforting and spooky, innocence and adulthood, life and spirit, her works find a real power in opposites and duality, evidenced in this series with several examples of her hallmark use of twin and mirrored imagery.

Hyland Mather’s abstract and often geometric painting style, along with his assemblage working technique are both featured in this series. As is his way, the assemblage work features abandoned, discarded, or ‘lost objects’ that have been rediscovered and made new again while maintaining an artifact-like status. In Hyland’s own words, “some lost stuff gets found again”.

About Mando Marie | An American painter and Stencilist, Amanda Marie has been splitting time, living and painting in Amsterdam and Portugal . She attended the Rocky Mountain College of Art and Design (RMCAD) and has exhibited extensively in the US and Europe. She creates small works on paper and larger works on canvas for indoor exhibition. She also paints large scale murals primarily in outdoor urban, or garden settings. Her use of nostalgic storybook-like imagery is an invitation for viewing allegorical and highly painterly compositions . Signature in her very graphic work is the use of children and young adults as imagery tools to deliver clever, often subtle messages that can straddle a line between comforting and spooky. Other signature and recognizable traits in her work are the common use of ‘twin imagery’ and the consistent use of vintage sewing patterns as backgrounds to inform the compositions of her paintings.

About Hyland Mather | “I make stuff from junk. I pick up messes and try to make them into something I think looks good. i use the junk from the city, I use the stuff from the field, i use the bits in the forest, and the things in the trash. I hunt, collect, and gather, but only what I need for the work, for the play. color, shape, composition. Some lost stuff gets found again.”
Hyland Mather is an American assemblage artist and abstract painter, who grew up in Alaska and lives and works now, like Mando, between Amsterdam and Portugal. Best known for his use of found materials, Mather collects discarded objects and reassembles them to help them regain purpose. Mather has exhibited his work in solo and group exhibitions in galleries and public spaces around the world. Accompanying his studio practice, Mather creates murals and urban art installations in various cities primarily in the United States & Europe.

Saturdays • 11:00am – 6:00pm
Sundays • 11:00am – 5:00pm
And 7 days a week by appointment.

Paradigm Gallery + Studio
746 S. 4th Street, 1st Floor / Philadelphia, PA 19147 / (267)266-0073

Media Contact:
Lainya Magaña, A&O PR
347 395 4155

Instagram: @ParadigmGS
Twitter: @ParadigmGS
TikTok: @paradigmgallery

About Paradigm Gallery
Paradigm Gallery + Studio was established in 2010 by co-founders and curators, Jason Chen and Sara McCorriston. The gallery exhibits meaningful, process-intense contemporary artwork from around the world. Paradigm Gallery is globally recognized and known as a tastemaker within their greater Philadelphia arts community. As the gallery grows, it maintains its original mission to keep art accessible. Through monthly donations, free public art installations, and initiatives like Insider Picks, Paradigm Gallery, continues to be a champion of small businesses and emerging and mid-career artists.

Thank you to Paradigm Gallery for the content of this post.

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North Broad Street bisects North Philadelphia, passing by the Divine Lorraine (left) on its way to Philadelphia City Hall (center), which marks the end of North Broad Street and the beginning of South Broad Street.

Philadelphia Makes National Geographic’s Best Trips List for 2020

PHILADELPHIA, NOVEMBER 19, 2019 – With the publication of its annual Best Trips list, National Geographic announces the 25 must-see destinations and travel experiences for 2020. Within the list, 17 of the 25 destinations were nominated, researched, reported, and written in collaboration with National Geographic Traveler magazine’s 17 international editorial teams. Philadelphia was selected in the City category.

With a goal to bring readers a global itinerary of destinations to discover and transformative experiences to seek in the new year, the list champions National Geographic’s sustainable tourism goals, which include supporting cultural engagement, community benefit, geographic and thematic diversity, affordability and value. The list is organized into four general categories: Culture, City, Nature, and Adventure.

“Best Trips is our annual list of where to go, what to know and how to see the world in the year ahead,” says George Stone, Executive Editor, Travel. “The list features 25 timely and global destinations and experiences that make for a year of transformative travels. To build the list we worked with National Geographic editors around the world as well as photographers, writers, explorers and, of course, passionate travelers to report on the essential sites to see and places to be in 2020.”

“We’re thrilled that Philadelphia is featured so prominently and beautifully in this influential publication that we know drives travel decisions,” said Jeff Guaracino, VISIT PHILADELPHIA® president and CEO. “In 2005, National Geographic Traveler called Philadelphia the ‘Next Great City’. It’s awesome to see that more than a decade later, they’re still enamored of and advocates for our historic, modern and always-evolving town.”

National Geographic’s Best Trips 2020 destinations:


  1. Asturias, Spain
  2. Guizhou Province, China (Nominated by National Geographic Traveler China edition
  3. Gobekli Tepe, Turkey (Nominated by National Geographic Traveler Turkey edition
  4. Maya, Guatemala (Nominated by National Geographic Traveler Latin American edition
  5. Mendoza Province, Argentina  
  6. Abu Simbel, Egypt (Nominated by National Geographic Traveler Israel edition


  1. Philadelphia, Pennsylvania – “What to know: There’s a lot of glimmer in Philadelphia: vibrant murals and glinting metalworks, multihued mosaics and kaleidoscopic light installations, art collectives in garages, and a traditionally Italian neighborhood famous for cheesesteaks now sprouting vegan-punk-metal coffeehouses. Think of Detroit, Cleveland, and Cincinnati: resurgent, postindustrial American cities that are channeling creative forces to reinvent themselves for a new generation. Philly is like this but better. It’s a scrappy underdog with a heart of gold and—who can resist the Rocky reference?—the eye of the tiger. Slowly but steadily Philly has changed from a city of industrial might in the first half of the past century to a city of ingenious makers. The evidence is everywhere, from buzzing BOK—a South Philly collective of small businesses and art spaces—to Bela Shehu’s chic and cutting-edge fashion line NinoBrand, in Rittenhouse Square.” – National Geographic
  2. Telc, Czechia (Nominated by National Geographic Traveler Czechia edition
  3. Fort Kochi, Kerala, India (Nominated by National Geographic Traveler India edition
  4. Mostar, Bosnia and Herzegovina (Nominated by National Geographic Traveler Netherlands edition
  5. Parma, Italy 
  6. Puebla, Mexico 


  1. Magdalen Islands, Quebec, Canada   
  2. Kalahari Desert, Botswana (Nominated by National Geographic Traveler Romania edition)  
  3. Bialowieza Forest, Belarus/Poland (Nominated by National Geographic Traveler Poland edition
  4. National Blue Trail, Hungary (Nominated by National Geographic Traveler Hungary edition
  5. Canary Islands, Spain (Nominated by National Geographic Traveler Spain edition
  6. Maldives (Nominated by National Geographic Traveler France edition)
  7. Grand Canyon, Arizona


  1. Tasmania, Australia (Nominated by National Geographic Traveler Korea edition)  
  2. Grossglockner High Alpine Road, Austria (Nominated by National Geographic Traveler Germany edition)  
  3. Wales Way, United Kingdom (Nominated by National Geographic Traveler U.K. edition)
  4. Tohoku, Japan
  5. Kamchatka Peninsula, Russia (Nominated by National Geographic Traveler Russia edition
  6. Zakouma National Park, Chad (Nominated by National Geographic Traveler Italy edition

The Best Trips 2020 list is available online now at, where readers will be transported to each place through iconic photography and vivid narratives. Readers will be able to dive deeper into four of the Best Trips destinations — Asturias, Philadelphia, Iles de la Madeleine and Tasmania — with full-length articles that explore the culture, history, food and terrain of each place.

To learn more about each destination, visit

National Geographic Partners LLC

National Geographic Partners LLC (NGP), a joint venture between The Walt Disney Company and the National Geographic Society, is committed to bringing the world premium science, adventure and exploration content across an unrivaled portfolio of media assets. NGP combines the global National Geographic television channels (National Geographic Channel, Nat Geo WILD, Nat Geo MUNDO, Nat Geo PEOPLE) with National Geographic’s media and consumer-oriented assets, including National Geographic magazines; National Geographic studios; related digital and social media platforms; books; maps; children’s media; and ancillary activities that include travel, global experiences and events, archival sales, licensing and e-commerce businesses. Furthering knowledge and understanding of our world has been the core purpose of National Geographic for 131 years, and now we are committed to going deeper, pushing boundaries, going further for our consumers … and reaching millions of people around the world in 172 countries and 43 languages every month as we do it. NGP returns 27 percent of our proceeds to the nonprofit National Geographic Society to fund work in the areas of science, exploration, conservation and education. For more information visit or, or find us on FacebookTwitterInstagramYouTubeLinkedIn and Pinterest.


VISIT PHILADELPHIA is our name and our mission. As the region’s official tourism marketing agency, we build Greater Philadelphia’s image, drive visitation and boost the economy.

On Greater Philadelphia’s official visitor website and blog, and, visitors can explore things to do, upcoming events, themed itineraries and hotel packages. Compelling photography and videos, interactive maps and detailed visitor information make the sites effective trip-planning tools. Along with Visit Philly social media channels, the online platforms communicate directly with consumers. Travelers can also call and stop into the Independence Visitor Center for additional information and tickets.

Thank you to Cara Schneider,VISIT PHILADELPHIA, for the content of this post.

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The Delaware Art Museum Presents Exhibitions Focused on Beauty, Gender, and Identity

Frédérick Douglass, 2015. Omar Victor Diop (born 1980). Inkjet pigment print on Hahnemuhle paper, 35 1/2 x 35 1/2 inches. © Omar Victor Diop, Courtesy Galerie MAGNIN-A, Paris.
Opening in October: Posing Beauty in African American Culture and Angela Fraleigh: Sound the Deep Waters

WILMINGTON, DE (September 20, 2019) — For as long as the concept of beauty has existed, it has been championed and idealized, as well as challenged and questioned. Beauty as a concept, in art as in culture and society, is ever-changing. It is also increasingly complex, as viewers and artists alike drive for deeper discussion around traditional standards and reconsidered interpretations, while eagerly seeking fresh insights and new voices.

Building off this momentum, and continuing its vision of presenting a range of voices to viewers, the Delaware Art Museum presents two provocative exhibitions this fall exploring beauty, gender, and identity: Posing Beauty in African American Culture, on view October 19, 2019, through January 26, 2020, and Angela Fraleigh: Sound the Deep Waters, on view October 5, 2019, through April 12, 2020.

Posing Beauty in African American Culture will look at the contested ways in which African American beauty has been represented in culture, while Sound the Deep Waters, a commission inspired by the Museum’s Pre-Raphaelite and illustration collections, will present a contemporary look at gender and identity through the lens of historical narrative art.

“We’re excited to present these exhibitions at the same time–in dialogue. Both create visually lush experiences for visitors,” says Heather Campbell Coyle, Chief Curator and Curator of American Art at the Delaware Art Museum. “In Posing Beauty, you see a range of artists working in different styles from glamorous portraiture to documentary photography to video art. The works represent over a century of ongoing conversation around beauty and how we see ourselves and others. Then, in the Angela Fraleigh show, you discover a unique, immersive experience inspired by works of art in the Museum’s collection, but there are unexpected elements and themes that cross over between the two projects.”

Together, the two exhibitions and their related programming will invite viewers into the galleries to see works of art with meaningful connections to both the collection and community. At the same time, the overlapping themes of the exhibitions and complementary works of art will continue the Museum’s vision of increasing representation within its own galleries for women artists and artists of color.

“As the Delaware Art Museum looks to provide a platform for all artists and share works of art that tell a range of stories in many different ways, these exhibitions will extend that vision and invite viewers to be part of the discussion,” says Sam Sweet, Executive Director and CEO of the Delaware Art Museum. “We expect the two exhibitions will inspire our community to think deeper on their own notions of beauty and question how those notions were shaped, and perhaps return to look again at favorite works with fresh eyes.”
About the Exhibitions

Posing Beauty in African American Culture examines the contested ways in which African and African American beauty have been represented in historical and contemporary contexts through a diverse range of media, including photography, film, video, fashion, advertising, and other forms of popular culture, such as music and the Internet. Organized by artist and scholar Deborah Willis, the exhibition features 104 works of art, dating from the 1890s to the present.

As author and historian Barbara Summers notes, “Beauty is power. And the struggle to have the entire range of Black beauty recognized and respected is a serious one.” Posing Beauty invites viewers to think seriously about gorgeous photographs–to admire the self-fashioned glamour of models and beauty contestants, as well as the carefully crafted images of celebrities such as Michelle Obama, Isaac Hayes, and Marvin Hagler.

Featuring both black-and-white and color photography, celebrities, and everyday people, the vast array of photos will encourage viewers to think about beauty in political, cultural, and complex terms. Artists in the exhibition include, among others, Sheila Pree Bright, Renee Cox, Omar Victor Diop, Lola Flash, Charles “Teenie” Harris, John W. Mosley, Gordon Parks, Jamel Shabazz, Mickalene Thomas, Carrie Mae Weems, Ernest C. Withers, and lauren woods.

“There is, appropriately, a great range to this exhibition,” says, Heather Campbell Coyle, Chief Curator and Curator of American Art at the Delaware Art Museum. “The historical examples highlight the ideals of beauty and strength promoted by professional portrait photographers, beauty contests, and popular magazines. Seeing these alongside the work of contemporary artists, especially those who actively critique the ongoing presentation of race and gender in American culture, will encourage viewers to consider the complex relationship between beauty and art, as well as the conversation between contemporary art and popular culture.”

Angela Fraleigh: Sound the Deep Waters was directly inspired by the Delaware Art Museum’s Pre-Raphaelite and American illustration collections. This commissioned display presents a contemporary look at gender and identity through the lens of historic narrative art. Fraleigh’s large-scale paintings and ceramics examine notions of storytelling, role-playing, fantasy, and power dynamics in the work of Katharine Pyle, Hannah Barlow, and Marie Spartali Stillman, among others.

Fraleigh’s opulent paintings are populated by female figures freed from the social constructs of their time. No longer the despised witches of popular fairy tales or shunned agitators, these women are empowered to occupy their own utopian landscape. Fusing meticulous realism with gestural abstraction, Fraleigh constructs an immersive space in which reality merges with dreams and hallucinations.

“I uncovered so many incredible stories associated with the women in the Museum’s Pre-Raphaelite and illustration collections,” Angela Fraleigh explains. “This commissioned piece is part of a longtime project that asks: What if the female characters we’ve come to know from art history–the lounging odalisques, the chorus that whispers in the background–present more than a voyeuristic visual feast? What if these characters embody a flickering of female power at work? Can we see these ‘passive’ characters as subversive and powerful? And if we do, how might it affect women today and of the future?”

Sound the Deep Waters is a dynamic response to pieces from the Museum’s own Pre-Raphaelite and American illustration collections. These new works of art–presented in an immersive installation–will spark the curiosity of viewers already familiar with the Museum’s collection, as well as draw others in to see how historic art can impact contemporary creativity.

“Fraleigh’s work often considers how meanings are made and questions how traditional and familiar cultural narratives shape our experiences in the world. Sound the Deep Waters, encourages us to look anew at images from our own collection,” says Margaret Winslow, Curator of Contemporary Art at the Delaware Art Museum. “Viewers will have the opportunity to reconsider the pictures they thought they knew or the stories they thought they understood.”

Public Programs and Events

David Driskell Living Legacy Talk
Saturday, October 20 | 2:00 p.m.
This speaking tour, envisioned as a series of conversations between Professor David C. Driskell and Professor Curlee R. Holton, will provide an opportunity for audiences and communities around the country to learn about the contributions of Professor Driskell, and of African American artists, to the country’s artistic history.

Picturing Beauty: Celebrating Real Women
Sunday, November 17
Picturing Beauty: Celebrating Real Women will be a free, intergenerational event featuring successful female leaders in the arts. The day will be developed in partnership with Girls, Inc., One Village Alliance, and the YWCA. The event will include a keynote address with Deborah Willis and Angela Fraleigh at 2:00 p.m.

Inside Look: Posing Beauty
Friday, November 22 and Sunday, November 24
Led by a University of Delaware art history graduate student, this program includes an in-depth dialogue about a single work of art.

Black Iris Project: “A Mother’s Rite”
Thursday, January 23 | 8:00 p.m.
Founded in 2016 by choreographer Jeremy McQueen, The Black Iris Project is a ballet collaborative and education vehicle that creates new, relevant classical ballet works that celebrate diversity and Black history. “A Mother’s Rite” is a new ballet about how a mother copes with the loss of her child to a racially-motivated murder.

Guide-Led Public Tours
Saturdays and Sundays throughout the run of Posing Beauty | 2:00 p.m.


Posing Beauty in African American Culture is curated by Deborah Willis and organized by Curatorial Assistance Traveling Exhibitions, Pasadena, California. This exhibition is sponsored by M&T Bank and made possible in Delaware by Mary G. Heiser in memory of her son, Scott T. Heiser, the Johannes R. and Betty P. Krahmer American Art Exhibition Fund, WSFS, and Delmarva. Both Posing Beauty and Angela Fraleigh: Sound the Deep Waters are made possible, in part, by a grant from the Delaware Division of the Arts, a state agency, in partnership with the National Endowment for the Arts. The Division promotes Delaware arts events on

About the Delaware Art Museum

For over 100 years, the Museum has served as a primary arts and cultural institution in Delaware. It is alive with experiences, discoveries, and activities to connect people with art and with each other. Originally created in 1912 to honor the renowned illustrator and Wilmington-native, Howard Pyle, the Museum’s collection has grown to over 12,000 works of art in our building and sculpture garden. Also recognized for British Pre-Raphaelite art, the Museum is home to the largest and most important Pre-Raphaelite collection outside of the United Kingdom and a growing collection of significant contemporary art.

Under the leadership of our Board of Trustees, the Delaware Art Museum is implementing a comprehensive approach to community and civic engagement. This exciting new strategic direction requires that we increase our value and relevance to all audiences. Visit to for the latest exhibitions, programs, and performances or connect with us via social media.
Delaware Art Museum, 2301 Kentmere Parkway,
Wilmington, DE 19806
302.571.9590 | 866.232.3714 (toll free) |

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John Singletary, Detail of Providence, 3′ x 30′ Photography Based OLED Installation/Pigment Print

John Singletary – Anahata

The Delaware Contemporary

200 S Madison Street, Wilmington, DE 19801

Opening Reception: Friday, May 3rd, 5:00 – 9:00 PM

Museum Hours:Monday closed, Tues. 12 – 5pm, Weds. 12 – 7pm, Thurs. & Fri. 10 – 5pm Sun. 12 – 5pm

Philadelphia native, John Singletary, is a fine art photographer and multimedia artist. His educational training includes both Drexel University and a BFA in Photography from The University of the Arts, Philadelphia, PA. He has exhibited at The Pennsylvania State Museum of Art, LG Tripp Gallery and The James Oliver Gallery. As well, his work is represented in the permanent collections of the Philadelphia Museum of Art, The Center for Fine Art Photography and The Haverford College Archives.

Anahata is a photographic exhibition that uses its mode of presentation to transcend the limitations of the medium in a multi-disciplinary installation experience. Photographs are animated through multiple state-of-the-art OLED panels used as electronic canvases. The technology is synchronized to create joined, large format displays, some forming 8′ x 8′ luminous squares or a 30′ Greco-Roman frieze-inspired composition. Images materialize out of walls and recede back into darkness, as would apparitions in this oddly familiar living space. These and other works are set to original music composed by John Singletary and Matt Hollenberg.

Installation View, Clarise, 8′ x 8′ Photography Based OLED Installation

While the ambition in Singletary’s presentation is of distinct merit, it’s not mere technology doing the real work. The photographic quality in his highly ornamented images demonstrates a conscious and masterful use of the medium. Influenced by a production approach found in theater and cinema, Singletary and his crew built a black box studio in a Victorian house in Germantown, PA as a set for the photography in Anahata. This long term collaborative project enlisted dancers, theater performers, costume designers, make-up artists, choreographers and set technicians. And, in this black box studio, the dream-like imagery, extracted from mythology, symbolism and mysticism directs the narrative in Anahata as it explores human relationships and their connection to the divine.

John Singletary, Clarise, 8′ x 8′ OLED Installation/Pigment Print

In John Singletary’s inventive world of Anahata, the artist commands an ancient cry from demons and gods in spear-decorated headdresses and cocoon-like webs that conquer and connect us. From there, he uses an advanced understanding of technology to move forward seamlessly into a hyper-lit future. With his sensitivity in making this unique grand scale production personal and through his exacting print work, the fantasticality in Anahata becomes very real.

The Delaware Contemporary

Phone: 302-656-6466 (main)

Thank you to John Singletary for the content of this post.

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Rosa Leff, Sorry Not Sorry, 2019, hand-cut paper plate, 12” x 12”

A Group Exhibition Curated by Jason Chen

Paradigm Gallery + Studio

Exhibition Dates: April 26 – May 18, 2019
Opening Reception: April 26, 2019 5:30 – 10pm

Paradigm Gallery + Studio is pleased to present pa•per, a group exhibition of paper works curated by Paradigm co-founder Jason Chen, opening on April 26, 2019 and remaining on view through May 18, 2019.

There will be a public opening reception on April 26th from 5:30 – 10pm. Though paper is often thought of as craft material, Chen’s exhibition, pa•per, tries to re-contextualize the medium by showcasing 15 artists who use nontraditional techniques to elevate it.

Included in the exhibition is Baltimore-based Rosa Leff, who is a member of The Guild of American Papercutters. Two of Leff’s pieces in pa•per, Dinner’s On Me and Sorry Not Sorry, incorporate traditional imagery that you might find on fine china plates. All of her work is cut by hand from a single sheet of paper.

While the exhibition does not range in medium, it ranges in technique. From surgical X-Acto blade cuts to minimal collage to Sally Hewitt’s series of paper reliefs, paper is transformed by technique and treatment. India-based Nayan and Vaishali’s ongoing project, 730 Days of Miniature, poses a creative challenge on the seemingly limited nature of the material. Each day, they spend four to six hours meticulously creating miniature paper bird artworks. Each one is colored and cut by hand, and layered to create a “2.5 dimensional” piece. These works and the show itself treats paper not as a background or foundation for artworks, but as a transformable material.

Jason Chen specifically chose artists who have not been featured ever before at Paradigm. Artists participating in pa•per include: Kanako Abe, Daria Aksenova, Joey Bates, Albert Chamillard, Colette Fu, Lizzie Gill, Sally Hewett, Danielle Krysa, Rosa Leff, Huntz Liu, Ryan Sarah Murphy, Marianne R. Petit, Lucha Rodríguez, and Nayan and Vaishali. The gallery is known for working with established and emerging paper artists, but pa•per’s lineup is fresh and unexpected.

pa•per is curated around art that is pushed beyond its practical applications into the world of fine art. The capacity of paper as a medium, rather than a surface to paint or draw on, highlights its potential of exceeding expectations.

(left) Sally Hewitt, Paperback, 2019, cartridge paper manipulated using needles, bodkins and embossing tools, 12 x 10” (right) Nayan and Vaishali, Impala and Red-billed Oxpeckers, 2019, layered cut paper and watercolor, 9 x 9 cm

Paradigm Gallery + Studio
Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. To this day the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.

Location: Paradigm Gallery + Studio, 746 S 4th St., Philadelphia, PA 19147
Media Contact: Lainya Magaña, A&O PR,

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