Category Archives: One-Person Art Show

One person art shows. Philadelphia artists one person art shows.

lapses

lapses in Thinking By the person i Am, Josephine PrydeJosephine Pryde, lapses in Thinking By the person i Am, ICA, photograph by Laura Storck

“lapses in Thinking By the person i Am”, Josephine Pryde at the Institute for Contemporary Art at the University of Pennsylvania

Recently, on the day after Christmas, I was lucky enough to catch Josephine Pryde‘s exhibit, “lapses in Thinking By the person i Am” just one day shy of its closing at the Institute of Contemporary Art (ICA) at the University of Pennsylvania.

lapses in Thinking By the person i Am, Josephine PrydeJosephine Pryde, lapses in Thinking By the person i Am, ICA, photograph by Laura Storck

This clean yet incredibly rich and interactive exhibit consisted of a series of photographs which focusses primarily on hands in various states of touch, from both the inanimate to the poetic. The sensory journey was enhanced by the opportunity to ride a miniature train, a 1:10 scale model Union Pacific two-car freight train running at 2 m.p.h. along the exhibit to view the images from the beginning to the end, and then back to the beginning. As I gazed upon the images, I wondered if this experience was metaphorical for seeing life’s moments flash before one’s eyes? Or was it analogous to memory? Did this action of movement add significance to what we may consider to be the mundane?

lapses in Thinking By the person i Am, Josephine PrydeJosephine Pryde, lapses in Thinking By the person i Am, ICA, photograph by Laura Storck

These beautiful portraits are visually pleasing in their color and choice of object under manipulation, such as a touch-sensitive lamp base, smartphone screen, sweater, zipper, and pine cone. Because these images were photographed using a macro lens, the viewer is instantly transported into the moment. The visions of touch are felt as cold, smooth, itchy, prickly, jagged.
Josephine Pryde, lapses in Thinking By the person i Am, ICA, photograph by Laura Storck, view from model train

Excerpt taken from the ICA Josephine Pryde Gallery Guide:

“In the context of the gallery, it could be said that the composition, lighting, and general style of Josephine Pryde’s photographs recall fashion and portrait photography, but this would ignore the fact that fashion and portrait photography refer to art photographs, snapshots, documentary footage, and more…Curator Jamie Stevens writes of this series, “These images act as a potential record of how hands are being used today and become a close analysis of a new body semiotics that has arrived with ‘smart’ technologies.” We have always thought with our hands — building, gesturing, inventing.  What is new, and what Pryde has turned her lens onto in these images, is the way our mental processes can now be extended and broadcast via our fingertips.  There is a responsive potential from anytime and anywhere to anytime and anywhere.” — Anthony Elms, Chief Curator

lapses in Thinking By the person i Am, Josephine PrydeJosephine Pryde, lapses in Thinking By the person i Am, ICA, photograph by Laura Storck

Josephine Pryde (born 1967, Alnwick, UK; lives in Berlin and London) is Professor of Contemporary Art and Photography at the University of the Arts, Berlin.

https://www.facebook.com/pages/Josephine-Pryde/141080082632715?fref=ts#

http://icaphila.org/exhibitions/7462/josephine-pryde-lapses-in-thinking-by-the-person-i-am

The ICA at the University of Pennsylvania is free for all. Institute for Contemporary Art (ICA), 118 S. 36th Street, Philadelphia, PA 19104 (215) 898-7108 http://icaphila.org

Written and photographed by Laura Storck

Laura Storck Photography ARTIST. SCIENTIST. PHOTOGRAPHER. ROCK STAR.: https://laurastorck.wordpress.com/

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Moment

John D. Taylor, SAVERY GalleryUntitled #69, woodcut, 2013. John D. Taylor, Just a Moment at SAVERY Gallery

Just a Moment, solo exhibition of new prints by John D. Taylor

at SAVERY Gallery

SAVERY Gallery proudly announces the opening of Just a Moment, a solo exhibition of new prints by John D. Taylor.

Opening Friday December 4th, 2015, the exhibition will run through January 3rd, 2016 with a reception for the artist on Friday, December 4th from 6-9 PM.

Just a Moment is a cool and lyrical display in black and white notes on paper that echo the methods wherein they are born, the hand that crafts them, and the Artist’s search for discovery in the process. In her essay on the exhibition, Associate Curator at the University of Pennsylvania Heather Gibson Moqtaderi is witness to the following:

“An undercurrent of mystery courses through ‘Just a Moment’, from Taylor’s cryptic markings to ethereal spaces that feel like windows, portals, or pathways. Untitled #69 invokes the spirit of Robert Motherwell’s Open paintings, albeit in a very different manner, with a three-sided window shape that seemingly continues beyond the page. Taylor’s “window” is all the more enigmatic when paired with the ghostly, darkly inked shape floating nearby. Through these unfamiliar spaces, Taylor leads us to uncharted territory and asks that we make our own meaning.”

Comprised of about 40 Print works framed by the Artist’s own hand in the same rich woods in which he works: ebonized poplar, mahogany and maple, this exhibition is a study in time / tempo / texture and moments. The works themselves are a conversation in contrasts between Taylor’s loose, gestural style, his expressive influences, and his meticulous printing methods. In these woodcuts, texture from the chisel and the wood grain add character to his minimalist compositions, giving lightness and depth to the shapes he creates. His work is at some times clean, almost geometric, and at other times seemingly impulsive and improvisational in its mark making.

Freed from the focus of running an edition, each of Taylor’s prints are unique: meant to capture a moment and hold it for a second until passing into the next. Having succeeded that way, the Artist must move on to the “next now”.

John D. Taylor, SAVERY GalleryUntitled #24, woodcut, 2014, John D. Taylor, Just a Moment at SAVERY Gallery

John D. Taylor is an Artist, Cabinetmaker, Father, and longtime resident of West Philadelphia and Powelton Village. After studying painting at Cleveland Institute of Art in the mid 1960’s, he relocated to Philadelphia to study with Piero Dorazio and Angello Savelli at the University of Pennsylvania. He has long been integrated with the University and the Philadelphia art scene: first as a gallery preparatory at the Institute for Contemporary Art, and currently at the Arthur Ross Gallery where he has headed the installation crew for the past 30 years. He is a prolific artist, creating work in his shop and studio everyday and exhibiting most recently in his 2010 solo exhibition “Current Prints” at Art on the Avenue.

John D. Taylor, SAVERY GalleryUntitled #18, woodcut, 2015, John D. Taylor, Just a Moment at SAVERY Gallery

John D. Taylor, SAVERY GalleryUntitled #55, woodcut, 2015, John D. Taylor, Just a Moment at SAVERY Gallery

Just a Moment is Mr. Taylor’s first solo exhibition at SAVERY Gallery. For further questions, press inquiries, or images please contact: SAVERY GALLERY, 319 N. 11th Street, Philadelphia, PA,

Tory Savery or Caitlin Palmer 267-687-7769 or 610-547-8434 gallery@saverydesign.com www.saverygallery.com

Thank you to SAVERY Gallery for the content of this post.

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Underland

Lucy Helena Van Ellis, UnderlandForest, photography, Lucy Helena Van Ellis

Underland; Senior Thesis Photography Exhibition, Lucy Helena Van Ellis,

Tyler School of Art

Tyler School of Art at Temple University, 2001 N. 13th Street, Philadelphia, PA 19122.

November 30 – December 9, 2015.

Opening Reception: Friday, December 4th, 6:00 – 9:00pm

“A series created by graduating senior photography major, Lucy Helena Van Ellis will be exhibited at the Tyler School of Art in the lower atrium from November 30th, through December 9th. You are invited to join Van Ellis in her opening reception on December 4th from 6 – 9PM.

The series includes nine 45 x 30 inch prints paired with a video element. Van Ellis has been working on her series ‘Underland’ for the past year by experimenting with the use of fabric, projections and movement in her images to create scenes that appear to be manipulated with post-processing, but are not. Her images stray far from a traditional black and white photograph but are sure to entice the viewer with the world in which she created. The series is an enchanting and whimsical take on a place that does not exist, a place that can not be right or wrong.

Lucy Helena Van Ellis is primarily known for her presence throughout social media, her features with MTV, Teen Vogue and her collaborations with Lilly Pulitzer, BooHoo.com, Daniel Wellington and more. Along with her being a photographer, she utilizes her networking and marketing skills to establish her brand as an influencer and blogger. Her final thesis show demonstrates her ability to push the limits while practicing her fine art photography.” – Lucy Helena Van Ellis

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Paths

Deirdre Murphy, URBNDeirdre Murphy – Migratory Paths at URBN at the Navy Yard

Deirdre Murphy – Migratory Paths at URBN

Written and photographed by Laura Storck

The concept of the symbiotic relationship between art and science is nothing new – many would affirm that it has been in existence since the dawn of time. Many artists and scientists (perhaps one in the same?) have studied the relationships and potential intersections of these phenomena (DaVinci, Seurat, and Hershel, to name a few).

Deirdre Murphy, URBNDeirdre Murphy – Migratory Paths at URBN at the Navy Yard

The brain ambidexterity that informs the esoteric outlook of those fortunate enough to possess those qualities still pervades. Deirdre Murphy is a contemporary artist whose work is influenced by the connections between art and science, as can be seen by one of her current exhibitions, “Migratory Paths”, is currently on view  at URBN at the Navy Yard.  This series explores the migratory flight patterns of birds and how they may be affected by climate change.  Her abstract works are extremely eye-catching, attractive, and thought-provoking her with use of bright colors, geometric shapes, and repetition.

Deirdre Murphy, URBN, Migratory Paths

Deirdre MurphyThe Boundless (2012)_silkscreen and mixed media on paper, at URBN at the Navy Yard

Deirdre Murphy, URBN, Laura StorckDeirdre Murphy,  Synchronized Formation (2012), silkscreen and mixed media on paper, at URBN at the Navy Yard

According to a recent interview with PennDesign about a summer residency a Hawk Mountain Sanctuary, Ms. Murphy explained that:

“The collective intelligence of flocking birds and the unpredictable patters have been a source of inspiration to me.  I wanted to work directly with the Hawk Mountain Scientists and ask the how global warming has changed the raptors migratory flight patterns and then to see how I might translate that information into paintings.”

Deirdre Murphy, URBN, Migratory Paths
Deirdre MurphySentinel II (2008), oil on canvas, at URBN at the Navy Yard

Deirdre Murphy, URBN, Migratory PathsDeirdre Murphy, Flamingo, 2008, oil on canvas, at URBN at the Navy Yard

In case you weren’t aware,  I should mention that I’m an artist and scientist myself. I have a great fondness for the use of bold pigments, as well as a natural affinity towards the cleanliness and mechanics of simple lines and angular structures.  This sensibility applies not only in my personal design preferences and photographic compositions, but in life itself.

Deirdre Murphy, URBN, Migratory Paths
Nocturnal Migration (2010), silkscreen on paper, Deirdre Murphyat URBN at the Navy Yard

Deirdre Murphy, URBN, Migratory PathsDeirdre MurphyLibra (2015), gouache on paper

Deirdre Murphy, URBN, Migratory PathsPigeon Flight (2009), oil on canvas, Deirdre Murphy at URBN at the Navy Yard

I engaged with this beautifully celestial and otherworldly exhibit on it’s opening day, and after some pondering, I concluded that “Migratory Paths” not only applies to migratory patterns of birds, but to all lifeforms. To my chagrin, I had received a polite yet disappointing email that day that I did not land a coveted job that I desperately wanted, also located at the Navy Yard, and was feeling quite crestfallen.  On that bright and warm afternoon, Ms. Murphy’s art spoke to my resilient self in URBN’s sleek headquarters, and expressed to me that nature endures, perseveres, and maneuvers along it’s own migratory path,  and we must follow our instincts to find our way.

Deirdre Murphy, URBN, Migratory PathsDeirdre Murphy at URBN at the Navy Yard

I highly recommend everyone to take a flight of fancy to URBN to see this exhibit in this amazing and ethereal space. Enjoy a light lunch at Shop 543 or a warm cup of java at Jharoka while taking a gander at the Ms. Murphy’s artwork with the zen feeling of the nearby koi pond just a few steps away. “Migratory Paths” are works on paper that span from 2010-2015 and will be on display at URBN until December 7, 2015.

Deirdre Murphy, URBN, Migratory PathsDeirdre MurphyDome of the Sky (2010), silkscreen on paper, at URBN at the Navy Yard

Written and photographed by Laura Storck

Laura Storck Photography ARTIST. SCIENTIST. PHOTOGRAPHER. ROCK STAR.: https://laurastorck.wordpress.com/

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Ruined

Ellen Hallie Schiff, Pii Gallery
Ellen Hallie Schiff, Ruined 8, oil, enamel, wire, tape, charred wood on charred canvas, 20″ x 16″, PII Gallery

Ellen Hallie Schiff, Ruined – Recent Constructions

Ellen Hallie Schiff, Ruined – Recent Constructions, November 6 – 26 at PII Gallery242 Race Street, Philadelphia, PA 19106, 215.592.1022, info@piigallery.com

“The new work is called ‘RUINED’. Although I am a painter, these works are really constructions. I burn my old canvases and add bits of wood, tape, wire, screening and metal to create a seemingly random composition that actually works. A number of these pieces have a work on either side of the canvas. As I work on one exposed side off the  canvas, inevitably the other side begins to take on its own life as well.It has been said of these works:

These works are so solid even though they are full of holes. By deconstructing the canvas itself, Schiff explores her vulnerability, which underlies the process of creation/ human endeavor and personal connection.” – Ellen Hallie Schiff

“When my work is going well it exudes an off-hand yet exciting quality. My paintings have been described as powerful, very emotional and strong.

Swaths of paint wiped away to reveal a ghost image beneath; more paint pushed around to create layers of history. The search for the elegant random shape all work in concert to form a new entity entirely.” – excerpt artist statement, Ellen Hallie Schiff

About Pii Gallery

“The PII Gallery features work from around the world, focusing primarily on Eastern European and American contemporary art. On the first Friday of every month a new exhibition premieres, and the Gallery’s doors open to a crowd of international and local art lovers, as well as the casual passer-by. PII Gallery has developed a reputation for providing something otherwise unavailable in Philadelphias gallery district — a consistently strong selection of international artists working in textile design, printmaking, painting, sculpture and photography. PII Gallery has recently expanded to include an annex, devoted to showcasing local and international emerging artists. Located in a centuries’ old building in historic Old City the gallery is perfectly situated to serve people from a wide array of cultures.” – PII Gallery

PII Gallery242 Race Street, Philadelphia, PA 19106, 215.592.1022, info@piigallery.com

Thank you to Ellen Hallie Schiff for the content of this post.

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