Tag Archives: Philadelphia Artist

Inside Out

public24 Dog Barking at the Moon (1926) by Joan Miro, photographed by Laura Storck

Inside Out, Philadelphia Museum of Art,

Museum Masterpieces in Your Community

Written and photographed by Laura Storck

I spy art in unexpected places! That’s right — high-quality reproductions of famous art works have popped up in local communities as a part of the Inside Out program, a project sponsored by the Philadelphia Museum of Art through a grant from the John S. and James L. Knight Foundation. In this program, the museum is sharing 61 framed replicas from its collection around the region. Brilliant!

Two Calla Lilies on Pink (1928), Georgia O’Keeffe, photographed by Laura Storck

What a great way to bring fine art outside of the confines of the gallery walls to the public realm. I felt absolutely ecstatic when I learned that 11 works would be sprinkled throughout my own backyard in Haddonfield, NJ. Not only does this allow for the convenience and easy accessibility to enjoy these works nearby, but I can savor them en plein air; I absolutely adore the organic context. public21 The Libraries Are Appreciated (1943) by Jacob Lawrence, photographed by Laura Storck

Since I spend the majority of my free time in Philly, this outdoor exhibit also allows me to rediscover, reconnect, and to appreciate this beautiful neighborhood and all it has to offer.

The Kiss (1916) by Constanin Brancusi, photographed by Laura Storck

I was able to locate and photograph the pieces in under an hour (by the way, I DO love a good scavenger hunt!). These alluring works are very carefully placed, and complement each spot very well. The art at each location conveyed a cosmic romanticism and palpable energy that forcefully pulled me in.

Tanis (1915) by Daniel Garber, photographed by Laura StorckPortrait of a Roman Lady (La Nanna, 1859) by Sir Frederic Leighton, photographed by Laura StorckPoplars on the Bank of the Epte River (1891) by Claude Monet, photographed by Laura Storck

Here is the list of all 11 replica art works that are currently on view at various locations in Haddonfield:

Rondel Depicting Holofernes’s Army Crossing the Euphrates River (1246-48), from France
Mont Sainte-Victoire (1902-4), by Paul Cezanne
The Libraries Are Appreciated (1943), by Jacob Lawrence
Dog Barking at the Moon (1926), by Joan Miro
Marine (about 1652-53), by Simon Jacobsz de Vlieger
Tanis (1915), by Daniel Garber
Two Calla Lilies on Pink (1928), by Georgia O’Keeffe
Portrait of a Roman Lady (La Nanna) (1859), by Sir Frederic Leighton
Pichincha (1867), by Frederic Edwin Church
The Kiss (1916), by Constantin Brancusi
Poplars on the Bank of the Epte River (1891), by Claude Monet

I was thrilled to see a photograph one of my favorite masterpieces of all time, Brancusi’s The Kiss, included in this outdoor exhibit. This piece is so simple yet it conveys such emotion, tenderness, and gentle eroticism that runs deep to the core. Personally, I am always swept away and overcome with emotion when this amazing sculpture finds my gaze.

public13 Pichincha (1867) by Frederic Edwin Church, photographed by Laura Storck

Mont Sainte-Victoire (1902-4) by Paul Cezanne, photographed by Laura StorckMarine (1652-3) by Simon Jacobsz de Vlieger, photographed by Laura Storck

Inside Out is being unveiled in two cycles between Summer and Autumn 2015. From mid-May until August, you may find art works in the following communities:

Haddonfield, Camden County, NJ
Chestnut Hill and Mount Airy, Philadelphia, PA
East Passyunk, Philadelphia, PA
Media, Delaware County, PA
Newtown, Bucks County, PA

From mid-August through November, you may stroll through these neighborhoods to find the next wave of pop-up collections:

Fishtown, and Kensington, Philadelphia, PA
Ambler, Montgomery County, PA
Norristown, Montgomery County, PA
Wayne, Delaware County, PA
West Chester, Chester County, PA

This project does an amazing job of reaching out to make this fine art accessible to communities that are relatively geographically distant from the museum. I sincerely look forward to checking out the rest of the outdoor exhibits!

Go to www.philamuseum.org/insideout for maps and detailed information.

Included in this article are photographs of all but one of the Haddonfield art replicas on display. I’ll leave the challenge up to you to find it!

“Inside Out, May 15, 2015 – Mid-November 2015

Encounter high-quality replicas of artworks from the Museum’s collection in your neighborhood. The Philadelphia Museum of Art is sharing its art. This summer and fall, sixty high-quality replicas of Museum masterpieces will find their way into communities around the region. Each participating neighborhood will feature about ten artworks within a short distance of each other. Walk through the park, hop on a bike, or meander down Main Street through each exciting outdoor exhibition.Join your family and friends and encounter art in unexpected places. Picnic next to Claude Monet’s iconicJapanese Footbridge, stop to smell the flowers near Georgia O’Keeffe’s Calla Lilies, or shine a flashlight on Paul Gauguin’s Sacred Mountain during a midnight stroll. Never been to the Museum? Inside Out brings treasures from its collection to you. Pick a neighborhood, grab your friends and family, and explore.” – Philadelphia Museum of Art, Inside Out

Written and photographed by Laura Storck except where noted

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Submerging

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Submerging, Nile Livingston at Urban Art Gallery, 7/5/15

“I remember going to the beach with my family when I was little. My father was holding my baby sister as he walked through the ocean toward the horizon. I asked my uncle to pick me up and take me out to them. The water reached my uncle’s waist by the time my father turned around and noticed our approach. He yelled to his brother to take me back to the shore. I began to fuss in protest when my uncle dropped me. Under the salt water my eyes were wide open, fixated as I sank toward the deep pit beneath me. I felt calm as I slowly, peacefully drifted downward. I passed a starfish resting on a rock, perfectly lit by the sun’s rays under water. Still sinking, I reached out to touch it. My fingertips were less than a hair away from the creature when my body was ripped out of the water and I gasped for air as I’m back in my uncle’s arms. Back on the shore I spent the rest of the day playing in the sand.

There is so much to discover in this world. Consequently, my passions are extremely charged and my art is the by-product of human consciousness. Biographic interpretations of growing up in a home filled with rolls of drafting papers, collections of teapots, and acoustic instruments have inspired me to explore endless aesthetic propositions. I produce artworks in various mediums that include painting, drawing and sculpture. Themes present in my art range from genealogical dementia, loss, character encounters, decadence, and poverty. Similar to a public diary entry, each installation reveals pieces of an evolving story of who we are as people.

As I journey beyond the communities I’m most familiar with, into a more global existence I’d like to share my lessons from everyday masters, produce artworks that examine sources of anxiety, document interactions, shared memories, and provide evidence for narrative works that address social change, environmental deprivation, and technological advances.” – Nile Livingston

My mission is to promote self expression and fulfillment. There is so much to see and learn about, and for that my passions are extremely charged and my artworks are the by-product of human consciousness. Similar to a public diary entry, each installation reveals pieces of an evolving story of who we are as people. – Nile Livingston artist statement

Founded in an effort to bridge art and the urban community, Urban Art Gallery‘s goal is to create an exciting venue where emerging artists can exhibit and sell their work. Through this, Urban Art Gallery looks to stimulate appreciation and participation in the arts, by showcasing unique and inspirational creations, which include but are not limited to, poetry showcases; live performances; youth workshops; and private events. – About Urban Art Gallery

UrbanArtGallery
262 s. 52nd St.
Philadelphia PA 19139

OPENING RECEPTION: Sunday, July 5th 2015, 4:00 – 7:00PM

Curator: Kalphonse Morris
KM@urban-artgallery.com
www.urban-artgallery.com

Thank you to Nile Livingston for providing the content of this post.

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Creators

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Call for Entry, The Philadelphia Sketch Club Benefit Open Juried Art Show

Please join us for our next The Philadelphia Sketch Club Annual Benefit Open Juried Art Show to benefit a local non-profit organization. This is an open juried show by The Philadelphia Sketch Club to benefit The Philadelphia Urban Creators, open to all artists. The exhibition will be on view in our historic main gallery in center city, Philadelphia. PSC medals will be awarded during the artist reception. The Philadelphia Sketch Club is the oldest artist club in the US, founded in 1860.

The Philadelphia Urban Creators is a youth and community driven organization that inspires inner-city neighborhoods to transform neglected landscapes into food hubs, social enterprises, and models of urban sustainability. We are change makers; story-tellers, urban farmers, dot connecters, movement builders, and innovators, cultivating knowledge, skills, and local resources to take the health of our communities into our own hands. We engage diverse networks in neighborhood revitalization efforts that build self-sufficiency and pioneer grass-roots economic development, while igniting a unified generation of passionate change agents, social entrepreneurs, and urban creators.- http://phillyurbancreators.org/

2015 The Philadelphia Sketch Club Benefit Art Exhibition – June 19 – July 11, 2015
Enter Online HERE
Entry Deadline: Sunday May 24, 2015 at Midnight
All profits to be donated to The Philadelphia Urban Creators
See Prospectus: Prospectus 2015 Benefit Show v 1
Online Assistance Day: Sunday May 24, 2015 at Midnight from 1-5 PM at The Philadelphia Sketch Club. Bring your artwork to the club to be photographed and added to the online art gallery.
Jury Notification: June 2, 2015
Delivery of Accepted Works: June 12-13, 2015, 1:00 – 5:00 The Philadelphia Sketch Club or ship to PSC with return postage.
Reception: Sunday June 21, 2015, 2:00 – 4:00 PM at PSC

ELIGIBLE WORKS:
– Any 2 dimensional works utilizing any media.
– Maximum allowed size is 44 inches on any one side including frame.
– All submitted works must be offered for sale during the exhibition.
– All works must be framed and wired and ready for hanging. Improperly framed pieces will be rejected.
– PSC will assess a 35% commission on all sales.
– Maximum 5 works allowed per entry.
– Maximum two works accepted per entry to be shown in the gallery.
– All works of an ‘Accepted’ artist will be shown for sale in our free Philadelphia Sketch Club Online Gallery.

AWARDS:
PSC medals will be awarded. Awards include First, Second , Third Place Award, 3 Honorable Mentions.

DEADLINE: Sunday. May 24, 2015 at Midnight

FEES: PSC Members: $15 for 1st TWO entries, then $5 for additional entries up to 5 entries.
Non-Members: $30 for TWO entries, then $10 for additional entries up to 5 entries. You can pay via credit card or paypal.

NOTIFICATION: June 2, 2015
You will be notified via email of our jurors decision. You can also check our website.

ASSISTANCE: Sunday, May 24, 2015 from 1-5 PM
If you need assistance with the online entry process, please contact the Faad Ghoraishi faad@ghoraishi.com, 917-270-0800) or optionally, bring your work to PSC on the above date and we can assist you.

DELIVERY OF ACCEPTED WORKS: Friday and Sat June 12 and 13 (1-5 PM) at PSC.
If you are accepted, then you must deliver your work(s) to The Philadelphia Sketch Club.
You may also ship your works via a carrier. You must provide prepaid return postage. Ship to the address below.

PICKUP DATES: Pickup of all Accepted works on July 12, and July 15, 2014 1-5 PM at PSC

The Philadelphia Sketch Club
C/O 2015 PSC Benefit Show
235 Camac Street
Philadelphia, PA 19107
215-545-9298

Show Chair Faad Ghoraishi

“America’s oldest club for artists. Since 1860 the PSC has served as a meeting place, forum for ideas, and a vital bridge between the creators and supporters of art. Past luminaries have included such American masters as Eakins and Anshutz. Present luminaries could include you. We welcome all to the Club, and we urge artists to join in our continuing heritage.” – The Philadelphia Sketch Club

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Krimes

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Jesse Krimes: Apokaluptein16389067: II

By Laura Storck

As a native Philadelphian, I’d never visited the Eastern State Penitentiary, which is attributable to my own design as well as lack of desire. Known as America’s most historic prison, Eastern State Penitentiary was once the most famous prison in the world due to its grand architecture and strict disciplinary practices. Notions of such harsh discipline, imprisonment, and being confined to small spaces renders fear and paralysis in my mind. However, after learning about the May First Friday unveiling of several artists at the ESP, this art enthusiast felt it was a perfect time to make the guarded effort to see this well-known space.

Jesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

I was especially intrigued after reading about the installation ofJesse Krimes, entitled Apokaluptein 16389067: II. Jesse is a Philadelphia-based artist, who was indicted by the U.S. government on non-violent controlled substance charges, and served a 70-month federal prison term. While serving his term, Jesse produced a breathtaking and evocative 39-panel landscape on bedsheets. His process is just as magnificent: Jesse transferred cutout images from the New York Times using a plastic spoon and hairgel he had purchased from the commissary. He used the spoon to press the sheet and hairgel onto the newspaper cutout which resulted in an inverse image on the sheet. Lastly, the images were blended together with color pencil. With the help of prison guards who had supported his work, he was able to store the sheets in a prison locker before having each panel mailed home piece by piece upon completion. Jesse kept a running dialogue in his mind of each of the sheets, as he didn’t see the entire grouping of panels until his release.

Jesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

In it’s original iteration, Apokaluptein16389067 is 15 feet tall and 40 feet long. The images are a grouped according to three major sections: the bottom represents Hell, the middle portion is a depiction of Earth, and the upper portion signifies Heaven. A facsimile of the original is on display along the interior walls of an abandoned cell at the ESP. I spoke with Jesse about his artistic process, and he explained that the current installation was made by scanning the original bedsheets onto a large scanner and making a large print. He then made a copy of the large print (to mimic the inverse images that appear on the bedsheets due to the transfer) and affixed those pieces onto the walls of the prison cell exhibition space using hand sanitizer and a sealant. Jesse feels that this project has reached it’s zenith in as it’s final iteration at the Penitentiary.

Jesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

This installation is a brilliant collage of color, form, and text. The texture is reminiscent of decoupage or encaustic painting. In their entirety, the panels serve as an artistic time capsule.

The original title, Apokaluptein16389067, references the Greek origin of the word apocalypse which means to reveal; by definition, it is a cataclysmic event. The numbers reference the artist’s Federal Bureau of Prisons identification number. Of all the works on display at this First Friday event, I felt especially compelled to see this exhibit as I am both amazed and in awe of the power of human resilience. Last year, I read wonderful meme that has since stuck with me: “When written in Chinese, the word ‘crisis’ is composed of two characters. One represents danger and the other represents opportunity”. Jesse Krimes‘ work is the epitome and personification of this proverb. I hold much admiration for his creative self-motivation in making this impressively transcendent work of art during his own personal apocalypse.

Jesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, Subscribe to Philly Mural Arts on YouTube

Jesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

www.jessekrimes.com

http://www.easternstate.org

Written and photographed by Laura Storck

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Roger Ricco

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SAVERY Gallery is thrilled to announce the upcoming exhibition: Roger Ricco : Paintings & Photography showing in Philadelphia from Friday May 8th, through Sunday June 14, 2015. There will be a reception for the artist on Friday May 8th, from 6 to 9pm and an Artist’s Talk on Saturday May 23. SAVERY Gallery 319 N. 11th Street Philadelphia PA 19107 267-687-7769

Roger Ricco : Paintings & Photography features work that spans from 2008 until today. Large scale paintings on canvas interspersed with digitally captured photographs line the walls of the main gallery and a collection of smaller photographs from his Eclipse series is displayed in the adjoining annex gallery. Heavily influenced by nature, the subjects are: flora, rock, jungle, birds, grottoes, as well as geometry and celestial beings. The artist employs photographic reference images, movie stills, fabricated tabletop “sets” and manipulations of scale as starting points for his technical exploration.

The paintings use a carefully limited dark palette full of inky blacks, grays and silvery-greens, no doubt influenced by the Northern light that filters through the enormous wall of glass in the artist’s Woodstock home and studio. Splashes of pinks, purples and cobalt blue add a luminosity, and a surprising femininity. Many of the works in the Jungle Dreaming series are dyptichs, connecting lines from one canvas to the other. His subjects emerge from dark washes of background with energetic marks as lighter, more detailed and recognizable plants, animals and environments. The larger individual canvases (some as large as 48×48) are representations of natural formations, bodies of water and looming natural occurrences, devoid of any evidence of humans or animals. The work presents nature that has been framed or captured elsewhere first, then investigates, follows, manipulates and finds moments of illumination. An other-worldly quality reverberates throughout the work.

In Ricco’s photographs from the Eclipse series, the artist also uses a pared-down color palette combined with similarly thoughtful formal presentation to present a study of what appears to be celestial bodies. Using arranged objects, studio sets and digital processing, the artist created images that appear as if they could have been captured by high powered telescope, or conversely, electron microscope. Their gallery presentation as deeply rich and satiny prints framed without glass allow the viewer to experience an intimate connection to the work while at the same time conjuring large, grand, metaphysically challenging ideas.

Roger Ricco is an internationally recognized multi-disciplinary artist working in painting, photography and video who is based in NY. He has won the Rome Prize in painting, worked with Irving Penn, and currently co-owns and operates Ricco-Maresca Gallery in New York City which represents the work of world-renowned Outsider Artists. He is a leading expert and multi-published author on Outsider Art.

Recently, he has exhibited with: KM Fine Arts, Los Angeles, Kenise Barnes Fine Art, Larchmont NY, Castell Gallery, Asheville, NC Mr. Ricco has also been faculty at School of Visual Arts in NYC in the Art History department and has lectured at Yale University, Bard College, Museum of American Folk Art, Cooper Union, and Zen Mountain Monastery among others.

For further questions, press inquiries, or images please contact Tory Savery: 267-687-7769 or 610-547-8434 gallery@saverydesign.com www.saverygallery.com

Roger Ricco : Paintings & Photography May 8th, through Sunday June 14, 2015. Reception for the artist on Friday May 8th, from 6:00 to 9:00pm and an Artist’s Talk on Saturday May 23.

SAVERY Gallery 319 N. 11th Street Philadelphia PA 19107 267-687-7769

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