Category Archives: Philadelphia Photographers

Review

B. Proud, Wilmington, DE., Owen and Blue, Transgender Men
Archival pigment print, 36″x24″,First Prize 2018

2019 Photo Review 35th International Photography Competition

Noted critic, curator, and writer Lyle Rexer will be the juror for the 2019 Photo Review Photography Competition. He is the author of several books on art and photography, including The Edge of Vision: The Rise of Abstraction in Photography (2009) andPhotography’s Antiquarian Avant Garde: the New Wave in Old Processes (2002). In addition, he has published numerous catalogue essays and articles on art, architecture, and photography and contributed to such publications as The New York TimesArt in AmericaAperture, Parkett, BOMB, and DAMn. As a curator, he has organized exhibitions in the United States and internationally, most recently The Edge of Vision, a selection of contemporary abstract photography. He teaches at the School of Visual Arts in New York and is a columnist for Photograph magazine.

Photo Review 2019
Lyle Rexer (Daguerreotype by Jerry Spagnoli)

The Photo Review, a highly acclaimed critical journal of photography, is sponsoring its 35th annual photography competition with a difference. Instead of only installing an exhibit that would be seen by a limited number of people, The Photo Review will reproduce accepted entries in its 2018 competition issue and on its website. Thus, the accepted photographs will be seen by thousands of people all across the world and entrants will have a tangible benefit from the competition. Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. Plus numerous Editor’s Selections will be exhibited in several Photo Review web galleries. Check out additional prizes below and on the competition website.

2019 Photo Review, Eric Mueller, Minneapolis, MN, On The Bund, 2018, archival pigment print, 20" x 30", 2018 Prize Winner
Eric Mueller, Minneapolis, MN, On The Bund, 2018, archival pigment print, 20″ x 30″,2018 Prize Winner

Because their work was seen in The Photo Review, past winners have been given one-person exhibitions, have had their work reproduced in other leading photography magazines, and have sold their work to collectors throughout the country. 

Learn more at www.photoreview.org.

PRIZES & AWARDS
Prizes include:

  • A $500 purchase prize from Haverford College
  • A $500 prize from Blue Flower
  • a Wacom Intuos tablet
  • a Lambert 12L camera bag from Cecilia
  • a 20″x24″ silver gelatin fiber print from Digital Silver Imaging
  • camera bags from ThinkTank Photo and Mission Workshop
  • “The Complete Photographer’s Set” from Tog Tees
  • several Kodak Printomatic Instant Print Cameras
  • a $200 gift certificate from Shades of Paper, a leading supplier of inkjet photo paper

Awards include:

  • Prizewinners exhibited at the University of the Arts Photography Gallery, Philadelphia
  • Accepted entries reproduced in The Photo Review journal and on our website
  • Editor’s Selections exhibited in several Photo Review web galleries

NOT-SO-FINE PRINT
An entry fee of $35 for up to three prints or images and $8 for each additional image entitles all entrants to a copy of the full-color catalogue. In addition, all entrants will be able to subscribe to The Photo Review for $36, a 20% discount. (Higher rates apply for non-US subscribers.)
All entries must be received by May 31, 2019.
You can download contest rules and submit images on our 2019 Competition page. If you have any further questions, don’t hesitate to contact us.
The Photo Review 2019 International Photography Competition is sponsored by Haverford College, Blue Flower, Digital Silver Imaging, Wacom, Kodak, Cecilia, ThinkTank Photo, Shades of Paper, Mission Workshop, and Tog Tees.

Thank you to Steven Perloff for the content of this post.

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Anahata

John Singletary, Detail of Providence, 3′ x 30′ Photography Based OLED Installation/Pigment Print

John Singletary – Anahata

The Delaware Contemporary

200 S Madison Street, Wilmington, DE 19801

Opening Reception: Friday, May 3rd, 5:00 – 9:00 PM

Museum Hours:Monday closed, Tues. 12 – 5pm, Weds. 12 – 7pm, Thurs. & Fri. 10 – 5pm Sun. 12 – 5pm

Philadelphia native, John Singletary, is a fine art photographer and multimedia artist. His educational training includes both Drexel University and a BFA in Photography from The University of the Arts, Philadelphia, PA. He has exhibited at The Pennsylvania State Museum of Art, LG Tripp Gallery and The James Oliver Gallery. As well, his work is represented in the permanent collections of the Philadelphia Museum of Art, The Center for Fine Art Photography and The Haverford College Archives.

Anahata is a photographic exhibition that uses its mode of presentation to transcend the limitations of the medium in a multi-disciplinary installation experience. Photographs are animated through multiple state-of-the-art OLED panels used as electronic canvases. The technology is synchronized to create joined, large format displays, some forming 8′ x 8′ luminous squares or a 30′ Greco-Roman frieze-inspired composition. Images materialize out of walls and recede back into darkness, as would apparitions in this oddly familiar living space. These and other works are set to original music composed by John Singletary and Matt Hollenberg.

Installation View, Clarise, 8′ x 8′ Photography Based OLED Installation

While the ambition in Singletary’s presentation is of distinct merit, it’s not mere technology doing the real work. The photographic quality in his highly ornamented images demonstrates a conscious and masterful use of the medium. Influenced by a production approach found in theater and cinema, Singletary and his crew built a black box studio in a Victorian house in Germantown, PA as a set for the photography in Anahata. This long term collaborative project enlisted dancers, theater performers, costume designers, make-up artists, choreographers and set technicians. And, in this black box studio, the dream-like imagery, extracted from mythology, symbolism and mysticism directs the narrative in Anahata as it explores human relationships and their connection to the divine.

John Singletary, Clarise, 8′ x 8′ OLED Installation/Pigment Print

In John Singletary’s inventive world of Anahata, the artist commands an ancient cry from demons and gods in spear-decorated headdresses and cocoon-like webs that conquer and connect us. From there, he uses an advanced understanding of technology to move forward seamlessly into a hyper-lit future. With his sensitivity in making this unique grand scale production personal and through his exacting print work, the fantasticality in Anahata becomes very real.

The Delaware Contemporary

Phone: 302-656-6466 (main)

Thank you to John Singletary for the content of this post.

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Stories

Stories to Tell

Stories Told in Pictures at The Plastic Club

April will be a time for story-telling at The Plastic Club, as the historic art club invites visual artists to show how they retell the world’s stories, whether drawn from holy books or comic books or the depths of their own imaginations.

The prospectus explains that works can be representational or abstract, based perhaps on literature or perhaps on popular genres or even current events. “It is your story to tell, using your special way of doing art.”

The prospectus quotes the poet Wallace Stevens for inspiration:
“They said, ‘You have a blue guitar, you do not play things as they are.’ The man replied, ‘Things as they are are changed upon the blue guitar.'”

Stories to Tell at The Plastic Club

Stories to Tell Opening Reception Sunday, April 7th, 2:00 and 5:00 PM, with juror’s awards and announcement at 3:30 PM. The work can also be viewed by appointment or at The Plastic Club‘s special Third Sunday Open Gallery on Sunday, April 21 from 1 to 4 PM.

The Plastic Club. 247 South Camac Street, Philadelphia, PA 19107, (215) 545-9324
info@plasticclub.org

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Then

Then and Here, Linda Dubin Garfield, Susan DiPronio, Da Vinci Art Alliance

Da Vinci Art Alliance, 704 Catharine Street in Philadelphia is pleased to announce Then and Here a two-person exhibition by Linda Dubin Garfield, printmaker/mixed media artist. and Susan DiPronio, photographer from May 1- 12, 2019. The opening reception is Wednesday, May 1, 6- 8 pm and a closing reception on May 12, 3- 5 pm.

Linda Dubin Garfield‘s works on paper and Susan DiPronio‘s photographs are inspired by memories and memoir. In conjunction with this exhibit Garfield has organized mixed media workshops for residents of Atria Senior Living Life Guidance Memory Care Unit. The work created by these residents will be included in the exhibit.

The opening is also a birthday party for Garfield and in lieu of gifts, she is requesting donations to the Dementia Society of America. A representative from the organization will be at the opening/birthday party with materials for distribution.

This exhibit is organized by smARTbusinessconsulting.org. A portion of sales will benefit the Dementia Society of America.
for more information, see:

Linda Dubin Garfield, Ed.D.
printmaker/mixed media artist/blogger
610.649.3174610.256.6037 cell
www.lindadubingarfield.comwww.artsisters.org– Founder
www.davinciartalliance.org – Board Member
www.smARTbusinessconsulting.org– Founder
blogs:
The ART of Travel – www.lindadubingarfield.blogspot.com
www.toooldtodieyoungblog.wordpress.com

Thank you to Linda Dubin Garfield for the content of this post.

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Disobedience

Civil Disobedience: Celebrating Queer Resilience presented by DVAASylvia Rivera and Marsha P. Johnson at the Stonewall Riots (click for large image)

Civil Disobedience: Celebrating Queer Resilience

presented by DVAA, Juried by Warren Muller, hosted at International House Philadelphia

East Alcove Gallery 3701 Chestnut St. (Open Hours: 8am–10pm)
– April 2nd through June 29th
– Public Opening Reception: April 2nd, 6:00 – 8:00pm

DVAA (Da Vinci Art Alliance) is proud to present Civil Disobedience: Celebrating Queer Resilience, an exhibition of artwork by Philadelphia artists which celebrates the resilience of the LGBTQ+ community. Coinciding with the 50th anniversary of the Stonewall Riots, this summer, Lightbox Film Center will feature a series of films featuring this pivotal moment in the struggle for LGBTQ civil rights. Just as American history has been broadly shaped by the politics of dissent, affecting everything from our labor laws to foreign policy, protest has continued to shape LGBTQ acceptance and liberation. Along with resistance and protest, the LGBTQ rights movement is also characterized by pride: enduring celebration of identity and love that empowers marginalized and antagonized communities to create change.

In partnership with Lightbox Film Center, Da Vinci Art Alliance will curate the related exhibition, Civil Disobedience: Celebrating Queer Resilience. This group exhibition and call for artwork celebrates the history of queer resilience and protest, art that celebrates a community that is unafraid to speak its mind.

“[History/Herstory] is made and preserved by and for particular classes of people, [but] a camera in some hands can preserve an alternate history.” – David Wojnarowicz.

PARTICIPATING ARTISTS: To be determined/announced by the juror

ABOUT THE JUROR:
Warren Muller is sculptor and co-founder of design studio and gallery, Bahdeebahdu. Best know for creating light sculptures from reclaimed objects, Muller imbues his assemblages with a uniquely playful spirit. His work draws on myths, fairy tales, and personal idiosyncrasies into his lit sculptures.

ABOUT DVAA:
MISSION: Da Vinci Art Alliance (DVAA) provides artists with a community that fosters artistic expression and growth through our exhibitions and programs.
VISION: DVAA is a supportive community of artists and creatives focused on capturing the spirit of Leonardo da Vinci. A luminary artist, scientist, architect, engineer, musician and humanitarian, Da Vinci’s curiosity inspires creativity, innovation and collaboration among our membership. Like Leonardo, we ask big questions, ponder complex ideas, experiment with form and create new ways of engaging with and sharing our art.

Contact: Dawn Kramlich, dawn@davinciartalliance.org

Thank you to Dawn Kramlich for the content of this post

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