Category Archives: Video

Video art.

Making Beautiful

Making Beautiful Objects, The Art and Life of Stoney Lamar, John Thornton Films

Stoney Lamar makes beautiful sculptures out of wood and his work is traveling the country in a show called A Sense of Balance. His work can be seen at Philadelphia’s Center for Art in Wood and the Synderman – Works Galleries through April 18, 2015. He talks about his life and career and how Parkinson’s Disease is affecting his work. – John Thornton

“What is true is that no matter how striking, unique and evolutionary Stoney Lamar’s career has been, he arrived at its beginning some decades ago by an entirely different path. He learned his geometrical theory in a pool hall; he aggravated his minister-father; he grappled with a war; he set out in a career direction that he neither liked nor decided he was much good at; he almost by accident discovered what he was good at, at long last feeling the call in his hands and soul.” – excerpt artist statement Stoney Lamar

William Stoney Lamar (b. 1951) has contributed exceptional skill and vision to the world of wood turning for over 25 years. Stoney Lamar’s sculpture is created primarily through a unique approach to multi-axial lathe work, giving his pieces a distinct sense of line and movement unlike other works of turned wood. He lets the shape, color and modeling of the wood determine a piece’s finished appearance and employs paint and metal in his forms. Stoney Lamar is a founder of the American Association of Woodturners, teaches and lectures, and has served on the boards of the American Craft Council, The Center for Craft, Creativity & Design, and of the Southern Highland Craft Guild. The Center for Art in Wood is proud to present this retrospective, the final venue on the national tour, in our Gerry Lenfest Gallery.” – Center for Art in Wood website

Stoney Lamar: Standing Forms. On view from March 6, 2015 to April 18, 2015. This exhibit is in conjunction with A Sense of Balance: The Sculpture of Stoney Lamar, a solo exhibit traveling throughout the US, which will open at the Center for Art in Wood in mid-February.

Saturday, March 7, 2015 | 2:00 – 4:00 | Tour of Stoney Lomar: Standing Forms at Synderman – Works Galleries, followed by a gallery talk, tour of A Sense of Balance: The Sculpture of Stoney Lamar, and reception at The Center for Art in Wood with Stoney Lamar, Curator Andrew Glasgow, and studio artist and writer Bruce Metcalf. The Center for Art in Wood is located across the street from Synderman – Works Galleries at 141 N. 3rd Street, Philadelphia, PA.” – Synderman – Works Galleries

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SIMULATE – PERMEATE

Simulate - Permeate, Rowan University Art GalleryInstructions to the Internet, Christopher McManus

SIMULATE – PERMEATE

Exhibition examines materiality, experience, and authorship in technology-based art.

Glassboro, NJ – Rowan University Art Gallery presents Simulate – Permeate from January 20 to March 7, 2015 with a reception and artist’s talk on Wednesday, February 11 from 5:00 to 7:00 pm.

Curated by Mat Tomezsko, Curator and Program Manager at InLiquid Art & Design, the exhibition features the work of eight Philadelphia-based artists and artist groups making innovative use of new media that collectively examine concepts of materiality, experience, and authorship in technology-based contemporary art.

  • Lyn Godley makes use of naturally occurring responses to particular light wavelengths and imagery in her photographs of water, which are altered digitally and threaded (by hand) with optic fiber and lit with LEDs to achieve an undulating effect.
  • Juggling Wolf, a multidisciplinary collective dedicated to creating video and animation that is technically challenging and visually rewarding, offers two versions of a new video: one full length playing in the gallery and a shorter version broadcast across campus using the technological infrastructure of the university.
  • Christopher McManus’ work is a sculpture and a 20 second video that plays in reaction to the audience’s interaction with the sculpture, which is a piece meant to be a physical representation of the internet: friendly, cute, and enticing while simultaneously being completely repulsive, mean-spirited, and horrifying.
  • A collective of artists, engineers, and designers dedicated to bringing engaging and empowering art to the public, and to encouraging a sense of ownership to community spaces, New American Public Art has created an encounter with a monitor of a live video feed with a temporal delay. The delay is just long enough to create a disconnect, yet remain familiar as viewers are faced with images of themselves from the near past, but just beyond immediate memory.
  • Maria Schneider’s work begins with a pencil on paper drawing, which is then scanned and laser printed onto layers of polycarbonate and illuminated with LED light. The drawings evoke a common experience and a familiar medium, but are transformed by the technological process to become something new.
  • Jody Sweitzer’s outdoor sound and video installation is triggered by the movement of pedestrians on the patio after dark. The seemingly sinister messenger subverts the familiar recitation of the Pledge of Allegiance and emphasizes the tendency to insert religion into what is supposed to be a secular context.
  • Chris Vecchio’s work is about interaction and meant to be touched, and contains more than 500 samples of audio that can be triggered by the angle of movement, ensuring that every interaction between the viewer and the sculpture is unique and questions the traditional role of the art object.
  • TangenT is an artist collective dedicated to mixed-media, project-based immersive art environments exploring socially relevant and politically current themes. At Rowan, their immersive installation of disparate physical, visual, and sound elements seeks to examine the simultaneous connection and disconnection of experience, perception, and knowledge using government reporting on individuals and institutions as a meditation on information control, privacy, and truth.

Simulate - Permeate, Lyn GodleyLyn Godley, Waterwall

InLiquid Art & Design is a nonprofit organization committed to creating opportunities and exposure for visual artists while serving as a free, online public hub for arts information in the Philadelphia area. By providing the public with immediate access to view the portfolios and credentials of over 280 artists and designers via the internet; through meaningful partnerships with other cultural organizations; through community-based activities and exhibitions; and through an extensive online body of timely art information, InLiquid brings to light the richness of our region’s art activity, broadens audiences, and heightens appreciation for all forms of visual culture.

Admission to Rowan University Art Gallery, talks and reception is free and open to the public. Regular gallery hours are Monday – Friday, 10 am to 5 pm (with extended hours on Wednesdays to 7 pm); and Saturday, 12 to 5 pm.

Rowan University Art Gallery is located on the lower level of Westby Hall on the university campus, Route 322 in Glassboro, NJ. Directions can be found on the gallery or university websites. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

This program is made possible in part with funds from the New Jersey State Council on the Arts.

Thank you to Mary Salvante for the content of this blog post.

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City

Ken Tutjamnong, Painting the City, Video by John Thornton Films

“The artist Ken Tutjamnong has a unique painting style which meshes seemlessly with his subject matter. His cityscapes currently on display at The Rosenfeld Gallery brilliantly capture the feeling and texture of urban life.

Ken Tutjamnong, originally from Thailand, creates highly evocative images of urban neighborhoods of New York City and Philadelphia. He paints on aluminum and his rough technique joined with close observation make him a true painter’s painter. Ken is the owner of a wonderful Thai restaurant in Philadelphia, Smile Cafe, but he would rather be painting. And he is great at it!” – John Thornton

Ken Tutjamnong, The Rosenfeld GalleryKen Tutjamnong at The Rosenfeld Gallery, photograph by Lilliana S. Didovic

“I met Ken at an art exhibit at the Headhouse Square, Philadelphia. From the very beginning I noticed how great an artist he is, I loved his cityscapes. They were very different. Ken’s artistic style can best be described as neoimpressionist, with its moveable knife-work, and soft dispersed striking. His work has a mixture of Eastern and Western civilizations resulting in paintings that are at once delicate and direct, melting and friendly.

Ken and I became very close friends. We loved each other’s art. His art gallery Smile opened with my own solo art exhibit. Very soon after Ken and I had together a very perceptive exhibit, ‘City, Shapes and Colors‘ at Da Vinci Art Alliance, February 2008. I always enjoyed exhibiting my art together with Ken’s.

Also, I visit every place where Ken exhibits his amazing paintings. Every new exhibit makes me love Ken’s paintings more and more. If you ask me to describe him in only a couple of words, I would say, ‘Unique Person & Unique Artist. That is my friend Ken.'” – Lilliana S. DidovicM.Psyc. ATA, Inc.LC/BSC/MT Independent Fine Art Profess./Painter GENEVA Worldwide, foreign language interpreter

Located at 113 Arch Street in Philadelphia, The Rosenfeld Gallery was the first to open in Old City and has served the area for 35 years. The gallery is proud of its inclusive aesthetic representing diverse approaches, styles and media.

Ken TutjamnongKen Tutjamnong at The Rosenfeld Gallery, photograph by Lilliana S. Didovic

Thank you to John Thornton Films and Lilliana S. Didovic for providing content for this blog post.

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#Every90Minutes

Social practice is a theory within psychology that seeks to determine the link between practice and context within social situations. Emphasized as a commitment to change, social practice occurs in two forms: activity and inquiry. Most often applied within the context of human development, social practice involves knowledge production and the theorization and analysis of both institutional and intervention practices.” – Wikipedia

An artist friend of mine asked, “You’re really into this ice bucket challenge thing. Aren’t you?” Yeah, I am. In June I learned that a friend from college was diagnosed with ALS. Jay Smith is young, smart, creative with a successful business and a beautiful family, the news was unbelievable and incredibly sad. Have you ever wept so hard tears literally shoot out of your eyes? The feeling of helplessness, the unfairness of the diagnosis, the mystery of what had happened was shocking, stultifying and confusing. There is no known cause for ALS and no treatment. Jay needed a miracle.

Then, something miraculous happened. The ALS Ice Bucket Challenge became a social media phenomenon like nothing else before. Within a few weeks people all over the world became aware of this insidious disease through social media platforms like YouTube, Facebook, and Twitter with silly, wacky and funny videos of people dumping a bucket of ice water over their heads, donating money and challenging their friends to do the same. The modern miracle of the internet and social media has raised awareness and money to unprecedented levels not since Lou Gehrig, the baseball heart throb, was diagnosed with amyotrophic lateral sclerosis in 1939.

The ALS Ice Bucket Challenge is one of the biggest Social Practice art projects the world has ever known. And like other art movements there are enthusiastic early adopters and those who doubt the authenticity of the art form. Even when some of the greatest minds on the planet opt in to dump ice water on their heads and gasp, there are some who are annoyed by the pervasiveness of the project and choose to throw a wet blanket on the idea.

Imagine if you as an artist create an art project that is so successful, so pervasive, so entertaining and popular that critics will pounce on it with lies, fear and distrust from out of nowhere? The ALS Ice Bucket Challenge is like the Jeff Koons of Social Practice art, either you love him and get it or you don’t. Either you delighted in the expressions of support or you doubted. I was kind of shocked when the signs of social media fatigue started to set in, the first complaint I noticed was a popular Philly DJ who’s voice reaches far and wide on the radio and internet. I tried to explain to him that dumping ice water on your head is a metaphor for living with the disease that literally takes your breath away. He decided to double down on his gripe and said he had already donated and was tired of the videos in his facebook newsfeed, with a smily face emogi 🙂

Facebook rage and rants, charity envy, misleading info-graphics, religious interference and science deniers have emerged from the social media troll layer like crazed zombies eating brains. From Pam Anderson placing the life of the poor little mice, worms and fruit flies used in efficacy testing over the lives of suffering humans to supposedly charitable institutions like churches spreading lies about stem cell research the disinformation being spread is stunningly ignorant. I can only imagine the rage in the minds of people trapped inside a non-responsive body while adrenaline surges though their brains listening to uninformed, narcissistic boneheads blabber and mouth off. I’m talking about you Bill Maher. But many ALS patients can’t speak for themselves and their advocates and caregivers don’t have time for this shit from the haters because they are too busy caring for their loved ones.

Now is a time when art, creativity, performance, science and technology have shined a light on what is hard to look at and not shy away. The ugly/beautiful Social Practice art movement called The ALS Ice Bucket Challenge is challenging the people of our world to open their eyes to a very difficult sight to see. Some are wondering what the next gimmick, meme, trick, game or challenge will be? Maybe a cure for cancer, heart disease, autoimmune diseases, autism, Alzheimer’s…? Through Social Practice art we can make real miracles happen in the real world. Suck it ALS!

Donate to Jay Smith‘s crowd-sourcing campaign, Every90Minutes, all of the money donated goes directly to ALS research. https://www.crowdrise.com/teamalsevery90minutes

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BOYHOOD

BOYHOOD

BOYHOOD

SYNOPSIS:  Filmed over 12 years with the same cast, Richard Linklater’s BOYHOOD is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason’s parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay’s Yellow to Arcade Fire’s Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It’s impossible to watch Mason and his family without thinking about our own journey.

BOYHOOD opens in Philadelphia at the Ritz East July 25TH

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