Category Archives: Philadelphia Abstract Art

Non-representational art in all media including drawing, painting, photography, sculpture, prints, video, on-line, writing, etc.

PETS

PETS, Off the Wall at Dirty Franks

PETS, 11th Annual Juried Exhibition, Off the Wall Gallery at Dirty Franks

Written by Togo Travalia

“We celebrate our best non-human friends in so many ways: from giving them toys and treats, positive affirmation and unconditional love, to sharing their personalities, devotion, affectionate natures and playfulness with the world.

Our 11th Annual Juried Exhibition finds a new way to celebrate our pets, even as it creatively interweaves all of these ways. You know what we’re talking about…ART!

We cordially invite you to join us to welcome PETS at our OPENING RECEPTION, which takes place THIS THURSDAY, NOVEMBER 19, 7-10 PM. As always, we will serve light hors d’oeuvres, pour your favorite drinks, convene the company of fellow art lovers and offer the chance to meet most of the 42 artists whose AWWW-inspiring pet projects line our Wall and 3D space.

Plus, PETS has something brand-new in store: the chance to give back. Every time we sell artwork from PETS, 20% of the proceeds go to the Philadelphia Animal Welfare Society (PAWS) and Street Tails Animal Rescue.

Our modest philanthropy is inspired in part by the generosity of spirit that is so easy to find among the 76 works in PETS, across a wide array of media:

* You have to know that PHOTOGRAPHY — what all of us use to document our pets’ lives — has a big role. Our artists elevate the form. Exquisite silver gelatin darkroom prints from AMANDA ABRAMSON on the B&W section of our Wall (a curatorial choice by JODY SWEITZER, which is stunning), take us from Lambertville to Brooklyn to the city we have close to our hearts right now, Paris. ALEXANDRA ORGERA‘s medium-format digital print is a story waiting to be told; use your imagination! Meanwhile, TRI NGUYEN‘s housebound images show us what we should be doing with our smartphones: distilling the everyday into simple, heartfelt, magical moments.

* PAINTING encompasses a range of media: BOB GORCHOV‘s irresistible, fan-favorite acrylics; MINA SMITH‘s enchanting watercolor of dog walkers at work; ALBERT ALDINGER‘s sweet kitty portrait contrasted with BILL GROVE‘s tough alley cat; JOCELYNN TICE‘s breathtakingly photorealistic pastel of owner and pet; and CYNTHIA HARVEY‘s rendering of a cat-ism: the hours of joy that can be found in crumbled paper from a delivery box.

* We could not have custom-ordered a more skillful range of PRINTMAKING. Three different techniques are rendered with precision and heart. ELIZABETH STRICKER‘s impeccable woodblock print fills a physical yin-yang space with one curled up cat conveying Zen-like tranquility. ALYSE C. BERNSTEIN shows how printing a lithograph from marble stone can inject subtle beauty into her dog Frank taking a nap. And MARLISE M. TKACZUK, well into her second decade as one of the most popular OFF THE WALL artists, brings down the house with her adoptive feline kids and their demanding ways.

These are the major categories but it’s hardly all here. PETS has amazing range. Outliers include ELIZABETH H. MACDONALD‘s bobbin lace goldfish, joined by NOA TRAVALIA‘s abstract assembled-paper koi; CARLA LIGUORI‘s new terracotta sculpture, suggesting pet-like relationships can be forged with wild creatures; SARAH BRETT‘s stunning debut, which puts front and center a ceramic from her “hiney” body of work (we kid you not!); and the always kidding work of BOB JACKSON, whose 23 mixed media assemblages establish a record that will NEVER be broken. (Yes, all 23 were juried into this show!) Read the titles before you take in the work and you appreciate Bob’s ribald sense of humor.

That’s only 17 artists, leaving 25 I haven’t mentioned. 25! And four of these artists — Sarah, Alyse, Liz and Albert — are new to OFF THE WALL; they are joined by 10 more colleagues showing in our space for the very first time. And NINE ARTISTS will win CASH PRIZES TOTALING $550. Who? We’ll find out at the Opening Reception.

If all this doesn’t tickle your fancy, go and scratch behind the ears of your kitty or dog and think again. We can’t wait to see you. Oh, and remember to change the water bowl, maybe get in that walk and put out some fresh dry food before you come over. OR bring your dog to the opening. DIRTY FRANK’S is Philly’s ORIGINAL dog-friendly bar!

Don’t have any of these tasks on your agenda? We also offer a 20% discount on any PETS artwork if you adopt a cat or dog in November or December (a discount that can be applied retroactively, too!).

Open your arms for PETS. Open your heart to your pet.

See you Thursday evening!”

Togo

Togo Travalia
Manager OFF THE WALL GALLERY at Dirty Frank’s, NE Corner, 13th & Pine Streets, Philadelphia,, PA  19107

offthewallgallery@gmail.com

facebook.com/OTWDirtyFranks

@OTWDirtyFranks

(215) 732-5010 (bar)

(484) 357-6440 (cell)

Philly’s pioneering alternative art space, since 1978.

Read DoN‘s review of Alyese C. Bernstein‘s, Frank, lithograph on DoNArTNeWs.com

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Paths

Deirdre Murphy, URBNDeirdre Murphy – Migratory Paths at URBN at the Navy Yard

Deirdre Murphy – Migratory Paths at URBN

Written and photographed by Laura Storck

The concept of the symbiotic relationship between art and science is nothing new – many would affirm that it has been in existence since the dawn of time. Many artists and scientists (perhaps one in the same?) have studied the relationships and potential intersections of these phenomena (DaVinci, Seurat, and Hershel, to name a few).

Deirdre Murphy, URBNDeirdre Murphy – Migratory Paths at URBN at the Navy Yard

The brain ambidexterity that informs the esoteric outlook of those fortunate enough to possess those qualities still pervades. Deirdre Murphy is a contemporary artist whose work is influenced by the connections between art and science, as can be seen by one of her current exhibitions, “Migratory Paths”, is currently on view  at URBN at the Navy Yard.  This series explores the migratory flight patterns of birds and how they may be affected by climate change.  Her abstract works are extremely eye-catching, attractive, and thought-provoking her with use of bright colors, geometric shapes, and repetition.

Deirdre Murphy, URBN, Migratory Paths

Deirdre MurphyThe Boundless (2012)_silkscreen and mixed media on paper, at URBN at the Navy Yard

Deirdre Murphy, URBN, Laura StorckDeirdre Murphy,  Synchronized Formation (2012), silkscreen and mixed media on paper, at URBN at the Navy Yard

According to a recent interview with PennDesign about a summer residency a Hawk Mountain Sanctuary, Ms. Murphy explained that:

“The collective intelligence of flocking birds and the unpredictable patters have been a source of inspiration to me.  I wanted to work directly with the Hawk Mountain Scientists and ask the how global warming has changed the raptors migratory flight patterns and then to see how I might translate that information into paintings.”

Deirdre Murphy, URBN, Migratory Paths
Deirdre MurphySentinel II (2008), oil on canvas, at URBN at the Navy Yard

Deirdre Murphy, URBN, Migratory PathsDeirdre Murphy, Flamingo, 2008, oil on canvas, at URBN at the Navy Yard

In case you weren’t aware,  I should mention that I’m an artist and scientist myself. I have a great fondness for the use of bold pigments, as well as a natural affinity towards the cleanliness and mechanics of simple lines and angular structures.  This sensibility applies not only in my personal design preferences and photographic compositions, but in life itself.

Deirdre Murphy, URBN, Migratory Paths
Nocturnal Migration (2010), silkscreen on paper, Deirdre Murphyat URBN at the Navy Yard

Deirdre Murphy, URBN, Migratory PathsDeirdre MurphyLibra (2015), gouache on paper

Deirdre Murphy, URBN, Migratory PathsPigeon Flight (2009), oil on canvas, Deirdre Murphy at URBN at the Navy Yard

I engaged with this beautifully celestial and otherworldly exhibit on it’s opening day, and after some pondering, I concluded that “Migratory Paths” not only applies to migratory patterns of birds, but to all lifeforms. To my chagrin, I had received a polite yet disappointing email that day that I did not land a coveted job that I desperately wanted, also located at the Navy Yard, and was feeling quite crestfallen.  On that bright and warm afternoon, Ms. Murphy’s art spoke to my resilient self in URBN’s sleek headquarters, and expressed to me that nature endures, perseveres, and maneuvers along it’s own migratory path,  and we must follow our instincts to find our way.

Deirdre Murphy, URBN, Migratory PathsDeirdre Murphy at URBN at the Navy Yard

I highly recommend everyone to take a flight of fancy to URBN to see this exhibit in this amazing and ethereal space. Enjoy a light lunch at Shop 543 or a warm cup of java at Jharoka while taking a gander at the Ms. Murphy’s artwork with the zen feeling of the nearby koi pond just a few steps away. “Migratory Paths” are works on paper that span from 2010-2015 and will be on display at URBN until December 7, 2015.

Deirdre Murphy, URBN, Migratory PathsDeirdre MurphyDome of the Sky (2010), silkscreen on paper, at URBN at the Navy Yard

Written and photographed by Laura Storck

Laura Storck Photography ARTIST. SCIENTIST. PHOTOGRAPHER. ROCK STAR.: https://laurastorck.wordpress.com/

Instagramhttp://instagram.com/laurastorck/

Facebook:  https://facebook.com/laura.h.storck

Twitter: @Laura_Storck

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Ruined

Ellen Hallie Schiff, Pii Gallery
Ellen Hallie Schiff, Ruined 8, oil, enamel, wire, tape, charred wood on charred canvas, 20″ x 16″, PII Gallery

Ellen Hallie Schiff, Ruined – Recent Constructions

Ellen Hallie Schiff, Ruined – Recent Constructions, November 6 – 26 at PII Gallery242 Race Street, Philadelphia, PA 19106, 215.592.1022, info@piigallery.com

“The new work is called ‘RUINED’. Although I am a painter, these works are really constructions. I burn my old canvases and add bits of wood, tape, wire, screening and metal to create a seemingly random composition that actually works. A number of these pieces have a work on either side of the canvas. As I work on one exposed side off the  canvas, inevitably the other side begins to take on its own life as well.It has been said of these works:

These works are so solid even though they are full of holes. By deconstructing the canvas itself, Schiff explores her vulnerability, which underlies the process of creation/ human endeavor and personal connection.” – Ellen Hallie Schiff

“When my work is going well it exudes an off-hand yet exciting quality. My paintings have been described as powerful, very emotional and strong.

Swaths of paint wiped away to reveal a ghost image beneath; more paint pushed around to create layers of history. The search for the elegant random shape all work in concert to form a new entity entirely.” – excerpt artist statement, Ellen Hallie Schiff

About Pii Gallery

“The PII Gallery features work from around the world, focusing primarily on Eastern European and American contemporary art. On the first Friday of every month a new exhibition premieres, and the Gallery’s doors open to a crowd of international and local art lovers, as well as the casual passer-by. PII Gallery has developed a reputation for providing something otherwise unavailable in Philadelphias gallery district — a consistently strong selection of international artists working in textile design, printmaking, painting, sculpture and photography. PII Gallery has recently expanded to include an annex, devoted to showcasing local and international emerging artists. Located in a centuries’ old building in historic Old City the gallery is perfectly situated to serve people from a wide array of cultures.” – PII Gallery

PII Gallery242 Race Street, Philadelphia, PA 19106, 215.592.1022, info@piigallery.com

Thank you to Ellen Hallie Schiff for the content of this post.

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Duet

Counterpoint: A Visual Duet, Susan Richards and Melvin ChappellCounterpoint: A Visual Duet, Susan Richards and Melvin Chappell, Center on the Hill, The Presbyterian Church of Chestnut Hill

Melvin A. Chappell, Photographer and Susan Richards, Mixed Media at Center on the Hill, The Presbyterian Church of Chestnut Hill, 8855 Germantown Ave., Philadelphia, PA, 19118 215-843-5018 or 215-247-885

November 6th through November 29th. Artist Reception: Friday, November 6th, 5:00 – 7:00pm

Photographer, Melvin A. Chappell has had a long-time passion for photographing the Wissahickon Valley in its natural beauty throughout the seasons. The reception will include a booking signing of his newly released book on the Valley.

Susan Richards, a mixed-media artist, will be exhibiting a new body of work that incorporates collage, monoprints, found objects, and water color in unexpected juxtapositions. Richards is a member of the Philadelphia Dumper Divers.

Both are members of Da Vinci Art Alliance.

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Deirdre Murphy

Deirdre Murphy, Gross McCleaf GalleryDeirdre MurphyWinds of Change, 36″ x 48”, oil on canvas, 2015

Deirdre Murphy

Dual Solo Shows in November in Philadelphia

Winds of Change

November 4 – 28th, 2015

Opening Reception: Friday, November 6, 5-7pm.Gross McCleaf Gallery, 127 South 16th Street, Philadelphia, PA 19102

Migratory Paths

November 3 – December 5, 2015, URBN Gallery 534 @ the Naval Yard

Gross McCleaf Gallery is pleased to present Winds of Change, an exhibition of new work by Deirdre Murphy. This is Murphy’s first solo show with Gross McCleaf. Concurrently, Migratory Paths is on view at URBN Gallery 534 with works on paper that span from 2010-2015 that detail the research and growth of her pursuit in the intersection of art and science. Murphy brings the concept of nature paintings into the 21st century transforming ostensibly traditional subject matter into an exploration of time and space. In the exhibition catalog, Margaret Winslow, Associate Curator for Contemporary Art, Delaware Art Museum shares her thoughts on Murphy’s recent paintings:

Deirdre Murphy is a keen observer of the relationships between the micro and the macro, those points in space that align travel routes to constellations and flight trajectories to wind currents. She approaches this interest with the attentiveness of a scientist, observing, researching, and tracking changes. The shifts that occur—the effects of global warming on raptor migration—are noted but not critiqued, and similarly the industrial patterning created across a morning sky is handled with care and precision devoid of appraisal. Murphy’s paintings link nature’s aesthetics in a manner similar to how a social graph makes users aware of their interconnectedness; the formal similarities are emphasized for the viewer’s contemplation.

The artist informs and relocates our appreciation of natural phenomenon through geometric interventions and creates structure from the seeming randomness of nature. Lifelike renderings of birds contrast starkly with the synthetic palette Murphy uses for the ground and the abstract lines and forms that radiate throughout the compositions. She implores the viewer to stop and pay close attention to “a moment between action and stasis….that tenuous point where journeys past shift to trajectories forward.” – Margaret Winslow

Deirdre Murphy, URBN Gallery 534Deirdre MurphySpring Jewel, 48″ x 36”, oil on canvas, 2015

Deirdre Murphy has received numerous awards and grants, most notably the Pennsylvania Council for the Arts Fellowship and a Leeway Foundation Award. She was recently an artist-in-residence at the Hawk Mountain Sanctuary (Kempton, PA), Vermont Studio Center (Jackson, VT), and Pouch Cove Artist Residency (St. Johns, Newfoundland). The artist earned her MFA from the University of Pennsylvania in 2000 where she is currently on faculty, and her BFA from the Kansas City Art Institute (1991). Murphy has shown internationally in South Korea and Italy; has had six solo exhibitions in Philadelphia; and participated in numerous group exhibitions in New York, Delaware, Minnesota and Oregon. Her work has been exhibited at institutions including the Philadelphia International Airport, the Palm Springs Museum of Art, the Biggs Museum in Delaware, the New Bedford Museum in MA, and the Tacoma Art Museum in Washington. She currently has a long-term installation at the Philadelphia International Airport, titled Sky Paintings, which is on view through 2016 in the hallway that connects terminal C & D.

For more information and images on Murphy’s work go to: www.deirdremurphyart.com.

For further information, please contact Sharon Ewing or Evan Fugazzi at Gross McCleaf Gallery. 127 South 16th Street, Philadelphia, PA 19102, 215-665-8138

email.grossmccleaf@gmail.com

For further information on URBN contact: Lauren Addis or Maddie Flanigan at URBN Gallery 534, 5000 Broad Street, Philadelphia, PA 19112 LAddis@urbn.com MFlanigan@urbn.com

Thank you to Deirdre Murphy for the content of this post.

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