Category Archives: Fine Art Philadelphia

Fine art created by Philadelphia area artists.

Art in the Open 2014

Art in the Open, CFEVA

Art in the Open Application now due January 3rd, 2014

Professional artists working in all media are invited to participate in Art in the Open 2014. From Friday, May 16 through Sunday, May 18, 2014, artists will use Philadelphia’s Schuylkill River Banks as their studio space, creating new works of art ‘outside, on-site.’

Art in the Open re-frames the plein air tradition in a contemporary context, encouraging both artists and audiences to draw inspiration from the city’s natural and urban landscapes. Using the Schuylkill River Banks Park as studio space, participating artists will have the opportunity to explore new or extend current working methods, develop process-oriented projects, and respond to a compelling intersection of urban and natural spaces in the public realm. Selected artists will have the opportunity to participate in complementary programming, public engagement events, and to exhibit artwork created during AiO in the gallery at The Center for Emerging Visual Artists. For more information about the event and to view a gallery of AiO 2012 artists visit http://www.artintheopenphila.org.

 AiO Statistics:
• 8-12,000 visitors per year (on the Schuylkill Banks)
• 30+ Organizational Partners 25 Related programs off and on-site

2014 Art in the Open Jurors 
 
Gerard Brown Tyler School of Art at Temple University’s Center for the Arts 
Harry Philbrick Pennsylvania Academy of the Fine Arts Museum,
 Christine Pfister Pentimenti Gallery, 
Theresa Rose, FringeArts
.

Final application deadline is January 3, 2014. Local, national and international artists are invited to apply.
 To apply visit  https://cfeva.slideroom.com/#/login/program/17400 or

CLICK HERE TO APPLY

For more information or questions, contact Genevieve Coutroubis at Genevieve@cfeva.org.

Juror Information

Gerard Brown writes about art and makes pictures about language. His work has been exhibited in group- and one-person shows nation-wide. As an   independent curator, he has organized exhibitions throughout the Philadelphia region and has been the recipient of a Pennsylvania Council on the Arts Grant in Visual Arts Criticism. He earned his BFA from Boston University and his MFA from the School of the Art Institute of Chicago. He is currently an Assistant Professor and the Chairperson of Foundations at the Tyler School of Art at Temple University’s Center for the Arts.

Christine Pfister studied at Christie’s Education at Christie’s in New York and since 1995 she has been the Co-Owner and Director of Pentimenti Gallery in Philadelphia. She has given many lectures, and participated on panels, in the Philadelphia area. Lectures/panels include the University of Pennsylvania, the University of the Arts, the American Association of Museums, Pennsylvania Academy of the Fine Art, Moore College of Art & Design, Kutztown University, Kutztown, and more. She is active in a variety cultural organizations including CFEVA, ArtTable and the Maurice Rohrbach Fund.

Pentimenti Gallery exhibits contemporary art by emerging to mid-career artists. The gallery’s exhibitions were reviewed in major magazines and newspapers, such as Art in America, The Art Economist, Timeout New York, the Brooklyn Rail, USA Today, Philadelphia Style Magazine, Philadelphia Inquirer, and more. The gallery has exhibited nationally at various art fairs: Pulse NY, Volta NY, Texas Contemporary, Miami Project and CONTEXT Art Miami.

Harry Philbrick, Edna S. Tuttleman Director of the Pennsylvania Academy of the Fine Arts Museum, directs a museum known internationally for its collections of 19th- and 20th-century American art. The museum’s archives house important materials for the study of American art history, museums, and art training.  Mr. Philbrick is spearheading a revived engagement with contemporary art at PAFA, creating a substantial endowment to rekindle the Museum’s program of actively collecting contemporary art and curating an ambitious series of contemporary exhibitions.  Under his guidance the Museum will open a dedicated Works on Paper Gallery in September, 2013.

Mr. Philbrick has twenty-plus years of experience in museum management, exhibition curation, development, and educational programming and was the Director of The Aldrich Contemporary Art Museum from 1996 – 2010.  Mr. Philbrick furthered The Aldrich’s mission of exhibiting provocative and significant contemporary art and establishing education programs that serve as national models in museum education. Mr. Philbrick received his Master of Fine Arts from London University’s Goldsmiths’ College.  His own artwork has been exhibited in the United States and the United Kingdom.

Theresa Rose is currently the Visual Arts Program Director for FringeArts. From 2007-2012, Rose was Public Art Project Manager for the City of Philadelphia Office of Arts, Culture & the Creative Economy where she managed the Percent for Art program and lead the City’s first temporary public art commission, Soil Kitchen, by the artist team Futurefarmers. Independently, Rose is the founder and one of the organizers of Philly Stake, a micro-granting program for relevant & creative community engaging projects. She is also a Knight Foundation grantee for her upcoming participatory art and food series entitled Operation Food for Thought. Prior to her employment at FringeArts and city government; Rose worked on several projects as an independent curator and artist including exhibitions at Crane Arts, Seraphin Gallery and Little Berlin. She received her MFA from the Pennsylvania Academy of Fine Arts, where she co-chaired the Visiting Artist Lecture Series Program. 

Like Center for Emerging Visual Artists on facebook

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWS on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Donate via safe and secure PayPal in the sidebar.

RiTUAL Reading Room

RiTUAL Reading Room, 110 Church Gallery

My Winter Coat, Barbara Henry, NJ and A Summer Morning’s Ritual, Pia De Girolamo

RiTUAL, Reading Room110 Church Gallery, 110 Church Street, Philadelphia PA 19106, 267 871 9375, HOURS: Thursday 1:30 – 6:30 pm, Friday 1:30 – 6:30 pm (except First Fridays, 5 – 8 pm) Saturday Noon – 4:00 pm, other times by appointment. 

ARTIST RECEPTION: 
Saturday, December 14, 2013, 
3:00 – 6:00 pm

110 Church Gallery invites you to retreat from the cold into our gallery, transformed into a reading room. Be surrounded by stories, engulfed by pages, dazzled by over two hundred books. Books on shelves. Books on tables. Books hanging. Walls covered with books on display. Take books down, curl up and read. Fall in love with a book, buy it, and take it home.

Each of these books has been constructed from a single-sheet surface that is no larger than 11 x 17 inches. Over one hundred artists submitted books, addressing the theme: ritual.

RiTUAL Reading Room, 110 Church Gallery

RiTUAL, Reading Room110 Church Gallery

RiTUAL Reading Room is a meme based in Social Practice. To get the idea out into the Philadelphia art scene and have participation, the message had to be simple, easy to explain and memorably fun. By adding terms and conditions the curators established a concept that artists could share with each other, all you had to do was follow simple instructions. Making books in the Age of Digital Reproduction is a challenge to artists desiring to express themselves on paper. RiTUALS let’s the artist write whatever kind of book they like and then share the wall space with other artists, their work pixelated into the matrix of the meme, each book like a nerve connecting to the central nervous system of the art show. It really makes you think.

The design is simple and elegant with each book, loaded with information, waits to be unpacked by a viewer. Action is required to view the books displayed artfully in clear bags, concise tagging and information design creates a clever design experience. At the First Friday opening people ‘reading’ the books in random order mostly said, ‘Cool!’ There’s no better word.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

RiTUAL as a social practice experience is intellectually satisfying from the ad campaign with the sample instruction books to the on-line campaign to the virtual display, the idea is to express a concept within constraints. The books nearest the door are hung from display pins so the wind won’t blow them over, object-like books such as the tea-bag book are on pedestals and tables and the rest are displayed on slim racks with taut string keeping them in place.

The origami-like fold of the paper creates a four page book, with 8 sides and the opposite side of the paper can be a poster. There are books of prints, poems, recipes, photos, patterns, drawings, paintings, embroidery and sculpture. And there are stories told in eight pages that will make you laugh or cry. The tactility of handing the books and sharing the discoveries with others opened up communications so that people interacted instead of the anonymity of the library.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

RiTUAL creates an environment saturated with information, ideas and design. The cable knit sweater book by Kate Flake is an expression of the information technology of sewing  communicated as memetic code. A meme of cozy comfort is translated into the book in a language different from words; a thread of thought creates a story in an un-named tongue that is easily understood and re-interpretted into words.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

Pia DeGirolamo’s books are delightfully informative and rich with style and taste. And by taste I mean food. Tomato Sauce Ritual teaches how to be resourceful and make yourself some decent Italian food; you live in Philly you should know how to make sauce. The illustrations, text and paper all add to the narrative in ways that are visually tasty.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

Thank you to Stella and Margaret from 110 Church Gallery for taking up this idea that involves depending on a lot of artists to create something new and making the exhibition a reality. The show has hundreds of books, there is an on-line catalog with pages about the artists and their books. RiTUAL is a lot of information that required deep thought and attention to detail to make happen.

110 Church Gallery consistently presents art that is thought provoking and unique, with RiTUAL the curators have communicated with the arts community in a way that they responded to with exciting and beautiful concepts of their own. Creating a spirit of community is the essence of the art show and if you spend time reading the books in the gallery you will learn about the people of our community and their rituals.

RiTUAL online catalog

Written and photographed by DoN Brewer except where noted.

Like 110 Church Gallery on facebook

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWS on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Donate via safe and secure PayPal in the sidebar.

RiTUAL

RiTUAL, Reading Room, 110 Church GalleryRiTUAL, Reading Room, 110 Church Gallery, 110 Church Street, Philadelphia PA 19106, 267 871 9375, 

HOURS: Thursday 1:30 – 6:30 pm, Friday 1:30 – 6:30 pm (except First Fridays, 5 – 8 pm)
Saturday Noon – 4:00 pm, other times by appointment.

ARTIST RECEPTION: 
Saturday, December 14, 2013
3 – 6 pm

EXHIBITION: 
Friday, December 6, 2013 through
 Saturday, January 25, 2014

FIRST FRIDAYS
: Friday, December 6, 2013
, Friday, January 3, 2014 
5:00 – 8:00 pm

110 CHURCH gallery invites you to retreat from the cold into our gallery, transformed into a reading room. Be surrounded by stories, engulfed by pages, dazzled by over two hundred books. Books on shelves. Books on tables. Books hanging. Walls covered with books on display. Take books down, curl up and read. Fall in love with a book, buy it, and take it home.

Each of these books has been constructed from a single-sheet surface that is no larger than 11 x 17 inches. Over one hundred artists submitted books, addressing the theme: ritual.

RiTUAL. A ceremonial act ~ Rites used in the course of worship ~ The performance of ceremonial acts ~ The prescribed form of conducting the ceremony ~ A method of procedure that is followed without variation ~ performance with gestures, words, and objects, often in a sequestered place.

Pricing: $20, $75, $250 or free.

RiTUAL On-line catalog

CODE, DoN Brewer, RiTUALCODE, one sheet book, DoN BrewerRiTUAL, Reading Room110 Church Gallery

Like 110 Church Gallery on facebook

Follow @heavybubble on Twitter #ritualreadingroom

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWS on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Donate via safe and secure PayPal in the sidebar.

Dora Ficher

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

 “Every painting starts with a grid. The vertical and horizontal lines calm my active brain and provide a structure on which to work.

I often paint within the cells of the grid before tying everything together. Because I use encaustic, I work slowly and deliberately. Building up sticky, fragrant layers of wax forces me to be present. This meditative process is as important as the end result.

Autobiographical stories on paper are encased inside the waxy pigment. The layers of narrative and paint parallel the layers of energy from daily life. Abstract shapes, patterns, and vivid color recall cherished memories of my native Argentina.” – Dora Ficher artist statement

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Bluestone Fine Art Gallery is located at 142 N. 2nd St. Philadelphia, PA 19106 on Gallery Row with a lovely storefront and a gallery for group shows on the lower level. The current show in the main gallery is a one-person show of encaustics by artist Dora Ficher.

Encaustics is an ancient form of painting dating back from around 100 – 300 AD using bees wax and pigment to create layers of color that literally endures for centuries. Encaustic art has seen a resurgence in popularity since the 1990s with people using electric irons, hotplates and heated stylus on different surfaces including card, paper and even pottery. The iron makes producing a variety of artistic patterns easier. The medium is not limited to just simple designs; it can be used to create complex paintings, just as in other media such as oil and acrylic. – Wikipedia

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Dora Ficher and DoN chatted about her art during November’s First Friday art crawl in Old City. I asked her about using encaustics and where she works? I wondered if it was dangerous.

“It depends if you use if safely. I have my whole studio set up with a window fan and I have ventilation. You have to be safe with it. I use bees wax and pigment, I warm them up and I even use a torch to fuse it. My studio is at 915 Spring Garden Street.”

I know that place! There are so many great artists there, it must be inspiring?

“Oh, yeah!. We had a bunch of the artists come by today, they’re very supportive.”

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

I asked Dora Ficher to explain her inspiration for the colorful artworks.

“My inspiration is mostly from growing up in Argentina. The colors, the people there. of Buenos Aires, are so inspiring. I love color, I get inspired by color, by houses, by doors…and when I travel I love looking at what goes on behind those doors. Some of my paintings have doors and there are things collaged into the background.”

Dora’s father was a musician and if you look closely you can see bits of his music scores embedded in the layers of wax. The poetry of the line, color and context is very invigorating and is a bold blast of brightness to lighten our shortened wintery days.

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

I told Dora that a bunch of Philadelphians, including Charles Cushing, are visiting Buenos Aires ostensibly to paint but were mostly partying every night at the Tango Malongas.

“Of course! When you’re there you don’t have dinner until 11:00 at night and go dancing at midnight, if you go at nine or ten o’clock there’s no one. It is a wonderful place. It’s a lot of fun and the city is very colorful. And I think that’s where I get all my color. I tried to do things that were a little lighter but I always go back and use the same colors.”

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Dora Ficher showed me her iPhone case with one of her designs on it, bright and colorful like her paintings.

“I have a company that licenses my work now, Dianoche Designs, and they are licensing my images and making them into pillows and other products. It’s fun! I do all the encaustics in my studio, at home I do a lot of watercolor and pen and ink. They’re small and that’s what they’re using, mostly. I can go more into detail with that.”

How did you meet Pam Regan of Bluestone Fine Art Gallery?

“I met Pam through Alyson Stanfield, author of I’d Rather Be in the Studio: The Artist’s No-Excuse Guide to Self-Promotion. She’s unbelievable, I just got back from Colorado for a conference with her. I taught for about thirty years, I taught art in an elementary school and about four or five years ago I decided to leave teaching and I started doing this full time.And I didn’t know where to start. I found the book, I went to a lot of her live workshops and on-line classes and I met Pam when Alyson came here to Philadelphia. She was here exactly two years ago. She’s unbelievable!”

Like Dora Ficher Art on facebook

Like Bluestone Fine Art Gallery on facebook

Written and photographed by DoN Brewer except where noted.

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWS on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Off the Wall Autumn Invitational 2013

Anders Hansen, Midnight Sun

Anders Hansen, Midnight Sun, charcoal and gesso on paper.

Off the Wall Gallery at Dirty Franks Bar Autumn Invitational 2013 features new artwork from their award-winning, top-selling artists: Jim Biglan, Bob Gorchov, Anders Hansen, Yeoun Lee, Jesse r Lentz, Bill Myers, Lance Pawling and Syd Torchio.

The gallery located in the corner bar has developed a reputation for discovering new artists, creating exciting art experiences and generating sales. Located near art schools, artist clubs and art galleries, Dirty Franks is a hub of artistic energy and talent. It’s not unusual to rub elbows with famous artists or aspiring art students, chef Anthony Bourdain even shot a segment of his show there and got a bit drunk while shooting the show (click his name to see the episode).

Curated by the multitalented Jody Sweitzer, who recently was celebrated with a one-person show at The Plastic Club with an eighteen year retrospective, Off the Wall Gallery is a unique venue which welcomes all kinds of art and artists. Togo Travalia, manager of the bar, tirelessly promotes the shows with outstanding publicity efforts including keepsake catalogs, posters and inventive facebook posts helping create the environment that the art is indeed for sale.

Anders Hansen, Somewhere in France

Anders Hansen, Somewhere in France, ink on paper

“I want my work to have density, complexity, movement, expressiveness. I like my materials to have a life and play of their own – ink that’s inky, charcoal that’s earthy, paint that’s rich, lines that cavort.” – Anders Hansen artist statement excerpt

Anders Hansen’s artwork never fails to surprise yet is totally accessible and decorative. Maybe his limited palette and fluid lines are the secret to his success, allowing the viewer to enjoy his art as it seeps into their consciousness with beautiful simplicity. But the work is the result of determined practice and years of work achieving a level of artistry that is reminiscent of the masters like Pollack or De Kooning. I’m not being flattering here, look for yourself, and you’ll see why collectors seek out his art to fill voids in their collections.

Bill Myers, Everyone Bleeds Now

Bill Myers, Everyone Bleeds Now, digital collage

Bill Myers mashes up original photography with found art to create his signature brand of surrealism. I love it that not everyone get’s it because the best art is often confusing. An accomplished professional photographer, Myers’ artwork mixes metaphors and memes with aplomb creating a balancing act between the real and unreal.

“My art mixes reality or fantasy and combines them to create a storyline that is TOTALLY TRUE OR FALSE!!!” – Bill Myers artist statement excerpt

Lance Pawling, Life on the Line

Lance Pawling, Life on the Line, found object assemblage

Lance Pawling has established himself as an important influence on the creative community of Philadelphia. As a performer with the Dumpsta Players, an employee of the Philadelphia Art Museum and an award-winning fine artist he demonstrates that living the artistic life can be fun and functional. His art, like his life, mixes what he finds into pleasing compositions of exotica, multi-media and history. Unafraid of criticism he laughs with the viewer when he puts Ben Franklin in drag, spoofs the Last Supper or assumes the personality of a Super-Star!

“I find inspiration everywhere I look. The spark might  emerge from the shadow of reflected light,or follow the path of a leaf delicately dancing through the air, set aloft by a passing bus. The delight of creation is all around me.” – Lance Pawling artist statement excerpt

Lance Pawling, Diamond J

Lance Pawling, Diamond J, found object assemblage

Lance Pawling, a Philadelphia-based artist, does performance art and creates handcrafted goods. Lance’s performance art takes the form of drag and female impersonation intended to delight his audience while making them squirm. Lance’s handcrafted art is made largely through found objects—often broken or discarded items—which he transforms into another state of material being that the viewer may not otherwise have seen or expected.” – Lance Pawling website

Bob Gorchov, untitled (Aves)

Bob Gorchov, Untitled (Aves), acrylic, watercolor, ink and pencil on paper

With naive abandon, Bob Gorchov, mixes media and styles to create exuberant creations that recall great artists like, you know, Picasso, Kandinsky, Bourgeois…seriously, before you buy copy-cat art from a big box store buy a Gorchov and you will own an original that no one else has.

Picasso famously said, “It took me four years to paint like Raphael, but a lifetime to paint like a child.”

“About my recent paintings, I can say that the use of color is bolder, less somber and more varied than in previous works. This probably has little to do with conscious choice. I start wirth a line or image and see where it leads me. Then it’s one accident after another – or almost.” – Bob Gorchov artist statement

Yeoun Lee, Spring Shades

Yeoun Lee, Spring Shades, acrylic on canvas

The Autumn Invitational show has some amazing tableaus spread across the wall but Yeoun Lee‘s work, even though it stands fully on it’s own, complements the works nearby. Paired with Anders Hansen‘s mysterious abstractions her brilliant colors deepen the darkness of Hansen’s moody artworks. Placed next to Syd Torchio‘s exquisite portraiture, her work sings the song you hear in your head but with color. Adjacent to Bob Gorchov‘s child-like exhuberance, Yeoun Lee‘s paintings act like the adult in the room. There are several of Lee’s award-winning paintings in this show that belong in collections. #BuyArt

“My greatest source of inspiration to paint comes from nature, which gives me the freedom to express myself and to forget about the darkness and hardships that are inherent in the journey of life. With nature as my inspiration, I feel completly free to my own colors and techniques to create my own world on canvas. In this respect, I consider myself a colorist, using techniques such as dripping, layering, overlapping, and brushwork in my paintings. – Yeoun Lee website

“We’re all affected by what we see around us, by our experience and also by our moods. My great source of inspiration comes from nature and colors. Through observation, memory and my imagination, nature inspires me.” Yeoun Lee artist statement excerpt

Off the Wall Gallery Autumn Invitational 2013

Off the Wall Gallery at Dirty Franks Bar Autumn Invitational 2013 features new artwork from their award-winning, top-selling artists: Jim BiglanBob GorchovAnders HansenYeoun LeeJesse r LentzBill MyersLance Pawling and Syd Torchio.

Jesse r Lentz, Off the Wall Gallery

Jesse r Lentz and Jim BiglanOff the Wall Gallery

The vitrine in the corner of the bar is dedicated to Jesse r Lentz‘ and Jim Biglan’s sculptures, drawings, paintings and mixed media objects with quirky mash-ups and objet trouve that makes me think that Dirty Franks invented the concept of ‘pop-up shop’. Like a mini museum, the glass case contains a fantastical array of the artists’ work that would enhance an urbane mantle, brighten a kitschy kitchen or add animal totem’s to a bedroom to occupy your dream-scapes. Lentz says, “I genuinely feel my small works can live peacefully in the dimly lit environment of Dirty Franks.”

Jesse r Lentz is a sculptor who focuses mainly on the idea of toy and touch. The physicality of an interactive sculpture has been a primary part of her sculptural work since she began practice. Learning the lost wax process of bronze sculpture as well as jewelry casting, welding, and other metal working techniques influenced her relationship to materials and craft. Animals and the human form have been a major inspiration point in all her studies.” – Jesse r Lentz artist statement excerpt from RAWartists.org

“This artwork represents three different avenues I’ve been exploring: 1) small humorous drawings sometimes using text, 2) my ‘moving drawings’, with slots, tabs, pulleys, etc., that can be manipulated to alter the drawing or reveal new areas; and small sculptures that are an extension of my love of mask and puppet-making.” – Jim Biglan artist statement

2013 Autumn Invitational at Off the Wall Gallery in Dirty Franks Bar, 13th and Pine Streets, Philadelphia on view through November 22nd.

The next show is called Coupling – the deadline for entry is 10/31/13

Written and photographed by DoN Brewer except where noted.

Like Off the Wall Gallery on facebook

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWS on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs