Tag Archives: Philadelphia Artists

Faveladelphia

Faveladelphia, Favela Painting, 161 West Gallery

Faveladelphia, Favela Painting, Praça Cantão, Communidade Da Santa Marta, Rio De Janeiro161 West Gallery

161 West Gallery hosted a fundraising event to promote the social practice artists called Favela Painting, Jeroen Koolhaas and Dre Urhahn. The space was darkened a bit so the large light boxes could glow to best effect, the DJ played upbeat grooves and special Brazilian beer and cocktails lightened the hot, sultry night. The pop art punch of color from the glowing photographs and high art festivities accentuated the sociological impact of art in the world community. And not just any communities. Edge cities.

DoN recognized the image of the cheery housing complex from a seminar called Design for the Other 90% presented at the University of the Arts by Smithsonian Cooper Hewitt, National Design Museum. The information packed presentation was about designing for the 90% of the world’s population who live in places like the favelas of Brazil, the barrios of Mexico, and the famous slums of the world.

Dre Urhahn said, “Yeah, this has been in the New York Times, all over the place. This is like our piece de resistance artwork. We made that into the Times and we were so proud, it was – The United Nations put it up on their headquarters!”

Faveladelphia, Favela Painting, 161 West Gallery

FaveladelphiaFavela PaintingPraça Cantão, Communidade Da Santa Marta, Rio De Janeiro161 West Gallery

“The United Nations invited us in and there was this huge banner of this project, so that was something we were really proud of. This is called Praça Cantão, all the information is on our website.

Our dream is to create this (pointing to an illustration of a rainbow hued hillside town) an endless continuation of painting up the hills. And where we painted thirty-four houses, which is our largest project in Brazil, we painted more than fifty storefronts here in Philadelphia. But our dream is to paint hundreds of houses and that’s what we’re fund-raising for. We’re fund-raising to go back to Brazil and fulfill the dream that began almost seven years ago.”

Faveladelphia, Favela Painting, 161 West Gallery

FaveladelphiaFavela Painting161 West Gallery

“The interesting thing is the topography of the favelas is that they’re scattered about the city. Because there’s these beautiful hills and mountains but the rich people live at the base, so when the poor people came, often they work for the rich people as servants in the service industry. They live close to the rich people and they just scattered through all the free space and built their own things on it.” 

Faveladelphia, Favela Painting, 161 West Gallery

FaveladelphiaFavela Painting161 West Gallery

“When I was there I didn’t see people care a lot for these neighborhoods. We’re doing a big Kickstarter campaign to raise money to go back to Brazil, train people, employ people, it’s really like one big job opportunity project with a combination of education and we hire everybody. So everybody, even the boys you can see up there painting, were making more than McDonald’s wage while they’re painting. Some of them were in the drug gangs before and we offer them an opportunity and that’s something for us that’s always been really important.

And that’s also why we’re working will El Sawyer who works with the re-entry system in Philadelphia. He’s made a film about them called Pull of Gravity. For people when they come out of jail because they don’t have any place to go or people to hire them. So it’s really hard to reestablish your validity as a citizen, you know?”

Faveladelphia, Favela Painting, 161 West Gallery

FaveladelphiaFavela Painting161 West Gallery

“They work together with The Guild. The Guild workers worked with us on our project on Germantown Avenue as well. So we have people coming out who really have a tough time to come back into the community again. Through these art projects they actually get a chance to not just be out there, but, to be appreciated as well. You know? It’s great when you come out of jail instead of just hearing a lot of ‘no’ to hear a ‘yes’ here and there. Or even maybe a,’Hey! That’s great.’ Or a, ‘Wow. I’m proud of you!’ That’s something that can do a lot.

I think that where people are sometime a little bit critical that it’s art, it’s paint, what are you really helping? But, deep on the inside, I think, that it does do a lot. It does do a lot of change for people especially on the mental level. It’s important.” – Dre Urhahn

Faveladelphia, Favela Painting, 161 West Gallery

FaveladelphiaFavela Painting161 West Gallery

DoN remembers walking home from the Design for the Other 90% lecture feeling super lucky to have the luxury of space and privacy of home. The map of the world showing edge city hot spots didn’t highlight Philly even though there is a tent city just across the river in Camden. But Germantown Avenue? As it turns out Philadelphia is an edge city for many disenfranchised citizens – Faveladelphia.

El Sawyer, Director of Pull of Gravity said, “The name, the title came out of when you see people get pulled back into the streets. People that do time get home and get pulled back into the streets. The movie follows three people over a year’s period of time and basically from the time they came home: one guy was home three days after doing three years, myself – I’ve been home for ten years after doing eight years and another guy who has been home six years after being in and out for the past twenty-five years. It has a variety of guys and shows their experiences.

The movie has sparked so much attention nationally, I mean people from Minnesota, all over, places you wouldn’t regularly think of. Smaller places like Minneapolis. We were thinking our market might be New York, Detroit, Chicago but smaller place like Kansas City, Pensacola, places like that are really being drawn to the movie. There’s a lot of work being done in those places and and as far as us? I didn’t know there is as much work being done as there is. This movie has been polarizing, bringing together a lot of resources and people doing the same kind of work. – El Sawyer

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Written and photographed by DoN Brewer except where noted.

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feast your eyes

feast your eyes, Off the Wall Gallery

feast your eyes, Off the Wall Gallery, Eighth Annual Community Juried Art Show at Dirty Franks. Opening reception June 6th, 7 – 10 pm

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Creative Hand, Discerning Heart: Form, Rhythm, Song

Creative Hand, Discerning Heart: Form, Rhythm, Song, Michener Art Museum

Creative Hand, Discerning Heart: Form, Rhythm, Song, Michener Art Museumpainting by Alan Goldstein, turned wood by David Ellsworth

“Combine skill of hand and depth of heart, and the spirit of the artist is born, the maker of things: beautiful things, things of mystery and meaning, things that ask questions, that tell us who we are as individuals, peoples, cultures.” – Michener Art Museum website

Creative Hand, Discerning Heart: Form, Rhythm, Song brings together a group of living artists who evoke the ideals of this well thought out and executed educational art exhibition. Explaining art, especially abstraction and conceptual artworks, can be challenging. But the show brings together artwork, artist statements and videos by John Thornton to illuminate the shadows of modern art. With painting, sculpture, photography and mixed media, the exhibit describes the concepts, tools and techniques of each artist in an educational and entertaining tableau. Each of the eleven artists has a space dedicated to their artwork. the tableaus flow and connect as the viewer meanders the gallery. Even the museum website is extraordinarily informative offering a deeper understanding of the exhibition.

Michael Olszewski, Creative Hand, Discerning Heart: Form, Rhythm, Song

Michael OlszewskiCreative Hand, Discerning Heart: Form, Rhythm, SongMichener Art Museum

DoN learned a lot about Michael Olszewskis evocative artwork through the excellent videos produced by John Thornton at the request of the museum. The videographer was charged with profiling the artists and video monitors are integrated into the artwork. Pairs of headphones offers the museum visitor a private moment with the artist to learn about motivations, techniques and styles that are included in the show. Every effort is made to illuminate the artists inspirations, workspaces and processes offering explanations to clarify the confounding nature of contemporary art through sight, sound and text.

Check out John Thornton YouTube channel to see all the artist profiles for Creative Hand, Discerning Heart: Form, Rhythm, SongMichener Art Museum

Bruce Pollack, Creative Hand, Discerning Heart: Form, Rhythm, Song

Bruce Pollack, Forests in the Tree, oil on linen, collection of the artist, 2013, Creative Hand, Discerning Heart: Form, Rhythm, SongMichener Art Museum

Bruce Pollacks paintings takes mark-making to a cosmic level with the simplest of forms and formulas depicting the elusive concept of a space/time continuum. When the artist works out his paintings sometimes the drawing will expand off the canvas and onto his studio walls as if the idea is so big it can’t be contained. When the painting is done though the window into the meta-magical world of fractals becomes fluid and consciousness-raising.

“I often use fractal geometry in my painrings. Fractal forms are universal archetypes that retain the same shape, whether they’re seen in a microscope or a telescope” – Bruce Pollack artist statement.

Bruce Pollack, Creative Hand, Discerning Heart: Form, Rhythm, Song

Bruce PollackCreative Hand, Discerning Heart: Form, Rhythm, SongMichener Art Museum

Throughout the gallery are spaces like this where you can sit and look at paintings, many of which are very recent and belong to the artist. To spend some alone time with meditative works like Pollack’s is deeply satisfying as the layers of time, space and thought merge in a unique visual experience.

DoN walked through the exhibition with the volunteer docents who were learning about the show and how they would explain the work to children. The museum has a large community art space where kids can learn about and make art. And the work in the show has that DIY vibe where the elements of creativity are evident and accessible. Helping kids be artists and think artistically is a worthy mission that satisfies both the young learner and the teachers simutaneously.

Jill Bonovitz, Creative Hand, Discerning Heart: Form, Rhythm, Song

Jill Bonovitz, Wire Composition, painted wire, collection of the artist, 2012. Creative Hand, Discerning Heart: Form, Rhythm, SongMichener Art Museum

Jill Bonovitz‘ wire sculptures hanging on the wall near her large ceramic platter-like discs use light and shadow morphing the artwork into a drawing in space. If it weren’t for the placement of tiny bit of color, a red string, a couple of beds, a piece of tape, it’s almost impossible to tell where the wire and the shadows separate. The shadows on the wall are darker than the painted wire and fade to blurred lines that convincingly look like pencil. The artist told DoN she only works with fragile mediums like the ceramics and delicate wire and that often pieces come apart, mixing them into new works invigorates the artwork and surrounding space.

Jill Bonovitz, Creative Hand, Discerning Heart: Form, Rhythm, Song

Jill Bonovitz, Wire Composition – 2, painted wire with berries, collection of the artist, Creative Hand, Discerning Heart: Form, Rhythm, SongMichener Art Museum

“Several years ago I began experimenting with a new material, wire – still pursuing my passion for making vessels or suggesting vessel forms. The quality of fragility is common to ll my work. In the wire sculpture, I am creating the edges of what is not there. In clay, I am creating the essence of what is.” – Jill Bonovitz artist statement

Bill Scott, Creative Hand, Discerning Heart: Form, Rhythm, Song

Bill Scott, Perennials, oil on canvas, Creative Hand, Discerning Heart: Form, Rhythm, SongMichener Art Museum

“It took me four years to paint like Raphael, but a lifetime to paint like a child” – Pablo Picasso

The collection of paintings by Philadelphia artist Bill Scott is like walking into a garden. Many of the paintings are in fact based on his own garden, the elements of nature, light effects and lush colors have an immediacy that is counter intuitive. Even though the paintings have a quality of liveness and exuberance they take years to develop. Each shape, color and stroke of paint is considered and directed to it’s place like characters in a movie. The John Thornton video of Bill Scott offers a wonderful view into the artist’s world. The artist jokes that his paintings actually look like the world to him when he takes his glasses off.

Bill Scott, Creative Hand, Discerning Heart: Form, Rhythm, Song

Bill Scott, Overlapping Days, oil on canvas, 2012, collection of the artist, Creative Hand, Discerning Heart: Form, Rhythm, SongMichener Art Museum

Paula Winokur, Creative Hand, Discerning Heart: Form, Rhythm, Song

Paula Winokur, Above and Below, porcelain and lucite,  Creative Hand, Discerning Heart: Form, Rhythm, SongMichener Art Museum

“My work has been influenced by information gathered at various “sites”, places in the natural environment that I have responded to visually. The earth itself, particularly cliffs, ledges, crevices and canyons: the effects of wind, earthquakes, glaciers and other natural phenomenon such as geological “shifts” and “faults” interest me.” – Paula Winokur website

Paula Winokur, Creative Hand, Discerning Heart: Form, Rhythm, Song

Paula WinokurCreative Hand, Discerning Heart: Form, Rhythm, SongMichener Art Museum

In a quiet room to itself is a collection of ceramic sculptures by Paula Winokur that punctuates the conversation started by the other artists in Creative Hand, Discerning Heart: Form, Rhythm, Song. Abstract art is actually about the world all around us, it’s just trying to explain the obvious using a language that may be hard to understand at first. But when the artist transports the viewer to another time and place just through the power of that visual vocabulary the forms and rhythms sing a song you never forget.

Jill Bonovitz
Paula Chamlee
David Ellsworth
Alan Goldstein
Ying Li
Michael Olszewski
Bruce Pollack
Stuart Rome
Bill Scott
Rochelle Toner
Paula Winokur

Written and photographed by DoN Brewer except where noted.

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Artists Against Hunger

Sandi Neiman Lovitz, Artists Against Hunger

Sandi Neiman Lovitz, Incognito, 18 x 18″, photo courtesy of the artist, Artists Against Hunger at Da Vinci Art Alliance

ARTISTS Against Hunger Exhibition May 2-5, 2013, at the Da Vinci Art Alliance, 704 Catharine Street in South Philadelphia featured art from artists from all over the city, juried by Moe Brooker, Artist and Chairman of the Mayor’s Commission of the Arts. Many different styles and media were represented. All the work is fine art and for sale. Proceeds benefit The Food Trust. Let art nourish your soul to fed our children. The Food Trust works to improve access to healthy, affordable food and to educate children and families about nutrition. For more information, www.thefoodtrust.org – press release.

Susan DiPronio and Linda Dubin Garfield organized this excellent juried art show and fund-raising benefit at Da Vinci Art Alliance in South Philadelphia. DoN met with Susan DiPronio at the gallery to talk about the impetus behind the art show.

June Blumberg, Artists Against Hunger

June Blumberg, Doggie and Friends, mixed media, $400.00, Artists Against Hunger at Da Vinci Art Alliance

“There were sixty-four entries and thitry-six were chosen by Moe Brooker. He’s very famous. He donated a painting for us to sell and 100% goes to The Food Trust.”

DoN wondered what is The Food Trust?

The Food Trust of Philadelphia donates to other food programs like The Night Market, the Farmer’s Market, the child nutrition programs in North Philly. They did the Corner Store program in North and South Philly and disadvantaged areas where they go in and try to get corner stores to sell healthy food.

So, we’re hoping that the money from this project, we also did this last year, we’re just trying build it more. We’re hoping it will go to child nutrition programs.”

When local artists Linda Dubin Garfield and Susan DiPronio read that in parts of Philadelphia over 50% of the children go to bed hungry, they knew they had to do something. They decided to create change the only way they could- through art. They chose The Food Trust which helps bring nourishment and education to the neighborhoods in question. They created ARTISTS Against Hunger Project and planned several events such as the Pre- Fringe birthday party for Linda in May, 2012 which raised over $700 in lieu of gifts. Next, they created a “Yummy Rainbow” mural banner as part of Robert Farid Karimi’s Cooking Show: The Diabetes of Democracy at  the Asian Arts Initiative with pre-schoolers from a Head Start class in South Philadelphia also in May, 2012. They participated in the 2012 Fringe Festival doing mixed media memoir workshops focusing on What Nurtures Us and Food Deserts in September, 2012. – smart business consulting  press release.

Louise Herring, Artists Against Hunger

Louise Herring, Haybales Red, oil/mixed media, $250.00, Artists Against Hunger at Da Vinci Art Alliance

“Linda and I have a long history of collaborating together. We do writing workshops, we’ve been doing that for about seven years now. We were recipients of a Leeway Grant a few years ago and we do writing workshops with Endow A Home, Covenant House, etc. We decided to do something a little bit more, um, it’s disturbing to us when you’re in a homeless shelter or whatever, you see that, I worked twenty-five years in North Philadelphia and Camden, and it’s disturbing to see how many children don’t eat apparently anything. Did you see the painting in the back?”

Susan DiPronio pointed out a painting done from a photograph which was in a local newspaper in 2009 of a young child. The mat under the glass has a layer of Cheerios.

“The artist saw it and was totally moved by it. It’s a painting of a little girl who is diagnosed with ‘failure to thrive’, she was subsisting on Cheerios and hot dogs. And that’s pretty much the basis, the gist, of what we’re getting at. It’s something that you see children running down the street and you see them with a crumpled dollar in their hand to a convenience store. And they buy a cookie and a soda and you don’t really realize that’s their dinner.

And it’s not that their parents aren’t working, maybe their parents are working two jobs and each job doesn’t even pay enough to feed a family. People complain about wait-persons in restaurants not being so good, well, the wait-person is probably working two jobs. People can work two jobs right now and still qualify for Food Stamps. That’s sad.”

Deanne Mills, Artists Against Hunger

Deanne Mills, Calm the Passion, oil,  Artists Against Hunger at Da Vinci Art Alliance

In writing DoNArTNeWs, DoN is aware of the difficult issues artists are tackling: hunger, homelessness, diseases. Artist’s like Kathryn Pannepacker teaching the homeless how to weave, Art Ability at Bryn Mawr Rehab creates big time art opportunities, Attic Graffix teaches at-risk youth production skills, Moss Rehab’s annual art show, The William Way Gay Community Center Annual Community Art Show all provide opportunities for art to make social impact.

“I think that when people are in a safe space, they’re living their lives day-to-day, and working and going home, they’re kind of in a sense of denial. As we get to more and more when people are home they’re so into their cell phone or the computer, and I think it getting worse. People are denying what they’re seeing. They think,’Yeah, we know about the homeless. But, they’re getting taken care of. Oh yeah, but these people make too much money’.

They don’t realize that a big part of the problem is the working poor. The people who are working every day and this is happening. And these children go to school and they can’t absorb or learn anything. And so it creates a cycle that will never end.”

Ellen Abraham, Artists Against Hunger

Ellen Abraham, Meet the Artist, graphite and acrylic on canvas, $375.00, Artists Against Hunger at Da Vinci Art Alliance

So, why are artists taking on this challenge? Talk about a disadvantaged group, they don’t call us starving artists for nothing.

“I know! We are starving artists. I’ve been unemployed, too. And we are starving artists, that’s true but I think for me, and for other people, as an artist, you realize that one of the reasons why you create art is because it’s a way that helps you. Because you understand yourself. You realize the curing powers of art and how important it’s been to you in your life. That passion. And you realize it’s something you need – to give back” – Susan DiPronio

Susan DiPronio, Artists Against Hunger

Susan DiPronio, Claudia and Her Mother, gelatin-silver photograph, $650.00, Artists Against Hunger at Da Vinci Art Alliance

The exhibit was organized by smART business consulting which offers business solutions for artists to reach their goals and their audience through individual consulting and coaching, small support groups and seminars as well as providing venues to exhibit art to the public both virtually online (web design and social media) and in reality (exhibitions in galleries and other public venues.)

For more information, contact www.smARTbusinessconsulting.org or smARTbusinessconsulting@verizon.net

The art show was just three days but some wonderful artworks are still for sale, contact smARTbusinessconsulting@verizon.net The current exhibit is a solo art show by Linda Dubin Garfield through May 26th, 2013. Read about her one-person show, Hear My Color, at DoNArTNeWs.com

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Written and photographed by DoN Brewer except where noted.

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Bob Jackson Gallery

Harriet D. Kilne, Bob Jackson Gallery, The Plastic Club

Harriet D. Kline, Leann’s Bottle Tree, watercolor on yupo. $200.00. Bob Jackson Gallery, The Plastic Club

The line-up of artist’s is chosen by lottery from the art club’s membership. April’s show includes Elisabeth Hughes, Harriet D. Kline, Carter Leidy, Richard C. Meyer and Catherine (Kit) Mitchell.

Harriet D. Kline‘s watercolor shines with color, the yupo paper resisting the pigment enough so as the water evaporates the residue leaves the illusion of liquidity. Leann’s Bottle Tree is one of six paintings in the group show. And as a backdrop to the club’s recent Rabbit party proved an apropos art backdrop to the music.

Catharine (Kit) Mitchell, The Plastic Club

Catherine (Kit) MitchellThe Plastic Club

“Painting, sculpture, music, dance – each is its own language, with its own non-verbal media, symbols and structures for expression of ideas and evocation of feeling. As such I am reluctant to comment further on my visual work or translate it into the world of words, but I do hope that it will pique fresh vision, interest, and pleasure.” – Catherine (Kit) Mitchell artist statement

Catharine (Kit) Mitchell, The Plastic Club

Catherine (Kit) Mitchell, Wire Face, wire, found objects, The Plastic Club Bob Jackson Gallery

Carter Leidy, Catherine (Kit) Mitchell, The Plastic Club

Carter Leidy,Tidal Flow, Tremont, Maine, oil, $305.00, Catherine (Kit) Mitchell, Red Hot Donut, mixed Media, $350.00, The Plastic Club, Bob Jackson Gallery

The intimate space on the lower/garden level of the club is a wonderfully reclaimed space that houses a print shop and a great kitchen from which the gallery’s namesake create delectable treats for special occasions like openings. The current Bob Jackson Gallery show is concurrent with the excellent Sketchbooks, Preliminary Drawings and Other Ephemera, through April 25th. Carter Leidy even includes some sketches hung with his finished gallery-ready paintings creating a great interactive vibe between the main exhibit and the small group show.

The Plastic Club 247 South Camac Street, Philadelphia

Written and photographed by DoN Brewer except where noted.

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