Tag Archives: Philadelphia Artists

Harmony

Harmony of the Whole: 7th Exhibition of the Philadelphia Arts Connection at Da Vinci Art AllianceHarmony of the Whole: 7th Exhibition of the Philadelphia Arts Connection at Da Vinci Art Alliance

October, 2014, “Harmony of the Whole: the 7th Exhibition of the Philadelphia Arts Connection,” will open at the gallery of Da Vinci Art Alliance, located at 704 Catharine Street, Philadelphia, PA 19147(phone: 215-829-0466; gallery hours: Wednesdays, 5:00-7:00p.m., Saturdays and Sundays, 12:00-5:00p.m.). The show will feature paintings and sculptures by the Philadelphia Arts Connection [PAC] members and continue until October 26th. The artists’ receptions will be held between 12:00-6:00 p.m. on both October 25th and 26th, coinciding with the POST exhibitions in Philly.

Philadelphia Arts Connection was established in 2010 by a group of Korean émigré artists residing in the greater Philadelphia-New York region. It is a Korean-American artists’ cooperative that meets monthly to provide mutual support and to encourage its members’ artistic growths. In addition, through semiannual group shows, the group strives to promote its members’ visibility to the larger art audiences in the New York-Philadelphia corridor. This is the group’s third show hosted by Da Vinci Art Alliance.

Among the participants in this show are Sung Hoon Ham, Kyungja O. Kim, Soo Arm Ahn, Yeonmi Ahn, Alice Chung, Yeoun Lee, Cara Stickler, Jamie Moon, Samuel Park, Soyoun Kim and Nam Sook Kwon. They work in a variety of media, including oil, watercolor, acrylic, mixed media and sculpture. The exhibition, “Harmony of the Whole,” draws from the unique voices, memories, and reflections of the PAC members whose works embrace both Korean and Western art traditions and incorporate their life experiences and exposures to contemporary arts in America.

For further information on the Philadelphia Arts Connection and its shows, visit www.philaartsconnection.org or send an email to: info@philaartsconnection.org.  You may also contact Sung Hoon Ham at (610) 931-1081 and Yeoun Lee at (856)316-8527 for more information on the show.

Harmony of the WholeHarmony of the Whole: 7th Exhibition of the Philadelphia Arts Connection at Da Vinci Art Alliance

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Plaza

Plaza Artist Materials, Hands On CreativityPlaza Artist Materials, Hands On Creativity, Free Art Demos, Free Samples, Door Prizes and More, Saturday and Sunday, October 18th & 19th

3200 Chestnut Street, Retail E, Philadelphia, PA 19104
We are on the Drexel University Campus on the south side of Chestnut Street between 32nd and 33rd Streets.
Phone: 215-823-6893
Fax: 215-823-6896
Store Hours

Day Open Close
Monday 9:00 am 7:00 pm
Tuesday 9:00 am 7:00 pm
Wednesday 9:00 am 7:00 pm
Thursday 9:00 am 6:00 pm
Friday 9:00 am 6:00 pm
Saturday 9:00 am 6:00 pm
Sunday 12:00 pm 5:00 pm

Parking

  • Garage parking is available in the Drexel University parking garage on 34th Street between Chestnut and Market Streets.
  • Plenty of metered parking is available on the surrounding streets.

Public Transportation

  • Amtrak or Septa Regional Rail: We are 3 blocks from 30th Street Station.
  • Trolley – All Green Lines – stops at 33rd between Chestnut and Market.
  • The Market-Frankford – Blue Line – stops at 34th and Market.
  • Bus lines running to Center City run on Chestnut and from Center City run on Walnut.
  • Gold loop and Green loop bus routes loop through University City.

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Face

Face Value at Main Line Art CenterHistory and New Technology Join Forces in Face Value at Main Line Art Center

Featuring Nick Cassway, Mark Khaisman & Steven Earl Weber

October 6 – November 5, 2014 

Artist Talk and Reception: Friday, October 10, 5:30-8:30 pm

Curated by Amie Potsic, Executive Director of Main Line Art Center
Presented in partnership with Pentimenti Gallery and DesignPhiladelphia 2014

From man’s first sketches on the cave wall, to the rise of the “selfie,” the portrait has been an ever-present subject matter for artists.  The power of the portrait to tell a story, illuminate social injustices, or capture a moment in time lies in the pictorial representation as well as the media and process by which it was made.  In Face Value, presented at Main Line Art Center October 6 to November 5, artists Nick CasswayMark Khaisman, and Steven Earl Weber uniquely approach portraiture and social commentary through the manipulation of packaging tape, computer cut stencils, and printed glass.  Referencing film noir, Khaisman will be exhibiting his signature lightboxes as well as a site specific installation on nine windows in the gallery.  Cassway will be exhibiting a new series based on a civil war drama created with his analog-to-digital-to-analog process that incorporates drawings edited together in Photoshop and output to computer cut stencils with house paint and metal leaf.  Influenced by early photographic processes and his immediate surroundings, Steven Earl Weber’s new work will be seen as shadows reflected on surfaces from mirrors and panes of glass to illicit empathy and identification with his subjects.  All three artists look to the past for inspiration and embrace new technologies in production to create compelling and surprising work that is both timely and timeless.

Face Value is curated by Amie Potsic, Executive Director of Main Line Art Center, and is presented in partnership with Pentimenti Gallery, of Old City Philadelphia, as part of the DesignPhiladelphia Festival.  The Art Center will host an artist talk on Friday, October 10 from 5:30 to 6:30 pm, followed by a public reception from 6:30 to 8:30 pm featuring fare from Cricket Catering and samplings from the center’s wine sponsor, Barefoot Wine & Bubbly.  The artist talk, reception and gallery visits are free and open to the public. The gallery is open Monday through Thursday from 10 am to 8 pm, and Friday throughSunday from 10 am to 4 pm.  Additional programs for Face Value include a Screenprinting on Non-Traditional Surfaces workshop with Steven Earl Weber on Wednesday, October 8 from 6:30 to 9:30 pm; Analog to Digital to Analog Drawings workshop with Nick Cassway on Wednesday, October 22 from 6:30 to 9:30 pm; and a workshop on Painting with Packing Tape with Mark Khaisman on Wednesday, November 5 from 6:30 to 9:30 pm.  For more information about these programs and registration, visit www.mainlinert.org or call 610.525.0272.

Face Value, Mark Khaisman , Main Line ArtMark Khaisman “Lauren and Marilyn”. Packaging tape on acrylic panels with translucent resin light boxes 47.5” x 27” x 6” © Mark Khaisman 2014

Born in the Ukraine, Mark Khaisman studied art and architecture at the Moscow Architectural Institute and now lives and works in Philadelphia. Khaisman worked for several decades in architecture, animation, and stained glass design. In 2005, Khaisman began exhibiting his signature tape works.  His artwork has been exhibited and published internationally with exhibitions at Pentimenti Gallery in Philadelphia; Volta Art Fair in New York; Ampersand Foundation PF in Barcelona, Spain; Contemporary Istanbul Art Fair; The Science Museum in London, England; and Vitra Design Museum, in Weil am Rhein, Germany.  His works have been acquired by The West Collection, NBC, British Airlines, and The Delaware Art Museum. Additionally, his work has been featured in, Wired Magazine, Flush Magazine, and the Huffington Post.

Nick Cassway, Face Value, Main Line Art CenterNick Cassway, Portrait of the Young General, latex and metal leaf on panel, 17.5″ x 22″,© Nick Cassway 2014

Nick Cassway received a BFA in painting from the Tyler School of Art in 1990. He has exhibited his drawings, prints, and site-specific installations both locally and nationally with recent solo exhibitions at James Oliver Gallery in Philadelphia. His work has been featured in The Philadelphia Inquirer, the ArtBlog, Grid Magazine, and Art News.  Cassway is deeply vested in the Philadelphia arts community and was formerly the executive director of NEXUS/foundation for today’s art. He currently teaches computer graphics, editorial design, and brand identity at Drexel University’s Antoinette Westphal College of Media Arts and Design, and is a current Fellow in CFEVA’s Visual Artist Fellowship program.Steven Earl Weber, Face Value, Main Line Art CenterSteven Earl Weber,“Untitled”, screen print on glass, spray paint, black house paint, 18 “x 18”, 2014 © Steven Earl Weber 2014

Steven Earl Weber received his BFA from Kent State University and his MFA from the University of Delaware.  A resident of Philadelphia, his sculptures and installations have been exhibited locally and internationally with exhibitions at Summerhall Arts, Edinburgh, Scotland; Roxy Art House & The Demarco European Art Foundation, Edinburgh, Scotland; Hunter College of Art, New York, NY; and The Painted Bride Art Center, Hidden City, and James Oliver Gallery in Philadelphia. Additionally, his work has been featured in The New York Times, The Scotsman Newspaper, and Art in America.  Weber has been the Gallery Director at the Philadelphia Sculpture Gym Gallery, served as adjunct faculty at the University of Delaware and Drexel University’s Antoinette Westphal College of Media Arts and Design, and is currently the Exhibition Designer at the Delaware Center for Contemporary Art.

Amie Potsic, curator of the exhibition, began her tenure as Executive Director of Main Line Art Center in July of 2012.  Prior to that, she served as Director of Gallery 339 and Director of the Career Development Program at the Center for Emerging Visual Artists (CFEVA) in Philadelphia where she curated exhibitions and planned professional development programming for emerging and professional artists. Potsic has curated over 70 exhibitions at venues including The Philadelphia Museum of Art, Pittsburgh Center for the Arts and Moore College of Art & Design. Potsic is also an established photographic artist who has exhibited her work nationally and internationally.  In addition, she is currently Chair of the Art In City Hall Artistic Advisory Board to the City of Philadelphia’s Office of Arts, Culture & the Creative Economy.

DesignPhiladelphia, a signature event of the Philadelphia Center for Architecture, is the oldest and largest design event of its kind in the country and annually showcases the work of over 400 practicing architects, designers, and creative professionals. Experience design in unexpected ways through more than 120 exhibitions, workshops, demonstrations, tours, talks, and events held in venues across the city. Learn about wide-ranging topics, including architecture, urban planning, landscape, graphic, multi-media, product, furniture design, fashion, and the like. This year’s Festival kicks off on the evening of October 8 and events run from October 9-17. For more information on planning an event, sponsoring, advertising, or attending the 2014 Festival, visit: designphiladelphia.org.

Pentimenti Gallery, located in Old City Philadelphia, features content driven contemporary art which challenges traditional materials and aesthetics by a line of internationally established artists alongside young talent. Over time, the exhibition program has broadened to encompass abstract and figurative aesthetics to innovative works created from unconventional materials. Throughout two decades, Pentimenti Gallery has maintained a commitment to process based work and elaborate craftsmanship.  The gallery is regularly invited to participate at international art fairs such as VOLTA NY, PULSE NY, CONTEXT Art Miami, MIAMI PROJECT, TEXAS CONTEMPORARY.  Pentimenti Gallery is located at 145 N. 2nd Street in Philadelphia.  For more information, visit www.pentimenti.com or call215.625.9990.

Main Line Art Center is a welcoming and inclusive creative home where everyone is encouraged to create, experience, and discover the value of art.  Committed to making art more accessible, the Art Center has over 75 years of experience presenting art programs for individuals of all ages and abilities, including a unique series of Accessible Art programs for children and adults with developmental and physical disabilities, at-risk youth, and low income families now celebrating their 50th anniversary.  Throughout the year, Main Line Art Center presents innovative, contemporary art exhibitions in their award-winning gallery, as well as exhibitions that celebrate community.  Last year over 16,000 people chose Main Line Art Center as their home for creativity.

Main Line Art Center is located at 746 Panmure Road in Haverford, behind the Wilkie Lexus dealership just off of Lancaster Avenue. The Art Center is easily accessible from public transportation and offers abundant free parking. For more about Face Value, visit www.mainlineart.org or call 610.525.0272.

Face Value Artist Workshops:

Screenprinting on Non-Traditional Surfaces with Steven Earl Weber: Wed., Oct. 8, 6:30-9:30 pm

Analog to Digital to Analog Drawings with Nick Cassway: Wed., Oct. 22, 6:30-9:30 pm

Packing Tape Painting with Mark Khaisman: Wed., Nov. 5, 6:30-9:30 pm

Thank you to Amie Potsic for providing DoNArTNeWs with this report. Images used by permission of Main Line Art Center.

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LFA

Large Format Art, Philadelphia Sketch ClubLarge Format Art, Philadelphia Sketch Club

The Large Format Art show at the Philadelphia Sketch Club may not have as many paintings as a regular group art show but there is certainly a whole lot more paint. The walls are covered with large works of art that have at least one length be a minimum of forty inches, the largest painting by RJ Haas is 60″ x 60″, the size limit that could fit up the stairs to the historic gallery. The juried exhibition offers the opportunity to show large artworks that often exceed size constraints for group shows.

“The Philadelphia Sketch Club “support[s] and nurture[s] working visual artists ” by providing studio space through our workshops program as well as by providing exhibition and networking opportunities; we support “ the appreciation of the visual arts ” by providing free public access to our exhibitions; we support “ visual arts education ” through our low cost, open enrollment workshop program; and lastly, we promote “ the historical value of the visual arts to the community ” by providing free public access to our historic collections and facility.”

Large Format Art, Philadelphia Sketch ClubLarge Format Art, Philadelphia Sketch ClubThomas Del Porte, Poseurs, 48″ x 60″. oil on canvas.

Thomas Del Porte intends to tell a visual story within each stroke of paint.  His paintings are made with thousands of little jeweled, thorn like curls, each stroke acting as an individual painting.  He paints from direct observation in the attempt to capture a unique portion of the infinite qualities of light, line, color and spaces that nature provides. His goal is to communicate a visual quality that reveals something new within the movement and drama of the images he translates.” – Thomas Del Porte

Large Format Art, Philadelphia Sketch ClubLarge Format Art, Philadelphia Sketch ClubReagan Lake, Big Iris 2, 48″ x 30″, acrylic mixed media, Third Prize.

Exhibitions at the Philadelphia Sketch Club attracts artists from the region, the USA and the world. To exhibit your work in the gallery is resume worthy but to win a prize is a valued award with bragging rights. I especially liked the medallions with the club’s iconic logo, a wonderful keepsake and an elegant addition to the awards ceremony.

“The Archives of the Philadelphia Sketch Club contain information on individual artists and also on how they interacted in an organization that possesses a unique camaraderie. A key part of the archives is Seventy-Five Years of the Philadelphia Sketch Club, the club history of over 1,000 pages that was compiled in 1936 by Sidney Lomas. Another key part of the archives are the individual artists files that contain information and documents gathered over the years.” – Philadelphia Sketch Club

Large Format Art, Philadelphia Sketch ClubLarge Format Art, Philadelphia Sketch Club, Ruslan KhaisLast Sorcery of Autumn, Red and Yellow, oil/acrylic on canvas, 30″ x 50″, First Prize Winner.

Ruslan Khais studied at PAFA and Republican College of Fine Arts – Chişinău, his brilliant canvas, Last Sorcery of Autumn, Red and Yellow, stood out from the glorious fields of color, texture and composition of the surrounding artworks by being at once abstract yet naturalistic. When the artist was awarded his medallion and certificate he was absolutely thrilled saying to the assembled crowd, “I love Philadelphia!”

Large Format Art, Philadelphia Sketch Club through October 18th, 2014, 235 South Camac Street, The Avenue of the Artists, Philadelphia PA, 19107. Hours: Wednesday, Friday, Saturday and Sunday 1:00 – 5:00pm.

Also on view in the Stewart Room Gallery will be a joint exhibition by two of our members:

  • Janet Cooke : New and Old works
  • Bill Patterson : PSC Legacy Auction works and some of Bill Patterson’s art collections
  • Reception: Sunday Oct. 12, 2014, 2-4 PM at PSC

Written and photographed by DoN Brewer except where noted.

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Isolation

From Isolation to CollaborationFrom Isolation to Collaboration, 17 Artists/30 Years: ASSEMBLAGE Artists Collective

October 9th – December 17th, 2014 
Open to the public: Monday through Friday, 9:00 a.m. – 5:00 p.m.

HENRY GALLERY at Penn State Great Valley Conference Center hosts the works of 17 artists from theASSEMBLAGE Artists Collective. The exhibit; “From Isolation to Collaboration” opens with a reception for the public on Thursday, Oct. 9 from 6 to 7 p.m. Following the reception, ASSEMBLAGE Artists Collective will give a presentation “How to Survive and Thrive in the  Art World  Despite the Odds in the Musser auditorium. The opening event is free; registration is required at:http://assemblageartists.eventbrite.com

ASSEMBLAGE Artists Collective includes: Rosalind Bloom, Zola Bryen, Wanda Chudzinski, Leslie Eadeh, Susan Hader GoldenKathe Chapman Grinstead, Lauren Litwa Holden, Sheila Letven, Helen Mirkil, Lesley MitchellElaine C. Nettis, Brigitte Rutenberg, Eleanor Schimmel, Marion Spirn, Charlotte Schatz,Pam Taggart, Carol Wisker

HENRY GALLERY at Penn State Great Valley Conference Center, 30 East Swedesford Road, Malvern PA.

“In 1985 a few young artists were graduating from the safety and camaraderie of art school to the harsh reality of the outside world.  To ease the transition they began to meet once a month to share information about practical and technical issues, current shows, exhibition opportunities, and to view and discuss one another’s work. The roster has changed, but nine in the current group have been in it from the start, and the group remains small enough to sustain intimacy. The first Assemblage exhibition was in 1991, followed by twelve more exhibits to date.” – HENRY GALLERY at Penn State Great Valley Conference Center

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