Category Archives: NJ

Mending

Mending A Reflection, Julie Heffernan,

Rowan University Art Gallery

Mending A Reflection, Julie Heffernan, Rowan University Art Gallery
Mending A Reflection, Julie Heffernan, Rowan University Art Gallery

Rowan University Art Gallery is pleased to present Mending A Reflection, a solo exhibition of Julie Heffernan’s self-portraits, curated by Mary Salvante, Director of Rowan University Art Gallery. 

The exhibit will be on view September 3 to October 26, 2019, with an artist talk and opening   reception on September 12, from 5 – 7:30 pm. Artist talk begins at 5 pm with a reception immediately following. 
                                                                                
Mending a Reflection addresses the connection between culture, mass media and personal identity through the eyes of one central female figure. Through her self-portraiture, Heffernan investigates what she calls the “shared collective unconscious,” exploring the historical narratives and subliminal imagery that work to shape who we are and how we perceive the world around us. 

Mending A Reflection, Julie Heffernan, Rowan University Art Gallery
Self Portrait with Daughters, Julie Heffernan

In 2019, Heffernan revised many of her self-portraits, including Self-Portrait with Daughters, Self-Portrait After Galilee, Self-Portrait with Shipwreck, Self-Portrait as Wrangler, Self-Portrait as Two-Headed Princess, and Self Portrait as Hothead. These newly updated paintings will be exhibited for the first time publicly in Mending a Reflection.

Heffernan’s paintings help us understand how media can influence our behavior and manipulate our perspective. In her large-scale vibrant works, she pays homage to many powerful women by including them in her portraits. Taking inspiration from women activists like Anita Hill and Tarana Burke, Heffernan confronts this bias by presenting what she calls a “different sort of self-portrait,” one full of female spirit, “giving voices to women who have been silenced for too many years by the dominant culture.” 

Mending A Reflection, Julie Heffernan, Rowan University Art Gallery
Self Portrait as Wrangler, Julie Heffernan


ABOUT JULIE HEFFERNAN

Julie Heffernan has been exhibiting her paintings nationally and internationally since 1988 and is represented by Catharine Clark Gallery in San Francisco. She has had numerous solo exhibitions throughout the United States and Europe, including at PPOW in NYC entitled Hunter Gatherer (2019); the Crocker Art Museum, Palmer Art Museum and Michael Haas Gallery in Berlin; and a museum show entitled When The Water Rises originating at the LSU Museum of Art in Baton Rouge and traveling to museums in California, Pennsylvania, Florida, and Texas through 2019. She has participated in numerous group shows at major galleries and museums including the Museum für Moderne Kunst, in Bremen, Germany; Me Museum, Olbricht Collection in Berlin; the Palazzo Reale in Milan, Italy; and in Environmental Impact exhibition traveling to 12 museums throughout the United States. 

Heffernan is the recipient of such prestigious grants as the NEA, NYFA and Fulbright, as well as a PS1 Artist-in-Residence, and her work has been reviewed by major newspapers and magazines including The New York Times and The New Yorker. Her work is in numerous museums throughout the country including the Brooklyn Museum of Art in New York and the Virginia Museum of Fine Art in Richmond, VA.  She is a Professor of Fine Arts at  Montclair State University in New Jersey.


ABOUT ROWAN UNIVERSITY ART GALLERY
Rowan University Art Gallery serves as a premier cultural destination for South Jersey, the Rowan community, and surrounding region. Our mission is to provide a platform for discourse on best practices in contemporary art by professional artists, curators, and scholars through the presentation of interdisciplinary art exhibitions, panel discussions, guest curatorial projects, and other public programming.

The Gallery has a history of programming that recognizes the achievements of women in the visual arts. Important past group exhibitions include The Sister Chapel: An Essential Feminist Collaboration (2016) and Groundbreaking: The Women of the Sylvia Sleigh Collection (2011). The gallery also hosted Better Than Ever: Women Figurative Artists of the ’70s Co-ops (2009), a traveling exhibition that was curated by Sharyn Finnegan, Between the Threads: A Feminist Guide to the Domestic (2016), and Enamored Armor (2018). Solo exhibitions have included Beverly Semmes (2011), Joyce Kozloff (2014), Jeanie Jaffe (2015), Diane Burko (2018), and Ebony G. Patterson (2019).

Support for programming at Rowan University Art Gallery is also made possible by funds from the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts. For more information please visit: rowan.edu/artgallery

RSVP TO THE OPENING RECEPTION: https://www.eventbrite.com/e/julie-heffernan-mending-a-reflection-artist-talk-opening-reception-tickets-65799671589

GALLERY LOCATION

301 High St W, 
Glassboro, NJ 08028
856-256-4521

Visit us online at rowan.edu/artgallery and follow us on Facebook @RowanGallery.  
#RowanGallery #MendingAReflection

GALLERY HOURS
Monday – Friday, 9 am – 5 pm
Saturday, 12 pm – 5 pm

Public parking is available in the Mick Drive Parking Garage across the street from the gallery. Admission to the gallery, lecture, and reception is free and open to the public.

Thank you to Chelsea Markowitz for the content of this post.

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Vast

Diane Burko, Rowan University Art GalleryColumbia Glacier Lines of Recession 1980-2005

Vast and Vanishing

ART, ACTIVISM, AND THE ARCTIC

Diane Burko uses art to examine monumental geological phenomena

GLASSBORO, NJ – Exploring the confluence of arts, science, and activism Rowan University Art Gallery showcases the work of environmental artist Diane Burko in Vast and Vanishing. On display from March 8 – April 21.

Diane Burko’s artistic practice is at the intersection of art, science, and activism focused on climate change. For over a decade, she has been documenting glacial recession in large-scale paintings and photographs developed in collaboration with scientists, studying their research, and utilizing their data. She is especially committed to understanding and incorporating climate science and sees this intersection as crucial to her artistic development. Her activism led her to make research expeditions to the ice fields of Antarctica, Greenland, Patagonia, and Svalbard where she documented and collected data for her work.

By employing many of the methods used by climate scientists such as recession lines, satellite imaging, and repeat photography, Burko’s research, coupled with her experiences, are translated into monumental paintings and photographs. The results are emotionally expansive works that function as a visual record of glacial recession, a call to action, and metaphor for the socio-political discourse on climate change. Curated by Mary SalvanteVast and Vanishing comprises works that capture the inexhaustible dichotomies and the inescapable tension that Diane witnessed in these extreme frozen environments.

Diane Burko, Rowan University Art GalleryOrtophoto Kongsfjorden 1869 _1990 (after NPI)

Brooklyn-born. Philadelphia-based Burko focuses her work on monumental geological phenomenon. Since 2006 her practice has been at the intersection of art and science, devoted to the urgent issues of climate change. Her current work reflects expeditions to the three largest ice fields in the world. She has sailed around Svalbard with artists and also spent four days in Ny-Alesund with scientists from the Norwegian Polar Institute. She has visited Greenland’s Ilulissat and Eqi Sermia glaciers and first traveled to the Antarctic Peninsula in 2013, returning in January 2015, and explored the Patagonian ice field of Argentina. Burko’s expeditions can be followed at www.dianeburko.com/polarinvestigations.

Aside from showing her art, Burko has gained attention from the scientific community, often speaking on how the arts can communicate science. She is an affiliate of INSTAAR, and has participated in numerous conferences such as those hosted by the Geological Society of America and American Geophysical Union. She is committed to public engagement, using both facts and images to make the invisible visual and visceral.

Diane Burko, Rowan University Art GalleryPetermann Calving

Rowan University Art Gallery is located at 301 High Street West. Free 2-hour public parking is available in the Mick Drive Parking Garage across the street from the gallery. Eynon Ballroom is located in Chamberlain Student Center on the university campus. Admission to the gallery, discussion, and receptions is free and open to the public. Regular gallery hours are Monday – Wednesday, 10:00 a.m. to 5:00 p.m. and Thursday – Saturday, 10:00 a.m. to 7:00 p.m. Directions can be found on the gallery website. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

Support for programming at Rowan University Art Galleries is made possible by funds from the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts.

Thank you to Mary Salvante for the content of this post.

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Prime

Prime Time, Maureen, Maureen Gass-Brown, New Watercolors

Prime Time, Maureen Gass-Brown, New Watercolors,

Church St. Art & Craft

Join us for the month of April as we welcome spring with “Prime Time” a delightful floral watercolor exhibit by member artist, Maureen Gass-Brown.

An opening reception will be held on April 8th from 4:00 – 7:00pm. There will be a special discount on all unframed originals that will only be offered during the reception!

As always, artful refreshments will be served and everyone is welcome.

Church St. Art & Craft, 2 Church St., Mt. Holly, NJ in the Historic Mill Race Village of Shops,

609-261-8634

Prime Time, Maureen Gass-Brown, New Watercolors, Church St. Art & Craft

Church St. Art & Craft is an eclectic art space. We are a cooperative art gallery in the historic Mill Race Village in Mt. Holly, NJ. We are a custom frame shop, a place to gather and create art and a shop to purchase charming hand made gifts. In short, a wonderfully creative place to visit!

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Food

How Food Moves: Edible LogisticsImage: Amber Art and Design, Corner Store Project

How Food Moves: Edible Logistics

Amber Art & Design / Ryan Griffis & Sarah Ross
Brian Holmes / Otabenga Jones & Associates / Cynthia Main
Claire PentecostPhilly Stake / Stephanie Rothenberg
Candice Smith with Freedom Arts / Kristen Neville Taylor

Daniel Tucker, Guest Curator, Graduate Program Director in Social and Studio Practices at Moore College of Art and Design
March 27 – May 27, 2017
Public Program and Reception: Thursday, March 30, 2017, 6:00 – 8:30pm
Our public program begins at 6:00 pm followed by the reception
Rowan University Art Gallery, 301 High Street West, First Floor, Glassboro, NJ 08028
Admission to the gallery and reception is free and open to the public.
The public program begins at 6:00 pm, led by guest curator Daniel Tucker in dialogue on art, geography, and agricultural planning with Professor Megan Bucknum Ferrigno from Rowan University’s School of Geography and Environment, and with exhibiting artists.

Artists explore the US food supply chain and its complex patterns of distribution in between the point of origin (the farm) and its point of consumption (the plate). The exhibition aims to highlight the work of contemporary artists grappling with the complexity of this movement through multi-media, research-based, and participatory practices that focus a lens on the social and industrial impacts of migrant workers, food justice movements, immigration, multiculturalism, and economic disparities. This project builds upon Tucker’s event series, Moving Units: Where Food & Economy Converge. A companion booklet, produced by Rowan University Art Gallery, serves to provide a general overview of US food supply chains. It includes descriptions of the artist contributions to the exhibition that relate to each step on the chain. Throughout this booklet you read about an approach to geographic education that values connecting with the world outside the classroom. The booklet was researched and written by Megan Bucknum Ferrigno, part-time faculty member of Rowan University’s Department of Geography, Planning and Sustainability. Additional contributions made by Dr. Chuck McGlynn, Dr. Jennifer Kitson and Makenzie Franco.

About the Artists and Projects

With Corner Store, Amber Art & Design – a team of Philadelphia-based artists that work on public art within marginalized communities that have little or no access to art – explores the contemporary sociological and psychological intersection between pan-ethnic Black and Asian communities in Philadelphia and how relationships are shaped based on which side of the counter we stand. (image top)

Illinois-based artists Ryan Griffis and Sarah Ross are represented by Between the Bottomlands and the World, a video (combining photographs, narrative writing, and moving images) exploring the rural Midwestern town of Beardstown, IL, a place of global exchange and international mobility, inscribed by post-NAFTA (North American Free Trade Agreement) realities.

Brian Holmes, an art and cultural critic with a Ph.D. in Romance Languages has a long-standing interest in neoliberal globalization and a taste for on-the-ground intervention. His online atlas, Living Rivers, is devoted to the Mississippi and Great Lakes watersheds and shows these fluid ecosystems as they are inhabited by a multitude of creatures and radically altered by human enterprise.

Otabenga Jones & Associates, a Houston-based educational art organization, documents a collaborative art project and public health program addressing the ongoing crisis of obesity and its related risks with “The People’s Plate.” Inspired by the Black Panther Free Breakfast for School Children Program, this art project includes a public mural in Houston and programs to kick off a year-long commitment to health education.

Cynthia Main, a multidisciplinary artist from Missouri focuses on relating to the land as part of an integral view of a more sustainable society. She shares her hand-made buckets and barrels created using traditional techniques to readdress storage as one of the current dilemmas of localizing production.

Chicago’s Claire Pentecost uses photography to show how industrial agriculture is only partly about supplying food and how it is structured to meet the problem of expense and excess capital accumulation when considering the cost of complex machinery, brand name chemical herbicides, pesticides, fungicides, fertilizers, and patented seeds.

How Food Moves: Edible Logistics

Philly Stake is a locally-sourced, recurring dinner that raises funds for creative and relevant community engaged projects that contributes to the well-being of Philadelphia’s neighborhoods through community arts, urban agriculture, social services, and activist work.

Stephanie Rothenberg’s Reversal of Fortune: The Garden of Virtual Kinship is a garden in the form of a global map that explores the question of what it means to be charitable through the click of a button and examines the cultural phenomena of online crowd-funded charity and how the flow of money impacts the project, positively and negatively.

How Food Moves: Edible LogisticsStephanie Rothenberg

Candice Smith runs Freedom Arts, an after school collaborative art program at Camden’s Freedom Prep Middle School, which is creating an installation responding to the idea that Camden is a “food desert” and examining the movement of food at their school and in their community.

Philadelphia-based Kristen Neville Taylor’s installation – a globe depicting routes of oranges and actual oranges outfitted with a QR code that links to music, articles, folk tales, and art – was inspired by a lyric from Leonard Cohen’s “Suzanne” (“and she feeds you tea and oranges that come all the way from China”) which she associated with the market place and the movement of food but also romance and exotic foreign cultures.

Admission to the gallery and reception is free and open to the public. 
Free parking is now available in the parking garage on Mick Drive directly across from the gallery. For visitor information go to our website: www.rowan.edu/artgallery.

Thank you to Mary Salvante, Rowan University Art Gallery for the content of this post.

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