Tag Archives: Philadelphia Art Gallery

Natural

Natural Flow, the Paintings of Gerry Tuten, John Thornton Films

“Through March 12, 2016, The Wayne Art Center is hosting a dazzling exhibition of landscape based abstractions by metalsmith turned painter Gerry Tuten. Although these paintings have echoes of DeKooningTàpies, Soutine, Cy Twombley, and the late garden paintings of Monet, they remain resolutely her own.” – John Thornton

The purpose of The Wayne Art Center is to provide both instruction in the studio, and to build appreciation of the visual and performing arts through our many exhibits, lectures and programs. The Center affords artists an interdisciplinary venue to share, learn, exhibit and perform. Specifically, The Wayne Art Center carries out its mission in the following ways:

  • By providing instruction in all phases of the fine arts, contemporary crafts, music, culinary arts and drama.
  • By offering exhibitions, performances and special events for artists and community of the greater Main Line area and Delaware Valley.
  • By reaching out to our community with instructional programs for persons with special needs. These programs use art for therapeutic value.
  • By providing a gathering place for artists and students to both share and lend support toward improving the cultural climate.

Gerry Tuten, Natural Flow

“My painting is a venture inside and outside of myself seeking freshness and change. I thrive on challenge, action and awakening in my painting. I am intensely curious, exploring the micro and macro levels of the natural ecology. When the image begins to “break up” or erupt, my excitement rises. I transfer this excitement and freedom to the viewer through movement, color and texture of paint over surfaces. Here in the process of painting I allow myself to break all the rules. Trusting my intuition I can let go of the “work of art”. The painting is just a place to free myself – to surrender to process. The medium of paint speaks stronger than words. Clarity is distilled out of movement and change. The paintings come as gifts.

The elements of earth, water, fire, air and space give form to all life and play a prominent role in my inspiration. By exploring organic natural forms and the visceral textures of paint with spontaneity and freedom I play at mark-making and application while trying to stay ahead of my grasping mind. Through close observation my art explores imagery living in the natural world – insects, birds, reptiles, mammals, plants, trees, flowers and minerals in a myriad ways. I am overcome by the abundance and beauty of nature. If I can allow my paintings to run free then I can find delight and joy.

My aim is a constant search for subtle and not so subtle energies in our visual world as well as the tension between things and expression. Painting is a way for me to move through life having a relationship with the Beloved. The paintings are the record I leave behind of my journey into spirit. They are in gratitude for my life. – Gerry TutenJune 2015

The Wayne Art Center
413 Maplewood Ave., Wayne, PA 19087
610-688-3553 · 610-995-0478 fax

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Membership

Philadelphia Museum of Art Introduces New Membership Program for Artists

The Philadelphia Museum of Art is introducing two new memberships designed especially for artists. Starting this month, the Museum will provide a free lifetime membership to each of the approximately 2,000 living artists whose work is represented in the permanent collection. In addition, the Museum will initiate a new discounted Artist Membership, available to all working artists. To launch this program, the Museum is offering the Artist Membership at a reduced price from February 24-28, 2016, during the first five days of the major exhibition International Pop.

Timothy Rub, The George D. Widener Director and CEO of the Museum, said: “Artists are the heart and soul of any art museum, and we must recognize them as such. The Museum should always be accessible to them because they draw inspiration from our collections and, in turn, help us to inspire others.”

An Artist Membership is available for anyone working in any of the many media that are represented in the collection. Artists will be asked to show how they share their work with the public, at the time of the purchase of a membership. This can take the form of a website, Instagram account, Etsy page, Facebook, or publicity material from an exhibition. With the purchase of an Artist Membership, artists will receive unlimited free admission to the Main building, Rodin Museum, the Ruth and Raymond G. Perelman Building, plus the two historic houses in Fairmount Park, Mount Pleasant and Cedar Grove, managed by the Museum.

The membership will provide admission and special exhibition tickets for all children (18 and under), previews of select exhibitions, members-only tours, trips to regional cultural attractions, programs presented by artists, curators, authors, and scholars, e-newsletters and a discounted $10 general admission for guests. Special parking rates in the Museum’s garage include the first hour free and $8 for the next four hours. Artist Members will also receive 10% off on Museum dining and shopping during every visit, a 20% off Store coupon, a 20% off Granite Hill restaurant coupon, and 20% reduction in the cost of educational programs and audio tours.

On Saturday, February 27, the Philadelphia Museum of Art will host an Artist Membership Welcome Lounge from noon until 5:00 p.m. Activities that day include a group photograph that is scheduled at 1:00 p.m. in the Great Stair Hall, and The Rose Susan Hirschhorn Behrend Lecture: Roadmap to International Pop, presented at 2:00 p.m. by Darsie Alexander. Ms. Alexander is the lead curator of the exhibition International Pop and Executive Director of the Katonah Museum of Art. She will be joined by Erica F. Battle, the John Alchin and Hal Marryatt Associate Curator of Contemporary Art at the Philadelphia Museum of Art to discuss the ways in which Pop artists took the world by storm.

Artist Membership Rates

FREE Artists whose work is represented in the Museum’s permanent collection.

$40 One-year Artist Membership. (This membership is available for $25 if purchased at the Museum from February 24 to 28, 2016.)

On Saturday, February 27, the Philadelphia Museum of Art will host an Artist Membership Welcome Lounge from noon until 5:00 p.m. Activities that day include a group photograph that is scheduled at 1:00 p.m., and a lecture with Darsie Alexander Roadmap to International Pop, presented at 2:00 p.m.

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The Philadelphia Museum of Art is Philadelphia’s art museum. We are a landmark building. A world-renowned collection. A place that welcomes everyone. We bring the arts to life, inspiring visitors—through scholarly study and creative play—to discover the spirit of imagination that lies in everyone. We connect people with the arts in rich and varied ways, making the experience of the Museum surprising, lively, and always memorable. We are committed to inviting visitors to see the world—and themselves—anew through the beauty and expressive power of the arts.

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Invincible

April Saul, Camden, NJ: A Spirit Invincible, The List Gallery

April Saul, Camden, NJ: A Spirit Invincible, The List Gallery

William J. Cooper Foundation Sponsors Concurrent Exhibitions by April Saul, March 2—April 3, 2016.

The List GallerySwarthmore College500 College Avenue, McCabe Library Atrium,Our American Family, Swarthmore, Pa. 19081 Gallery hours: Tuesdays—Sundays, Noon–5:00 PM

Swarthmore College Libraries and The List Gallery are pleased to announce that they will host concurrent exhibitions of photographs by the preeminent documentary photographer,April Saul. Curated by Andrea Packard and Ron Tarver, the exhibitions will take place March 2—April 3, 2016 and are accompanied by a 60-page exhibition catalog. The List Gallery will feature Camden, NJ: A Spirit Invincible, which features approximately 50 images from Saul’s ongoing body of work documenting life in Camden, New Jersey. McCabe Library’s atrium gallery space will feature more than 25 photographs selected from Our American Family, a body of work that combines numerous series made possible through the artist’s ongoing connection to diverse individuals and families over years and even decades. McCabe Library hours can be found at: www.swarthmore.edu/libraries/hours. An Artist’s lecture will take place on Wednesday, March 2, 4:30 p.m. in the Lang Performing Arts Center Cinema.

The List Gallery reception will immediately follow, 5:30-7:00 p.m. All events are free and open to the public. A book signing and closing reception will take place in the List Gallery on Sunday, April 3, 3–5 p.m. Free copies of the exhibition catalog will be given to the first 100 visitors. These exhibitions, accompanying catalog, and related events have been funded through a generous grant from the William J. Cooper Foundation. Additional support was provided by Swarthmore College Libraries, the Department of Art, Swarthmore College, and the Kaori Kitao Endowment for the List Gallery.

For more than 35 years, April Saul has photographed American families as they confronted hardships such as poverty, HIV/AIDS, gun violence, addiction, and incarceration. Since 1980, when she became the first female staff photojournalist at The Baltimore Sun, she has provided new perspectives in a field that has not generally encouraged in-depth coverage of family relationships. Already acclaimed as a Pulitzer Prize-winning journalist, her Swarthmore exhibitions and this accompanying catalog mark the first major presentation of her work in a fine art context. Through interweaving documentary, fine art, and social media practices, Saul advocates for underserved families and communities while creating images that are both moving and transcendent.

April Saul, Camden, NJ: A Spirit Invincible, The List GalleryApril Saul, Camden, NJ: A Spirit Invincible,The List GalleryGabriel Gambino “Bino” Crespo, whose father was murdered in Camden, 2013.

McCabe Library’s atrium gallery provides the opportunity to view several extended photo essays. The centerpiece of Saul’s McCabe Library exhibition, Our American Family, consists of selections from Saul’s many long-term photo-essays chronicling the trials and challenges faced by diverse families. Kids, Guns and Violence: a Deadly Toll consists of Saul’s written and photographic profiles commemorating each of the 24 children killed in the Philadelphia region by gun violence during a single year. Another series, Between Genders, portrays the experiences of Renee Ramsey, a Navy Veteran who was born anatomically male and pursued gender reassignment surgery at the age of 77.

April Saul’s List Gallery presentation, Camden, NJ: A Spirit Invincible, offers selections from her ongoing series of photographs chronicling life in that troubled city. Her images are alternately heartbreaking or uplifting: an anguished firefighter turning in her badge, a panoramic shot of a boxing tournament in the middle of a city street, an image of a girl playing in front of boarded-up homes. Striving to avoid voyeurism and objectification, she has developed relationships with individuals, families, and communities over time. Some photographs on display in the List Gallery were selected from the hundreds of images Saul has taken since 2014, when she became an embedded photographer at Camden High School.

As a participant-observer, Saul is careful to portray the successes that are often overlooked in the community. Saul publishes such affirming images, as well as sobering ones, on her Instagram feed and Facebook page, Camden, NJ: A Spirit Invincible. Online, community members not only view, download, and share Saul’s images but also provide their own commentary. Her Facebook page exceeded 95,000 views in one week. Thus, the photographs on display at Swarthmore College are part of an interactive and ongoing community dialogue.

Artist’s Biography

A Pulitzer Prize-winning photojournalist,April Saul made Camden, New Jersey her unofficial beat while working at The Philadelphia Inquirer, and has continued to document that community with the help of an Alicia Patterson Foundation Fellowship and a National Press Photographers Association Short Grant. A graduate of Tufts University with an Master’s Degree from the University of Minnesota, Saul became the first female staff photographer at The Baltimore Sun in 1980. She joined The Philadelphia Inquirer photo staff the following year. A single mother of two, Saul has won numerous honors for both her writing and photography including the Robert F. Kennedy Journalism Award, the World Press Photo Budapest Award for Humanistic Photography, two Casey Medals for Meritorious Journalism, and many awards in the Pictures of the Year International contest.

In 1997, Saul—along with Philadelphia Inquirer reporter Michael Vitez and photographer Ron Cortes—was awarded the Pulitzer Prize in Explanatory Journalism for a series of articles on end-of-life care. She was a finalist for the Pulitzer Prize for Feature Photography in both 1994 and 1987. In 1985, she was the first recipient of the Nikon/ NPPA Documentary Sabbatical Grant for her work on Hmong refugees, and over the course of her career, has been named Photographer of the Year by the NPPA Northern Short Course, the Pennsylvania Press Photographers Association, and the New Jersey Press Photographers Association.

Thank you to Raven Bennett, Swarthmore College Class of 2017 for the content of this post.

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Walk

Philadelphia Photo League at National Realty GalleryPhiladelphia Photo League at National Realty GalleryTheresa Stigale

Philadelphia Photo League’s Photo Walk Exhibition at the

National Realty Art Gallery

by Laura Storck

I recently attended the Philadelphia Photo League‘s Photo Walk Exhibition at the National Realty Art Gallery in Old City on First Friday — and WOW! This exhibition documents very beautiful and insightful images from neighborhoods across the Philadelphia area from the varied perspectives of members of the Philadelphia Photo League.  

Philadelphia Photo League at National Realty Gallery

Philadelphia Photo League at National Realty Gallery

Philadelphia Photo League at National Realty GalleryPhiladelphia Photo League at National Realty GalleryMike Klusek, South Kensington (top}, Fitler Square (bottom)

Over the course of several months, the PPL documented several neighborhoods as part of an on-going photo walk series. The creation of the work was coordinated by the PPL’s “neighborhood expert”, photographer Mike Klusek. This impressive exhibit will be on display through early March.

Philadelphia Photo LeaguePhiladelphia Photo League at National Realty GalleryTrevor Mayo, Navy Yard

Philadelphia Photo League at National Realty GalleryPhiladelphia Photo League at National Realty GalleryJudy Murray

Philadelphia Photo Society at National Realty GalleryPhiladelphia Photo League at National Realty Gallery, Jennifer Brinton Robkin

Philadelphia Photo League at National Realty GalleryPhiladelphia Photo League at National Realty GalleryJano Cohen, Brewerytown

The history and mission of the Philadelphia Photo League (PPL):

The Philadelphia Photo League is a cooperative of amateur and professional photographers who have come together around a range of common social and creative causes. The League was founded in July 2012 by a group of Philadelphia area photographers / activists who are committed to social change through the use of documentary photography. Our core mission is to help civic organization drive change through the use of photography. Our organization was inspired by the historic New York Photo League which was active from 1936 to 1951 and included among its members some of the most noted American Photographers of the mid-20th century.  

In 1936 a group of young, idealistic photographers, formed an organization in Manhattan called the Photo League. Their solidarity centered on a belief in the expressive power of the documentary photograph and on a progressive alliance of ideas and what photography could become. A unique complex of school, darkroom, gallery, and salon, the League was also a place where you learned about yourself. One of its leading members was Sid Grossman who pushed students to discover not only the meaning of their work but also their relationship to it. This transformative approach was one of the League’s most innovative and influential contributions to the medium. Sixty years ago, the Photo League fell victim to Cold War witch-hunts and blacklists, closing its doors after 15 intense years of trailblazing – and sometimes hell-raising – documentary photography. From unabashedly leftist roots, the group influenced a generation of photographers who transformed the documentary tradition, elevating it to heady aesthetic heights. We hope to continue, and advance, this legacy.

We pursue our mission by creating a unique environment, where all types of serious photographers, using all types of media, can gather together to share knowledge, ideas and inspiration – plus enjoy a sense of community, while fostering positive change in our world.

The PPL is actively seeking members in order to actively contribute to it’s growth and influence.  If you are a devotee of documentary or street photography, and have an interest in social causes, consider joining today. The PPL is open to all photographers, from amateur to professional.

See their amazing work on the PPL Flickr page, check out the official blog , or follow them on Facebook.  The Philadelphia Photo League advertises their upcoming events via their meetup page: photo walks, classes, critiques, and exhibits, and photographing events to support and document social activism and awareness.  Monthly meetings are held on the second Friday of each month at CultureWorks Greater Philadelphia, at The Philadelphia Building, 1315 Walnut Street at 7 p.m.  Come meet the members of PPL, see their work and accomplishments, network, and socialize. I’ve been a member of the PPL for 2 years and I currently serve as an assistant event organizer and communications leader. Feel free to reach out to me or any of the other members of the PPL leadership team if you’d like to share any social causes or events that need promotion towards a greater awareness.

Philadelphia Photo League At National Realty GalleryPhiladelphia Photo League at National Realty Gallery

Written and photographed by Laura Storck

Laura Storck Photography ARTIST. SCIENTIST. PHOTOGRAPHER. ROCK STAR.: https://laurastorck.wordpress.com/

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In/Dwelling

In/Dwelling: Meditations on Built Environments as Cultural Narrative

The Galleries at Rowan presents

In/Dwelling: Meditations on Built Environments as Cultural Narrative
February 22 – April 14, 2016

Introducing our new location 301 High Street, Glassboro New Jersey

Artist’s talk and reception Thursday, February 25, 5 – 8 pm

Rowan University Art Gallery at High Street explores built environments, both external and internal, as emblems of a cultural past, present, and future with In/Dwelling: Meditations on Built Environments as Cultural Narrative. The exhibition is on display from February 22 to April 14, with an artist’s lecture and reception onFebruary 25 from 5:00 – 8:00 p.m.

We are compelled to imagine a time when architectural spaces and objects were new representations of manufacturing, design, and aesthetic tastes and trends. The urban / suburban motifs have time and again provided artists with the perfect vehicle in which to explore universal topics such as: the complexity of infrastructure, commerce, demographics, and identity as inspiration to create new work. In this exhibition the participating artists imbue architectural structures and domestic objects with interpretations of historical experiences, social customs, and emotional memories as a cultural narrative. Artists include Philadelphia based artists: Lewis Colburn, Ben Grasso, Kay Healy, Erin Murray, and Miriam Singer. Chicago based artist Ann Toebbe, and New York based artist Brian Tolle. A work by Louise Bourgeois is included courtesy of the gallery permanent collection.

The catalyst behind the framing of this exhibition concept was the print Femme Maison, 1984, by Louise Bourgeois from the gallery collection. Femme Maison, which means both “woman-house” and “house-wife,” is one of Louise Bourgeois’s most famous motifs. For the artist, who was raised in France, the home was closely connected to female identity. By combining residential architecture and the curvaceous female body, Bourgeois portrays a woman who is obscured and entrapped by the domestic realm that she simultaneously supports.

The selected artists for this exhibition approach domesticity, architecture, and everyday objects from singular and accumulative perspectives. Brian Tolle creates a cross-wiring of reality and fiction in his sculptures and installations and blurs the border between the contemporary and historical with recurring themes of architecture, site, and technology. Lewis Colburn, of Philadelphia, sees objects as unreliable tour guides. He investigates ways in which we re-interpret and re-tell the past through the filter of our current experience. Ben Grasso, of Brooklyn, NY, presents a re-imagining of what actually exists and recasts these things in new terms creating a re-alignment of logic that makes plastic the anxiety underlying objects in the world through his painting. Miriam Singer, looks perceptually at multiple locations in Philadelphia and expresses the fragmentation of a fictional city as a collage of noise, pattern, and density.

By recounting memories of unique, collective, or habitual memories these artists investigate identity and history through interior and exterior experiences. Kay Healy, a Philadelphia based artist, creates large-scale screen printed and stuffed fabric furniture based on other people’s descriptions of their childhood homes and investigates how we relate to objects and cope with the fact that there is no way to truly return home. Ann Toebbe, a Chicago based artist, creates meticulous paintings using reconstructed memory and multiple perspectives to depict domestic and architectural spaces in cut-out paper doll fashion. Erin Murray, of Philadelphia, relates to buildings and built forms as being understood to represent our physical body, our cultural history, our economic reality, and our long-formed habits.

Brian Tolle, from New York, offers a lecture on February 25. He has completed several public art installations in New York, including the Irish Hunger Memorial in New York City. He has exhibited around the world and his work is included in numerous museum collections. He holds a B.A. in Political Science from SUNY at Albany; a B.F.A. from Parsons the New School for Design, NY; and an M.F.A. from Yale University in New Haven, CT.

The lecture will be presented at Westby Hall Room 111 beginning at 5:00 p.m. A reception follows at 301 High Street in Glassboro at 6:00 p.m.

Shuttle vans will be provided for guests traveling from Westby Hall to High Street. Return service will not be provided, but High Street is only a 15-minute walk away. Free public parking is available on High Street and neighboring streets. Municipal parking areas are available off Lake Street (behind Little Beefs Deli) and near the Barnes and Noble shopping complex between New Street and Rowan Blvd.

In/Dwelling: Meditations on Built Environments as Cultural NarrativeImages: top, Brian Tolle, Outgrown, platinum silicon rubber, toys. Courtesy the artist and CRG gallery. Bottom: Ann Toebbe, Jim’s Apartment, paper, gouache and pencil on panel.

Thank you to Rowan University Art Gallery for the content of this post.

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