Tag Archives: mixed media art

MLMME12

MLMME12, OTWGallery

Mary Liz Memorial Masters Exhibition 2016

at Off the Wall Gallery at Dirty Frank’s

As many of you know, we usually open a show the Thursday after it goes up. This time, our festivities fall a week later, but the staggered logistics have no correlation to the practically staggering talents on display.

We’re speaking, of course, of our 2016 MARY LIZ FELLOWS — painter BOB GORCHOV, photographer WENDY PLOGER and assemblage artist/sculptor WAYNE URFFER -who are a week off the usual trajectory but right on target with their art. High marks are in order because the MARY LIZ MEMORIAL MASTERS EXHIBITION, named for our founding director, is the greatest honor we can bestow on artists in our community.

So without further ado, we cordially invite you to the show’s 12th renewal — MLMME12, for short – which opens its seven-week run THIS THURSDAY, MARCH 10, with a 7-10 PM OPENING RECEPTION featuring our favorite drinks, light hors d’oeuvres, fabulous conversation and a chance to meet the artists. You may already be familiar with one of more of our esteemed trio, who rank among our most accomplished artists.

The paintings of BOB GORCHOV have won over our hearts even since “the red coat” lit up the Wall in December 2008. Ten shows later — yes, MLMME12 is fitting his 12th outing in this space! Bob has lost none of his bewitching use of color or emotional buoyancy. Each time we see a new canvas, it’s like experiencing Bob’s work for the first time. Some might try to make a connection between this immediacy and his background as a self-taught artist, but we resist the notion of pigeon-holing the invigorating creativity that has defined 35 years of painting and drawing.

Even the artist cannot put a finger on what might emerge from the next canvas. “I rarely know how a painting will turn out,” says Bob, “and this is part of what makes the process interesting for me.”

WENDY PLOGER‘s journey from Brooklyn to 13th Street is a story we like to tell. Our friend Gail Stolp, a bartender here at Dirty Frank’s and at Ray’s Happy Birthday Bar, discovered Wendy’s photography and introduced us. Two years passed before Wendy’s work appeared at the end of 2013, to great acclaim, with diptychs humorously pairing disparate street photographs. The next year her intriguing, gender-bending series became the hit of our Autumn Invitational. Now, amazingly, Wendy brings us TWO ENTIRELY DIFFERENT bodies of work (!): tintypes, created with traditional wet-plate photography, and digital collages “projecting” Wendy’s strong female portraiture against natural settings.

This different pacing for the artist holds a new-found sense of satisfaction. “A few years later, with well over a hundred professional shoots under my belt,” Wendy says, “I have felt the need to slow things down in this age of instant gratification and pinpoint accuracy.”

Fewer and fewer MARY LIZ FELLOWS began their OFF THE WALL careers under the curatorial watch of our founding director. WAYNE URFFER is an exception, having enjoyed a boffo debut here before Mary Liz’s passing in 2004. He’s also only the second artist ever to be named a Fellow for the second time, following in the footsteps of Bob Jackson, a fellow master of the assemblage. Wayne’s work is always richly layered and rewarding. He brings ponderous questions to the floor of our 3D space (and, in this case, the Wall) – ranging from pop culture to religious zealotry, existentialism to addiction but he does so is such an accessible, non-judgmental manner, leaving much to the viewer’s interpretation, that you never feel the weight of agenda.

In fact, you may feel he sometimes enters the creative space with an open mind, too, “My process is to gather materials that capture my interest and allow them broadly to dictate the size and composition of my work,” says Wayne.

You can readily see why we’re so excited about MLMME12. What we love most about this show is that it’s as much about mastering media as it is about the lifeblood of art: experimentation and evolution. Whether you are encountering Bob’s paintings, Wendy’s photos and Wayne’s boxes for the first time — or simply rediscovering them — you’re in for a rare treat.

We look forward to seeing you Thursday!

Togo Travalia, Manager, OFF THE WALL GALLERY at Dirty Frank’s, NE Corner, 13th & Pine Streets, Philadelphia, PA  19107

Thank you to Togo Travalia for the content of this post.

offthewallgallery@gmail.com

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Natural

Natural Flow, the Paintings of Gerry Tuten, John Thornton Films

“Through March 12, 2016, The Wayne Art Center is hosting a dazzling exhibition of landscape based abstractions by metalsmith turned painter Gerry Tuten. Although these paintings have echoes of DeKooningTàpies, Soutine, Cy Twombley, and the late garden paintings of Monet, they remain resolutely her own.” – John Thornton

The purpose of The Wayne Art Center is to provide both instruction in the studio, and to build appreciation of the visual and performing arts through our many exhibits, lectures and programs. The Center affords artists an interdisciplinary venue to share, learn, exhibit and perform. Specifically, The Wayne Art Center carries out its mission in the following ways:

  • By providing instruction in all phases of the fine arts, contemporary crafts, music, culinary arts and drama.
  • By offering exhibitions, performances and special events for artists and community of the greater Main Line area and Delaware Valley.
  • By reaching out to our community with instructional programs for persons with special needs. These programs use art for therapeutic value.
  • By providing a gathering place for artists and students to both share and lend support toward improving the cultural climate.

Gerry Tuten, Natural Flow

“My painting is a venture inside and outside of myself seeking freshness and change. I thrive on challenge, action and awakening in my painting. I am intensely curious, exploring the micro and macro levels of the natural ecology. When the image begins to “break up” or erupt, my excitement rises. I transfer this excitement and freedom to the viewer through movement, color and texture of paint over surfaces. Here in the process of painting I allow myself to break all the rules. Trusting my intuition I can let go of the “work of art”. The painting is just a place to free myself – to surrender to process. The medium of paint speaks stronger than words. Clarity is distilled out of movement and change. The paintings come as gifts.

The elements of earth, water, fire, air and space give form to all life and play a prominent role in my inspiration. By exploring organic natural forms and the visceral textures of paint with spontaneity and freedom I play at mark-making and application while trying to stay ahead of my grasping mind. Through close observation my art explores imagery living in the natural world – insects, birds, reptiles, mammals, plants, trees, flowers and minerals in a myriad ways. I am overcome by the abundance and beauty of nature. If I can allow my paintings to run free then I can find delight and joy.

My aim is a constant search for subtle and not so subtle energies in our visual world as well as the tension between things and expression. Painting is a way for me to move through life having a relationship with the Beloved. The paintings are the record I leave behind of my journey into spirit. They are in gratitude for my life. – Gerry TutenJune 2015

The Wayne Art Center
413 Maplewood Ave., Wayne, PA 19087
610-688-3553 · 610-995-0478 fax

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Walk

Philadelphia Photo League at National Realty GalleryPhiladelphia Photo League at National Realty GalleryTheresa Stigale

Philadelphia Photo League’s Photo Walk Exhibition at the

National Realty Art Gallery

by Laura Storck

I recently attended the Philadelphia Photo League‘s Photo Walk Exhibition at the National Realty Art Gallery in Old City on First Friday — and WOW! This exhibition documents very beautiful and insightful images from neighborhoods across the Philadelphia area from the varied perspectives of members of the Philadelphia Photo League.  

Philadelphia Photo League at National Realty Gallery

Philadelphia Photo League at National Realty Gallery

Philadelphia Photo League at National Realty GalleryPhiladelphia Photo League at National Realty GalleryMike Klusek, South Kensington (top}, Fitler Square (bottom)

Over the course of several months, the PPL documented several neighborhoods as part of an on-going photo walk series. The creation of the work was coordinated by the PPL’s “neighborhood expert”, photographer Mike Klusek. This impressive exhibit will be on display through early March.

Philadelphia Photo LeaguePhiladelphia Photo League at National Realty GalleryTrevor Mayo, Navy Yard

Philadelphia Photo League at National Realty GalleryPhiladelphia Photo League at National Realty GalleryJudy Murray

Philadelphia Photo Society at National Realty GalleryPhiladelphia Photo League at National Realty Gallery, Jennifer Brinton Robkin

Philadelphia Photo League at National Realty GalleryPhiladelphia Photo League at National Realty GalleryJano Cohen, Brewerytown

The history and mission of the Philadelphia Photo League (PPL):

The Philadelphia Photo League is a cooperative of amateur and professional photographers who have come together around a range of common social and creative causes. The League was founded in July 2012 by a group of Philadelphia area photographers / activists who are committed to social change through the use of documentary photography. Our core mission is to help civic organization drive change through the use of photography. Our organization was inspired by the historic New York Photo League which was active from 1936 to 1951 and included among its members some of the most noted American Photographers of the mid-20th century.  

In 1936 a group of young, idealistic photographers, formed an organization in Manhattan called the Photo League. Their solidarity centered on a belief in the expressive power of the documentary photograph and on a progressive alliance of ideas and what photography could become. A unique complex of school, darkroom, gallery, and salon, the League was also a place where you learned about yourself. One of its leading members was Sid Grossman who pushed students to discover not only the meaning of their work but also their relationship to it. This transformative approach was one of the League’s most innovative and influential contributions to the medium. Sixty years ago, the Photo League fell victim to Cold War witch-hunts and blacklists, closing its doors after 15 intense years of trailblazing – and sometimes hell-raising – documentary photography. From unabashedly leftist roots, the group influenced a generation of photographers who transformed the documentary tradition, elevating it to heady aesthetic heights. We hope to continue, and advance, this legacy.

We pursue our mission by creating a unique environment, where all types of serious photographers, using all types of media, can gather together to share knowledge, ideas and inspiration – plus enjoy a sense of community, while fostering positive change in our world.

The PPL is actively seeking members in order to actively contribute to it’s growth and influence.  If you are a devotee of documentary or street photography, and have an interest in social causes, consider joining today. The PPL is open to all photographers, from amateur to professional.

See their amazing work on the PPL Flickr page, check out the official blog , or follow them on Facebook.  The Philadelphia Photo League advertises their upcoming events via their meetup page: photo walks, classes, critiques, and exhibits, and photographing events to support and document social activism and awareness.  Monthly meetings are held on the second Friday of each month at CultureWorks Greater Philadelphia, at The Philadelphia Building, 1315 Walnut Street at 7 p.m.  Come meet the members of PPL, see their work and accomplishments, network, and socialize. I’ve been a member of the PPL for 2 years and I currently serve as an assistant event organizer and communications leader. Feel free to reach out to me or any of the other members of the PPL leadership team if you’d like to share any social causes or events that need promotion towards a greater awareness.

Philadelphia Photo League At National Realty GalleryPhiladelphia Photo League at National Realty Gallery

Written and photographed by Laura Storck

Laura Storck Photography ARTIST. SCIENTIST. PHOTOGRAPHER. ROCK STAR.: https://laurastorck.wordpress.com/

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Twitter: @Laura_Storck

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Gardens

Jessica Lynn LiborThe Bazemore Gallery  presents new artwork by Jessica Libor including video, interactive installations, and oil paintings.

Jessica Libor’s “The Gardens of Delight” Valentine’s Exhibit at The Bazemore Gallery in Manyunk

Opening reception is Saturday, February 13th from 6 to 9pm at The Bazemore Gallery, 4339 Main Street, Philadelphia, PA, 19137 within the historic Manayunk neighborhood.

In honor of Valentine’s Day, The Bazemore Gallery is having a pop up showing of artist Jessica Libor’s latest whimsical and imaginative art. In addition to her work on panel and canvas the exhibit will feature an interactive, conceptual installation plus video. Jessica’s romantic figures set in utopian landscapes conjure an illusory setting that evokes the feeling of the holiday. Please join us for the perfect prelude to Valentine’s Day. – Jessica Libor

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In/Dwelling

In/Dwelling: Meditations on Built Environments as Cultural Narrative

The Galleries at Rowan presents

In/Dwelling: Meditations on Built Environments as Cultural Narrative
February 22 – April 14, 2016

Introducing our new location 301 High Street, Glassboro New Jersey

Artist’s talk and reception Thursday, February 25, 5 – 8 pm

Rowan University Art Gallery at High Street explores built environments, both external and internal, as emblems of a cultural past, present, and future with In/Dwelling: Meditations on Built Environments as Cultural Narrative. The exhibition is on display from February 22 to April 14, with an artist’s lecture and reception onFebruary 25 from 5:00 – 8:00 p.m.

We are compelled to imagine a time when architectural spaces and objects were new representations of manufacturing, design, and aesthetic tastes and trends. The urban / suburban motifs have time and again provided artists with the perfect vehicle in which to explore universal topics such as: the complexity of infrastructure, commerce, demographics, and identity as inspiration to create new work. In this exhibition the participating artists imbue architectural structures and domestic objects with interpretations of historical experiences, social customs, and emotional memories as a cultural narrative. Artists include Philadelphia based artists: Lewis Colburn, Ben Grasso, Kay Healy, Erin Murray, and Miriam Singer. Chicago based artist Ann Toebbe, and New York based artist Brian Tolle. A work by Louise Bourgeois is included courtesy of the gallery permanent collection.

The catalyst behind the framing of this exhibition concept was the print Femme Maison, 1984, by Louise Bourgeois from the gallery collection. Femme Maison, which means both “woman-house” and “house-wife,” is one of Louise Bourgeois’s most famous motifs. For the artist, who was raised in France, the home was closely connected to female identity. By combining residential architecture and the curvaceous female body, Bourgeois portrays a woman who is obscured and entrapped by the domestic realm that she simultaneously supports.

The selected artists for this exhibition approach domesticity, architecture, and everyday objects from singular and accumulative perspectives. Brian Tolle creates a cross-wiring of reality and fiction in his sculptures and installations and blurs the border between the contemporary and historical with recurring themes of architecture, site, and technology. Lewis Colburn, of Philadelphia, sees objects as unreliable tour guides. He investigates ways in which we re-interpret and re-tell the past through the filter of our current experience. Ben Grasso, of Brooklyn, NY, presents a re-imagining of what actually exists and recasts these things in new terms creating a re-alignment of logic that makes plastic the anxiety underlying objects in the world through his painting. Miriam Singer, looks perceptually at multiple locations in Philadelphia and expresses the fragmentation of a fictional city as a collage of noise, pattern, and density.

By recounting memories of unique, collective, or habitual memories these artists investigate identity and history through interior and exterior experiences. Kay Healy, a Philadelphia based artist, creates large-scale screen printed and stuffed fabric furniture based on other people’s descriptions of their childhood homes and investigates how we relate to objects and cope with the fact that there is no way to truly return home. Ann Toebbe, a Chicago based artist, creates meticulous paintings using reconstructed memory and multiple perspectives to depict domestic and architectural spaces in cut-out paper doll fashion. Erin Murray, of Philadelphia, relates to buildings and built forms as being understood to represent our physical body, our cultural history, our economic reality, and our long-formed habits.

Brian Tolle, from New York, offers a lecture on February 25. He has completed several public art installations in New York, including the Irish Hunger Memorial in New York City. He has exhibited around the world and his work is included in numerous museum collections. He holds a B.A. in Political Science from SUNY at Albany; a B.F.A. from Parsons the New School for Design, NY; and an M.F.A. from Yale University in New Haven, CT.

The lecture will be presented at Westby Hall Room 111 beginning at 5:00 p.m. A reception follows at 301 High Street in Glassboro at 6:00 p.m.

Shuttle vans will be provided for guests traveling from Westby Hall to High Street. Return service will not be provided, but High Street is only a 15-minute walk away. Free public parking is available on High Street and neighboring streets. Municipal parking areas are available off Lake Street (behind Little Beefs Deli) and near the Barnes and Noble shopping complex between New Street and Rowan Blvd.

In/Dwelling: Meditations on Built Environments as Cultural NarrativeImages: top, Brian Tolle, Outgrown, platinum silicon rubber, toys. Courtesy the artist and CRG gallery. Bottom: Ann Toebbe, Jim’s Apartment, paper, gouache and pencil on panel.

Thank you to Rowan University Art Gallery for the content of this post.

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