Tag Archives: Philadelphia Artists

Bike pARTs

Bike pARTs, Art in City Hall

Bike pARTs

March 17– June 13, 2014. Exhibition sites: Art Gallery at City Hall and display cases on 1st and 2nd Floors, NE corner. Submissions due: February 28, 2014, 4 pm.

Art Gallery at City Hall, Office of Arts, Culture and the Creative Economy, 116 City Hall, Philadelphia, PA 19107, (215) 686-9912 email: artincityhall@phila.gov

Jurors: AICH

Art in City Hall issues a call for artists for the upcoming exhibition in historic City Hall. Did you know that of the 10 largest cities in the United States, Philadelphia has the most bicycle commuters per capita? We also have over 200 miles of designated bike lanes, and a goal of installing thousands of new bike racks in the coming years. Recently, the Bicycle Coalition of Greater Philadelphia in partnership with the City’s Office of Arts, Culture and the Creative Economy received a Knights Arts Challenge grant to install artist-designed bike racks in six locations throughout Center City. The Art Gallery at City Hall will feature those designs this spring. To complement this presentation and support Philadelphia’s growing bicycle culture, artists from the region are invited to submit art that utilizes bicycle parts and explore themes of sustainability, health and the urban environment. Found object and kinetic sculpture, two dimensional designs, and works that explore the mechanics of movement are encouraged.

Rules for Entry

Eligibility

Open to professional and self-taught artists and graduate students from the Philadelphia region working in all media, including the five-county Delaware area.

Exhibition Sites

Exhibitions are generally presented in the public spaces of City Hall. Bike pARTs will be show-cased in the Art Gallery at City Hall, which is part of the Office of Arts, Culture and the Creative Economy, Room 116 (near the East Portal Market St. entrance – first floor) and hallway display cases on the first and second floors (near the Offices of the Mayor).

Exhibition display case dimensions are 84” H x 94” W x 30”D. There are 7 display cases. The Art Gallery is 800 square feet of space. Works that exceed the dimensions of the display cases will be featured in the gallery.

1. Deadline for submission: Received by Friday, February 28, 4 pm. No exceptions. There is no entry fee.

2. Please submit up to 4 works as jpegs on a CD. Each image should be no larger than 1MB. Please call or email if you have questions.

3. Each jpeg file name should correlate with the entry form. You may include up to 3 details of each work.

4. Each artist must include a brief artist statement (no longer than two paragraphs) and resume as Word documents or PDF.

5. Return the completed entry form with your digital submission and include a S.A.S.E ONLY if you wish to have your disc returned to you.

6. If you are unable to submit work in a digital format, please contact Art In City Hall for assistance.

Selection and Installation of Exhibition

Accepted artists will be notified by phone or email. You can call to verify submission status. All work must be in good condition and ready for installation (i.e., hooks, wires, etc.). Artists are responsible for assisting with installation of works which require special attention or extensive demands of time.

The City, the Art in City Hall Exhibitions Committee and/or curators reserve the right to change the content of the exhibition, including the removal of artwork.

Delivery of Work

The time of delivery and installation of artwork will be arranged with each participating artist after notification of acceptance. Artists or artists’ galleries are responsible for shipping and delivery of works, including transfer insurance if needed, as well as the retrieval of work at the end of the exhibition. Please do not submit work that have already been sold or are out of the Philadelphia region.

Sale of Work

Art may be for sale. Art in City Hall is not a commercial gallery and does not take commission.  All sales are between the artist and interested patron(s).

Liability

Each accepted artist will receive a loan agreement. Artwork will be insured once received by Art in City Hall and determined to be in good condition for the duration of the exhibition and installation/de-installation periods.

Submissions due: February 28 , 2014, 4 pm. Art Gallery at City Hall, Office of Arts, Culture and the Creative Economy, 116 City Hall,mPhiladelphia, PA 19107, (215) 686-9912 email: mailto:artincityhall@phila.gov?subject=Bike pARTs

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natural memory spiritual traveling

Lilliana Didovic & Dexiang Qian

natural memory spiritual traveling, Exhibition by Lilliana S. Didovic & Dexiang Qian, Da Vinci Art Alliance, 704 Catharine Street, Philadelphia, PA., 19147, February 2014.

Opening Reception: February 1, 2014, 6:00 – 10:00pm.

Dexiang Qian paints with precision and a mystical realism, Lilliana S. Didovic paints with loose and lavish strokes of color creating idyllic cityscapes, together the divergent styles accentuates the strengths of each artist. The two artists are fast friends and share many of the challenges faced by integrating into American life, Philadelphia style. Imagine trying to learn English in a town that has ‘youse guys’ as a word?

Professor Dexiang Qian teaches at Hunan Normal University in China and he has has alsways been so kind and complementary to me and my art. Lilliana S. Didovic has made me part of her extended family, I even helped her write her book. But even through there are language barriers, a shared passion for creating exciting, beautiful art is shared.

Hunan Normal University (simplified Chinese: 湖南师范大学; traditional Chinese: 湖南師範大學; pinyin: Húnán Shīfàn Dàxué), founded in 1938, is a higher education institution located in Changsha, HunanProvince, People’s Republic of China. It has existed for 72 years. The University is a national 211 Project university, one of the country’s 100 key universities in the 21st century that enjoy priority in obtaining national funds. – facebook

Dexiang Qian calls Philadelphia home as well, traveling back and forth between China and Philadelphia, he has a studio here and there. Lilliana S. Didovic paints in her studio in at home, usually her son Gordan’s bedroom or at CHOP, Gordy needs full time arm’s length care. Lilliana paints her magic realist landscapes in high definition color on big canvasses. Dexiang works big, too. The show at Da Vinci Art Alliance is sure to be memorable.

Dexiang Qian, Da Vinci Art Alliance

Dexiang QianWorship, oil, 24″ X 18″, Da Vinci Art Alliance, February 2014

Born in the former Yugoslavia, Sibenik, Croatia, February 23, 1954, Lilliana S. Didovic escaped the war in her homeland, Sarajevo, Bosnia, 1992 and was granted political asylum in the United States, 1995. Her family became American citizens in November 2007. Member of the Board of Directors Da Vinci Art Alliance, Philadelphia, PA, April 2007 – January 2014.

Lilliana S. Didovic has earned a Master of Arts, Child and Adolescent Psychology, The Chicago School of Professional Psychology, Chicago, IL, USA, Match, 2011, Bachelor of Science in Economics, Major in Marketing and Market Research, University of Economic Sciences, Sarajevo, Bosnia & Herzegovina, Europe, December, 1976.

Lilliana S. Didovic at Da Vinci Art Alliance

Lilliana S. Didovic, Cathedrals,  40″ X 30″, mixed media on canvas, this painting represents three cathedrals from Sarajevo, Sibenik and Philadelphia. Da Vinci Art Alliance, February 2014

natural memory spiritual traveling, Exhibition by Lilliana S. Didovic & Dexiang Qian, Da Vinci Art Alliance is sure to be a memorable and historic art show. The global perspective, the artistic excellence, the iconic gallery, the big personalities, warm hearts and accepting open minds make this a Philadelphia art event not to be missed with people from, literally, all over the world planning to attend.

Happy Birthday Lilliana!

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Plastic Club

Sam Park, Plastic Club New Members

Sam Park, August Moon Hwatu Card, oil, $2200.00, Plastic Club New Members 2014

Hwa-tu is the Korean version of the Japanese playing card game Hanafuda (花札?) are playing cards of Japanese origin that are used to play a number of games. The name literally translates as “flower cards.”[1][2] The name also refers to games played with those cards. There are twelve suits, representing months. Each is designated a flower, and each suit has four cards. Typically, each suit will have two normal cards and two special cards. The point values could be considered unnecessary and arbitrary, as the most popular games only concern themselves with certain combinations of taken cards.” – wikipedia

Sam Park‘s painting is large, the limited palette and geometric composition richly layered with oil paint and symbolism. The artist uses the symbolism of the card game to reflect on the idea of being a new player in an established group. Sam created this painting for the Plastic Club New Members 2014 show, he explained to me a few weeks ago how he was looking forward to adding the final symbol after developing the surface of the painting. The cosmological composition is more than geometry, it speaks about light and the combination of clues toward realization. Park is also a realist painter, his self portrait in oils in the Tea Room is sensual and sensitive.

Elke H. Muller, Plastic Club New Members

Elke H. Muller, Bicycle, photograph, $85.00, Plastic Club New Members 2014

To become a member of the Plastic Club the artist has to be known by several members and present three artworks to be reviewed by the membership committee. At the Plastic Club the art of photography is held in high regard with a contemporary esthetic towards image making. Bicycle by Elke H. Muller is a complex composition with information rich shapes and planes. The vivid cyan blue print is artisanal and thought provoking, the composition is a deceptively simple descriptive urban landscape. This photo was made with tungsten film in daylight, hence the blue color.

Lauren Reed, Plastic Club New Members 2014

Lauren Reed, Colors of the Sky, watercolor & ink, $60.00, Plastic Club New Members 2014

Colors of the Sky seems influenced by photography with the repeated patterns but the mix of watercolor and ink uses the natural fractals of the media to create a cosmic landscape. Like watching the night sky fade through the trees, the paintings have an animated relationship as they each speak about precious moments of nature.

Janice Balson, Plastic Club New Members 2014

Janice Balson, Rising Tide, oil, $485.00,  Plastic Club New Members 2014

Janice Balson, Plastic Club New Members 2014

Janice Balson, River Walk, oil, $485.00, Plastic Club New Members 2014

Janice Balson’sRiver Walk is a meditative and atmospheric landscape that looks a lot like Forbidden Drive along the Wissahickon River to me. The sense of solitude in nature and the solid painting style creates a grounded perspective with a subtle depth of field and informative liquid-y paint strokes. The hues of color offer so much data towards the narrative of the scene, there is a sense of temperature, the sun on your face, creating a familiar sensation of being outdoors in Winter, walking the path.

Plastic Club New Members 2014

Roberta Gross, Vessels of Light, pastel, $1000.00, Glenn Benge, March on 6th Street, July 4, 2012, digital pigment print, $250.00, Louise Vinueza, Sun Sets, oil, $450.00,  Plastic Club New Members 2014 through January 24th, 2014 at 247 South Camac Street, Philadelphia, PA 19107

The Plastic Club New Members 2014 includes twenty-two new member artists with 71 works of art spread throughout the galleries of the Plastic Club. New member committer chair Michael Guinn has introduced the Philadelphia arts community to wonderful artistic talents and terrific personalities, the more the merrier.

I personally am so grateful for the acceptance, camaraderie and inspiration the Plastic Club provides to me and the arts community. The outstanding art shows, informative salons, artist’s workshops, eclectic movie nights, delightful dinners, parties, barbeques and cocktail parties all make for an inclusive and supportive yet expressive environment for an aspiring artist.

Thank you so much to Cythia Arkin, Susan Stromquist, Bob Jackson, Alan Klawans, Mike Guinn, the board of the  Plastic Club and the many enthusiastic volunteers for keeping the organization strong, resilient and relevant to the contemporary art scene. There may be an artistic renaissance happening in Philadelphia now, but the Plastic Club is the third oldest art club in the USA (established in 1897) and has been exhibiting contemporary art by Philadelphia regional artists all along.

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Archives Alchemy

Philadelphia Dumpster Divers at The National Archives

Archives Alchemy: The Art of the Dumpster DiversOpening Reception: January 10th, 5:00 – 7:30pm Artwork will be displayed from Jan. 10 – April 24, 2014. Gallery Hours listed below. Location: National Archives at Philadelphia, 900 Market Street, Philadelphia, PA 19107-4292 (Entrance on Chestnut Street)

The Dumpster Divers of Philadelphia

The National Archives had miles of microfilm and piles of debris from moving records and renovations, doomed for the dumpster. “Call the Dumpster Divers!”  Who? The Dumpster Divers of Philadelphia are a group of over 40 found object artists, their artwork as diverse as the group and materials used. They were officially recognized with a 2012 City of Philadelphia Mayor’s Tribute for “helping to raise the consciousness of art lovers and heightened awareness of taking a creative approach to support a more sustainable city, country and world.”

This show is an unusual collaboration between two very different Philadelphia institutions and demonstrates the infinite possibilities available when we think outside the dumpster. Leslie Simon, Director, Research Services, the National Archives at Philadelphia said, “I challenged the Dumpster Divers of Philadelphia to create art out of the debris from our moves and renovations. Materials included decommissioned ladders and carts, miles of microfilm and readers, aged leather book bindings, as well as decommissioned electronics and displays, posters, photographs, and lots of red tape.”

Ann Keech, Philadelphia Dumpster Divers

Ann Keech, Archives CommemorativeArchives Alchemy: The Art of the Dumpster Divers at The National Archives

As a loosely bound collective of classically trained and self-taught artists the Dumpster Divers’ unique found object artwork has been exhibited at the American Visionary Art Museum, Noyes Museum of Art, Perkins Art Center, Please Touch Museum, the Garbage Museum and many other regional and national exhibitions. They are featured in books such as Found Object Art (Schiffer Art Book), books 1 and 2.  They established South Street galleries that have entranced more than fifty thousand people, while recycling these abandoned storefronts into viable neighborhood businesses. In the words of their founder, Neil Benson, “Trash is simply a failure of the imagination.”

Thus, in a new kind of alchemy, this partnership between the National Archives at Philadelphia and the Dumpster Divers of Philadelphia preserves, conveys and interprets stories of our pasts hidden in words and objects.

Susan Richards, Philadelphia Dumpster Divers

Susan Richards, Home Movies, Archives Alchemy: The Art of the Dumpster Divers at The National Archives

The National Archives at Philadelphia

The National Archives and Records Administration (NARA) is the record keeper of the Federal government. About 2% of all records created are preserved permanently and are available to the public, whether exploring family history, proving a veteran’s military service, or researching an historical topic. The National Archives at Philadelphia, one of 15 research facilities across the country, holds records of federal courts and agencies operating in Delaware, Maryland, Pennsylvania, Virginia and West Virginia. The records range from hand written 18th century customs manifests to 20th century scientific data.

Calendar Listing:  The Dumpster Divers of Philadelphia are exhibiting their unique found object artwork created for the National Archives at Philadelphia. Opening Reception January 10th, 5:00 – 7:30pm at the National Archives, 900 Market Street, Philadelphia, PA 19107-4292, 215-606-0101. Show runs from Jan. 10 – April 24, 2014. www.dumpsterdivers.org

Gallery Hours of Operation:

M-F:  8:30 am – 4:45 pm. Second Saturday of each month: 8 am – 4 pm. A Photo ID is required to enter Federal Buildings.

Address: National Archives at Philadelphia, 900 Market Street, Philadelphia, PA 19107-4292, 215-606-0101

Contacts: 

  • Leslie Simon, Director, Research Services, National Archives at Philadelphia, voice: 215-606-0101, fax: 215-606-0116, e-mail: leslie.simon@nara.gov

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Coupling at Off the Wall Gallery

Alice Gonglewski, Coupling at Off the Wall Gallery

Alice Gonglewski, Union #2-4, popsicle sticks and acrylic paint, $40.00, Coupling at Off the Wall Gallery at Dirty Franks

Coupling is the theme of the 9th Annual Juried Art Show at Off the Wall Gallery and artists took the concept into elusive yet eloquent mind spaces. Alice Gonglewski‘s Union series uses popsicle sticks to create a visual expression of family and home to it’s simplest symbols. The round and straight lines of the sticks, the black and white paint and the open and closed shapes evokes memories of home. I can almost hear the Mister Softee song, an ear worm that stirs memories of prosperity and poverty. The bare sticks represent food, comfort, safety and caring with minimal information and maximal content of narrative.

Laura Storck, Coupling at Off the Wall Gallery

Laura Storck, Elvis Pelvis, cyanotype from digital negative, $200.00, Coupling at Off the Wall Gallery at Dirty Franks

The combination of different photography techniques makes Elvis Pelvis pop on a wall with fifty other cool artworks. Laura used an x-ray as the negative for the cyanotype print. Mildly photosensitive solution is applied to a as paper and allowed to dry in a dark place. When the paper is exposed to light the negative, in this case the x-ray, controls the amount of chemical reaction. By mixing technologies the piece couples a view of the interior of a body while exposing the lines of the exterior. The deep blue is rich with tone and texture, the lines are descriptive and articulated, almost holographic. The painterly strokes of the photo-sensitive solution add a sense of immediacy and urgency.

Laura Storck’s photography can currently be viewed as part of Philly Photo Day, in their gallery at North 3rd Street and on a billboard in West Philly. Her exploration into silver emulsion photography is included in a group show called Silver Emulsion Red Hook Coffee and Tea, 765 South 4th Street, Philadelphia, PA, 19147. Opening Reception: Friday December 20th, 2013, 6:00 – 9:00pm

Erica Harney, Coupling at Off the Wall Gallery

Erica Harney, Rabbit/Credit Card, oil and mixed media on panel, $80.00, Coupling at Off the Wall Gallery at Dirty Franks

Erica Harney has been working on an art project which dove tailed perfectly with the theme of Coupling. By asking people to name two nouns, a Dadaist idea of Exquisite Corpse is created which is then painted as literally as possible. The paintings are refreshingly entertaining, the randomness of the combinations are like real life with problems, delights, challenges and comforts. There are four paintings in the show each coupling dual identities into one composition but Erica Harney has painted dozens of paintings using these restraints yet each painting stands on it’s own merits.

Karen Frank, Coupling at Off the Wall Gallery

Karen Frank, Mutual Admiration, acrylic on board, $100.00, Coupling at Off the Wall Gallery at Dirty Franks

Coupling includes various media but the paintings are strong. It really feels like the paintings are active and intense paired with photography and mixed media. Karen Frank‘s seahorses, Mutual Admiration, combines the exotic and familiar with evocative marks and color ways. The piece is dreamy and child-like but the other-worldly context of life under water and the unintelligible form of communication between the beings feels empathic.

Jenn Warpoles paintings mix color, texture and surface to create evocations of emotion, experience and liveness. Abstracted yet anthropomorphic shapes create a visual dialog that speaks of love, despair, attraction and rejection. The small panels are powerful paintings with the atmospheric tones represented in washes of emotional color, a sensitive hand and restrained color palette design an emotional experience.

Jenn Warpole, Coupling at Off the Wall

Jenn Warpole, Untitled #2, oil on panel, $265.00, Coupling at Off the Wall Gallery at Dirty Franks

Hashtags and Archetypes by John Baccile is absolutely contemporary, elevating the computer screen shot from a moment of too much information into a rich and eloquent story. The visual language with overlays and multiple conversations feels so modern – post, post, post modern. Would the couple in the picture ever imagine a future with automatic photograph face recognition, predictive social media penetration and internet fame? John Baccile used a lowly material, the facebook page, and manipulated the elements with a sophisticated info-graphic capturing the past, present and future of portraiture.

John Baccile, Coupling at Off the Wall Gallery

John Baccile, Hashtags and Archetypes, digitally altered screen grab, $100.00, Coupling at Off the Wall Gallery at Dirty Franks

The photograph John Baccile used is one hundred years old, the algorithms in facebook look for identity matches in the faces creating an overlay of information and possible matches, it really gives off a Minority Report vibe and how we willingly allow investigation of our history.

Bill Myers photograph documents a modern sensibility towards photography and image making. The composition, color and forms takes the concept of Coupling to an intense contemporary level. The balance of the two figures, each with an emotional openness, evokes an emotional response, an autonomous reflex, from the energetic image layering character studies with line, tone and light. I can think of several artist to compare Bill Myers to but he truly is his own authentic self with a defined vision.

Bill Myers, Coupling at Off the Wall Gallery

Bill Myers, Standing Strong, digital photography, $50.00, Coupling at Off the Wall Gallery at Dirty Franks

Robert Yong Lee, Coupling at Off the Wall Gallery

Robert Yong Lee, Untitled (Ann Arbor, 2009), silver gelatin print, $150.00, Coupling at Off the Wall Gallery at Dirty Franks

Bob Lee‘s black and white photograph examines the idea of Coupling in a composition filled with memes, matches and metaphors. The seated figure before the painting has a jacket draped over his arm like the figure in the painting, while the seated man is looking down, the painted man is looking into the distance. The standing man on the left is reading while the statue of the standing woman is straining to listen. The two tableaus are divided by architectural elements that themselves represent similar yet opposite forces. This is the kind of art you can really spend time with finding deep and elusive narratives.

Coupling will be on the wall at Off the Wall Gallery through December 27th, there is a holiday party at Dirty Franks, 13th and Pine Streets, tonight, December 20th. I have two photographs in the show, too, I wrote about them in My Photo Day on DoNArTNeWs. The whole experience of the Coupling show was wonderfully creative; I was inspired to make new work and I was part of the creative team behind the show. The art I’ve described in this post is just a sampling of the excellence in the show and the diversity of talent in the Philadelphia contemporary art scene.

The experience of watching people actually look at the art show and really spend time looking at the work is the most satisfying feeling of all. I know I keep talking about Social Practice but Off the Wall Gallery at Dirty Franks has truly integrated itself into the fabric of the community by being inclusive and relevant through art and communications that is fun, high art in a dive bar, yet the result is intellectually satisfying in a really authentic feeling of community.

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Written by DoN Brewer. Thank you to Togo Travalia for the photographs in this post and for the excellent advertising and promotion of the show and individual artists through print and social media. I know of no other gallery who promotes each artist with such care. I really appreciate the effort and the love.

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