Sylvia Rivera and Marsha P. Johnson at the Stonewall Riots (click for large image)
Civil Disobedience: Celebrating Queer Resilience
presented by DVAA, Juried by Warren Muller, hosted at International House Philadelphia
East Alcove Gallery 3701 Chestnut St. (Open Hours: 8am–10pm)
– April 2nd through June 29th
– Public Opening Reception: April 2nd, 6:00 – 8:00pm
DVAA(Da Vinci Art Alliance) is proud to present Civil Disobedience: Celebrating Queer Resilience, an exhibition of artwork by Philadelphia artists which celebrates the resilience of the LGBTQ+ community. Coinciding with the 50th anniversary of the Stonewall Riots, this summer, Lightbox Film Center will feature a series of films featuring this pivotal moment in the struggle for LGBTQ civil rights. Just as American history has been broadly shaped by the politics of dissent, affecting everything from our labor laws to foreign policy, protest has continued to shape LGBTQ acceptance and liberation. Along with resistance and protest, the LGBTQ rights movement is also characterized by pride: enduring celebration of identity and love that empowers marginalized and antagonized communities to create change.
In partnership with Lightbox Film Center, Da Vinci Art Alliance will curate the related exhibition, Civil Disobedience: Celebrating Queer Resilience. This group exhibition and call for artwork celebrates the history of queer resilience and protest, art that celebrates a community that is unafraid to speak its mind.
“[History/Herstory] is made and preserved by and for particular classes of people, [but] a camera in some hands can preserve an alternate history.” – David Wojnarowicz.
PARTICIPATING ARTISTS: To be determined/announced by the juror
ABOUT THE JUROR: Warren Mulleris sculptor and co-founder of design studio and gallery, Bahdeebahdu. Best know for creating light sculptures from reclaimed objects, Muller imbues his assemblages with a uniquely playful spirit. His work draws on myths, fairy tales, and personal idiosyncrasies into his lit sculptures.
ABOUT DVAA: MISSION: Da Vinci Art Alliance (DVAA) provides artists with a community that fosters artistic expression and growth through our exhibitions and programs. VISION: DVAA is a supportive community of artists and creatives focused on capturing the spirit of Leonardo da Vinci. A luminary artist, scientist, architect, engineer, musician and humanitarian, Da Vinci’s curiosity inspires creativity, innovation and collaboration among our membership. Like Leonardo, we ask big questions, ponder complex ideas, experiment with form and create new ways of engaging with and sharing our art.
From Bondage to Freedom, by Jerry Pinkney, appeared in the National Park Service Underground Railroad Handbook and is part of “Freedom’s Journal: The Art of Jerry Pinkney” at the Woodmere Art Museum, February 16-May 12, 2019. Photo courtesy Jerry Pinkney
MAJOR PHILADELPHIA ART EXHIBITSFOR 2019 Philly Museums Celebrate A Year Of Creative Diversity
PHILADELPHIA, December 17, 2018 – Philadelphia’s celebrated history of dynamic artistic expression shines in a fascinating breadth of art exhibitions in 2019. The lineup features a diverse range of artists and media exploring personal stories and issues of the day.
Major museum shows include the Philadelphia Museum of Art’s multimedia impressionist works in The Impressionist’s Eye. The Barnes Foundation hosts a body of work by contemporary video artist Bill Viola, and the Brandywine River Museum looks at the varied work by N.C. Wyeth in New Perspectives.
Smaller yet just-as-mighty exhibits represent provocative, beautiful work by artists from minority communities. These include a year-long, three-part artistic examination of the legacy of slavery with Colored People Time: Mundane Futures, Quotidian Pasts and Banal Presents at the Institute of Contemporary Art; a retrospective of artist David Lebe, known for his homoerotic photographs, in Long Light: Photographs by David Lebeat the Philadelphia Museum of Art;and an exhibit from contemporary artists Sonya Clark and Jacolby Satterwhite that challenges traditional assumptionsat The Fabric Workshop and Museum.
Here’s a look at what art fans can look forward to in the year ahead:
Philadelphia Museum of Art, 2600 Benjamin Franklin Parkway, (215) 763-8100, philamuseum.org
Re-opening of the Galleries of Chinese Art – In tandem with architect Frank Gehry’soverall plan for the museum, therenovation and reinstallation of the Chinese art collection debuts early in 2019. The collection spans 4,000 years and consists of more than 7,000 pieces, including 500 paintings dating from the 12th to the 20th century, plus costumes, textiles, furniture, jades, lacquer wares, cloisonné and contemporary works. February 3, 2019
The Impressionist’s Eye – The museum’s collection of work in a rich variety of media by esteemed impressionist painters shows the artists’ versatility. Paintings, watercolors, drawings and sculptures by Manet, Degas, Monet, Pissarro, Sisley, Renoir, Morisot, Cassatt, Seurat, Cézanne, Van Gogh, Toulouse-Lautrec and Rodin comprise the exhibit of approximately 70 works. April 16-August 18, 2019
Yoshitoshi: Spirit and Spectacle – Honoring Japanese master printmaker Tsukioka Yoshitoshi (1839-1892), this exhibit showcases highlights from more than 1,200 prints. Yoshitoshi’s work reflects cultural traditions and the upheavals of the modern world that followed Japan’s opening to the West after 200 years of isolation. The exhibit includes selections from the artist’s final project and his best-known series, One Hundred Aspects of the Moon, 1885-1992. April 16-August 18, 2019
Ruth and Raymond G. Perelman Building at the Philadelphia Museum of Art, 2525 Pennsylvania Avenue, (215) 763-8100,philamuseum.org
Long Light: Photographs by David Lebe– David Lebe’s first retrospective features powerful work from his 1994 documentation of his and his partner’s daily struggles with AIDS, images from late-1960s anti-war marches and The Great March on Washington in 1987 for lesbian and gay rights. Born in Manhattan in 1948, the Philadelphia College of Art (now the University of the Arts)-trained photographer is known for the homoerotic themes in his work that present and examine gay life. February 9-May 5, 2019
Souls Grown Deep – Works by luminaries Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden and Bessie Harvey are part of this exhibit featuring 24 acquisitions from Atlanta’s Souls Grown Deep Foundation. With a focus on art-making with found objects and everyday materials, the artists’works range in size from modest wall pieces to sculptures more than 12 feet wide. Displaying alongside them: 15 exquisitely made quilts by women from Gee’s Bend, Alabama. June 8-September 2, 2019
Collage and Assemblage from the Collection – Complementing Souls Grown Deep are select examples from the museum’s collection of early- to mid-20th-century Modernist and contemporary art. June 8-September 2, 2019
Colored People Time: Mundane Futures, Quotidian Pasts and Banal Presents – A three-part exhibit examines the everyday ways that slavery and colonialism continue to leave marks on American culture. The exhibit’s consecutive shows include Mundane Futures (February 1-March 31), featuring work by contemporary artists Martine Syms, Kevin Jerome Everson, Aria Dean and Dave McKenzie. The second, Quotidian Pasts (April 26-August 11), examines the complexities of collecting and displaying African objects, with artifacts from the Penn Museum displayed alongside new work by Matthew Angelo Harrison. The final installment, Banal Presents (September 13-December 22), features new and recent work by Sable Elyse Smith, Cameron Rowland and Carolyn Lazard. February 1-December 22, 2019
Cecilia Vicuña: About to Happen – The first major solo exhibition of this Chilean-born poet, artist, filmmaker and human rights activist boldly tackles social and political issues. Vicuña’s work flows from concept and craft, text and textile to address economic and environmental disparities and the reclamation of her ancestral traditions. February 1-March 31, 2019
Introducing Tony Conrad: A Retrospective – This exhibit presents the first large-scale survey of an avant-garde artist whose 1960s groundbreaking work in film and Minimalist music challenged barriers between mediums. A sensory experience that invokes the spirit of Conrad’s participatory and performative approach, this exhibit is a showcase for his far-flung interests in sculpture, painting, film, video and installation. February 1-August 11, 2019
Pat Steir Silent Secret Waterfalls: The Barnes Series – In the first installation of paintings on view in the Annenberg Court, the Barnes Foundation presents 11 seven-foot-tall oil paintings by American artist Pat Steir. The works reference the artist’s lauded Abstract-dripped Waterfall series that she began creating in the 1980s. January 12-November 17, 2019
From Today, Painting Is Dead: Early Photography in France and Britain – Exploring the fertile period in the early history of photography when the medium’s pioneers adapted and transformed this rich and complex medium, the Barnes’s second survey of photography presents nearly 250 early photographs—most of which have never before been exhibited—created by British and French photographers between the 1840s and 1880s. February 24-May 12, 2019
I Do Not Know What It Is I Am Like: The Art of Bill Viola – Thisexhibition brings together a selection of major works reflecting on the history of painting by renowned video artist Bill Viola, including screen-based works and large scale installations. June 30-September 15, 2019
30 Americans – This exhibit showcases painting, sculpture and photos by influential African-American artists of the past three decades. October 27, 2019-January 12, 2020
Sonya Clark (exhibit name TBA) – The Virginia-based textile and performance artist presents work that weaves together her interests in symbols, history, race and identity. Clark’s previous performance art includes Unraveling and Unraveled, in which she meticulously unraveled the threads of a Confederate flag. March 29-August 4, 2019
Jacolby Satterwhite (exhibit name TBA) – A multidisciplinary artist embraces the role of provocateur with performance, music and animation. As a queer African-American man, Satterwhite addresses issues that impact his personal experience and explores issues of nostalgia, family and music.September 13, 2019-January 19, 2020
Zanele Muholi & The Women’s Mobile Museum – Acclaimed photographer Zanele Muholi and the Philadelphia Photo Arts Center worked with 10 women in a yearlong paid apprenticeship to create this photographic exhibition that addresses questions such as “Whose portraits are shown in museums?” and “Who is art for?” December 22, 2018-March 31, 2019
Invisible City: Philadelphia and the Vernacular Avant-Garde – Appearing at four venues—PAFA, the University of Arts, the Philadelphia Art Alliance and Gershman Hall—this exhibition explores Philadelphia from 1956 to 1976, when the city was a hotbed of Pop Art, architectural and urban-planning innovation and post-war art school expansion. On display: photographs, paintings, films, posters by Ree Morton, Jody Pinto and Hannah Wilkie, along with achievements by architect Denise Scott Brown. March 18-June 28, 2019
From the Schuylkill to the Hudson: Landscapes of the Early American Republic – A scenic tour of the local landscape as captured by Philadelphia painters from the Early American Republic to the Centennial Exhibition of 1876, this exhibit shows how Philadelphia-area artists influenced the Hudson River School. This is the first major exhibit to look at Philadelphia’s role in the development of American landscape painting. June 29-December 29, 2019
Freedom’s Journal: The Art of Jerry Pinkney – This exhibition of works by Germantown-born illustrator (and Caldecott winner) Jerry Pickney reflects his focus on issues surrounding African-Americans and includes his powerful illustrations for historian Charles L. Blockson’s article, “Escape from Slavery: The Underground Railroad,” which appeared in National Geographic, and watercolors for The Old African, a book Pinkney considers one of his most important accomplishments. February 16-May 12, 2019
Our Town: A Retrospective of Edith Neff – This Philadelphia artist and leading realist painter used Philadelphia, her friends, neighbors and students (she taught at PAFA until her death) as subjects in work. Although the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Art have acquired some Neff pieces, Our Town is the first large-scale exhibition of her work in more than two decades. April 13-October 27, 2019
Patterned Paintings by Claes Gabriel and Andrew Chalfen – Two artists present work marked by an ornate expression of design, layering and color play. While Gabriel’s works incorporate Haitian culture with color, folklore and fantasy, Chalfen’s reference cartography, fractal blooms and other complex patterns. March 1-April 28, 2019
Paintings by Isaiah Zagar – Though more well-known for his mosaics, Zagar is also a painter with an extensive portfolio that informs his work in 3-D. May 3-July 7, 2019
Stained Glass Works by Justin Tyner – Tyner’s work mixes salvaged and repurposed glass to manipulate light in his distinctive psychedelic style. July 12-September 8, 2019
Collaborative Works by Martha Clippinger – In this exhibit comprising tapetes (rugs), ceramics, repurposed wood and hand-woven textiles, Clippinger explores artistic collaboration’s potential to break down conceptual barriers between craft and fine art. The tapetes are the centerpiece of the exhibition and were made in collaboration with weavers from Oaxaca, Mexico. September 13-November 10, 2019
Hidden Lives, Illuminated – Twenty commissioned, animated short films by artists living or working in prisons look inside the daily life of America’s correctional system. Each film is projected onto Eastern State’s facade and is accompanied by a customized soundtrack. Discussions about criminal justice issues accompany the films. August 17-September 14, 2019
Bones, Books & Bell Jars – Photographer and physician Andrea Baldeck went behind the scenes and explored the museum’s collection, then selected items and combined them for her still life photographs. As presented in this exhibition, her imagescapture the fascinating beauty of some of the Mütter’s medical objects. Through May 2019
Spit Spreads Death: The Influenza Pandemic of 1918-19 in Philadelphia – The Mütter opens its most ambitious exhibition to date in a multi-disciplinary recounting of a global pandemic that took thousands of local lives in two years. History, art, science and contemporary issues offer a unique view into the terrifying time. Included in the exhibition is a work by the artist group Blast Theory and digital interactives that allow visitors to explore data from more than 20,000 death certificates from Philadelphia neighborhoods. October 17, 2019-August 5, 2024
O.TW. — On the Water: The Schuylkill River – Work by contemporary artists James Lancel McElhinney, Patrick Connors, Tom Judd, Deirdre Murphy, Stacy Levy, Jacob Rivkin and Joseph Sweeney address the Schuylkill as a nexus of American art, science, literature and commerce. Historic images are also included in the exhibition. Through September 2019
American Beauty: Selections From the Richard M. Scaife Bequest – The Brandywine River Museum of Art and The Westmoreland Museum of American Art present 50 paintings from the bequest of their late, longtime trustee, Richard M. Scaife. Featured are 19th– and 20th-century American masterworks by Martin Johnson Heade, John Frederick Kensett, Albert Bierstadt, George Inness, William Merritt Chase and Guy Pene du Bois. March 9-May 27, 2019
N.C. Wyeth: New Perspectives – This exhibit takes a comprehensive look into the oeuvre of this master 20th-century illustrator. Though better known for his work illustrating classics such as Treasure Island and The Boy’s King Arthur, Wyeth had artistic output that went well beyond, with landscapes, portraits, murals, and still lifes. The exhibit will include about 70 paintings and drawings that reveal a fuller picture of this American icon. June 22-September 15, 2019
The Art of Seating: 200 Years of American Design – More than 40 chairs chosen for their significance tell the story of American aesthetics from the early 19th century to the present. Designers include John Henry Belter, George Hunzinger, Herter Brothers, Stickley Brothers, Frank Lloyd Wright, Charles and Ray Eames, Eero Saarinen, Isamu Noguchi and Frank Gehry, among others. February 9-May 5, 2019
Nakashima Looks: Studio Furniture from the Permanent Collection – Artist Mira Nakashima, daughter of acclaimed woodworker George Nakashima, guest curates an exhibit that showcases some of the stunning work in the museum’s collection by both father and daughter. March 2-June 9, 2019
The Color of the Moon: Lunar Painting in American Art – More than 50 works of art depict the moon and reveal its prominence in American landscape painting in this unusually themed exhibit. Highlights include work by Thomas Cole, the father of the Hudson River School, and illustrations by Norman Rockwell. June 1-September 8, 2019
VISIT PHILADELPHIA® is our name and our mission. As the region’s official tourism marketing agency, we build Greater Philadelphia’s image, drive visitation and boost the economy.
On Greater Philadelphia’s official visitor website and blog,visitphilly.com and uwishunu.com, visitors can explore things to do, upcoming events, themed itineraries and hotel packages. Compelling photography and videos, interactive maps and detailed visitor information make the sites effective trip-planning tools. Along with Visit Philly social media channels, the online platforms communicate directly with consumers. Travelers can also call and stop into the Independence Visitor Center for additional information and tickets.
Past Lives, 2018, acrylic on wood panel, 32” x 32”
Noségo: Died a Few Times to Live This Once
Exhibition Dates: December 14, 2018 – February 9, 2019
Opening Reception: December 14, 2018 • 5:30 – 10:00pm
November 12, 2018 (Philadelphia, PA) – Paradigm Gallery + Studio is pleased to present Died a Few Times to Live This Once, an exhibition of new works by the Philadelphia-based contemporary artist Yis ”Noségo” Goodwin. The exhibition, marking Noségo’s third solo presentation with the gallery and his first solo exhibition in his hometown of Philadelphia in 3 years, will open on December 14, and remain on view through February 9, 2019. There will be an opening reception at the gallery on December 14, from 5:30 to 10pm.
Employing a distinctively unrestrained visual vocabulary of vivid colors and bold patterns, anthropomorphic forms and irregular shapes, Noségo’s richly colorful, dreamily surreal new series explore themes of resilience and rebellion.
Executed with an extraordinary degree of freedom and panache spanning the full breadth of the artist’s multidisciplinary practice, the exhibition will feature new acrylic paintings as well as never before exhibited mural and sculpture—his most personally significant presentation of his works to date.
Derived from childhood memories and a seemingly boundless imagination, ambiguous characters find themselves in unique, sumptuous atmospheres, at once strange and familiar, of and not of this world.
Through a dynamic cartoon-expressionist style, Noségo creates works of graphic intensity and fervent energy, painting meticulously rendered, high-spirited dispatches from earthly yet surreal realms, a dazzlingly radiant world of mythological characters, dreamlike scenes, and fresh, childlike imaginings.
Intuitively blending comic book aesthetics with a pop culture sensibility, his vibrant, saturated canvases are marvels of invention. Through a process of continual addition, disparate elements are fused into intricately worked tapestries—leaving the viewer pleasantly lost in lush, chimerical reveries.
Conjuring eclectic images from an ecstatic imagination, mythical creatures—part animal, part human, part object—nomadically roam in vortexes of brilliant color, playful and fantastical landscapes that look nearly as alive as his animated characters.
Possessing the sublime qualities of a lucid dream, Noségo’s highly inspired works of painterly improvisation transform the natural world into mysteriously alluring, joyously alive fantasias—manifest of an irrepressible creativity, his exuberantly painted canvases display an wholly original rapturous aesthetic vision.
About Noségo Noségo is a Philadelphia based artist with a passion for combining fine art with contemporary styling. Through a marriage of dynamic patterns and vibrant colors, he creates whimsical environments with characters created from a place of playful imagination and the natural world. Deriving from infinite inspiration, that is, we are inspired therefore we can and should inspire others, themes of boundlessness run as a common motif throughout his work. This can be found through the interminable subjects he puzzles together through constant addition. Knowing that there’s perfection in the imperfect, he believes his work always has space for more in the constant pursuit of inspiration.
About Paradigm Gallery Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. To this day the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.
OLD CITY COFFEE PRESENTS JOANNE ISAAC: PRINTS IN THE CAFE
Art Show will run from November 2 – February 1, with opening reception on First Friday
PHILADELPHIA – On Nov. 2 during First Friday, Old City Coffee will serve as the setting for the first posthumous showing of work by storied artist, Joanne Isaac. A reception will be held for guests to experience the charming, graphic world of an internationally-applauded printmaker.
With a specialty in etching, Isaac made a name for herself and attracted a loyal following with her series focusing on Pennsylvania Dutch barns and depictions of scenes from nature. Other notable career milestones include her books, Tom Thumb’s Alphabet (Putnam, 1970) and Amanda (Lerner Publications, 1968), the recipient of the 1968 award for years’ best illustration from the Society of Illustrators, New York. Isaac’s works can be found in the private collections of the U.S. Department of State, the U.S. Embassy in Paris, and the Free Library of Philadelphia. Her work has also been presented internationally in Germany, Italy, Poland, Japan, Canada, Brazil, and Spain.
As the creator of Old City Coffee’s original logo, Joanne’s influence is evident as soon as you walk into the café. The 4 oz. espresso cups, also designed by Joanne, encompass her thoughtful style with each deliberate detail adding to the overall feel of the brand. The simple, yet sophisticated, cups encircled by six, multi-hued, brown bands designed to evoke the taste, smell, and texture of the quintessential espresso experience. This thoughtful attention to detail communicates to customers the love and appreciation the business has for coffee as a whole. Isaac’s impact is also felt in the way Old City Coffee operates with a commitment to tradition and high quality goods, traits that have become synonymous with the specialty coffee brand. Her designs not only carry on a piece of family history, but also embody a holistic mindset inherited by her family.
A woman ahead of her time, Joanne rejected the notion that she should work only as a homemaker and, instead, prospered as an artist with the full support of her family. As the mother of four, Joanne successfully juggled her career and family, and her influence can be seen in her two daughters who organized the exhibition. Joanne’s daughter Ruth is the founder and co-owner of Old City Coffee. Elder daughter Rachel, inspired by Joanne’s passion for art, followed in her mother’s footsteps as a professional artist and a framer. Joanne’s legacy carries on through the two most important pieces of her life: her family and her artwork.
“Her commitment to and passion for her craft shone through in every piece and we want to continue sharing her work with the world,” says daughter, Rachel Isaac.
The showcase will be open to the public, with a kickoff opening reception on Friday, Nov. 2 from 5 p.m. – 9 p.m. Pieces will be on display in Old City Coffee’s café area every day during operating hours. The display will end with a closing celebration on Feb. 1 from 5 p.m. – 9 p.m. to commemorate the life and artwork of Joanne Isaac. For more information go to: www.oldcitycoffee.com
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HOURS: Thursdays and Fridays 11:00 AM – 4:00 PM, Sundays 12:00 PM – 4:00 PM and by appointment (Closed on Thanksgiving).
Admission is free.
Click the pics for large images.
Philadelphia, PA – Old City Jewish Art Center, located at 119 N. 3rd Street, Philadelphia, and Amie Potsic Art Advisory, LLCpresent Color in the Moment, a solo exhibition by painter and Philadelphia native, Zelda Edelson. At eighty-nine years old, Edelson presents her first solo show in the city, which highlights her new paintings. Curated by Amie Potsic, CEO and Principal Curator of Amie Potsic Art Advisory, LLC, the show begins on November 2 and runs through November 30. The opening reception will be on First Friday, November 2 from 5:00 – 9:00 PM with the artist in attendance at 5:00 PM to discuss her work with guests and patrons. Gallery hours are Thursdays and Fridays from 11:00 AM – 4:00 PM, Sundays from 12:00 PM – 4:00 PM, and by appointment. Admission is free and all are welcome.
Color in the Moment features Zelda Edelson, a prolific abstract painter who has created her own technique to enable her to paint from a walker used for balance. Creating something positive from challenging circumstances, her paintings are colorful and evocative. Edelson begins each painting with a gesture of the arm to create the first mark with her palette knife. The paint begins to flow and Edelson becomes invigorated, losing herself in the process. She paints on the areas of the canvas she can reach first. Then turning the painting, she accesses the previously unreachable portions to complete it. When each painting is finished, Edelson enjoys the process of bringing her diverse background to bear as she writes insightful titles for each work. Sharing her love of painting through gesture, color, and form, Edelson’s work reveals a voice that is both seasoned and spontaneous.
Edelson explains, “My paintings are full of color, feeling, and movement. They are lyrical like a song, strong like a knot, and intricate like a spider’s web.” Her work is in the tradition of Abstract Expressionism as were her strongest influences: artists Paul Klee, Jackson Pollock, and Willem de Kooning.
Zelda Edelson, Interrupted, acrylic on canvas, 40” x 30”, 2018
Zelda Toll Edelson was born in Philadelphia on October 18, 1929. Edelson traces her interest in art and painting to an experimental art class she took while at Girls High taught by distinguished artist and teacher Jack Bookbinder. This first introduction to modern art had a profound effect on her, which she would act on many years later. As a young woman, Edelson was a bit of a radical, frequently going to far away parts of town to see a foreign movie or check out a bookstore. When she completed high school, she went to the University of Chicago, where she graduated with a major in English Literature. After marrying Marshall Edelson, she eventually moved to Connecticut. There she began her twenty-year career as Editor and Head of Publications for Yale University’s Peabody Museum of Natural History. In her role as editor, Edelson used her artistic sensibility to create skillfully produced photographs and illustrations to complement the natural history articles of the Yale faculty.
When she retired in 1995, Edelson decided to focus on painting. She also moved back to Philadelphia, to her roots, where she still has many family members. Zelda has exhibited her work at the Woodbridge Town Center and the Creative Arts Center in Connecticut as well as at Gallery Q2, The Jewel of India, Art for the Cash Poor, and Main Line Art Center in the Philadelphia area. She received an Honorable Mention award in the 70th Annual Members’ Exhibition at Main Line Art Center in October of 2007. At eighty-nine years old, Edelson now lives in Haverford, PA, where she continues to be a prolific painter.
Zelda Edelson, Romance In A Winter Light, acrylic on canvas, 24” x 18”, 2012
Curator of the exhibition,Amie Potsic, MFA is the CEO & Principal Curator of Amie Potsic Art Advisory LLC, Chair of the Art In City Hall Artistic Advisory Board of the City of Philadelphia, as well as an established photographer and installation artist. Potsic has extensive experience curating exhibitions for museums, galleries, art organizations, and public spaces and offers Legacy Planning for artists and collectors. Legacy Planning involves the opportunity to shape an artist or collector’s legacy, during their lifetime, to create meaning and purpose through a life’s work. By documenting, exhibiting, and publishing their artwork as well as placing works with institutions and collections, she helps strengthen their artistic impact while relieving their loved ones of the difficult task of organizing an archive, studio, or collection. Potsic presents this legacy exhibition to honor Edelson and her work.
Potsic received her MFA in Photography from the San Francisco Art Institute and BA’s in Photojournalism and English Literature from Indiana University. She has held faculty appointments at the University of California at Berkeley, Ohlone College, and the San Francisco Art Institute and been a guest lecturer at the International Center of Photography, the University of the Arts, Tyler School of Art, and the Delaware Contemporary. Professional appointments have included Director of Gallery 339, Curator and Director of the Career Development Program at the Center for Emerging Visual Artists (CFEVA), and most recently Executive Director and Chief Curator of Main Line Art Center. Curatorial projects have included exhibitions for the Philadelphia International Festival of the Arts, the Office of Arts and Culture of the City of Philadelphia, Philagrafika, Moore College of Art & Design, Main Line Art Center, Maryland Art Place, Pittsburgh Center for the Arts, and the Philadelphia Museum of Art.
Founded in 2006, the Old City Jewish Art Center (OCJAC) was envisioned as a platform to build Jewish community through the arts. Growing steadily since then, the OCJAC gallery has become an exhibition space for serious artists, holds monthly First Friday art receptions with a Jewish twist and provides social and Jewish holiday programs throughout the year. OCJAC is now a landmark gallery in the Philadelphia art scene and is the only gallery dedicated to Jewish artistic expression and cultural exchange in Philadelphia. Using the arts as a springboard, the Old City Jewish Art Center advances and promotes the universal messages of Judaism and spiritually to the broadest possible audience.
Color in the Momentwill be on view November 2 – 30, 2018. The opening reception will be on First Friday, November 2 from 5:00 – 9:00 PM. Gallery hours are Thursdays and Fridays from 11:00am – 4:00pm, Sundays from 12:00 PM – 4:00 PM, and by appointment. Admission is free and all are welcome.
Sylvia Rivera and Marsha P. Johnson at the Stonewall Riots (click for large image)
