Tag Archives: DoNArTNeWs

19th

Don Camera, UArtsLouis Rodger du Val (1827-1888), Baby Goat, 1855, salt print from paper negative

19th Century Photographs for Painters from the collection of Don Camera

19th-Century Nature Studies — from the Collection of Don Camera BFA ‘77
Portraits of Photographers — from the Collection of Don Camera BFA ‘77

University of the Arts, President’s Gallery and Conference Room, through April 3rd, 2018, Hamilton Hall, 320 South Broad St., 1st and Ground Floors (Directions)

Video by John Thornton Films

“My friend the photographer and collector Don Camera has an exhibit at the University of the Arts. We get to see a set of 19th century photographs made expressly for painters to use as reference material. The makers were businessmen hustling to make a living. But Don makes the case for them being “the first generation of serious art photographers.” – John Thornton

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DoNArTNeWs celebrating ten years reporting on Philadelphia artists and art.

Air

Lois Schlachter, Jed Williams Gallery

Spring’s in the Air, Lois Schlachter, Jed Williams Gallery

 

Spring’s in the Air, Lois Schlachter: April 7th – 22nd, 2018

Jed Williams Gallery, 615 Bainbridge Street, Philadelphia, PA, 19147

Artist Reception: April 7th, 2018, 5:00 – 7:00pm.

JED WILLIAMS GALLERY is excited to celebrate the coming of Spring with its new exhibit, a solo showcase of painter Lois Schlachter. Let’s bring Spring in, in style! With Lois Schlachter’s exuberant, colorful work dHer unique abstracts have a meticulously composed, “clean” feel to them, which goes hand in hand with a wonderful sense of compositional whimsy and a mellifluous, subtle color schemes. The distinctive geometric shapes set off eternally revolving fractal-like hues.

According to Lois Schlachter, “Her paintings at Jed Williams Gallery are examples of her love of geometric shapes and bold vibrant color. These pieces were created by letting her subconscious mind guide her hand. She works directly on the canvas, continually drawing throughout the painting process. The use of line and color help to navigate the viewer across the canvas providing an avenue to discover one fun spot after another.”

Lois Schlachter, Jed Williams GalleryTravel Dreams, Lois Schlachter, acrylic on canvas

This painting is “Travel Dreams” and will be on display at Jed Williams Gallery. How do I do whatI do? I start by heavily coating the canvas. Then, whatever paint is left on my pallet from my previous painting I start applying it to the canvas. I am not really thinking about anything, I’m just having fun. It’s kind of like doodling. Sometimes I’ll splatter the paint and let it run. It is all very loose. Most of the time, I have no preconceived plan or idea. I allow my subconscious mind to wonder. I go to the part of myself that is the child, uninhibited and painting to please myself. Sometimes I get lucky and it starts to look like something. – Lois Schlachter

Lois Schlachter, Jed Williams GalleryFeathered Friends, Lois Schlachter, acrylic on canvas

Lois Schlachter, Jed Williams GalleryGuardian Angels, Lois Schlachter, acrylic on canvas

This piece is “Guardian Angels”. With all three paintings, early on, they started to look like something. At this point, it’s time to get serious and I really start to work the line. The more that I work in a geometric format, the more I understand that shapes and lines are related and it is up to me to find that relationship. It’s time to work the color, balance the forms, study the positive and negative spaces and get a rhythm going. Depending on the size of the piece, I have likely been working for a few weeks and there are many more weeks of work ahead. – Lois Schlachter

About Lois Schlachter

Lois Schlachter is a graduate of The Pennsylvania Academy of Fine Arts and Philadelphia College of Art now the University of the Arts. She is a prolific painter working primarily in acrylic and considers herself as an Abstract Expressionist. Previous exhibitions include GoggleWorks’ “Artists Equity” Show (Reading, PA, 2013). In 2014 she received four Special Recognition Awards in the “16th Annual Contemporary Art Juried Online International Art Exhibition” hosted by Upstream People Gallery.

About Jed Williams Gallery

Jed Williams Gallery is a unique art space owned and operated since 2010 by artist Jed Williams. In it Jed Williams showcases up and coming and inspiring artists from the local area including Jed Williams himself, along with providing a look into the workings of an actual artist studio. The gallery shows a variety of thoughtful, cutting edge works in various media with a focus on abstract painting and mixed medium.

Jed Williams Gallery also involves the community through art workshops, as well as local music and fashion talents with free music events, parties, trunk shows. Jed Williams Gallery is part of the revitalization of Bainbridge St., just one block south of South St. It aims to contribute to the vitality and unique, fun spirit of Bainbridge St. and the Queen Village/Bella Vista neighborhood.

Jed Williams Gallery has shown local talents such as Kevin Broad, Lorraine Glessner, Dennis Flynn, David Stanley Aponte, and more.  The gallery has also collaborated with social/art non-profit organizations such as Philly Stewards, InLiquid, Project HOME, and Art Sphere, Inc., other art venues such as the Hex Factory, and curators such as Sean Stoops and Anna Cherniahivsky.

Thank you to Lois Schlachter and Jed Williams for the content of this post.

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DoNArTNeWs celebrating ten years reporting on Philadelphia artists and art.

Lands

Drew Leshko, Sacred Lands, Paradigm Gallery + StudioDrew Leshko, Penn Treaty Metals

Sacred Lands

New sculptural works by Drew Leshko

Exhibition Dates: March 23rd – May 19th, 2018

Opening Reception: March 23rd, 2018 5:30 – 10:00pm

Paradigm Gallery is pleased to present Sacred Lands an exhibition of new sculptural works by the artist Drew Leshko opening March 23rd, 2018 and remaining on view through May 19th, 2018. The exhibition’s title is a reference to Leshko’s Philadelphia neighborhood of Fishtown and its ancestral roots as the home to the indigenous Lenni-Lenape. For more than a decade Leshko painstakingly documented the rapid re-development occurring in his hometown of Philadelphia specifically the historical neighborhood of Fishtown. Although Leshko’s works are sculptural by nature, he largely considers himself a documentarian, his sculptures echoing the work of legendary documentary photographers Gordon Parks and Bernd and Hilla Becher.

Leshko is particularly attracted to overlooked and oft-neglected sites, the unremarkable
buildings which will not be preserved. With past works, Leshko’s been drawn to the
once-thriving churches that have closed their doors as parishioners have been forced to
relocate, and the small local businesses with their classical designs which are now juxtaposed
with modern slapdash renovations, as well as the facades and machines of yesteryear. His
models splendidly isolate anachronistic architecture, encouraging the viewer to consider history
through a unique prism.

Drew Leshko, Sacred Lands, Paradigm Gallery + Studio

For Sacred Lands, Leshko replicates the Kensington Soup Society, a soup kitchen which
opened in 1844 and closed in 2008; Penn Treaty Metals, a metal recycling business spanning
three generations, the name of which references William Penn’s Treaty with the Native Lenape
in 1683; and the Edward Corner Marine Merchandise Warehouse, with its hand-painted signs
providing a physical reminder of Fishtown’s waterfront history. Leshko’s sculptures will be
complemented by his small-scale reproductions of local signage (for bars, restaurants, VFW
halls, and even strip clubs), as well as vintage photographs of historical buildings courtesy of the
Philadelphia City Archives.

Drew Leshko, Sacred Lands, Paradigm Gallery + StudioYesterday’s Tavern, 2018, paper, acrylic, inkjet prints, PVC plastic, chain, wire, pastel, 12” x 1 1/2” x 11”

Leshko’s 1:12 dollhouse scale replicas are meticulously crafted, requiring 120 to 160 studio
hours to create. He begins each sculpture working from a single photograph as an image
reference, but then will discard the photograph in mid-process, relying on memory to complete
the piece. His miniatures act as singular physical documents of the buildings and businesses
which are sadly proving unsustainable. Leshko’s ongoing examination of gentrification and
historical preservation (or lack thereof), asks the timely question “in a soon-to-be-forgotten
America, what is worth preserving?”.

About Drew Leshko

Drew Leshko is a Philadelphia, Pennsylvania-based artist. Working from observation and
photographs, the artist painstakingly recreates everything from building facades to campers at a scale which may be familiar to some viewers as standard dollhouse spec; the treatment to
Leshko’s work is widely different. The minute detail of his work includes city detritus such as
dumpsters and pallets, which are commentary of the ideas of what is worth preserving.
Accumulations of typically overlooked details and minutiae like acid rain deposits and rust
become beautiful adornments.

Leshko’s work has been exhibited in galleries, and museums both nationally and internationally.
His work is included in permanent collections including the Dean Collection (NYC), West
Collection (Philadelphia), Iron State Development’s corporate collection (Hoboken), Urban
Nation Museum (Berlin), and many private collections throughout the world.

About Paradigm Gallery

Established February 2010, Paradigm Gallery + Studio started as a project between
co-founders and curators, Jason Chen and Sara McCorriston, to create a space to make
artwork, exhibit the work of their peers, and invite the members of the local community to make their own artwork in a welcoming gallery setting. Over the years, Paradigm Gallery + Studio has become a gallery of diverse contemporary artwork from around the world, while maintaining a focus on Philadelphia artists.

Thank you to Madison Fishman for the content of this post.

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Elementos

Yehoshua Villarreal I, RACSOAIRE, Yehoshua Villarreal I, oil, acrylic, gold leaf, 96″ x 48″

ELEMENTOS

Tierra, Aire, Fuego, and Agua by Yehoshua Villarreal I

Opening reception Thursday, March 15 at RACSO Art Gallery

WHAT: Philadelphia’s leading Latin American Art gallery is premiering a new
series of paintings by award-winning artist Yehoshua Villarreal I . Elementos |
Tierra, Aire, Fuego, and Agua explores the subjects of earth, air, fire, and water in
Villarreal’s unique style of figurative images and structural compositions which
complement and complete each other in this series.

Yehoshua Villarreal I was born in Venezuela and moved to Miami in 1996.
Villarreal’s paintings are in museums, private and corporate collections
and he exhibits internationally.

“Yehoshua’s work is an exercise in provocative juxtaposition – the
imaginative and allegorical subjects challenge the precision and control of
his techniques,” shared RACSO Gallery owner Oscar Villamil.

RACSO Art Gallery represents local and international Latin artists.

WHO: Available for interviews and photographs – Miami based artist Yehoshua Villarreal I and RACSO Art Gallery Owner Oscar Villamil

WHEN: Thursday, March 15 | Opening Reception 6:00pm – 8:00pm

WHERE: RACSO Art Gallery | 1935 East Passyunk Avenue | Philadelphia, Pa
Exhibition Dates and Times | March 15 – April 15, 2018
Monday andTuesday 10:00AM – 5:00PM | Wednesday through Friday 10:00AM –
9:00PM Saturday 4:00 – 9:00PM | Sunday by appointment at 215.735.3515

ABOUT RACSO ART GALLERY | www.racsogallery.art
RACSO Art Gallery exclusively represents Latin American artists. Dealing in
emerging local and international contemporary Latin American art as well as the
‘Modern Masters’ of Latin American art including Botero and Villegas. Located at
the gateway to East Passyunk Avenue in the heart of South Philadelphia,
collectors can experience a range of works including paintings, drawings, prints,
sculpture, and photography. RACSO Art Gallery celebrates the beauty of the Latin
American art spirit with rotating exhibitions throughout the year.

INSTAGRAM @RACSO_Gallery | FACEBOOK @RacsoGallery

Thank you to Tara Theune Davis taratheunedavis@gmail.com for the content of this post.

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Leaf

Bill Scott, Hollis Taggart GalleriesLeaf and Line, oil on canvas, 63″ x 42″, Bill Scott, 2017

Bill Scott: Leaf and Line, Hollis Taggart Galleries

This month, Hollis Taggart Galleries will present Bill Scott: Leaf and Line, the artist’s seventh solo exhibition at the gallery, featuring twenty-five of Scott’s recent paintings. A catalogue accompanies this show with condensed critiques by eight contributors – artists, curators and writers – who offer very personal and inspired reactions to the painter’s lively compositions.

Bill Scott’s new body of work is rooted in his classic vibrant palette, fluid brush strokes and masterful balance of abstraction. Propelled by inspiration from nature, the painter continues his exploration of form and color in a fresh way. References to the natural world, details of leaves, blades of grass, branches and discernible elements of flora are boldly juxtaposed against areas of pure hues and spirited abstraction that dances with myriad details. The show once again is a testament to Scott’s imposing ability to dance the line between abstraction and representational, creating a tension in the viewer’s mind that asks the question; do we know this scene that is depicted before us? It is through this tension and this line of questioning that the viewer’s curiosity is peaked.

Bill Scott, Hollis Taggart GalleriesA Storybook October, oil on canvas, 48″ x 45″, Bill Scott, 2017

Demonstrating the confidence and control of a seasoned painter, Scott’s most recent studio offering reveals a freer, more expansive pictorial space and use of white. The surfaces of the works are comprised of layer after layer of paint – a skill he has been honing his whole career.  Complex, but never muddy, the overlapping elements in the paintings appear both spontaneous and carefully arranged at the same time.  A Garden in the Studio bursts with energy and is like most of Scott’s work, an affirmation of the sheer joy of painting. Similarly, in Leaf and Line, vague pictorial plant references are placed among undulating free forms of shapes and color and all set against a dramatic expanse of yellow in the upper quadrant. Harmony is always achieved with the painter’s virtuoso talent and pure intuition to combine hues, structure and movement.

Bill Scott, Hollis Taggart GalleriesHomage, oil on canvas, 60″ x 55″, Bill Scott, 2017

Scott, who lives and works in his native Philadelphia, spent what he considers to be pivotal periods of time working alongside Joan Mitchell in France and Jane Piper in Philadelphia.  He formally began his career studying at the Pennsylvania Academy of the Fine Arts in 1974, an institution at which he was to become a teacher for many years.  He is represented in countless museums, private collections and institutions, and he is a noted scholar on the work of the French Impressionist, Berthe Morisot.

Bill Scott: Leaf and LineHollis Taggart Galleries , Chelsea, 521 W 26th Street, 7th Floor, New York, NY 10001

March 15th through April 28th, 2018

Thank you to Ginx Hudgins for the content of this post.

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