Daily Archives: October 8, 2014

LFA

Large Format Art, Philadelphia Sketch ClubLarge Format Art, Philadelphia Sketch Club

The Large Format Art show at the Philadelphia Sketch Club may not have as many paintings as a regular group art show but there is certainly a whole lot more paint. The walls are covered with large works of art that have at least one length be a minimum of forty inches, the largest painting by RJ Haas is 60″ x 60″, the size limit that could fit up the stairs to the historic gallery. The juried exhibition offers the opportunity to show large artworks that often exceed size constraints for group shows.

“The Philadelphia Sketch Club “support[s] and nurture[s] working visual artists ” by providing studio space through our workshops program as well as by providing exhibition and networking opportunities; we support “ the appreciation of the visual arts ” by providing free public access to our exhibitions; we support “ visual arts education ” through our low cost, open enrollment workshop program; and lastly, we promote “ the historical value of the visual arts to the community ” by providing free public access to our historic collections and facility.”

Large Format Art, Philadelphia Sketch ClubLarge Format Art, Philadelphia Sketch ClubThomas Del Porte, Poseurs, 48″ x 60″. oil on canvas.

Thomas Del Porte intends to tell a visual story within each stroke of paint.  His paintings are made with thousands of little jeweled, thorn like curls, each stroke acting as an individual painting.  He paints from direct observation in the attempt to capture a unique portion of the infinite qualities of light, line, color and spaces that nature provides. His goal is to communicate a visual quality that reveals something new within the movement and drama of the images he translates.” – Thomas Del Porte

Large Format Art, Philadelphia Sketch ClubLarge Format Art, Philadelphia Sketch ClubReagan Lake, Big Iris 2, 48″ x 30″, acrylic mixed media, Third Prize.

Exhibitions at the Philadelphia Sketch Club attracts artists from the region, the USA and the world. To exhibit your work in the gallery is resume worthy but to win a prize is a valued award with bragging rights. I especially liked the medallions with the club’s iconic logo, a wonderful keepsake and an elegant addition to the awards ceremony.

“The Archives of the Philadelphia Sketch Club contain information on individual artists and also on how they interacted in an organization that possesses a unique camaraderie. A key part of the archives is Seventy-Five Years of the Philadelphia Sketch Club, the club history of over 1,000 pages that was compiled in 1936 by Sidney Lomas. Another key part of the archives are the individual artists files that contain information and documents gathered over the years.” – Philadelphia Sketch Club

Large Format Art, Philadelphia Sketch ClubLarge Format Art, Philadelphia Sketch Club, Ruslan KhaisLast Sorcery of Autumn, Red and Yellow, oil/acrylic on canvas, 30″ x 50″, First Prize Winner.

Ruslan Khais studied at PAFA and Republican College of Fine Arts – Chişinău, his brilliant canvas, Last Sorcery of Autumn, Red and Yellow, stood out from the glorious fields of color, texture and composition of the surrounding artworks by being at once abstract yet naturalistic. When the artist was awarded his medallion and certificate he was absolutely thrilled saying to the assembled crowd, “I love Philadelphia!”

Large Format Art, Philadelphia Sketch Club through October 18th, 2014, 235 South Camac Street, The Avenue of the Artists, Philadelphia PA, 19107. Hours: Wednesday, Friday, Saturday and Sunday 1:00 – 5:00pm.

Also on view in the Stewart Room Gallery will be a joint exhibition by two of our members:

  • Janet Cooke : New and Old works
  • Bill Patterson : PSC Legacy Auction works and some of Bill Patterson’s art collections
  • Reception: Sunday Oct. 12, 2014, 2-4 PM at PSC

Written and photographed by DoN Brewer except where noted.

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PHOTO

The Photo Review Benefit AuctionAUCTION TO BENEFIT THE PHOTO REVIEW, Vintage and Contemporary Work by an International Who’s Who of Photography Up for Bid

LANGHORNE, PA–The Photo Review, a critical journal of photography, will hold its Annual Benefit Auction on Saturday, October 11, 2014, at 7 p.m. at Hamilton Hall, University of the Arts at Broad and Pine Streets in Philadelphia, Pennsylvania.

The event will feature an international slate of photographers as well as a host of Philadelphia artists. Beginning and experienced collectors alike will have the opportunity to bid on work by such historic masters as Charles Aubry, Édouard Baldus, Antonio Beato, Charles Bierstadt, Karl Blossfeldt, Samuel Bourne, Brassaï, Anne Brigman, Edward S. Curtis, Madame D’Ora, Baron De Meyer, Frank Eugene, Frederick Evans, Arnold Genthe, Mario Giacomelli, Elias Goldensky, F. Jay Haynes, William Henry Jackson, Inge Morath, Wm. Notman & Son, Ruth Orkin,Edward Steichen, Josef Sudek, Isaiah West Taber, Wilhelm von Gloeden, and Stanislaw Walery.

Among the contemporary photo stars whose work will go on the block are Mariette Pathy Allen, Bill Bernstein, Gay Block, Andrew Borowiec, Douglas Busch, Barbara Crane, Jeff Curto, Bruce Davidson, John Dugdale, Chris Earnshaw, James Fee, Harold Feinstein, Fran Forman, Joy Goldkind, Lois Greenfield, Robert Hirsch, Michael Kenna, David Lebe, Helen Marcus, Joe Mills, Sebastião Salgado, Lynn Saville, Aline Smithson, Harvey Stein, George Tice, Hiroshi Watanabe, and Dimitris Yeros.

Featured local luminaries include Justyna Badach, Andrea M. Baldeck, John J. Carlano, Paul Cava, Paula Chamlee, Gerald Cyrus, Sandra C. Davis, Edmund Eckstein, Susan Fenton, Larry Fink, David Graham, Catherine Jansen, Bruce Katsiff, Andrea Modica, Stuart Rome, Laurence Salzmann, Thomas John Shillea, Michael A. Smith, Christine Welch, William Earle Williams, and Stanley Wulc.

In addition, a broad range of 19th-century and vernacular photographs is up for bid, including one of H. A. Atwell‘s famous circus photographs. According to The Photo Review editor Stephen Perloff, prices will range from $50 to $7,000. A silent auction, concurrent with the live auction, will feature photography equipment and supplies, museum memberships, theater tickets, books, certificates for photo classes, restaurant meals, etc. Lodima Archival Materials has provided matting for Photo Review auction items.

The Photo Review will present Project Basho with The 2014 Photo Review Award for Services to the Field of Photography, at a reception from 6 to 7 p.m. on October 11, immediately preceding the auction.

A preview will be held at the University of the Arts on Friday, October 10, from 11 a.m. to 5:00 p.m., and on Saturday, October 11 from 11 a.m. to 6 p.m., just prior to the auction. Proceeds from the auction, a popular event since 1981, fund such activities as an annual juried competition for emerging photographers. The auction will also feature an open bar and live jazz by the Julian Hartwell Trio. Admission is $20 general, $15 students and includes the fully illustrated catalog. The catalog is also available through The Photo Review, 215-891-0214. Buyers may preview the live and silent auction online and place bids at http://www.photoreview.org/auction.htm.

The Photo Review

“Founded in 1976, The Photo Review is a critical journal of photography that covers events around the world and serves as a central resource for the Mid-Atlantic region. The quarterly journal contains reviews, portfolios, interviews, book reviews, and news, while the companion newsletter, issued eight times a year, contains the most complete exhibition listings from New York to Washington, DC, and northern Virginia, and now also California, and exhibition opportunities and news from around the world. Subscriptions are $45 a year.”

PHOTO AUCTION TO BENEFIT THE PHOTO REVIEW

  • What:  Annual Benefit Auction In support of The Photo Review
  • When:  Saturday, October 11, 2014 at 7 p.m. Auction admission with purchase of catalogue ($20).
  • Where: Hamilton Hall, University of the ArtsBroad and Pine Streets, Philadelphia
  • Featuring: 240 photographs by an international slate of photographers
  • Price range:  $50 to $7,000
  • Preview:  Friday, October 10, from 11 a.m. to 5:00 p.m. Saturday, October 11, from 11 a.m. to 6 p.m. (prior to auction)
  • Catalog:  Fully illustrated catalog available for $12.
  • On-line:  Preview or bid at www.photoreview.org.
  • Proceeds:  Support activities of The Photo Reviewincluding the annual juried competition for emerging photographers.
  • Contact: Stephen Perloff:  215-891-0214, info@photoreview.org, www.photoreview.org.

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Isolation

From Isolation to CollaborationFrom Isolation to Collaboration, 17 Artists/30 Years: ASSEMBLAGE Artists Collective

October 9th – December 17th, 2014 
Open to the public: Monday through Friday, 9:00 a.m. – 5:00 p.m.

HENRY GALLERY at Penn State Great Valley Conference Center hosts the works of 17 artists from theASSEMBLAGE Artists Collective. The exhibit; “From Isolation to Collaboration” opens with a reception for the public on Thursday, Oct. 9 from 6 to 7 p.m. Following the reception, ASSEMBLAGE Artists Collective will give a presentation “How to Survive and Thrive in the  Art World  Despite the Odds in the Musser auditorium. The opening event is free; registration is required at:http://assemblageartists.eventbrite.com

ASSEMBLAGE Artists Collective includes: Rosalind Bloom, Zola Bryen, Wanda Chudzinski, Leslie Eadeh, Susan Hader GoldenKathe Chapman Grinstead, Lauren Litwa Holden, Sheila Letven, Helen Mirkil, Lesley MitchellElaine C. Nettis, Brigitte Rutenberg, Eleanor Schimmel, Marion Spirn, Charlotte Schatz,Pam Taggart, Carol Wisker

HENRY GALLERY at Penn State Great Valley Conference Center, 30 East Swedesford Road, Malvern PA.

“In 1985 a few young artists were graduating from the safety and camaraderie of art school to the harsh reality of the outside world.  To ease the transition they began to meet once a month to share information about practical and technical issues, current shows, exhibition opportunities, and to view and discuss one another’s work. The roster has changed, but nine in the current group have been in it from the start, and the group remains small enough to sustain intimacy. The first Assemblage exhibition was in 1991, followed by twelve more exhibits to date.” – HENRY GALLERY at Penn State Great Valley Conference Center

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