Tag Archives: New Jersey State Council on the Arts

Vast

Diane Burko, Rowan University Art GalleryColumbia Glacier Lines of Recession 1980-2005

Vast and Vanishing

ART, ACTIVISM, AND THE ARCTIC

Diane Burko uses art to examine monumental geological phenomena

GLASSBORO, NJ – Exploring the confluence of arts, science, and activism Rowan University Art Gallery showcases the work of environmental artist Diane Burko in Vast and Vanishing. On display from March 8 – April 21.

Diane Burko’s artistic practice is at the intersection of art, science, and activism focused on climate change. For over a decade, she has been documenting glacial recession in large-scale paintings and photographs developed in collaboration with scientists, studying their research, and utilizing their data. She is especially committed to understanding and incorporating climate science and sees this intersection as crucial to her artistic development. Her activism led her to make research expeditions to the ice fields of Antarctica, Greenland, Patagonia, and Svalbard where she documented and collected data for her work.

By employing many of the methods used by climate scientists such as recession lines, satellite imaging, and repeat photography, Burko’s research, coupled with her experiences, are translated into monumental paintings and photographs. The results are emotionally expansive works that function as a visual record of glacial recession, a call to action, and metaphor for the socio-political discourse on climate change. Curated by Mary SalvanteVast and Vanishing comprises works that capture the inexhaustible dichotomies and the inescapable tension that Diane witnessed in these extreme frozen environments.

Diane Burko, Rowan University Art GalleryOrtophoto Kongsfjorden 1869 _1990 (after NPI)

Brooklyn-born. Philadelphia-based Burko focuses her work on monumental geological phenomenon. Since 2006 her practice has been at the intersection of art and science, devoted to the urgent issues of climate change. Her current work reflects expeditions to the three largest ice fields in the world. She has sailed around Svalbard with artists and also spent four days in Ny-Alesund with scientists from the Norwegian Polar Institute. She has visited Greenland’s Ilulissat and Eqi Sermia glaciers and first traveled to the Antarctic Peninsula in 2013, returning in January 2015, and explored the Patagonian ice field of Argentina. Burko’s expeditions can be followed at www.dianeburko.com/polarinvestigations.

Aside from showing her art, Burko has gained attention from the scientific community, often speaking on how the arts can communicate science. She is an affiliate of INSTAAR, and has participated in numerous conferences such as those hosted by the Geological Society of America and American Geophysical Union. She is committed to public engagement, using both facts and images to make the invisible visual and visceral.

Diane Burko, Rowan University Art GalleryPetermann Calving

Rowan University Art Gallery is located at 301 High Street West. Free 2-hour public parking is available in the Mick Drive Parking Garage across the street from the gallery. Eynon Ballroom is located in Chamberlain Student Center on the university campus. Admission to the gallery, discussion, and receptions is free and open to the public. Regular gallery hours are Monday – Wednesday, 10:00 a.m. to 5:00 p.m. and Thursday – Saturday, 10:00 a.m. to 7:00 p.m. Directions can be found on the gallery website. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

Support for programming at Rowan University Art Galleries is made possible by funds from the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts.

Thank you to Mary Salvante for the content of this post.

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SIMULATE – PERMEATE

Simulate - Permeate, Rowan University Art GalleryInstructions to the Internet, Christopher McManus

SIMULATE – PERMEATE

Exhibition examines materiality, experience, and authorship in technology-based art.

Glassboro, NJ – Rowan University Art Gallery presents Simulate – Permeate from January 20 to March 7, 2015 with a reception and artist’s talk on Wednesday, February 11 from 5:00 to 7:00 pm.

Curated by Mat Tomezsko, Curator and Program Manager at InLiquid Art & Design, the exhibition features the work of eight Philadelphia-based artists and artist groups making innovative use of new media that collectively examine concepts of materiality, experience, and authorship in technology-based contemporary art.

  • Lyn Godley makes use of naturally occurring responses to particular light wavelengths and imagery in her photographs of water, which are altered digitally and threaded (by hand) with optic fiber and lit with LEDs to achieve an undulating effect.
  • Juggling Wolf, a multidisciplinary collective dedicated to creating video and animation that is technically challenging and visually rewarding, offers two versions of a new video: one full length playing in the gallery and a shorter version broadcast across campus using the technological infrastructure of the university.
  • Christopher McManus’ work is a sculpture and a 20 second video that plays in reaction to the audience’s interaction with the sculpture, which is a piece meant to be a physical representation of the internet: friendly, cute, and enticing while simultaneously being completely repulsive, mean-spirited, and horrifying.
  • A collective of artists, engineers, and designers dedicated to bringing engaging and empowering art to the public, and to encouraging a sense of ownership to community spaces, New American Public Art has created an encounter with a monitor of a live video feed with a temporal delay. The delay is just long enough to create a disconnect, yet remain familiar as viewers are faced with images of themselves from the near past, but just beyond immediate memory.
  • Maria Schneider’s work begins with a pencil on paper drawing, which is then scanned and laser printed onto layers of polycarbonate and illuminated with LED light. The drawings evoke a common experience and a familiar medium, but are transformed by the technological process to become something new.
  • Jody Sweitzer’s outdoor sound and video installation is triggered by the movement of pedestrians on the patio after dark. The seemingly sinister messenger subverts the familiar recitation of the Pledge of Allegiance and emphasizes the tendency to insert religion into what is supposed to be a secular context.
  • Chris Vecchio’s work is about interaction and meant to be touched, and contains more than 500 samples of audio that can be triggered by the angle of movement, ensuring that every interaction between the viewer and the sculpture is unique and questions the traditional role of the art object.
  • TangenT is an artist collective dedicated to mixed-media, project-based immersive art environments exploring socially relevant and politically current themes. At Rowan, their immersive installation of disparate physical, visual, and sound elements seeks to examine the simultaneous connection and disconnection of experience, perception, and knowledge using government reporting on individuals and institutions as a meditation on information control, privacy, and truth.

Simulate - Permeate, Lyn GodleyLyn Godley, Waterwall

InLiquid Art & Design is a nonprofit organization committed to creating opportunities and exposure for visual artists while serving as a free, online public hub for arts information in the Philadelphia area. By providing the public with immediate access to view the portfolios and credentials of over 280 artists and designers via the internet; through meaningful partnerships with other cultural organizations; through community-based activities and exhibitions; and through an extensive online body of timely art information, InLiquid brings to light the richness of our region’s art activity, broadens audiences, and heightens appreciation for all forms of visual culture.

Admission to Rowan University Art Gallery, talks and reception is free and open to the public. Regular gallery hours are Monday – Friday, 10 am to 5 pm (with extended hours on Wednesdays to 7 pm); and Saturday, 12 to 5 pm.

Rowan University Art Gallery is located on the lower level of Westby Hall on the university campus, Route 322 in Glassboro, NJ. Directions can be found on the gallery or university websites. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

This program is made possible in part with funds from the New Jersey State Council on the Arts.

Thank you to Mary Salvante for the content of this blog post.

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