Category Archives: Philadelphia Art Installations

Art installations in Philadelphia.

Snowflake

Snowflake Salon @HBHQ

Snowflake @HBHQ : Fourth Biennial Invitational Winter Show

EXHIBITION: Saturday, January 14, 2017 through Friday, February 24, 2017

Heavybubble is pleased to present our fourth biennial winter invitational. Artists are invited to contribute up to two pieces of their work and to invite an artist they respect to participate. Artworks are no larger than 16 x 16 inches. See the works of more than 60 artists.

Reception + art party + sale: Saturday, January 14, 6:30 – 9:30 pm

Closing TEA PARTY + sale: Saturday, February 25, 2017 4 – 6 pm

Participating artists:

Alice Austin
Kristin Balmer
Sara Bakken
Nancy Barch
Richard Begbie
Rosalind Bloom
Sarah Bloom
Agustin Bolanos
Elena Bouvier
DoN Brewer
Keith R. Breitfeller
Kevin Broad
Therese Brown
Corliss Cavalieri
Damini Celebre
Rachel Citrino
jacintha clark
Amanda D’Amico
Brian Dennis
James A. DePietro
Marie Elcin
Terri Fridkin
Mike Gamble
Rebecca Gilbert
Mary Gordon
Marjorie Grigonis
Naren Gupte
Marguerita Hagan
Kala Hagopian
Vikki Hall-Webster
Nina Hopen Klein
Gregg Krantz
Andrea Krupp
Pam Lethbridge
Fred Lisaius
Robert Magana
Laura Marconi
kellianne mccarthy
Angela McQuillan
Lesley Mitchell
Michael Moffa
Nanette Noone
Alexis Nutini
PD Packard
dolores poacelli
Amie Potsic
Diana Prescott
Donna Quinn
Amy Ralston
Susan Richards
Maryann Riker
Colleen Rudolf
Kristin Schattenfield-Rein
Christopher Smith
Lisa Sparling
Brian Spies
Pierre Trombert
Stella Untalan
TJ Walsh
Ashley Wick

Snowflake Salon @HBHQ, DoN BrewerTiberino Odalisque, oil on canvas, 11″ x 14″, 2016, $300.00, DoN Brewer

Painted last Summer at the Tiberino Sunday art workshop, Tiberino Odalisque is one of my favorite paintings. Completed in five hours, the painterly quality and atmospheric naturalism is my goal when I paint. The environment at the Tiberino Museum in West Philly is so accepting, vibrant and creative and represents the world I live in; a world filled with art, companionship, encouragement and love.

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Form

Charles Sheeler, Michener Art MuseumBobbi Arnst (click photos for large images)

James A. Michener Art Museum Will Present Groundbreaking Exhibition

Charles Sheeler: Fashion, Photography,
and Sculptural Form 

Multimedia retrospective to display never-before-seen photographs from a modernist icon created during his five-year tenure at Condé Nast

DOYLESTOWN, PA – In March 2017, the James A. Michener Art Museum will present Charles Sheeler: Fashion, Photography, and Sculptural Form, a groundbreaking exhibition that features never-before-seen photographs by Charles Sheeler, one of America’s most celebrated modernists. Inspired by Sheeler’s portrait and fashion work for Condé Nast from 1926 to 1931, the multimedia show will feature a significant display of these newly discovered photographs as well as paintings and other photographs created by Sheeler, 1920s fashion ensembles, and Sheeler-designed textiles. Evoking the exuberance, glamour, and promise of the Jazz Age, the exhibition will be on view from March 18 through July 9, 2017.

Charles Sheeler, Michener Art MuseumAldous Huxley

A Philadelphia native, former Doylestown resident, and Pennsylvania Academy of the Fine Arts alumnus, Charles Sheeler is one of the founding figures of American modernism. In 1910, Sheeler and fellow artist Morton Schamberg searched for a place to retreat from Philadelphia to sketch. They found a creative and inspirational escape in Doylestown, making their home at the historic Worthington House on Mercer Avenue. It was here, a mile and a half from where the Michener Art Museum now stands, that Sheeler began to explore photography in earnest.

Charles Sheeler, Michener Art MuseumIna Clare as Betsy Ross

Sheeler’s fashion and portrait photography for Condé Nast, however, has been almost universally dismissed as purely commercial, a painter’s “day job,” and nothing more. In reality, this commercial work was instrumental in shaping his aesthetic vision. Trained in an impressionist approach to landscape painting, Sheeler experimented early in his career with compositions inspired by European modernism before developing a linear, hard-edged style now known as Precisionism. While working in this mode, he produced powerful and compelling images of the Machine Age: skyscrapers, factories, and power plants, images that established his reputation as a leading figure in American art. Charles Sheeler: Fashion, Photography, and Sculptural Form will show that his dramatic viewpoints, rhythmic patterning, and abstract compositions were influenced by his work at Condé Nast.

Charles Sheeler, Michener Art MuseumMadame Lasse

“This exhibition will show how Sheeler’s modernist vision was refined over the course of his time at Condé Nast,” said Kirsten M. Jensen, Ph.D., the Gerry & Marguerite Lenfest Chief Curator at the Michener Art Museum and curator of the exhibition. “It was while there he fine-tuned his particular style-objective, distant, and rigorously formal-that he then applied to all of his subsequent work.

The core of the exhibition is 85 portraits and fashion photographs from this period, on loan from the Condé Nast archives. Models adorned in jewels and couture gowns, literary giants of the era, and Broadway actors and Ziegfeld Follies dancers: the subject matter is as sensational as the Jazz Age itself. The exhibition also features select prints from Sheeler’s famous Doylestown House series as well as his photographs of modern sculpture and early portraiture, the film Manhatta (a collaboration with Paul Strand), period costumes on loan from the collections of the Museum of the City of New York and Drexel University’s Robert and Penny Fox Historic Costume Collection, and paintings and photographs on loan from the Metropolitan Museum of Art, Whitney Museum of American Art, Columbus Museum of Art, Yale University Art Gallery, Princeton University Art Museum, Philadelphia Museum of Art, and other major institutions.

Charles Sheeler, Michener Art MuseumHelen Menken

“The James A. Michener Art Museum is an especially relevant venue for Charles Sheeler: Fashion, Photography, and Sculptural Form considering Sheeler’s strong ties to the region,” said Lisa Tremper Hanover, director and CEO of the Michener Art Museum. “We’re thrilled to present this unknown body of work in Doylestown, where Sheeler made his first important photographs.”

Complementing the exhibit will be programming that includes lectures, curator talks, a Scholars Day, a film series, musical performances, and a New York-based symposium. For the full schedule, visit the exhibition website at CharlesSheeler.org.

Advance tickets and group tours for Charles Sheeler: Photography, Fashion, and Sculptural Form are available at MichenerArtMuseum.org or by calling 215.340.9800.

A member reception will be held on the evening of March 17, 2017, the day before the exhibition opens for public view. To become a Michener Art Museum member and receive an invitation, visit MichenerArtMuseum.org or call 215.340.9800 x110.

Major support for Charles Sheeler: Fashion, Photography, and Sculptural Form has been provided by The Pew Center for Arts & Heritage, with further support from The Coby Foundation, Ltd., Visit Bucks County, an anonymous donor, and the Bucks County Foundation.

Additional funding has been provided by Bonnie J. O’Boyle and Virginia W. Sigety, Independent cabi Stylist.

In-kind support is generously provided by Condé Nast Editions.

About the James A. Michener Art Museum

The James A. Michener Art Museum collects, preserves, interprets and exhibits American art, and promotes the work of nationally and internationally known Delaware Valley artists of all eras and creative disciplines. The museum presents exhibitions that explore a variety of artistic expressions and offers diverse educational programs that develop a lifelong involvement in the arts. Throughout the year, the Michener Art Museum hosts a wide range of programs open to the public, including lectures, artists conversations, gallery talks, artist studio tours, dance performances, jazz performances, family-themed activities, and other events. The museum also offers diverse selection of art classes for children and adults, which include instruction in drawing, painting, sculpting, and printmaking as well as programs for the public, schools, and teachers designed to support arts education. The James A. Michener Art Museum is accredited by the American Alliance of Museums.

The James A. Michener Art Museum is located at 138 South Pine St., Doylestown, PA. The Museum is open Tuesday through Friday, 10:00 am – 4:30 pm; Saturday, 10:00 am – 5:00 pm; and Sunday, noon – 5:00 pm. For more information, visit MichenerArtMuseum.org or call 215.340.9800.

Twitter: @MichenerArt

Facebook: MichenerArtMuseum

Instagram: michenerart

Thank you to Christine Triantos, James A. Michener Art Museum, Associate Director, Marketing and Communications for the content of this post.

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Paros

I Love Paros, Off the Wall Gallery

I Love Paros!, Winter Getaway Show at Off the Wall Gallery at Dirty Frank’s

“GETAWAY ALREADY?: While it’s the first day back for most of us, it’s also never too early to think about vacations ahead. That is exactly what our WINTER SHOW, which goes up this Saturday, will conjure in your head. On display will be the output of 10 talented artists, including several OFF THE WALL veterans, who traveled to the Greek island of PAROS last year — under the guidance and tutelage of ALICE MEYER-WALLACE – to create, celebrate life, collaborate, find inspiration and then create some more! Please mark your calendars for the OPENING RECEPTION on THURSDAY, JANUARY 12, 7:00 – 10:00pm. We look forward to seeing you then and getting away — if only for a few hours…and only through the power of art!” – Togo Travalia

  • Linda Avila
  • Meri Collier
  • Anders Hansen
  • Alice Meyer-Wallace
  • Jess Perlitz
  • Ron Ploeg
  • Susan Ploeg
  • Susan Stromquist
  • Phillis Dyer Weldon
  • Rick Wright

“Paros is a Greek island in the central Aegean Sea. One of the Cyclades island group, it lies to the west of Naxos, from which it is separated by a channel about 8 kilometres (5 miles) wide. It lies approximately 150 km (93 miles) south-east of Piraeus. The Municipality of Paros includes numerous uninhabited offshore islets totaling 196.308 square kilometres (75.795 sq mi) of land. It’s nearest neighbor is the municipality of Antiparos, which lies to its southwest.

Historically, Paros was known for its fine white marble, which gave rise to the term “Parian” to describe marble or china of similar qualities. Today, abandoned marble quarries and mines can be found on the island, but Paros is primarily known as a popular tourist spot.” – Wikipedia

The Dirty History of Franks, in a shot glass:

  • Dirty Frank’s opened its doors as “Franks” on November 8th, 1933, and was owned by Lou Silverman.
  • Prohibition was repealed December 5th, 1933 (how did Lou know?).
  • Frank Vigderman was the second owner. Apparently due to his hygiene, the name ‘Dirty Frank’s’ was born.
  • John Segal was the third owner from 1959-1978. He tried to change the name to the ‘347 bar’ but it never really stuck. In August of 1965 Dirty Frank’s was closed for 45 days as penalty for serving minors. John took the opportunity to tear down the dividing wall between the two rooms and to build the horseshoe-shaped bar that we still have today.
  • Jay McConnell became the fourth owner from 1978 – 2011. He completely embraced and embodied the Dirty Frank’s persona.
  • The Off the Wall Gallery was launched in 1979 by by Jay with Mary Liz, Bunky Devichios, and Phil Sumpter.
  • Since 2011,  Dirty Frank’s is owned by Brad Pierce and Jody Sweitzer, two longtime employees of the “institution”.

There you have it. And, as they say, much is still to be written…

Thank you to Togo Travalia for the content of this post.

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Remembering

Remembering the Past, Confronting the Future

Remembering the Past, Confronting the Future at Main Line Unitarian Church Fireside Gallery January 11- February 25, 2017

(Philadelphia, PA  December, 2016) Main Line Unitarian Church, Fireside Room Gallery, 816 South Valley Forge Road, Devon, PA 1933 presents Remembering the Past, Confronting the Future, Holocaust Art by Linda Dubin Garfield and Elsa Wachs from January 11 to February 25, 2017. The public is invited to a free artists’ reception on Sunday, January 29, 1- 3 PM.

With three shows, artists Linda Dubin Garfield and Elsa Wachs have collaborated on the theme of the Holocaust. Together and separately they explored, examined and expressed important issues through their art. In “Remembering the Past, Confronting the Future” they have combined them to make a powerful progression, sequencing history to affirming action.

Their brief, intimate peeks into the lives of those caught in the fiery Holocaust are what remembrance is all about. In these vignettes we see the threads that hold humanity together becoming the building blocks for our shared existence and hope for a better future

Here the artists have 18 works on paper and 18 fiber mixed media works.  Why 18 each? The word “chai’ translated from Hebrew to English means “life” and “18.”  Within the Jewish faith, the word “chai” possesses both numerical and symbolic meaning. The Hebrew word consists of two  letters in the alphabet: Chet and Yud. Together these letters form “chai” which signifies life and represents being alive . The artists ask the viewers to reflect on, deliberate, resolve, and hopefully pledge to help repair this world.

Linda Dubin Garfield
printmaker/mixed media artist/blogger
610.649.3174
www.lindadubingarfield.com
www.davinciartalliance.orgPresident
www.smARTbusinessconsulting.orgFounder
www.ARTsisters.orgFounder
blogs:
The ART of Travel – www.lindadubingarfield.blogspot.com
www.toooldtodieyoungblog.wordpress.com

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Sound

Andrea Hornick: Unbounded HistoriesAndrea Hornick in Room 23. © 2016 The Barnes Foundation

SITE-SPECIFIC SOUND INSTALLATION UNLOCKS NEW WAYS OF
EXPERIENCING BARNES COLLECTION

Andrea Hornick: Unbounded Histories marks first sound installation
in the Barnes Collection

Philadelphia, PA, December 2016 – The Barnes Foundation presents Unbounded Histories, a new site-specific project by Philadelphia artist Andrea Hornick and the first “sound intervention” in the Collection Gallery.

From January 6 through February 19, 2017, visitors can listen to several dozen original poems written in response to specific works, including Seurat’s Models and Van Gogh’s The Postman, while they explore the Barnes collection (the recording can be streamed on any web-enabled phone). Filled with mysterious, dream-like imagery, Hornick’s poems spring from what she describes as a shamanistic practice: working directly in the collection, the artist puts herself in a trance-like state letting the art lead her toward the stories and images that the mind normally keeps buried. The resulting juxtaposition of sound and sight aims to encourage visitors to consider works in the Barnes collection in a new way—as portals to the unconscious as well as historical objects. To complement the audio portion, video footage showing Hornick’s creative practice will be screened in the collection’s classrooms. Information about the project, including the URL, and headphones will be available outside the collection gallery for the duration of the project.

Unbounded Histories is made possible with support from the William Penn Foundation.

“We wanted to try something new in the Collection Gallery,” says Dr. Martha Lucy, Barnes deputy director for education & public programs and curator, who is curating this project. “Sound art allows us to put living artists in dialogue with the collection without making any changes to the physical space.”

Hornick sees the piece as “a collaboration with the renegade Dr. Barnes.” Her strange, deeply personal poems reframe traditional narratives of art history. “The piece plays with authority and authorship,” Hornick says. “Through a meditative practice in connection with art history, I upend expected interpretations, inviting creative, personal connections to the collection.” Hornick will do a brief performance at the Barnes on January 6as part of First Friday.

ABOUT THE ARTIST
Andrea Hornick received a BA from Oberlin College, and an MFA from the San Francisco Art Institute. Her painting practice extends into text-based sound, performance, and installation. Her work has been exhibited internationally, and extensively in New York and Los Angeles. Her most recent solo exhibition, Journeys, at Savery Gallery in Philadelphia, took place in March 2016. Hornick is included in several group museum exhibitions in fall 2016 and winter 2017, including Natural Philosophy at Martin Art Gallery, Muhlenberg College, and Due South at The Delaware Contemporary. The catalogue Andrea Hornick. Recent Work: 1460-1865 was published for her exhibition at David Krut Projects, New York, in 2009, and Andrea Hornick: works from 1779–1798 was published in 1999 for an installation and performance of the same name. Hornick currently teaches in the Fine Art Department at the University of Pennsylvania, including a graduate seminar entitled Museum as Site: Critique, Intervention, and Production and undergraduate courses in drawing and painting. Hornick has also taught at Barnard CollegeOberlin College, and Auckland University, and been a museum teacher at The Jewish Museum, The Cooper Hewitt National Design Museum, The Morgan Library, and The Museum of Natural History. She was a visiting artist at Oberlin College and the University of California at Davis. Hornick divides her time between New York City and Philadelphia.

ABOUT THE BARNES FOUNDATION
The Barnes Foundation (barnesfoundation.org) was established by Dr. Albert C. Barnes in 1922 to “promote the advancement of education and the appreciation of the fine arts and horticulture.” The Barnes holds one of the finest collections of post-impressionist and early modern paintings, with extensive works by Pierre-Auguste Renoir, Paul Cézanne, Henri Matisse, Pablo Picasso, Henri Rousseau, Amedeo Modigliani, Chaim Soutine, and Giorgio de Chirico; old master paintings; important examples of African sculpture; Native American ceramics, jewelry and textiles; American paintings and decorative arts; and antiquities from the Mediterranean region and Asia. The Barnes Foundation’s Art and Aesthetics programs engage diverse audiences. These programs, held at the Philadelphia campus, online, and in Philadelphia communities, advance the mission through progressive, experimental, and interdisciplinary teaching and learning. 

The Barnes Arboretum, at the Merion campus, contains more than 2,000 varieties of trees and woody plants, many of them rare. Founded in the 1880s by Joseph Lapsley Wilson and expanded under the direction of Mrs. Laura L. Barnes, the collection includes a fern-leaf beech (Fagus sylvatica ‘Laciniata’), a dove tree (Davidia involucrata), a monkey-puzzle tree (Araucaria araucana), and a redwood (Sequoia sempervirens). Other important plant collections include lilacs, peonies, Stewartias and magnolias. The Horticulture school at the Barnes Foundation in Merion has offered a comprehensive three-year certificate course in the botanical sciences, horticulture, garden aesthetics, and design since its establishment in 1940 by Mrs. Barnes.

Thank you to Deirdre Maher, Director of Communications, The Barnes Foundation, for the content of this post. 215.278.7160press@barnesfoundation.org

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