Tag Archives: Art Installation

The Galleries at the Chamber

Maggie Mills, The Galleries at the Chamber

Maggie Mills, New House, oil on linen, 44″ x 52″, Center for Emerging Visual ArtistsThe Galleries at the Chamber, Arts and Business Council of Greater Philadelphia

Lori Dillard Rech, President and Chief Executive Officer of Center for Emerging Visual Artists addressed the assembled guests for the innaugeral art show at the Arts and Business Council of Philadelphia’s offices on the Avenue of the Arts. The Galleries at the Chamber is showcasing contemporary Philadelphia artists in the lobby, board rooms, meeting rooms and offices on the 7th floor of the grand Bellevue-Stratford Hotel, designed in the French Renaissance style by G.W. & W.D. Hewitt.

“I am with the Center for Emerging Visual Artists and we’re really thrilled to be invited to present this show. I want to thank the Karin Copeland and Miriam DeChant who really had the vision for being able to enhance these spaces, enliven these spaces in a way that’s so enriching. We’re very appreciative.”

Tremain Smith, Arts and Business Council

Tremain Smith, Mercy, oil, wax and collage on panel, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Genevieve Coutroubis, Director, Regional Community Arts Program has been with CFEVA for about twelve years and she really began the program of starting to look at trying to customize exhibitions for businesses. We go into lobbies, hospitals, office spaces, all kinds of different non-profits use us and many businesses. We would hope that many of you would consider having an exhibition in your space. We would be more than happy to come out to talk to you about what that means. The way we curate the shows is we bring in a group of artists and we allow you to look at the works and help you find something appealing to you. And hopefully will be appealing to to your clients and what’s appropriate for you and your clients.

For many years we’ve been providing programs just like this, a wide variety of exhibitions in spaces throughout the Philadelphia area. And one of the most important things for us, in terms of our mission, is that this also gives us the opportunity to showcase the amazing artistic talent of this region. And we can give you that opportunity to do that as well. Thank you to the Arts and Business Council for this incredible opportunity to bring artists into these spaces so that the wider business community can look at it and appreciate it. And think about it for themselves.” – Lori Dillard Rech

Gregory Brellochs, The Galleries at the Chamber

Gregory Brellochs, The Hallow, Soma, Sign ink and vanish on panel, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Gregory Brellochs, The Galleries at the Chamber

Gregory BrellochsThe Hallow, ink and vanish on panel, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Genevieve Coutroubis introduced the artists in attendance but first pointed out that all of the artwork is for sale. The represented artists include photographer James B. Abbott, Gregory Brellochs, Kirsten Fischler, Tish Ingersoll, Eric Kennedy, Shalya Marsh, Maggie Mills, Tremain Smith and Michael Yoder.

Shalya Marsh, The Galleries at the Chamber

Shalya Marsh, ceramic, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

“The Arts & Business Council of Greater Philadelphia (ABC) strengthens our creative sector, including arts, culture and for-profit creative businesses, by engaging the business, legal & technology communities, providing capacity-building services, and serving as a thought leader and a convener. ABC, with the support of the Greater Philadelphia Chamber of Commerce, is uniquely positioned to actively connect the creative sector with the business, legal and technology communities.” – The Arts & Business Council of Greater Philadelphia mission statement.

Shalya Marsh, The Galleries at the Chamber

Shalya Marsh, ceramic (click the picture) Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

DoN asked Miriam DeChant what the Philadelphia arts community should know about the Philadelphia Arts and Business Council and Philadelphia Volunteer Lawyers for the Arts?

“What I think I want them to know the most is we are available for them. And we prefer to be a vaccine instead of a bandage. So, I would like them to ask questions, even if they’re not sure of what the question is because if you’re a little wiser about getting things in writing, being more careful about paying their taxes, working within copyright laws. But, in the future, we want to help people determine whether this is a legal problem or not, before it gets to the point where something actually goes wrong.

I’ve been here for five years and in the last ten years our case load had indicated that with the internet people are more aware that there might be a problem. And if they take risks they’re likely to get caught. So, there’s actually a bit of a chilling effect because people are hesitant to appropriate because they’re afraid to use other people’s work in a way their personal rights might not let them allow them to use in a ‘fair use’ way because it’s such a gray area.”

Shalya Marsh, The Galleries at the Chamber

Shalya Marsh, ceramic, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

“It would be useful to talk to a lawyer about these gray areas. It’s important to talk to a lawyer and ask, ‘How big of a risk is this?’ “Is it worth getting permission or is this enough of a commentary that it’s fair use?

Appropriation is an art form of it’s own, absolutely. There’s a very large case in the Appeals Court of the 2nd Circuit involving prints about photography and approbation in a very interesting way so we’re waiting to see if that goes up to the Supreme Court or not. There’s been progress but it’s a very gray area.

If an artist has a question, they need to submit to me, to us, the work that they’re worried about that’s their’s and whatever it is that they think they are using or gaining inspiration from is legal to share. And then we can talk to them about the therapy. They can call us, there’s an application on-line, We primarily help artists in a pro-bono way for artists who have a low income or modest income, collectors and non-profits, so it’s a bit of paperwork but we’ll work with you on it.

And everyone in the office is really passionate about art.” – Miriam K. DeChant, Esq.

Michael Yoder, The Galleries at the Chamber

Michael YoderCenter for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Written and photographed by DoN Brewer except where noted.

Like Center for Emerging Visual Artists on facebook

Like Arts and Business Council of Greater Philadelphia on facebook

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWS on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

My Every Day

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny Deprez, My Every Day, Philadelphia Sketch Club

“In July I am exhibiting in the Stewart Room, at The Philadelphia Sketch Club. My work explores time and place through photography and painting. I am interested in image making that reveals my experience in the everyday, and extends the process of making to the everyday. I will be showing for the first time a body of work that consists of a gridded arrangement of 12 x 12” photo-based paintings of my daily travels around Philadelphia. I will also debut an ongoing photo-journalistic project of my wife’s family farm (The Hayford Farm, of Pittston, Maine).” – Kenny Deprez

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club

Kenny Deprez‘ solo art show, My Every Day, in the Stewart Room of The Philadelphia Sketch Club is cool hybrid photography, blatantly manipulated, enlivening the historic game room gallery with a modern sensibility. Kenny and DoN chatted at the opening reception held in concert with PHOTOgraphy 2013, the juried photography show, about the logistics of putting on a big solo show.

“Some of the work here goes as far back as 2008, that is where this whole series started. The painting on my photographs. Before that I was primarily a sculptor, video artist slash performance artist. And then this work, photography, sort of presented a way to continue somehow video-graphy or perform in my work. Like, I’m still in charge of the camera and the viewpoint.”

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club

So you think of photography as performance?

“In some ways it’s performance based but it allows me to just make the work everyday. First, it allows me to move my work to the studio or to a gallery space where it becomes more isolated. Here I can work on the ideas every day. The photographs I take, where I’m taking the photographs and then going into painting and painting them, it becomes more of the hand being at work.”

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club

The collection of photographs arranged formally on the gallery wall reads cinematically like a story board. Each photograph contains a separate narrative of time and place but together the images read like a graphic novel.

“I guess I was thinking, sort of, about the microcosm of this space that I’ve gone to a lot over the last eight years, I keep returning to that space and watch how it changes. It’s the Hayford Family Farm, my wife’s family farm, and some of the shots are really formal and some are more playful, some of them show the changes of a site that’s been re-visited over and over again. Some are just happenstance like the cat who runs into the photo. The arrangement reflects the microcosm aspect of it. It’s like a circle, like the whole world can exist there.”

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club

What inspires you to paint on the photographs?

“I guess I’ve never really felt comfortable as a photographer. So this was a way to continue to engage with the photo and figure out the next level. Traditionally I’m a sculptor, so this is a way to think of them as an object, a way to put my hands on it.

The show is called My Every Day and that has a lot to do with the things I see every day of my life. It’s personal in that way but I hope that somehow it’s not just about me. It’s more about like that art doesn’t have to be totally removed from our every day experience.” – Kenny Deprez

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club throughout July, Gallery hours: Wednesday, Friday, Saturday, Sunday: 1 PM to 5 PM.

Written and photographed by DoN Brewer except where noted.

Like The Philadelphia Sketch Club on facebook.

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWS on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Feast Your Eyes

Alexandra Orgera, Feast Your Eyes, Off the Wall Gallery

Alexandra Orgera, Sardines, digital photography, $75.00, multiple framed prints available, Feast Your Eyes, Off the Wall Gallery

Feast Your Eyes at Off the Wall Gallery is a visual smorgasbord, a mind melt sandwich, a banquet of tarts, sweets and delights, some are tasty and some are nasty. The 8th Annual Community Arts Show theme was suggested by surrealist/photographer William Myers which was the recipe for a choice menu of art. The show is free to enter but the competition for space is tough. The Off the Wall Gallery team gathers a jury of art experts to curate the show, treats them to an evening of wine and hors d’oeuvres and enough art submissions to feed the head until it explodes. Read about DoN‘s experience as a past juror here.

Off the Wall Gallery is located in Dirty Frank’s Bar at 13th and Pine Streets and is a hang-out for artists of every kind: college kids from the surrounding art schools, art club denizens from Philly’s allies, world famous painters and absolute beginners side by side at the bar. The collection of mixed media art ranges from paintings, photos and prints to video, sculpture and a QR code with an appealing appetite for the beautiful, strange and unique.

Alexandra OrgeraSardines, digital photography, $75.00, is delectable, printed on panel with a simple raised box frame the piece has the delicious power to switch identities in the mind’s eye. What looks like a classic still life painting is actually a photograph made of the ingredients of fine art. Even more tasty is how affordable the collection of photographs are and you can ask for special orders.

feast your eyes, Off the Wall Gallery

Feast Your EyesOff the Wall Gallery

Look at all the names on this list! Writing about group shows for DoNArTNeWs sometimes leaves a sour taste in DoN‘s craw because not every artist can be put on the menu. So, for a virtual degustation of this ambrosial display, DoN recommends you visit the maitre’d of the fine establishment to digest Togo Travalia‘s tasting recommendations of the gratifying show at the Off the Wall Gallery facebook page.

Even more savory is sipping Jack neat at the bar, absorbing a tantalizing arrangement of tempting creations and listening to David Bowie on the jukebox while cute couples play darts, artists sketch and photographers take pictures. It’s scrumptious.

Written by DoN Brewer. Photographs courtesy of Off the Wall Gallery.

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWS on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Cairo

Noah Addis, Cairo, 110 Church Gallery

Noah Addis, Future Cities: Cairo, 110 Church Gallery

In a week that has been filled with imagery from Cairo, Noah Addis‘ installation of large format prints at 110 Church Gallery in Old City is even more relevant and emotive. Today in Philadelphia the weather is extraordinarily hot outside, but, Cairo, Egypt is a meme for hot places on Earth. The photograph above is a large scale print and was shot with a four by five camera capturing an information rich image of the architectural landscape of the Egyptian city.

The solemn windowless structure, a grid of cement and brick, is housing for people. They don’t live without windows, however, they punch out some of the bricks to create openings transforming the blank wall offering a glimpse into the life of the people who live there.

Noah Addis, Cairo, 110 Church Gallery

Noah AddisFuture Cities: Cairo110 Church Gallery

Noah Addis sets up his four by five camera and waits for that magic light moment to capture on the large negatives, he’ll wait for hours to catch the image that creates the narrative the best. There aren’t many people in the photographs but the signs of life are everywhere. Seeing how other cultures live and comparing it to life here is so compelling and informative. The photographs are beautiful and impeccably printed but the signification of the shapes and their relevance to global culture is unforgettable.

Noah Addis, Cairo, 110 Church Gallery

Noah AddisFuture Cities: Cairo110 Church Gallery

The landscape above with the soccer field and community park has to be seen to believed. The town with cliff side villas is a community where trash is recycled. The debris pours down the mountainside like a mudslide of human consumption and consumerism. The soccer field walls hold back mounds of trash that cannot somehow be recycled, up-cycled, reused or restored by the inhabitants.

Future Cities

“According to United Nations estimates there are more than a billion squatters living today–one out of every six people on earth. This number is expected to double to two billion by 2030. And by the middle of the century there will be three billion squatters.” – Noah Addis artist statement

110 Church Gallery, through July 27, 2013

ARTIST TALK
Saturday, July 27 @ 1:30 pm

Saturdays
Noon – 4 pm

In an ongoing partnership with The Center for Emerging Visual Artists (CFEVA) we are pleased to present Future Cities, Cairo, an Alumni Solo Exhibition featuring work by Noah Addis curated by Stella Gassaway. The exhibition is on view through July 27, 2013 at 110 CHURCH gallery located at 110 Church Street in Old City Philadelphia.

Like 110 Church Gallery on facebook

Written and photographed by DoN Brewer except where noted.

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWS on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Endangered

Endangered, Sarah Kaizar, 3rd Street Gallery

Endangered, Sarah Kaizar, 3rd Street Gallery

This collection of drawings represents 66 of 72 clam and mussel species currently listed as endangered. Despite the tenacity of these creatures, long term changes in the health of our waterways have caused massive declines in colony populations. – Sarah Kaizar artist statement

Endangered, Sarah Kaizar, 3rd Street Gallery

EndangeredSarah Kaizar3rd Street Gallery

“I do these drawings on the train as a self discipline pleasure. It’s a solid hour, so, I get two hours a day to put into this work.”

What do the other passengers think?

“Most of them are sleeping.

Endangered, Sarah Kaizar, 3rd Street Gallery

EndangeredSarah Kaizar3rd Street Gallery

What is your source material?

“I work from photographs to ensure accuracy and I do contact the photographers to get their permission to use them. Which, well, they’re endangered species, so they have done a lot of leg work to photograph them. Because they’re so rare and this is a mutual respect. Like, you have to. “

Endangered, Sarah Kaizar, 3rd Street Gallery

EndangeredSarah Kaizar3rd Street Gallery

How long have you been working on the project?

“Since May of last year. I really, honestly, was just trying to make myself active everyday. I found this endangered species list. I don’t normally draw animals, I’m a painter. But this was a block of time I had and I wanted to be active and make myself do something.

So, I’m trying to work through the list. The project kind of emerged by accident because they really started to feel affective when you see them all together. It feels like a family. But I have an interest in Nature, things like foundations to conserve wildlife.”

Endangered, Sarah Kaizar, 3rd Street Gallery

EndangeredSarah Kaizar3rd Street Gallery

When you draw on the train, do you draw attention?

“In the beginning I sat in the quiet car so the people wouldn’t talk to me. (Giggles) But I don’t mind people watching, it’s just when people start to have a conversation with me I feel like I need to stop. I feel really rude if I’m like. ‘This is what I really want to be doing right now, please, don’t talk.’ But, people are generally respective, they ask a few questions. You know. It’s really not too bad.

It feels important. When you work with these environmental organizations who do these specific species campaigns and view the scope of the whole problem. It is overwhelming, like, these clams aren’t cool if you only see three of them. When you see all of them they actually start to feel like it swallows you up.”

Endangered, Sarah Kaizar, 3rd Street Gallery

EndangeredSarah Kaizar3rd Street Gallery through June 30th.

Sarah Kaizar lives in Richboro, Bucks County and works in Philadelphia as a web producer for WHYY. She holds a BFA from Tyler School of Art (2007), an Associates Degree in Marketing, and a Certificate in Web Design & Multimedia from Bucks County Community College (2009 & 2010). Sarah has been a full member of the 3rd Street Gallery in Old City, Philadelphia since February 2012.

Also, Natural Wonders, paintings by Yeoun Lee at 3rd Street Gallery

Written and photographed by DoN Brewer except where noted.

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWS on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs