Tag Archives: Philadelphia Art News

Out

Out of the Box, Open Juried Art Show at The Plastic Club

Out of the Box, Open Juried Art Show at The Plastic Club

UNLEASH YOUR INNER CREATIVE BEAST AT THE PLASTIC CLUB

The Plastic Club is inviting artists to break new creative ground for the club’s next juried art exhibition. The February show will feature the theme of ‘Out of the Box‘ – highlighting ‘work related to the notion of invention and inspiration’. The exhibition will run from February 5th to February 23rd, with an opening party on Sunday, February 5 from 2 PM to 5 PM.

The prospectus explains that the subject may be ‘personal, political, scientific, or otherwise’. Submitted work may also be ‘a piece that is itself an experiment, new subject matter, or new medium for you as an artist’.

“Some example ideas,” the prospectus explains, would be “a piece that represents a new direction in your practice or features a material or medium that is new for you; a portrait of an inventor or innovative thinker; a depiction of an inspirational place, event, or historical turning point; subject matter about a break in convention; an illustrative or abstract response to any of these concepts.”

The show’s prospectus is downloadable from The Plastic Club‘s website, www.plasticclub.org.

The show’s juror will be interdisciplinary artist Jacob Rivkin, a teacher at the University of Pennsylvania School of Design and a member of Philadelphia’s OOF Collective, an animation collective.

Jacob Rivkin Bio

“I am an interdisciplinary artist living in Philadelphia, PA. I currently teach Fine Art courses in the University of Pennsylvania School of Design and at the Mason Gross School of the Arts at Rutgers University. I am currently a member of the OOF Collective. I received my MFA from the University of Pennsylvania in 2013 and BA from Vassar College in 2007. My animations and sculptures focus on understanding how, and if, environments and its geological qualities imbue sentiment and distinct character to its inhabitants.

My animation work has screened at the Animation Block Party in Brooklyn, NY, Vox Populi in Philadelphia, PA, and the Peephole Cinema in San Francisco. My sculptures have been exhibited at the Vancouver Art Gallery in Vancouver, BC, The Chemical Heritage Foundation Museum, Philadelphia, PA, the Arlington Art Center in Arlington, VA and Julius Caesar Gallery in Chicago, IL. Awards include the Juror’s Prize at the 25th Annual McNeese Works on Paper Juried Exhibition in 2012, a Fulbright Grant in 2008 to study Chinese traditional landscape painting in Hangzhou, China, and the Weitzel Barber Art Travel Prize in 2006 to study Buddhist sculpture practices in Western China. In 2014 I was an Artist-in-Residence at the Hacktory in Philadelphia. My studio is located at the Queen Memorial Work Studios in Grays Ferry.” – Jacob Rivkin

The Plastic Club, located on quaint Camac Street, the Avenue of the Artists, was founded in 1897 to promote the visual (plastic) arts. Although initially formed as a women’s group, membership was expanded to include men in 1991. The Plastic Club has over 200 members from the Philadelphia area, long-distance members hail from three continents.

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Snowflake

Snowflake Salon @HBHQ

Snowflake @HBHQ : Fourth Biennial Invitational Winter Show

EXHIBITION: Saturday, January 14, 2017 through Friday, February 24, 2017

Heavybubble is pleased to present our fourth biennial winter invitational. Artists are invited to contribute up to two pieces of their work and to invite an artist they respect to participate. Artworks are no larger than 16 x 16 inches. See the works of more than 60 artists.

Reception + art party + sale: Saturday, January 14, 6:30 – 9:30 pm

Closing TEA PARTY + sale: Saturday, February 25, 2017 4 – 6 pm

Participating artists:

Alice Austin
Kristin Balmer
Sara Bakken
Nancy Barch
Richard Begbie
Rosalind Bloom
Sarah Bloom
Agustin Bolanos
Elena Bouvier
DoN Brewer
Keith R. Breitfeller
Kevin Broad
Therese Brown
Corliss Cavalieri
Damini Celebre
Rachel Citrino
jacintha clark
Amanda D’Amico
Brian Dennis
James A. DePietro
Marie Elcin
Terri Fridkin
Mike Gamble
Rebecca Gilbert
Mary Gordon
Marjorie Grigonis
Naren Gupte
Marguerita Hagan
Kala Hagopian
Vikki Hall-Webster
Nina Hopen Klein
Gregg Krantz
Andrea Krupp
Pam Lethbridge
Fred Lisaius
Robert Magana
Laura Marconi
kellianne mccarthy
Angela McQuillan
Lesley Mitchell
Michael Moffa
Nanette Noone
Alexis Nutini
PD Packard
dolores poacelli
Amie Potsic
Diana Prescott
Donna Quinn
Amy Ralston
Susan Richards
Maryann Riker
Colleen Rudolf
Kristin Schattenfield-Rein
Christopher Smith
Lisa Sparling
Brian Spies
Pierre Trombert
Stella Untalan
TJ Walsh
Ashley Wick

Snowflake Salon @HBHQ, DoN BrewerTiberino Odalisque, oil on canvas, 11″ x 14″, 2016, $300.00, DoN Brewer

Painted last Summer at the Tiberino Sunday art workshop, Tiberino Odalisque is one of my favorite paintings. Completed in five hours, the painterly quality and atmospheric naturalism is my goal when I paint. The environment at the Tiberino Museum in West Philly is so accepting, vibrant and creative and represents the world I live in; a world filled with art, companionship, encouragement and love.

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Form

Charles Sheeler, Michener Art MuseumBobbi Arnst (click photos for large images)

James A. Michener Art Museum Will Present Groundbreaking Exhibition

Charles Sheeler: Fashion, Photography,
and Sculptural Form 

Multimedia retrospective to display never-before-seen photographs from a modernist icon created during his five-year tenure at Condé Nast

DOYLESTOWN, PA – In March 2017, the James A. Michener Art Museum will present Charles Sheeler: Fashion, Photography, and Sculptural Form, a groundbreaking exhibition that features never-before-seen photographs by Charles Sheeler, one of America’s most celebrated modernists. Inspired by Sheeler’s portrait and fashion work for Condé Nast from 1926 to 1931, the multimedia show will feature a significant display of these newly discovered photographs as well as paintings and other photographs created by Sheeler, 1920s fashion ensembles, and Sheeler-designed textiles. Evoking the exuberance, glamour, and promise of the Jazz Age, the exhibition will be on view from March 18 through July 9, 2017.

Charles Sheeler, Michener Art MuseumAldous Huxley

A Philadelphia native, former Doylestown resident, and Pennsylvania Academy of the Fine Arts alumnus, Charles Sheeler is one of the founding figures of American modernism. In 1910, Sheeler and fellow artist Morton Schamberg searched for a place to retreat from Philadelphia to sketch. They found a creative and inspirational escape in Doylestown, making their home at the historic Worthington House on Mercer Avenue. It was here, a mile and a half from where the Michener Art Museum now stands, that Sheeler began to explore photography in earnest.

Charles Sheeler, Michener Art MuseumIna Clare as Betsy Ross

Sheeler’s fashion and portrait photography for Condé Nast, however, has been almost universally dismissed as purely commercial, a painter’s “day job,” and nothing more. In reality, this commercial work was instrumental in shaping his aesthetic vision. Trained in an impressionist approach to landscape painting, Sheeler experimented early in his career with compositions inspired by European modernism before developing a linear, hard-edged style now known as Precisionism. While working in this mode, he produced powerful and compelling images of the Machine Age: skyscrapers, factories, and power plants, images that established his reputation as a leading figure in American art. Charles Sheeler: Fashion, Photography, and Sculptural Form will show that his dramatic viewpoints, rhythmic patterning, and abstract compositions were influenced by his work at Condé Nast.

Charles Sheeler, Michener Art MuseumMadame Lasse

“This exhibition will show how Sheeler’s modernist vision was refined over the course of his time at Condé Nast,” said Kirsten M. Jensen, Ph.D., the Gerry & Marguerite Lenfest Chief Curator at the Michener Art Museum and curator of the exhibition. “It was while there he fine-tuned his particular style-objective, distant, and rigorously formal-that he then applied to all of his subsequent work.

The core of the exhibition is 85 portraits and fashion photographs from this period, on loan from the Condé Nast archives. Models adorned in jewels and couture gowns, literary giants of the era, and Broadway actors and Ziegfeld Follies dancers: the subject matter is as sensational as the Jazz Age itself. The exhibition also features select prints from Sheeler’s famous Doylestown House series as well as his photographs of modern sculpture and early portraiture, the film Manhatta (a collaboration with Paul Strand), period costumes on loan from the collections of the Museum of the City of New York and Drexel University’s Robert and Penny Fox Historic Costume Collection, and paintings and photographs on loan from the Metropolitan Museum of Art, Whitney Museum of American Art, Columbus Museum of Art, Yale University Art Gallery, Princeton University Art Museum, Philadelphia Museum of Art, and other major institutions.

Charles Sheeler, Michener Art MuseumHelen Menken

“The James A. Michener Art Museum is an especially relevant venue for Charles Sheeler: Fashion, Photography, and Sculptural Form considering Sheeler’s strong ties to the region,” said Lisa Tremper Hanover, director and CEO of the Michener Art Museum. “We’re thrilled to present this unknown body of work in Doylestown, where Sheeler made his first important photographs.”

Complementing the exhibit will be programming that includes lectures, curator talks, a Scholars Day, a film series, musical performances, and a New York-based symposium. For the full schedule, visit the exhibition website at CharlesSheeler.org.

Advance tickets and group tours for Charles Sheeler: Photography, Fashion, and Sculptural Form are available at MichenerArtMuseum.org or by calling 215.340.9800.

A member reception will be held on the evening of March 17, 2017, the day before the exhibition opens for public view. To become a Michener Art Museum member and receive an invitation, visit MichenerArtMuseum.org or call 215.340.9800 x110.

Major support for Charles Sheeler: Fashion, Photography, and Sculptural Form has been provided by The Pew Center for Arts & Heritage, with further support from The Coby Foundation, Ltd., Visit Bucks County, an anonymous donor, and the Bucks County Foundation.

Additional funding has been provided by Bonnie J. O’Boyle and Virginia W. Sigety, Independent cabi Stylist.

In-kind support is generously provided by Condé Nast Editions.

About the James A. Michener Art Museum

The James A. Michener Art Museum collects, preserves, interprets and exhibits American art, and promotes the work of nationally and internationally known Delaware Valley artists of all eras and creative disciplines. The museum presents exhibitions that explore a variety of artistic expressions and offers diverse educational programs that develop a lifelong involvement in the arts. Throughout the year, the Michener Art Museum hosts a wide range of programs open to the public, including lectures, artists conversations, gallery talks, artist studio tours, dance performances, jazz performances, family-themed activities, and other events. The museum also offers diverse selection of art classes for children and adults, which include instruction in drawing, painting, sculpting, and printmaking as well as programs for the public, schools, and teachers designed to support arts education. The James A. Michener Art Museum is accredited by the American Alliance of Museums.

The James A. Michener Art Museum is located at 138 South Pine St., Doylestown, PA. The Museum is open Tuesday through Friday, 10:00 am – 4:30 pm; Saturday, 10:00 am – 5:00 pm; and Sunday, noon – 5:00 pm. For more information, visit MichenerArtMuseum.org or call 215.340.9800.

Twitter: @MichenerArt

Facebook: MichenerArtMuseum

Instagram: michenerart

Thank you to Christine Triantos, James A. Michener Art Museum, Associate Director, Marketing and Communications for the content of this post.

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Excellence

Jakob Weissflog, Sculptures in Wood, Ist Bob Stocksdale International Excellence in Wood Award, The Center for Art in Wood

The Center for Art in Wood offers activities from within several different program areas, including the Gerry Lenfest Gallery, the Museum Collection, The Fleur & Charles Bresler Research Library, the Museum Store, and The Earl Powell Artist Research Files.

The Center displays wood art on site and in traveling exhibitions. Our Windgate ITE International Residency Program has involved over 100 international residents as it continues through its third decade. Education and community outreach programs bring hands-on wood turning and woodworking experience to students throughout the region. The Museum Collection contains over 1000 objects from around the world, ranging from functional, every-day objects to contemporary sculptures. Our research library consists of over 25,000 images, artists’ files, and books that help preserve the exciting history of wood turning and woodworking and their continuing evolution as a contemporary art form.

Over the last two years, the Center mounted 15 exhibitions which served as the central programming focus during the time of their presentation. For instance, the Center publishes catalogues and books around many exhibitions and offers special events and dinners that correspond with each show. The Center comes alive during Old City District‘s notable First Fridays, which are the perfect opportunity for exhibition openings and events.” – The Center for Art in Wood

“German craftsman Jakob Weissflog just won the first Bob Stocksdale International Excellence in Wood Award. He learned woodturning from his father Hans Weissflog. Both are world class artists in wood.” – John Thornton


Jakob Weissflog, Germany, is the inaugural honoree recipient of the Bob Stocksdale International Excellence in Wood Award.

Supported by an anonymous donor, the Bob Stocksdale International Excellence in Wood Award annually grants $1,000 and a documented exhibition to an emerging or mid-career artist whose work, like Stocksdale’s, unites quality of craftsmanship and respect for materials.

All exhibition items are for sale to the public. For inquiries, please contact Lori Reece, at 215-923-8000 or by email at lori@centerforartinwood.org.” –The Center for Art in Wood


“Bob Stocksdale (born 1913 in Warren, Indiana—died January 6, 2003 in Oakland, California) was an American woodturner, known for his bowls formed from rare and exotic woods. He was raised on his family farm and enjoyed working with tools. His wife of more than 30 years, Kay Sekimachi, stated that, “His grandfather gave him a pocketknife, and he started to whittle. That’s how it started.”

According to an oral history he recorded at the University of California Bancroft Library, Stocksdale powered his first lathe with a surplus Maytag gasoline washing machine motor. He turned baseball bats and spindles among early projects. After graduating from high school, he worked in a factory making wooden paddles used by cracker bakers. Later he worked in a factory that made cedar chests. His job was to assemble the chests from the pre-cut wooden pieces.

He was drafted into the Army in 1942. Like two of his three brothers, he claimed conscientious objector (CO) status during World War II because he believed war never solved anything. He spent World War II in several CO camps doing forestry work. It was at a camp in Michigan where Stocksdale turned his first bowl on a lathe. This brought him to the West. He was encouraged in his woodturning efforts by Helen Winnemore, the owner of a crafts gallery in Columbus, Ohio.

After the war, Stocksdale moved to Berkeley, California in 1946, one year after Gump’s in San Francisco began showing his work. His first solo exhibition followed in 1958 at the Long Beach Museum of Art. He bought a Victorian duplex in South Berkeley, where he lived and worked for the rest of his life. He put together a shop of modest tools in his basement, and there turned out work for more than 50 years that gradually earned him acclaim and fame as a woodturner. He was a friend, and sometime collaborator, of Sam Maloof.

His work was included in the American exhibit of the 1958 Brussels World’s Fair and has been recognized internationally for fine design and workmanship. His many honors include the American Association of Woodturners Lifetime Achievement Award (1998) and the Masters of the Medium Award, James Renwick Alliance (2003). Stocksdale received the American Craft Council’s Gold Medal in 1995.

Stocksdale’s bowls are prized by collectors. They have been shown in Europe and Japan, and they appear in the permanent collections of the Smithsonian American Art Museum, the Metropolitan Museum of Art in New York, the Oakland Museum, Philadelphia Museum of Art and the Royal Scottish Museum in Edinburgh, Scotland.

Stocksdale died on the January 6, 2003, at Kaiser Oakland Medical Center in Oakland, California from complications of prostate cancer. He was 89. He was survived by second wife, Kay Sekimachi, a famous weaver and craft artist; a daughter, Joy, a noted fabric designer, of Sebastopol, California; a son, Kim, of Los Angeles; and a sister-in-law, Marge Stocksdale of Huntington, Indiana.” – Wikipedia


The Center for Art in Wood,141 N. 3rd Street, Philadelphia, PA 19106, Jakob Weissflog through April 8th, 2017.

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Paros

I Love Paros, Off the Wall Gallery

I Love Paros!, Winter Getaway Show at Off the Wall Gallery at Dirty Frank’s

“GETAWAY ALREADY?: While it’s the first day back for most of us, it’s also never too early to think about vacations ahead. That is exactly what our WINTER SHOW, which goes up this Saturday, will conjure in your head. On display will be the output of 10 talented artists, including several OFF THE WALL veterans, who traveled to the Greek island of PAROS last year — under the guidance and tutelage of ALICE MEYER-WALLACE – to create, celebrate life, collaborate, find inspiration and then create some more! Please mark your calendars for the OPENING RECEPTION on THURSDAY, JANUARY 12, 7:00 – 10:00pm. We look forward to seeing you then and getting away — if only for a few hours…and only through the power of art!” – Togo Travalia

  • Linda Avila
  • Meri Collier
  • Anders Hansen
  • Alice Meyer-Wallace
  • Jess Perlitz
  • Ron Ploeg
  • Susan Ploeg
  • Susan Stromquist
  • Phillis Dyer Weldon
  • Rick Wright

“Paros is a Greek island in the central Aegean Sea. One of the Cyclades island group, it lies to the west of Naxos, from which it is separated by a channel about 8 kilometres (5 miles) wide. It lies approximately 150 km (93 miles) south-east of Piraeus. The Municipality of Paros includes numerous uninhabited offshore islets totaling 196.308 square kilometres (75.795 sq mi) of land. It’s nearest neighbor is the municipality of Antiparos, which lies to its southwest.

Historically, Paros was known for its fine white marble, which gave rise to the term “Parian” to describe marble or china of similar qualities. Today, abandoned marble quarries and mines can be found on the island, but Paros is primarily known as a popular tourist spot.” – Wikipedia

The Dirty History of Franks, in a shot glass:

  • Dirty Frank’s opened its doors as “Franks” on November 8th, 1933, and was owned by Lou Silverman.
  • Prohibition was repealed December 5th, 1933 (how did Lou know?).
  • Frank Vigderman was the second owner. Apparently due to his hygiene, the name ‘Dirty Frank’s’ was born.
  • John Segal was the third owner from 1959-1978. He tried to change the name to the ‘347 bar’ but it never really stuck. In August of 1965 Dirty Frank’s was closed for 45 days as penalty for serving minors. John took the opportunity to tear down the dividing wall between the two rooms and to build the horseshoe-shaped bar that we still have today.
  • Jay McConnell became the fourth owner from 1978 – 2011. He completely embraced and embodied the Dirty Frank’s persona.
  • The Off the Wall Gallery was launched in 1979 by by Jay with Mary Liz, Bunky Devichios, and Phil Sumpter.
  • Since 2011,  Dirty Frank’s is owned by Brad Pierce and Jody Sweitzer, two longtime employees of the “institution”.

There you have it. And, as they say, much is still to be written…

Thank you to Togo Travalia for the content of this post.

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