Category Archives: Philadelphia Art Shows

Art shows DoN has reviewed for DoNArTNeWs.

Krimes

Jesse Krimes: Apokaluptein16389067: II

Jesse Krimes: Apokaluptein16389067: II

By Laura Storck

As a native Philadelphian, I’d never visited the Eastern State Penitentiary, which is attributable to my own design as well as lack of desire.  Known as America’s most historic prison, Eastern State Penitentiary was once the most famous prison in the world due to its grand architecture and strict disciplinary practices. Notions of such harsh discipline, imprisonment, and being confined to small spaces renders fear and paralysis in my mind. However, after learning about the May First Friday unveiling of several artists at the ESP, this art enthusiast felt it was a perfect time to make the guarded effort to see this well-known space.

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

I was especially intrigued after reading about the installation ofJesse Krimes, entitled Apokaluptein 16389067: II.  Jesse is a Philadelphia-based artist, who was indicted by the U.S. government on non-violent controlled substance charges, and served a 70-month federal prison term.  While serving his term, Jesse produced a breathtaking and evocative 39-panel landscape on bedsheets. His process is just as magnificent: Jesse transferred cutout images from the New York Times using a plastic spoon and hairgel he had purchased from the commissary. He used the spoon to press the sheet and hairgel onto the newspaper cutout which resulted in an inverse image on the sheet.  Lastly, the images were blended together with color pencil. With the help of prison guards who had supported his work, he was able to store the sheets in a prison locker before having each panel mailed home piece by piece upon completion. Jesse kept a running dialogue in his mind of each of the sheets, as he didn’t see the entire grouping of panels until his release.

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

In it’s original iteration, Apokaluptein16389067 is 15 feet tall and 40 feet long.  The images are a grouped according to three major sections: the bottom represents Hell, the middle portion is a depiction of Earth, and the upper portion signifies Heaven.  A facsimile of the original is on display along the interior walls of an abandoned cell at the ESP. I spoke with Jesse about his artistic process, and he explained that the current installation was made by scanning the original bedsheets onto a large scanner and making a large print. He then made a copy of the large print (to mimic the inverse images that appear on the bedsheets due to the transfer) and affixed those pieces onto the walls of the prison cell exhibition space using hand sanitizer and a sealant. Jesse feels that this project has reached it’s zenith in as it’s final iteration at the Penitentiary.

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

This installation is a brilliant collage of color, form, and text. The texture is reminiscent of decoupage or encaustic painting. In their entirety, the panels serve as an artistic time capsule.

The original title, Apokaluptein16389067, references the Greek origin of the word apocalypse which means to reveal; by definition, it is a cataclysmic event. The numbers reference the artist’s Federal Bureau of Prisons identification number. Of all the works on display at this First Friday event, I felt especially compelled to see this exhibit as I am both amazed and in awe of the power of human resilience.  Last year, I read wonderful meme that has since stuck with me:  “When written in Chinese, the word ‘crisis’ is composed of two characters. One represents danger and the other represents opportunity”. Jesse Krimes‘ work is the epitome and personification of this proverb. I hold much admiration for his creative self-motivation in making this impressively transcendent work of art during his own personal apocalypse.

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, Subscribe to Philly Mural Arts on YouTube

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

www.jessekrimes.com

http://www.easternstate.org

Written and photographed by Laura Storck

Instagramhttp://instagram.com/laurastorck/

Facebook:  https://facebook.com/laura.h.storck

Twitter: @Laura_Storck

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Red Bull

Red Bull Art of the Can

The Red Bull Art of Can Comes to Dilworth Plaza, Philadelphia

NATIONAL MULTI-MEDIUM ART COMPETITION COMES TO PHILADELPHIA’S DILWORTH PARK

Calling Artists of All Formats to Create for the 2015 Red Bull Art of Can  

PHILADELPHIA, PA. – What can a creative mind design and create, all starting with a can of Red Bull for inspiration?  Coming this fall, the landscape of Philadelphia’s Dilworth Park will be transformed into an interactive, digital and physical art gallery as the nationwide creative competition, Red Bull Art of Can, comes to the city known for it’s famed public art. Artists of varying formats and aspiring creatives from across the country are challenged to make a work of art inspired by a can of Red Bull.

Now through June 15th, submitted art can come in the form of all art disciplines including physical, and digital mediums. A selection will then be made by a panel of judges from the art community to be displayed at a special showcase at Dilworth Park in Center City Philadelphia.

Participants can submit to three categories in the 2015 competition:

  • “Physical Art”: A physical piece of art that uses the actual Red Bull Can as the primary material in the final work.
  • “Digital Displayed Art”:A work of art that can be displayed on a screen and includes a digital version of the Red Bull Can in the final piece.  We are not designating a specific format or genre.  Submissions could take the form of an animation, a digital short film, stop motion, or GIF. Essentially any displayed digital medium is fair game.
  • “Interactive Installation Art”:A piece of artwork that merges both the physical and digital world and uses the Red Bull Can as its primary source of inspiration.

Red Bull Art of the Can

The Red Bull Art of Can exhibition will run from October 1 through October 8, with a special public opening event the weekend of Oct 2 -3 at Dilworth Park.

For more information and to register your art, please visit www.redbullartofcan.com

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Roger Ricco

Roger Ricco, SAVERY GallerySAVERY Gallery is thrilled to announce the upcoming exhibition: Roger Ricco : Paintings & Photography showing in Philadelphia from Friday May 8th, through Sunday June 14, 2015. There will be a reception for the artist on Friday May 8th, from 6 to 9pm and an Artist’s Talk on Saturday May 23. SAVERY Gallery 319 N. 11th Street Philadelphia PA 19107 267-687-7769

Roger Ricco : Paintings & Photography features work that spans from 2008 until today. Large scale paintings on canvas interspersed with digitally captured photographs line the walls of the main gallery and a collection of smaller photographs from his Eclipse series is displayed in the adjoining annex gallery. Heavily influenced by nature, the subjects are: flora, rock, jungle, birds, grottoes, as well as geometry and celestial beings. The artist employs photographic reference images, movie stills, fabricated tabletop “sets” and manipulations of scale as starting points for his technical exploration.

The paintings use a carefully limited dark palette full of inky blacks, grays and silvery-greens, no doubt influenced by the Northern light that filters through the enormous wall of glass in the artist’s Woodstock home and studio. Splashes of pinks, purples and cobalt blue add a luminosity, and a surprising femininity. Many of the works in the Jungle Dreaming series are dyptichs, connecting lines from one canvas to the other. His subjects emerge from dark washes of background with energetic marks as lighter, more detailed and recognizable plants, animals and environments. The larger individual canvases (some as large as 48×48) are representations of natural formations, bodies of water and looming natural occurrences, devoid of any evidence of humans or animals. The work presents nature that has been framed or captured elsewhere first, then investigates, follows, manipulates and finds moments of illumination. An other-worldly quality reverberates throughout the work.

In Ricco’s photographs from the Eclipse series, the artist also uses a pared-down color palette combined with similarly thoughtful formal presentation to present a study of what appears to be celestial bodies. Using arranged objects, studio sets and digital processing, the artist created images that appear as if they could have been captured by high powered telescope, or conversely, electron microscope. Their gallery presentation as deeply rich and satiny prints framed without glass allow the viewer to experience an intimate connection to the work while at the same time conjuring large, grand, metaphysically challenging ideas.

Roger Ricco is an internationally recognized multi-disciplinary artist working in painting, photography and video who is based in NY. He has won the Rome Prize in painting, worked with Irving Penn, and currently co-owns and operates Ricco-Maresca Gallery in New York City which represents the work of world-renowned Outsider Artists. He is a leading expert and multi-published author on Outsider Art.

Recently, he has exhibited with: KM Fine Arts, Los Angeles, Kenise Barnes Fine Art, Larchmont NY, Castell Gallery, Asheville, NC Mr. Ricco has also been faculty at School of Visual Arts in NYC in the Art History department and has lectured at Yale University, Bard College, Museum of American Folk Art, Cooper Union, and Zen Mountain Monastery among others.

For further questions, press inquiries, or images please contact Tory Savery: 267-687-7769 or 610-547-8434 gallery@saverydesign.com www.saverygallery.com

Roger Ricco, SAVERY GalleryRoger Ricco : Paintings & Photography May 8th, through Sunday June 14, 2015. Reception for the artist on Friday May 8th, from 6:00 to 9:00pm and an Artist’s Talk on Saturday May 23.

SAVERY Gallery 319 N. 11th Street Philadelphia PA 19107 267-687-7769

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Blue

Lyric Fest Presents, Kile Smith on Composing In This Blue Room, Waxing Poetic, John Thornton Films

Lyric Fest‘s composer in residence Kile Smith talks about his process in writing “Waxing Poetic, In This Blue Room“, a 45 minute song cycle. The music is based on 17 poems that are in turn based on the batik paintings of Laura Pritchard.

“The overall mission of Lyric Fest is to bring people together through the shared experience of song by offering to diverse audiences lively, theme-oriented voice recitals designed to edify, educate, stimulate dialogue, and foster community.” – About Lyric Fest

Kile Smith is Composer in Residence for Lyric Fest, the Helena Symphony, and the Church of the Holy Trinity on Rittenhouse Square in Philadelphia. His music is praised by critics and audiences for its emotional power, direct appeal, and strong voice. Gramophone hailed the “sparkling beauty” of his music, calling Vespers “spectacular.” The Philadelphia Inquirer called it “ecstatically beautiful,” American Record Guide, “a major new work,” Audiophile Audition, “easily one of the best releases of the year of any type… a crime to pass up,” and Fanfare, “a magnificent achievement.” – About Kile Smith

Lyric Fest unveils an exciting new commission from LF’s first ever composer in residence, Kile Smith. This cross-fertilization of visual, poetic and musical arts features works of four Philadelphia poets inspired by Laura Pritchard’s imaginative paintings of fine-art batik. Join us for a unique and lively art happening ~ art viewing, poetry reading and musical premiere all wrapped in one. With baritone, David Teadt and mezzo soprano, Suzanne DuPlantis and Laura Ward, piano.” – Lyric Fest

Waxing Poetic, Laura PritchardWaxing PoeticLaura Pritchard, batik

Thank you to  John Thornton Films.

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Love

Paint a Face for Dawn's Place

ART IN LOVE PARK TO SUPPORT SURVIVORS OF HUMAN TRAFFICKING

Dawn’s Place to Display Public Art Project at Community Art Day: April 11 in Love Park

PHILADELPHIA –  Not many people are aware that slavery still exists. Most still find it hard to believe that slavery is happening in our country or state or neighborhoods today. Dawn’s Place the only residence of its kind in the tri-state area that proactively helps both domestic and international adult female victims of Commercial Sexual Exploitation (CSE) is striving to change that & in the neighborhoods of the Delaware Valley. And they need your support.

On Saturday, April 11 in Love Park (JFK Plaza) Philadelphia, Paint a Face for Dawn’s Place, a community art project to support survivors of human trafficking, will be displayed at Community Art Day. Art Day will take place from noon to 3:00 pm, featuring an outdoor installation of painted portraits of women, live music, spoken word performance, and live street portraits. For more information, visit www.aHomeforDawn.org.

“Human trafficking is just the tip of the iceberg”, says Sister Teresita Hinnegan, a medical mission Sister and co-founder of Dawn’s Place, a 9-bedroom residence in an undisclosed Philadelphia area location. It happens because of all the social and human injustice that’s been around from the beginning. We can focus on rescuing and restoring the victims, but unless we look at the demand side, the injustices that cause trafficking, it will continue.

Consider the following:

  • Within the United States, women, children and men are trafficked daily for commercial sex and forced labor.
  • Victims may be rich, poor, foreign nationals, U.S. citizens, adults, or children under 18.
  • Human trafficking generates $32 billion annually – half of that made in industrialized countries.
  • 80% of all transnational victims are women and girls.

 “It’s all about people who are living in poverty and have very few choices, and how to survive, Sister Teresita continues. Our culture has accepted prostitution. It s seen as a victimless crime. It is not. Prostitutes are labeled as criminals. They are not. They are victims. They need to be treated that way.”

Paint a Face for Dawn’s Place is a public art project organized by Dawn’s Place and Philadelphia artist, Joanna Fulginiti. The project asks members of the community to paint a face of a woman they love or admire. The paintings will be collected and displayed alongside information on human trafficking to rally community support for victims of this crime in the Delaware Valley. Community Art Day will include live performances by musician Rosa Diaz and artist Bonnie MacAllister. Members of the Photographic Society of Philadelphia will take professional street portraits that can be posted to social media or stored on a smartphone.

For interviews and additional media requests please contact: Sr. Michelle Loisel at 215-849-2396

Joanna Fulginiti at joannfulginiti@aol.com

Paint a Face for Dawn's Place

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