Tag Archives: Philadelphia Artist

Natural

Natural Flow, the Paintings of Gerry Tuten, John Thornton Films

“Through March 12, 2016, The Wayne Art Center is hosting a dazzling exhibition of landscape based abstractions by metalsmith turned painter Gerry Tuten. Although these paintings have echoes of DeKooningTàpies, Soutine, Cy Twombley, and the late garden paintings of Monet, they remain resolutely her own.” – John Thornton

The purpose of The Wayne Art Center is to provide both instruction in the studio, and to build appreciation of the visual and performing arts through our many exhibits, lectures and programs. The Center affords artists an interdisciplinary venue to share, learn, exhibit and perform. Specifically, The Wayne Art Center carries out its mission in the following ways:

  • By providing instruction in all phases of the fine arts, contemporary crafts, music, culinary arts and drama.
  • By offering exhibitions, performances and special events for artists and community of the greater Main Line area and Delaware Valley.
  • By reaching out to our community with instructional programs for persons with special needs. These programs use art for therapeutic value.
  • By providing a gathering place for artists and students to both share and lend support toward improving the cultural climate.

Gerry Tuten, Natural Flow

“My painting is a venture inside and outside of myself seeking freshness and change. I thrive on challenge, action and awakening in my painting. I am intensely curious, exploring the micro and macro levels of the natural ecology. When the image begins to “break up” or erupt, my excitement rises. I transfer this excitement and freedom to the viewer through movement, color and texture of paint over surfaces. Here in the process of painting I allow myself to break all the rules. Trusting my intuition I can let go of the “work of art”. The painting is just a place to free myself – to surrender to process. The medium of paint speaks stronger than words. Clarity is distilled out of movement and change. The paintings come as gifts.

The elements of earth, water, fire, air and space give form to all life and play a prominent role in my inspiration. By exploring organic natural forms and the visceral textures of paint with spontaneity and freedom I play at mark-making and application while trying to stay ahead of my grasping mind. Through close observation my art explores imagery living in the natural world – insects, birds, reptiles, mammals, plants, trees, flowers and minerals in a myriad ways. I am overcome by the abundance and beauty of nature. If I can allow my paintings to run free then I can find delight and joy.

My aim is a constant search for subtle and not so subtle energies in our visual world as well as the tension between things and expression. Painting is a way for me to move through life having a relationship with the Beloved. The paintings are the record I leave behind of my journey into spirit. They are in gratitude for my life. – Gerry TutenJune 2015

The Wayne Art Center
413 Maplewood Ave., Wayne, PA 19087
610-688-3553 · 610-995-0478 fax

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Membership

Philadelphia Museum of Art Introduces New Membership Program for Artists

The Philadelphia Museum of Art is introducing two new memberships designed especially for artists. Starting this month, the Museum will provide a free lifetime membership to each of the approximately 2,000 living artists whose work is represented in the permanent collection. In addition, the Museum will initiate a new discounted Artist Membership, available to all working artists. To launch this program, the Museum is offering the Artist Membership at a reduced price from February 24-28, 2016, during the first five days of the major exhibition International Pop.

Timothy Rub, The George D. Widener Director and CEO of the Museum, said: “Artists are the heart and soul of any art museum, and we must recognize them as such. The Museum should always be accessible to them because they draw inspiration from our collections and, in turn, help us to inspire others.”

An Artist Membership is available for anyone working in any of the many media that are represented in the collection. Artists will be asked to show how they share their work with the public, at the time of the purchase of a membership. This can take the form of a website, Instagram account, Etsy page, Facebook, or publicity material from an exhibition. With the purchase of an Artist Membership, artists will receive unlimited free admission to the Main building, Rodin Museum, the Ruth and Raymond G. Perelman Building, plus the two historic houses in Fairmount Park, Mount Pleasant and Cedar Grove, managed by the Museum.

The membership will provide admission and special exhibition tickets for all children (18 and under), previews of select exhibitions, members-only tours, trips to regional cultural attractions, programs presented by artists, curators, authors, and scholars, e-newsletters and a discounted $10 general admission for guests. Special parking rates in the Museum’s garage include the first hour free and $8 for the next four hours. Artist Members will also receive 10% off on Museum dining and shopping during every visit, a 20% off Store coupon, a 20% off Granite Hill restaurant coupon, and 20% reduction in the cost of educational programs and audio tours.

On Saturday, February 27, the Philadelphia Museum of Art will host an Artist Membership Welcome Lounge from noon until 5:00 p.m. Activities that day include a group photograph that is scheduled at 1:00 p.m. in the Great Stair Hall, and The Rose Susan Hirschhorn Behrend Lecture: Roadmap to International Pop, presented at 2:00 p.m. by Darsie Alexander. Ms. Alexander is the lead curator of the exhibition International Pop and Executive Director of the Katonah Museum of Art. She will be joined by Erica F. Battle, the John Alchin and Hal Marryatt Associate Curator of Contemporary Art at the Philadelphia Museum of Art to discuss the ways in which Pop artists took the world by storm.

Artist Membership Rates

FREE Artists whose work is represented in the Museum’s permanent collection.

$40 One-year Artist Membership. (This membership is available for $25 if purchased at the Museum from February 24 to 28, 2016.)

On Saturday, February 27, the Philadelphia Museum of Art will host an Artist Membership Welcome Lounge from noon until 5:00 p.m. Activities that day include a group photograph that is scheduled at 1:00 p.m., and a lecture with Darsie Alexander Roadmap to International Pop, presented at 2:00 p.m.

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The Philadelphia Museum of Art is Philadelphia’s art museum. We are a landmark building. A world-renowned collection. A place that welcomes everyone. We bring the arts to life, inspiring visitors—through scholarly study and creative play—to discover the spirit of imagination that lies in everyone. We connect people with the arts in rich and varied ways, making the experience of the Museum surprising, lively, and always memorable. We are committed to inviting visitors to see the world—and themselves—anew through the beauty and expressive power of the arts.

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Gardens

Jessica Lynn LiborThe Bazemore Gallery  presents new artwork by Jessica Libor including video, interactive installations, and oil paintings.

Jessica Libor’s “The Gardens of Delight” Valentine’s Exhibit at The Bazemore Gallery in Manyunk

Opening reception is Saturday, February 13th from 6 to 9pm at The Bazemore Gallery, 4339 Main Street, Philadelphia, PA, 19137 within the historic Manayunk neighborhood.

In honor of Valentine’s Day, The Bazemore Gallery is having a pop up showing of artist Jessica Libor’s latest whimsical and imaginative art. In addition to her work on panel and canvas the exhibit will feature an interactive, conceptual installation plus video. Jessica’s romantic figures set in utopian landscapes conjure an illusory setting that evokes the feeling of the holiday. Please join us for the perfect prelude to Valentine’s Day. – Jessica Libor

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In/Dwelling

In/Dwelling: Meditations on Built Environments as Cultural Narrative

The Galleries at Rowan presents

In/Dwelling: Meditations on Built Environments as Cultural Narrative
February 22 – April 14, 2016

Introducing our new location 301 High Street, Glassboro New Jersey

Artist’s talk and reception Thursday, February 25, 5 – 8 pm

Rowan University Art Gallery at High Street explores built environments, both external and internal, as emblems of a cultural past, present, and future with In/Dwelling: Meditations on Built Environments as Cultural Narrative. The exhibition is on display from February 22 to April 14, with an artist’s lecture and reception onFebruary 25 from 5:00 – 8:00 p.m.

We are compelled to imagine a time when architectural spaces and objects were new representations of manufacturing, design, and aesthetic tastes and trends. The urban / suburban motifs have time and again provided artists with the perfect vehicle in which to explore universal topics such as: the complexity of infrastructure, commerce, demographics, and identity as inspiration to create new work. In this exhibition the participating artists imbue architectural structures and domestic objects with interpretations of historical experiences, social customs, and emotional memories as a cultural narrative. Artists include Philadelphia based artists: Lewis Colburn, Ben Grasso, Kay Healy, Erin Murray, and Miriam Singer. Chicago based artist Ann Toebbe, and New York based artist Brian Tolle. A work by Louise Bourgeois is included courtesy of the gallery permanent collection.

The catalyst behind the framing of this exhibition concept was the print Femme Maison, 1984, by Louise Bourgeois from the gallery collection. Femme Maison, which means both “woman-house” and “house-wife,” is one of Louise Bourgeois’s most famous motifs. For the artist, who was raised in France, the home was closely connected to female identity. By combining residential architecture and the curvaceous female body, Bourgeois portrays a woman who is obscured and entrapped by the domestic realm that she simultaneously supports.

The selected artists for this exhibition approach domesticity, architecture, and everyday objects from singular and accumulative perspectives. Brian Tolle creates a cross-wiring of reality and fiction in his sculptures and installations and blurs the border between the contemporary and historical with recurring themes of architecture, site, and technology. Lewis Colburn, of Philadelphia, sees objects as unreliable tour guides. He investigates ways in which we re-interpret and re-tell the past through the filter of our current experience. Ben Grasso, of Brooklyn, NY, presents a re-imagining of what actually exists and recasts these things in new terms creating a re-alignment of logic that makes plastic the anxiety underlying objects in the world through his painting. Miriam Singer, looks perceptually at multiple locations in Philadelphia and expresses the fragmentation of a fictional city as a collage of noise, pattern, and density.

By recounting memories of unique, collective, or habitual memories these artists investigate identity and history through interior and exterior experiences. Kay Healy, a Philadelphia based artist, creates large-scale screen printed and stuffed fabric furniture based on other people’s descriptions of their childhood homes and investigates how we relate to objects and cope with the fact that there is no way to truly return home. Ann Toebbe, a Chicago based artist, creates meticulous paintings using reconstructed memory and multiple perspectives to depict domestic and architectural spaces in cut-out paper doll fashion. Erin Murray, of Philadelphia, relates to buildings and built forms as being understood to represent our physical body, our cultural history, our economic reality, and our long-formed habits.

Brian Tolle, from New York, offers a lecture on February 25. He has completed several public art installations in New York, including the Irish Hunger Memorial in New York City. He has exhibited around the world and his work is included in numerous museum collections. He holds a B.A. in Political Science from SUNY at Albany; a B.F.A. from Parsons the New School for Design, NY; and an M.F.A. from Yale University in New Haven, CT.

The lecture will be presented at Westby Hall Room 111 beginning at 5:00 p.m. A reception follows at 301 High Street in Glassboro at 6:00 p.m.

Shuttle vans will be provided for guests traveling from Westby Hall to High Street. Return service will not be provided, but High Street is only a 15-minute walk away. Free public parking is available on High Street and neighboring streets. Municipal parking areas are available off Lake Street (behind Little Beefs Deli) and near the Barnes and Noble shopping complex between New Street and Rowan Blvd.

In/Dwelling: Meditations on Built Environments as Cultural NarrativeImages: top, Brian Tolle, Outgrown, platinum silicon rubber, toys. Courtesy the artist and CRG gallery. Bottom: Ann Toebbe, Jim’s Apartment, paper, gouache and pencil on panel.

Thank you to Rowan University Art Gallery for the content of this post.

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Beehive

Inside the Bloody Beehive with Artist Judith Schaechter

Video by John Thornton Films

“The first time I ever heard of artist Judith Schaechter was sometime back in the early 1980’s when we were both in a group show at Philadelphia’s Art Alliance. She had  this small unassuming painting that I have never forgotten. Judith stopped painting and went on to excel in another medium, stained glass, and on October 17th, 2015 I went back to the Philadelphia Art Alliance to see a dazzling display of her work. Later, I spent an afternoon at Judith’s home and studio. I believe that this funny, brilliant woman is one of the world’s greatest living artists.” – John Thornton

“It seems my work is centered on the idea of transforming the wretched into the beautiful in theme as well as design. For me, this means taking what is typically negative — say, unspeakable grief, unbearable sentimentality, or nerve-wracking ambivalence, and representing it in such a way that it is inviting and safe to contemplate and captivating to observe (to avoid ending with preposition). I am at one with those who believe art is a way of feeling one’s feelings in a deeper, more poignant way.” – Judith Schaechter excerpt artist statement

Judith Schaechter’s work is gut-wrenchingly beautiful. “Beauty” says the artist, “is considered the most horrible crime you can commit in the modern art world. People are suspicious of anything that makes them feel as though they may lose control. Beauty forces you to confront your helplessness as well as your dark side. My work is not intended to make comfortable people unhappy, although it may make unhappy people comfortable.” – University of the Arts faculty

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