Tag Archives: Philadelphia

Altering

Penn Program in Environmental Humanities Artist-in-Residence Roderick Coover, in collaboration with Nick Monfort and Adam Vidiksis.

The Altering Shores

artist Roderick Coover, poet Nick Montfort, and composer Adam Vidiksis

Interweaving sound, language and image, The Altering Shores is a four screen video performance with live music. Set in the marshlands and industrial wastelands of our local Delaware River watershed and others worldwide, the experience presents a kaleidoscope of climate futures through fragmented language and multi-layered sounds and images. Participants are guided through this uncertain terrain by lead artist Roderick Coover, poet Nick Montfort, and composer Adam Vidiksis.

Beginning on Saturday, November 16 at 4pm you can experience the project via short 360-degree vignettes, viewable at four unique virtual reality pop-up stations around the University of Pennsylvania campus. The stations will appear from 4-6pm on Nov 16, 19, 21, and 23. 

Click here for a map of the locations.

The Altering Shores, Main Performance
Saturday, November 23 | 7:30 PM

Annenberg Center for the Performing Arts

3680 Walnut Street, Philadelphia, PA 19104-6219
For tickets, call 215.898.3900.

Reserve Tickets

November 23, 2019, Harold Prince Theatre

Environmental Storytelling & Virtual Reality

November 22 – 23, 2019

Register


Environmental Storytelling & Virtual Reality will explore environmental research and virtual reality (VR) across two days of talks, film screenings, workshops and a live multimedia performance for students, faculty, and staff at Penn and beyond. 

The festival is organized around three keywords that illuminate the connections between interdisciplinary environmental research and virtual reality technologies and experiences: empathy, education, and action on climate. As authors of the October 2018 IPCC Special Report have urged, action on climate must come now, from individuals and institutions across sectors and across languages and borders. The forecast of 1.5 degree surface warming already by 2040, as dire as it is realistic, points to the need to wrench down greenhouse gas emissions to slow the current acceleration of ongoing climate change.

It also hints at the creative and imaginative combinations of scientists, humanists, artists, and environmental and public health advocates that we can bring together to nurture, in the language of the IPCC report, “the wide scale behavior changes consistent with adapting to and limiting global warming to 1.5 C.”

The IPCC report also suggests the role of emotion. Taking action on climate depends centrally on empathy. And, if that empathy is to make positive environmental impacts, it needs education. Touted in headlines as “the ultimate empathy machine,” virtual reality holds great promise as an educational tool, but remains largely untested. In this gathering of scientists, artists, educators, and the interested public, we want to put this claim to the test to see how VR and immersive storytelling might catalyze action on climate. 

The event’s invited guests work at the forefront of VR, AR, and game design in educational institutions, in media and journalism, and in informal community spaces promoting public health, environmental literacy, and climate solutions.

RODERICK COOVER holds a BA from Cornell University (1989), an MA from Brown University (1994) and a PhD in the history of culture, with a specialization in media arts and anthropology, from the University of Chicago (1999). His films and new-media works include Unknown Territories (2011), Vérité to Virtual (DER, 2008), The Theory of Time Here (Video Data Bank, 2007), and Cultures in Webs (Eastgate, 2003), among others. His scholarship has been published in journals such as Film Quarterly, Visual Studies, and Visual Anthropology and in books such as the SAGE Handbook of Visual Research Methods. As co-editor of the recently published Switching Codes: Thinking Through Digital Technology in the Humanities and the Arts (University of Chicago Press), Professor Coover examines the impact of new technologies in the humanities and arts.

nickm.com . Nick Montfort

poet & professor of digital media, Massachusetts Institute of Technologydirector, The Trope Tank . curriculum vitae . biography . contact meall courses . MIT fall 2019 courses: Exploratory Programming . Interactive Narrativedigital poems . if . misc . Post Position (blog) . Nomnym (naming company) . Synchrony (demoparty)

Hyperdyne by Adam Vidiksis at IRCAM ImproTech Philadelphia

Thank you to The Penn Program in Environmental Humanities for the content of this post.

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Together

Green Hills Yellow Sky, mixed media by Linda Dubin Garfield

Together, ARTsisters Group Exhibit at Da Vinci Art Alliance

ARTsisters will have a group exhibit  titled Together at Da Vinci Art Alliance, 704 Catharine Street in South Philadelphia from November 17 – 24, 2019. The Opening Reception on November 17, 1:00 -3:00PM, free and open to the public.


Together is a group exhibition by the ARTsisters, an organization of professional artists in the Philadelphia area who empower each other and the community through art. They collaborate on upcoming shows, and work with nonprofit organizations to give back to their community. The ARTsisters are united through their common goals of commitment to making art, dedication to inspiring each other and sharing knowledge, showing new work, and dedication to community artists.


In 2005 Linda Dubin Garfield realized that her long-time friend and fellow artist Leslie DeBrocky functioned as more than a friend when it came to art— she was really an ARTsister, one who knew the process and understood the challenges of a professional artist. Together they created ARTsisters. It is their belief that the collective energy generated, motivated and inspired by professional women artists creates synergy.  They share their creative spirit to benefit the community through exhibitions, special projects, workshops and art donations.

The ARTsisters are: Ellen Abraham, Sandra Benhaim, Priscilla Bohlen, Edwina Brennan, Ginny Conniver, Marge Feldman, Linda Dubin Garfield, Linnie Greenberg, Jenn Hallgren, Louise Herring, Rachel Isaac, Mary Kane, Karen Liebman, Sandi Neiman Lovitz, Laurie Lamont Murray, Marjie Lewis Quint, Elynne Rosenfeld , Monique Sarkessian, Edna Santiago, Deb K Simon, Susan Stefanski, Nancy Freeman Tabas, Blanche Levitt Torphy, Marcia Goldner Treiger, and Florence Weisz.


Linda Dubin Garfield, Ed.D.
printmaker/mixed media artist/blogger
610.649.3174 610.256.6037 cell
www.lindadubingarfield.comwww.artsisters.org– Founder
www.davinciartalliance.org – Board Member
www.smARTbusinessconsulting.org– Founder
blogs: The ART of Travel – www.lindadubingarfield.blogspot.com
www.toooldtodieyoungblog.wordpress.com

Thank you to Linda Dubin Garfield for the content of this post.

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Garden

Amie Potsic, Girl in the Garden: Paradise #1, Archival pigment print, 22” x 29”, 2019, ©Amie Potsic 2019

California wildfires and female empowerment fuel immersive exhibition on climate change and gender equality.

Exhibition extended to host

Climate Reality presentation and panel discussion on November 20th 

followed by One Tree Planted planting a tree for every person who attends.

Girl in the Garden: Danger in Paradise

A solo exhibition by Amie Potsic

Presented by: HOT•BED | James Oliver Gallery & Amie Potsic Art Advisory, LLC

Through November 20, 2019

– EVENTS –

CLOSING RECEPTION:
Saturday, November 16, 2:00 PM – 5:00 PM

TO RSVP:  https://www.amiepotsicartadvisory.com/events/2019/11/16/girl-in-the-garden-closing-reception

Amie Potsic, Girl in the Garden: Paradise #3, Archival pigment print, 22” x 33”, 2019, ©Amie Potsic 2019

CLIMATE REALITY PRESENTATION AND PANEL: Wednesday, November 20, 6:00 PM – 7:30 PM

“The Story of Art and Climate: Creating Change Through Art & Action”

Artist Panel Discussion featuring: Amie Potsic, Ana Vizcarra Rankin, Marguerita Hagan & Deirdre Murphy

24 Hours of Reality Presentations by: Al Morales and Alana Morales

Scientific Presentation by:Dr. Erik Cordes, Professor & Vice Chair, Ecology and Integrative Biology, Temple University and Alexis Weinnig, Graduate Student, Department of Biology, Temple University

To RSVP: https://www.eventbrite.com/e/the-story-of-art-and-climate-creating-change-through-art-and-action-tickets-79199348383

Vision (Detail 1)” Mixed Media on Panel, 36” x 72” Ó Amie Potsic 2019

 

Location:HOT•BED, 723 Chestnut St, 2nd Floor, Philadelphia, PA 19106, 267-918-7432

https://www.hotbedphilly.com/current

Gallery Hours:

Wednesday – Friday 5:00 PM – 8:00 PM

Saturdays 1:00 PM – 8:00 PM

Other times by appointment

Admission is free

Inquiries and information:

Amie Potsic, Artist

amie@amiepotsicartadvisory.com  |  www.amiepotsic.com  |  610-731-6312

Chelsea Markowitz, PR

chelsea@projectcmc.com | 856-404-4677

Anais Cooper-Hackman, Gallery

anais@hotbedphilly.com | jamesolivergallery@gmail.com | 267-918-7432

Presented in partnership with:

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Philadelphia, PA – Hot Bed and James Oliver Gallery, located at 723 Chestnut St, Second Floor, Philadelphia, PA presents Girl in the Garden: Danger in Paradise, a solo exhibition featuring renowned photographer and installation artist Amie Potsic.  With a focus on climate change, California wildfires, and gender equality, the exhibition includes a new large-scale silk installation, photographic prints, and mixed media works.  In addition to the exhibition, HOT•BED will host a Climate Reality Presentation and Artist Panel Discussion, after which One Tree Planted will plant a tree for every person that attends.  The exhibition is on view from September 14 through November 20.  There will be a Closing Reception with the artist on Saturday, November 16 from 2:00 – 5:00pm.  The Climate Reality Event will be on Wednesday, November 20 from 6:00 – 7:30 PM.  Both events are free and open to the public and rsvp is encouraged.  Gallery hours are Wednesday through Friday from 5:00 – 8:00 PM and Saturday from 1:00 – 8:00 PM or by appointment.

Amie Potsic, Paradise (installation detail), Archival pigment print on over 250 feet of silk, Dimensions variable, 2019, ©Amie Potsic 2019

Girl in the Garden: Danger in Paradise is a solo exhibition of new work by Amie Potsic addressing climate change through the complex viewpoints of girlhood, deforestation, and Magical Realism.  With site-specific installations, photographs, and mixed media works, Potsic collaborates with HOT•BED, a unique fine art and horticulture gallery, to produce an incarnate exploration of female identity, the forested lifeblood of our planet, and the fate of humankind. 

“In tandem with the incredible upsurge in Climate Change activism and brave examples set by youth leading the charge, this exhibition delves into the complexity and opportunities involved in the issues and provides paths for action,” says Amie Potsic.

After photographing her daughter in the lush forests of the northeastern United States, the artist traveled to Paradise, California and surrounding forests (located upwind from her extended family’s home) to photograph the complete devastation caused by the deadliest wildfire in the state’s history.  Personal experience underscoring the urgency of climate change, Potsic intertwines visions of girlhood in a magical environment with nature’s unprecedented destruction caused by wildfires. 

Unfortunately, the number and severity of wildfires in California continues to grow with recent fires burning out of control as recently as one week ago.  Harnessing the power of imagination and urgency, Potsic’s work is a call to action.  Visitors will find shared resources for taking environmental action in their own lives. 

The exhibition has been extended to host a discussion and presentation on the positive impact of the arts on the Climate Change movement and how creativity and storytelling can create change: “The Story of Art and Climate: Creating Change Through Art & Action.”As part of the 24 Hours of Reality, an international day of Climate presentations offered by Al Gore’s Climate Reality Project, HOT•BED will host an artist panel discussion and climate presentations with scientific experts.  One Tree Planted has committed to planting one tree for every attendee at this presentation.

The artist panel will include Amie Potsic, Ana Vizcarra Rankin, Marguerita Hagan, and Deirdre Murphy.  Each artist’s work looks at climate change from a unique perspective:  Potsic deals with deforestation and wildfires, Rankin addresses human migration and humanity’s impact on the planet, Hagan explores ocean life and interrelated ecosystems, while Murphy integrates scientific experimentation and bird migration

Climate Reality Presenters, Al Morales and his 17-year-old daughter Alana Morales, are presenters trained by Al Gore’s Climate Reality Project.  They will provide facts and opportunities highlighting the impact of climate change on the planet and humanity.

Dr. Erik Cordes, Professor & Vice Chair of Ecology and Integrative Biology at Temple University and Alexis Weinnig, a graduate student in the Department of Biology at Temple University will share information on their research, which focuses on understanding the areas of the deep sea that support the highest biomass communities: deep-water coral reefs, natural hydrocarbon seeps, and hydrothermal vents. 

On November 20–21, the world is coming together to talk about the climate crisis with:

24 Hours of Reality: Truth in Action: https://www.24hoursofreality.org/

One Tree Planted has committed to planting one tree for everyone that attends one of the international presentations:  https://onetreeplanted.org/

Amie Potsic, MFA is an accomplished photographer and installation artist living in the Philadelphia area whose work addresses cultural, personal, and natural phenomena through the lens of climate change and social responsibility.  Potsic has exhibited her work internationally at the Art Park in Rhodes, Greece; Museo de Arte Moderno de Bogotá, Colombia; Medfoundart di Cagliari, Italy; the Royal College of London; the Museum of New Art in Detroit; The Woodmere Art Museum, The National Constitution Center Museum, The Painted Bride and James Oliver Gallery in Philadelphia; Mission 17 in San Francisco; and 626 Gallery in Los Angeles.  Her work has been published in The San Francisco ChronicleArt MattersThe Photo Review, and The Philadelphia Inquirer.  Potsic received her MFA in Photography from the San Francisco Art Institute and BA’s in Photojournalism and English Literature from Indiana University.  She has held faculty appointments at the University of California at BerkeleyOhlone College, and the San Francisco Art Institute and has been a guest lecturer at The University of the Arts, Ursinus College, and The International Center of Photography. 

Potsic is currently the CEO and Principal of Amie Potsic Art Advisory, LLC providing visionary and advisory support to artists, collectors, businesses, and institutions with expertise in Legacy Planning and Fine Art Appraisals.  She is also Chair of the Art in City Hall Artistic Advisory Board to the Office of Arts and Culture of the City of Philadelphia.

Bridging James Oliver’s (James Oliver Gallery) eye for contemporary art and Bryan Hoffman’s (Hoffman Design Group) passion for horticulture design, HOT•BED is an ultra-collaborative gallery and event space that explores the relationship between our intrinsic connection to nature (biophilia) and art in new and exciting ways. 

HOT•BED andJames Oliver Gallery, located at 723 Chestnut St, Second Floor, Philadelphia, PA present Girl in the Garden:  Danger in Paradise, a solo exhibition featuring renowned photographer and installation artist Amie Potsic with a focus on climate change and gender identity.  The exhibition runs from September 14 through November 20.  The exhibition will host a Closing Reception on Saturday, November 16 from 2:00 – 5:00 PM and a Climate Reality Event on Wednesday, November 20 from 6:00 – 7:30 PM.

For more information, please contact Amie Potsic at amie@amiepotsicartadvisory.com or 610-731-6312 or Chelsea Markowitz at chelsea@projectcmc.com or 856-404-4677.

Thank you to Amie Potsic for the content of this post.

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Funbox

Funbox! at Jed Williams Gallery

Funbox, Christine Firrito-Easton, Jasmine Alleger, and Common Zen Savvy, Jed Williams Gallery

November 9 – 30, 2019 featuring art by Christine Firrito-Easton, Jasmine Alleger, and Common Zen Savvy at Jed Williams Gallery,615 Bainbridge St., Philadelphia PA 19147

Christine Firrito-Easton, Funbox! at Jed Williams Gallery

Opening Reception: Saturday Nov. 9th
featuring jazz guitar/electronic music by Philadelphia’s own ZAVETIS

soundcloud.com/zavetis

Closing Reception Saturday Nov. 30th

Jed Williams Gallery is proud to present its poppy, magical new exhibit featuring 3 talented artists working in different mediums. We are happy to present these artists in the Fall season; we feel that each has something very special and moving about their work. Come avoid the November doldrums and celebrate life with our pop art filled Funbox.

The Imaginary Girlfriend, collage, 5″×7″, Jasmine Alleger, Funbox! at Jed Williams Gallery

Enter Funbox and you will find dragons, clocks and other sculptural wonders made with old metal parts and erector sets, by the visionary artist Christine Firrito-Easton, alongside he wryly humorous illustrated works of Common Zen Savvy and Jasmine Alleger’s collages, which include ephemera and found materials from her travels. With so much pop attitude, you are bound to find inspiration here, in the Funbox!

Common Zen Savvy, Funbox! at Jed Williams Gallery

Thank you to Jed Williams for the content of this post.

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Dynamics

brooke lanier fine art

Fluid Dynamics, Geoffrey Agrons, Sebastien Leclercq, Deborah Weiss, and Brooke Lanier

brooke lanier fine art

820 S. 4th Street, Philadelphia, PA 19147

Phone: 267-329-9653

Email: brooke.lanier@gmail.com

Website: brookelanier.com/fluid_dynamics

Fluid Dynamics

Geoffrey Agrons, Sebastien Leclercq, Deborah Weiss, and Brooke Lanier

November 15, 2019 – January 3, 2020

Opening Reception Friday, November 22 5:30pm – 8:00pm

Holiday Party Friday, December 20, 5:30pm-8pm

Water inspires a unique fascination as a visually complex, mesmerizing substance that is also essential for human life.   From the pristine to the toxic, turbulent to placid, Fluid Dynamics assembles a collection of photographs and paintings that address a diverse spectrum of ways of depicting, contemplating, and interacting with bodies of water.

Deborah Weiss’s oil paintings on panel are the most abstract and gestural pieces in the show, utilizing an intriguing absence of contextual cues as to the scale of the subject.  The palette and textures suggest shorelines with intricate deposits of silt, but they could easily be interpreted as storm systems, ocean currents, or weathered wood.

The patterns in Weiss’s paintings would feel right at home as vignettes along the shoreline of the Salton Sea in Geoffrey Agrons’s photos. In the 1950’s and 1960’s the area was home to luxury resorts. By the 1970s, agricultural runoff, evaporation, and low rainfall had rendered the water toxic and saltier than the Pacific Ocean. Massive fish die-offs, algal blooms, and related bird deaths rendered the area unattractive for those seeking a beach vacation.  Other photographs capture scenes from shorelines impacted by hurricanes, pollution, and drought. Independent of this narrative, the photographs contain melancholy yet peaceful vistas punctuated by bleached driftwood and architectural relics of nautical activity.

Agrons’ ecological allegories pair with Sebastien Leclercq’s scenes of shipping vessels that damage the very environment upon which their industry depends.  The views from different parts of the world, desert and arctic, imply different facets of climate change.  Leclercq spent five weeks aboard several ships in the Finnish Maritime Fleet, documenting the contemporary state of an ancient tradition. The boats are so enormous that at times they seem abstracted and transformed into colorful, geometric compositional elements rather than floating factories.

Leclercq’s views of ships lend context to Brooke Lanier’s paintings. The saturated colors and hard edges of boats and docks create a collage effect in real life.  Lanier pushes that line of thought and creates collage-based paintings that recombine beloved landscapes in the composited manner of unreliable memories. Alongside Leclercq’s photographs, Lanier’s paintings are reconnected to their origins, creating a dialogue.

Gallery Hours are Tuesday and Thursday 12pm – 6pm, Friday 11am – 5pm, Saturday 11am – 3pm, by appointment or chance.  The gallery will be closed December 22 – 29, 2019 for the holidays and open by appointment in January.

Thank you to Brooke Lanier for the content of this post.

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