Category Archives: One-Person Art Show

One person art shows. Philadelphia artists one person art shows.

Ancient

My Ancient Land, Jacqueline Unanue, 3rd Street GalleryJacqueline UnanueSextet III, Juan Orrego Salas

My Ancient Land, Jacqueline Unanue at 3rd Street Gallery

Jacqueline Unanue at 3rd Street Gallery, 45 N. 2nd Street, Old City, Philadelphia, PA 19106, 215-625-0993

March 30th thru May 1st, 2016, First Friday, April 1st, 5:00 – 9:00 pm, Artist Reception, Sunday April 3, 1:00 – 4:00 pm, Gallery Hours, Wednesday – Sunday, 12:00 – 5:00 pm

2015 – 2016 Traveling Exhibit | USA | CHILE | SPAIN – Sala de Arte, Embassy of Chile, Washington DC / Sala Viña del Mar, Viña del Mar, Chile / Casa Elizalde, Barcelona, Spain / 3rd Street Gallery, Philadelphia PA

Inspired by Chilean Classical Composers René Amengual (1911- 1954), Eulogio Dávalos (1945), Juan Orrego-Salas (1919), Enrique Soro (1884- 1954), Sylvia Soublette (1923) Jorge Urrutia (1905- 1981).

Curated by Gloria Garafulich-Grabois

Sponsored by Chilean Committee of Delaware Valley & Bloomfield Avenue Dental Associates

My Ancient Land, Jacqueline Unanue, 3rd Street Gallery

Artist Statement

“My Ancient Land, is related to my recent series of abstract paintings inspired by the music of Chilean classical composers: René Amengual: “Symphonic Prelude”; Eulogio Dávalos, “Cueca for Pablo Neruda” and “Siempre”; Juan Orrego-Salas: “Sextet for B flat clarinet”; Enrique Soro: “Danza Fantástica”; Sylvia Soublette, “Roman Mass”, and Jorge Urrutia: “Suggestions of Chile Op.1”.

Immersed in this music as I painted, I felt it flow through me physically and found myself expressing both the movement of the music and my own emotions in free and spontaneous brush strokes that are musical as well as gestural. The colors I have used suggest -in an abstract way-, my memories of the geography, the forest, the desert, the ocean, and the Chilean sky.

The resultant paintings serve as coded maps, leading the viewer to the Illo Tempore where, over time, our roots spread wider and wider until we are part of a universal root system without cultural, territorial, or continental distinctions. This origin intrigues me, and it spontaneously appears in my work.” – Jacqueline Unanue

My Ancient Land, Jacqueline Unanue, 3rd Street Gallery Jacqueline UnanueFantastic Dance III, Enrique Soro

Reviews

The series expresses Ms. Unanue’s visual inspiration of a selection of compositions of an outstanding group of Chilean composers, who represent the “classical musical voice” of Chile in dynamic, vibrant and expressive works of art that have been created using different techniques and mediums but that convey the deep love of the artists’s native land and her understanding of the magic of these compositions.

Gloria Garafulich-Grabois, Curator, Founder & International Director, Chapter in Chile, National Museum of Women in the Arts, WDC, Director, Gabriela Mistral Foundation, Inc. [US]

In the artwork of Jacqueline Unanue strongly emerges a variety of primary lines, as signs of writing, which can be identified as very early graphic symbols: a Greek gamma, one soad or Arabic kaf, or a Chinese idiogramic sign. The strokes are primitive, as a plunge into the primary substrate of the language, as if these vibrant strokes were to bring close the ancestral language through another path. It seems that through these pictorial landscapes Jacqueline tries to connect with an experience of the word beyond its cultural divisions: primordial strokes. As chromatic dots and dashes with which many people of Aboriginal cultures decorate their bodies to connect with the “sacred time” of their ancestors, the root of their myths. These paintings hide from the superficial eye–just used to look for tones and chromatic harmonies–that telluric strength of a creative time, the signs that emerge to become name, magical, incantation. The primordial creative vortex.

Francisco Martínez Dalmases, Writer, Madrid, Spain

When Kandinsky comes to abstraction in the visual arts in 1910, he does it from music because music has always been, by nature, the abstract language. In her works, Jacqueline Unanue establishes a bond from her paintings–her interpretation of the music of great composers is from the motions provoked by a world of sensations; with strokes of great freedom to capture the feeling of extension to the body with this one motion, and not to allow the fusion of these two abstract worlds to be hindered by reason, even for an instant. We could say that Unanue’s works reflect the informal attitude of the action paintings of the 40s and 50s–like Pollock and also about her forms more closely attributed to the Armenian artist Gorky. This attitude is visible in the magnificently collection of her traveling exhibit starting in Washington DC.

Daniel Santelices Plaza, President of Valparaiso Art Critics Association, Chile.

My Ancient Land, Jacqueline Unanue, 3rd Street Galleryclick for poster

Biography  Jacqueline Unanue, Visual artist

Jacqueline Unanue is a Chilean born visual artist of Spanish ancestry residing in Philadelphia PA since year 2000. She studied design at the Universidad de Chile de Valparaíso. At that time she became interested in the rock art done in her native country. She traveled extensively through Chile’s Atacama Desert, doing on-site rock art research in the mountains and cliff areas that contain art that was carved or painted thousands of years ago. She also traveled to Spain to study the pre-historic paintings of the Altamira caves in the Basque Country, which being the home of her paternal ancestors connected her to her roots.

In 1989, she won the Critic’s Award in Visual Arts from the Valparaíso Art Critics Association in Chile. In addition to numerous individual and group exhibitions in Chile since 1983, she has also been exhibited in Spain, Finland, Ecuador, Argentina, and the United States—in galleries in Washington D.C., Philadelphia, Chicago, and New York. In 2013 and 2015 she exhibited in Barcelona, ​​Spain. On two occasions she has obtained grants sponsored by DIRAC, the Directorate of Cultural Affairs of the Ministry of Foreign Affairs of Chile for her exhibits at Guayasamin Foundation, Quito, Ecuador, and at the Inter-American Development Bank, in Washington DC.

In 2015, she received the Latin American Women in Art and Cultural Tribute recognition in New York.  She currently lives in Philadelphia with her husband Ricardo Guajardo who is also an artist and designer. She is represented by the 3rd Street Gallery, Philadelphia.

My Ancient Land, Jacqueline Unanue, 3rd Street GalleryJacqueline UnanueSuggestions of Chile V, Urrutia

Artist contact: jacquelineunanue@yahoo.com 

Artist Jacqueline Unanue / Traveling Exhibition 2015, Philadelphia
Exposicion Jacqueline Unanue, Casa Elizalde, Barcelona, Spain

Recent Press:

Washington Post, Washington DC, March 2015: Homage to Chilean music, by by Celia Wren

http://www.washingtonpost.com/entertainment/music/globe-trotting-singer-dom-la-nena-will-touch-down-at-artisphere/2015/03/26/c8ca06aa-d18b-11e4-8b1e-274d670aa9c9_story.html

Heavy Bubble, Philadelphia: http://heavybubble.com/artlife/january/2016/junanue-philadelphia

Blog Corporación Cultura Viva, Viña del Mar, Chile: Jacqueline Unanue pinta desde la no conciencia: una abstracta lirica de sentimientos irrefrenables by Daniel Santelices Plaza, Doctor en Historia del Arte Universidad de Navarra, España, May 2015.

https://corporacionculturalvina.wordpress.com/2015/05/07/jacqueline-unanue-pinta-desde-la-no-conciencia-una-abstraccion-lirica-de-sentimientos-irrefrenables/

El Mercurio de Valparaíso, Chile, Valparaíso, Chile, Pintora chilena vuelve a sus origenes con “Mi Antigua Tierra”, Arte y Espectáculos, Thursday April 23, 2015

http://www.mercuriovalpo.cl/impresa/2015/04/23/full/cuerpo-principal/26

Impacto Latino, New York, March 2015: Mes Internacional De La Mujer en Nueva York: Homenaje a la Mujer Latinoamericana en las Artes y la Cultura, by Ximena Hidalgo-Ayala,

http://impactony.newspaperdirect.com/epaper/showlink.aspx?bookmarkid=D72JI46VU5G6

Thank you to Jacqueline Unanue for the content of this post.

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Natural

Natural Flow, the Paintings of Gerry Tuten, John Thornton Films

“Through March 12, 2016, The Wayne Art Center is hosting a dazzling exhibition of landscape based abstractions by metalsmith turned painter Gerry Tuten. Although these paintings have echoes of DeKooningTàpies, Soutine, Cy Twombley, and the late garden paintings of Monet, they remain resolutely her own.” – John Thornton

The purpose of The Wayne Art Center is to provide both instruction in the studio, and to build appreciation of the visual and performing arts through our many exhibits, lectures and programs. The Center affords artists an interdisciplinary venue to share, learn, exhibit and perform. Specifically, The Wayne Art Center carries out its mission in the following ways:

  • By providing instruction in all phases of the fine arts, contemporary crafts, music, culinary arts and drama.
  • By offering exhibitions, performances and special events for artists and community of the greater Main Line area and Delaware Valley.
  • By reaching out to our community with instructional programs for persons with special needs. These programs use art for therapeutic value.
  • By providing a gathering place for artists and students to both share and lend support toward improving the cultural climate.

Gerry Tuten, Natural Flow

“My painting is a venture inside and outside of myself seeking freshness and change. I thrive on challenge, action and awakening in my painting. I am intensely curious, exploring the micro and macro levels of the natural ecology. When the image begins to “break up” or erupt, my excitement rises. I transfer this excitement and freedom to the viewer through movement, color and texture of paint over surfaces. Here in the process of painting I allow myself to break all the rules. Trusting my intuition I can let go of the “work of art”. The painting is just a place to free myself – to surrender to process. The medium of paint speaks stronger than words. Clarity is distilled out of movement and change. The paintings come as gifts.

The elements of earth, water, fire, air and space give form to all life and play a prominent role in my inspiration. By exploring organic natural forms and the visceral textures of paint with spontaneity and freedom I play at mark-making and application while trying to stay ahead of my grasping mind. Through close observation my art explores imagery living in the natural world – insects, birds, reptiles, mammals, plants, trees, flowers and minerals in a myriad ways. I am overcome by the abundance and beauty of nature. If I can allow my paintings to run free then I can find delight and joy.

My aim is a constant search for subtle and not so subtle energies in our visual world as well as the tension between things and expression. Painting is a way for me to move through life having a relationship with the Beloved. The paintings are the record I leave behind of my journey into spirit. They are in gratitude for my life. – Gerry TutenJune 2015

The Wayne Art Center
413 Maplewood Ave., Wayne, PA 19087
610-688-3553 · 610-995-0478 fax

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Invincible

April Saul, Camden, NJ: A Spirit Invincible, The List Gallery

April Saul, Camden, NJ: A Spirit Invincible, The List Gallery

William J. Cooper Foundation Sponsors Concurrent Exhibitions by April Saul, March 2—April 3, 2016.

The List GallerySwarthmore College500 College Avenue, McCabe Library Atrium,Our American Family, Swarthmore, Pa. 19081 Gallery hours: Tuesdays—Sundays, Noon–5:00 PM

Swarthmore College Libraries and The List Gallery are pleased to announce that they will host concurrent exhibitions of photographs by the preeminent documentary photographer,April Saul. Curated by Andrea Packard and Ron Tarver, the exhibitions will take place March 2—April 3, 2016 and are accompanied by a 60-page exhibition catalog. The List Gallery will feature Camden, NJ: A Spirit Invincible, which features approximately 50 images from Saul’s ongoing body of work documenting life in Camden, New Jersey. McCabe Library’s atrium gallery space will feature more than 25 photographs selected from Our American Family, a body of work that combines numerous series made possible through the artist’s ongoing connection to diverse individuals and families over years and even decades. McCabe Library hours can be found at: www.swarthmore.edu/libraries/hours. An Artist’s lecture will take place on Wednesday, March 2, 4:30 p.m. in the Lang Performing Arts Center Cinema.

The List Gallery reception will immediately follow, 5:30-7:00 p.m. All events are free and open to the public. A book signing and closing reception will take place in the List Gallery on Sunday, April 3, 3–5 p.m. Free copies of the exhibition catalog will be given to the first 100 visitors. These exhibitions, accompanying catalog, and related events have been funded through a generous grant from the William J. Cooper Foundation. Additional support was provided by Swarthmore College Libraries, the Department of Art, Swarthmore College, and the Kaori Kitao Endowment for the List Gallery.

For more than 35 years, April Saul has photographed American families as they confronted hardships such as poverty, HIV/AIDS, gun violence, addiction, and incarceration. Since 1980, when she became the first female staff photojournalist at The Baltimore Sun, she has provided new perspectives in a field that has not generally encouraged in-depth coverage of family relationships. Already acclaimed as a Pulitzer Prize-winning journalist, her Swarthmore exhibitions and this accompanying catalog mark the first major presentation of her work in a fine art context. Through interweaving documentary, fine art, and social media practices, Saul advocates for underserved families and communities while creating images that are both moving and transcendent.

April Saul, Camden, NJ: A Spirit Invincible, The List GalleryApril Saul, Camden, NJ: A Spirit Invincible,The List GalleryGabriel Gambino “Bino” Crespo, whose father was murdered in Camden, 2013.

McCabe Library’s atrium gallery provides the opportunity to view several extended photo essays. The centerpiece of Saul’s McCabe Library exhibition, Our American Family, consists of selections from Saul’s many long-term photo-essays chronicling the trials and challenges faced by diverse families. Kids, Guns and Violence: a Deadly Toll consists of Saul’s written and photographic profiles commemorating each of the 24 children killed in the Philadelphia region by gun violence during a single year. Another series, Between Genders, portrays the experiences of Renee Ramsey, a Navy Veteran who was born anatomically male and pursued gender reassignment surgery at the age of 77.

April Saul’s List Gallery presentation, Camden, NJ: A Spirit Invincible, offers selections from her ongoing series of photographs chronicling life in that troubled city. Her images are alternately heartbreaking or uplifting: an anguished firefighter turning in her badge, a panoramic shot of a boxing tournament in the middle of a city street, an image of a girl playing in front of boarded-up homes. Striving to avoid voyeurism and objectification, she has developed relationships with individuals, families, and communities over time. Some photographs on display in the List Gallery were selected from the hundreds of images Saul has taken since 2014, when she became an embedded photographer at Camden High School.

As a participant-observer, Saul is careful to portray the successes that are often overlooked in the community. Saul publishes such affirming images, as well as sobering ones, on her Instagram feed and Facebook page, Camden, NJ: A Spirit Invincible. Online, community members not only view, download, and share Saul’s images but also provide their own commentary. Her Facebook page exceeded 95,000 views in one week. Thus, the photographs on display at Swarthmore College are part of an interactive and ongoing community dialogue.

Artist’s Biography

A Pulitzer Prize-winning photojournalist,April Saul made Camden, New Jersey her unofficial beat while working at The Philadelphia Inquirer, and has continued to document that community with the help of an Alicia Patterson Foundation Fellowship and a National Press Photographers Association Short Grant. A graduate of Tufts University with an Master’s Degree from the University of Minnesota, Saul became the first female staff photographer at The Baltimore Sun in 1980. She joined The Philadelphia Inquirer photo staff the following year. A single mother of two, Saul has won numerous honors for both her writing and photography including the Robert F. Kennedy Journalism Award, the World Press Photo Budapest Award for Humanistic Photography, two Casey Medals for Meritorious Journalism, and many awards in the Pictures of the Year International contest.

In 1997, Saul—along with Philadelphia Inquirer reporter Michael Vitez and photographer Ron Cortes—was awarded the Pulitzer Prize in Explanatory Journalism for a series of articles on end-of-life care. She was a finalist for the Pulitzer Prize for Feature Photography in both 1994 and 1987. In 1985, she was the first recipient of the Nikon/ NPPA Documentary Sabbatical Grant for her work on Hmong refugees, and over the course of her career, has been named Photographer of the Year by the NPPA Northern Short Course, the Pennsylvania Press Photographers Association, and the New Jersey Press Photographers Association.

Thank you to Raven Bennett, Swarthmore College Class of 2017 for the content of this post.

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Gardens

Jessica Lynn LiborThe Bazemore Gallery  presents new artwork by Jessica Libor including video, interactive installations, and oil paintings.

Jessica Libor’s “The Gardens of Delight” Valentine’s Exhibit at The Bazemore Gallery in Manyunk

Opening reception is Saturday, February 13th from 6 to 9pm at The Bazemore Gallery, 4339 Main Street, Philadelphia, PA, 19137 within the historic Manayunk neighborhood.

In honor of Valentine’s Day, The Bazemore Gallery is having a pop up showing of artist Jessica Libor’s latest whimsical and imaginative art. In addition to her work on panel and canvas the exhibit will feature an interactive, conceptual installation plus video. Jessica’s romantic figures set in utopian landscapes conjure an illusory setting that evokes the feeling of the holiday. Please join us for the perfect prelude to Valentine’s Day. – Jessica Libor

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Beehive

Inside the Bloody Beehive with Artist Judith Schaechter

Video by John Thornton Films

“The first time I ever heard of artist Judith Schaechter was sometime back in the early 1980’s when we were both in a group show at Philadelphia’s Art Alliance. She had  this small unassuming painting that I have never forgotten. Judith stopped painting and went on to excel in another medium, stained glass, and on October 17th, 2015 I went back to the Philadelphia Art Alliance to see a dazzling display of her work. Later, I spent an afternoon at Judith’s home and studio. I believe that this funny, brilliant woman is one of the world’s greatest living artists.” – John Thornton

“It seems my work is centered on the idea of transforming the wretched into the beautiful in theme as well as design. For me, this means taking what is typically negative — say, unspeakable grief, unbearable sentimentality, or nerve-wracking ambivalence, and representing it in such a way that it is inviting and safe to contemplate and captivating to observe (to avoid ending with preposition). I am at one with those who believe art is a way of feeling one’s feelings in a deeper, more poignant way.” – Judith Schaechter excerpt artist statement

Judith Schaechter’s work is gut-wrenchingly beautiful. “Beauty” says the artist, “is considered the most horrible crime you can commit in the modern art world. People are suspicious of anything that makes them feel as though they may lose control. Beauty forces you to confront your helplessness as well as your dark side. My work is not intended to make comfortable people unhappy, although it may make unhappy people comfortable.” – University of the Arts faculty

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