Category Archives: Photography Philadelphia

Philadelphia photographers and photographs.

Dollar

Dollar General, DoN BrewerDollar General, digital photograph on acrylic, 20” x 24” x 1”, DoN BrewerOff the Wall Gallery at Dirty Franks, Tenth Annual Juried Exhibition

Artist Statement:

“The Dollar General Store that was located at 25th and South Street was a great resource for my community. The low prices helped to serve the folks both rich and poor who stopped in the store for everything from bacon and eggs to cat and dog food. I would see some people counting out pennies to but toilet paper and I saw wealthy people stocking up on laundry detergent. The staff was so friendly, kind and helpful and all of the young people who worked there were African Americans. Over time I learned their names and they knew mine. There was always a line at the cash register and often I would see friends and neighbors. Dollar General stores are usually located in poorer neighborhoods reflecting what my neighborhood of South Street West used to be like.

Since the development of the abandoned Naval Square and the gentrification of South of South Street the Dollar General went out of business and was replaced by a Petco Unleashed store selling high end and very expensive pet food. The corner store that was once a thriving, busy place that employed blacks is now full of dog food and an all white staff, and is now virtually empty of customers. Petco moved into my neighborhood to directly compete with the two existing pet supply stores, The Philly Pack and Doggie Style that sell the same products and offer the same services. The nearest Dollar General is at 26th and Jackson Streets, too far to walk from my neighborhood. The 17 bus goes to Jackson Street but is still a six block walk through a distressed neighborhood.

The photograph printed on Plexiglas is of the metal racks that once lined the sidewalk outside the Dollar General store that received daily deliveries of basic supplies to serve the community. Now Petco Unleashed only serves the wealthiest of dogs and cats.” – DoN Brewer

Dollar General was awarded the ‘mary rowe memorial jury prize, best in show’ for on the Grid Off the Wall Gallery at Dirty Franks, Tenth Annual Juried Exhibition. I was elated when Togo read my name. I had just walked from Ionic and Chestnut Streets, I had left the PANMA Holiday Party early because I had a feeling. As I was passing the Philadelphia History Museum a strange thing happened. I stumbled and tore off the sole of my boot off.

It’s strange because I was thinking that at almost the exact same spot and time of year two years ago I tore the sole off another pair of boots while at the museum. Do you know what it’s like to walk with your boot flapping? It sounds like the loudest flip-flop ever, it was embarrassing to walk into Dirty Frank’s with tore boots. But then the whole place was clapping, cheering and saying my name. The experience was awesome, I was so touched by the affection of my friends. When I walked home from Dirty Frank’s that cold night, with my shoe flopping and flapping, I was grinning ear to ear. I’m a part of Philadelphia history, my name is 10th on the list of the Mary Rowe Memorial Jury Prize winners.

Read my review of Photography at on the Grid Off the Wall Gallery at Dirty Franks, Tenth Annual Juried Exhibition on DoNArTNeWs.com

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A photo posted by Louis Dallara (@ldallara) on

Gravy

Northeast Kingdom, Andrew Frost, Gravy Studio

Northeast Kingdom, Andrew Frost, Gravy Studio

Written and Photographed by Laura Storck

On First Friday this month, I was excited to finally visit Gravy Studio, located in Fishtown, which serves as a space that promotes local photographers and their work.  As a photographer with a particular fondness for the darkroom, I was especially interested in attending the opening reception for Northeast Kingdom by Andrew Frost.  Not only does this body of work contain black and white images captured on film, but I felt compelled to learn more about the mystery surrounding his project.

Northeast Kingdom, Andrew Frost, Gravy StudioNortheast KingdomAndrew FrostGravy Studio

Northeast Kingdom, Andrew Frost, Gravy StudioNortheast KingdomAndrew FrostGravy Studio

Artist Statement:

“These photographs were made in the Northeast area of the state of Vermont, an area known as the Northeast Kingdom. It’s where my family has lived for more than 200 years. My father joined the Navy when he was a teenager as a way to get out of the rural area, and growing up we never went back, though I always imagined what it was like. Over the past several years, I’ve been traveling there, exploring my past, and making photographs.”

Andrew Frost has been making large format photographs within and surrounding the small town of Groton, Vermont, where his relatives have lived for more that two hundred years. In the late 1970’s, his father left and joined the Navy as a teenager. As Andrew was growing up, his family moved constantly, and he had never personally experienced his heritage in Vermont. He always imagined “a magical place, with mountains, rivers, and lakes, and a land of tree houses and caves — the kind of place where kids were free to ride their bikes to the village store.”

Northeast Kingdon, Andrew Frost, Gravy StudioNortheast KingdomAndrew FrostGravy StudioNortheast Kingdon, Andrew Frost, Gravy StudioNortheast KingdomAndrew FrostGravy Studio

Finally in 2010, he visited his roots for the first time and began photographing the world he had often envisioned. Because of his nomadic upbringing, the Northeast Kingdom held a mythical sense of history for Frost as he had been enamored by the stories of his father’s youth.  On his initial visit to Vermont, he had instantly felt a deep connection and a sense of belonging.  For the next 3 years, Frost had made frequent trips to the area, and brought his 8 x 10 view camera to record and discover his origins on a journey of self-exploration.

Northeast Kingdon, Andrew Frost, Gravy StudioNortheast KingdomAndrew FrostGravy StudioNortheast Kingdon, Andrew Frost, Gravy StudioNortheast KingdomAndrew FrostGravy Studio

Documenting with a view camera was a slow and gradual process, which complimented the way of life in rural Vermont. Some of his subjects are relatives, others are strangers. Frost’s images are beautiful and expressively rich in their black and white tonality. Several of the captures could easily be mistaken as having been made in the distant past – including an image containing elements of a wall photo of a vintage car combined with an antiquated radio, to a photograph of a soldier leaving for boot camp. Before I knew any of the backstory regarding this project, I asked Andrew about the timeline and for details as for when these particular images were captured (as I initially thought that these could have been enlargements made from old negatives).

Northeast Kingdon, Andrew Frost, Gravy StudioNortheast KingdomAndrew FrostGravy Studio

Andrew Frost explained:

“I don’t know for certain what type of car is in the photo, and as far as I know it’s a clock radio – it’s at my grandmother’s house, and she’s had it for a very long time. The photograph of the soldier, Jeremy, was made the day he left for boot camp. It was the 4th of July in 2011. He’s my aunt’s husband’s sister’s son, and in that area there aren’t a lot of career options. Your choices are mostly limited to farming, ministry, or the military, and he chose to enlist when he finished high school.”

Northeast Kingdon, Andrew Frost, Gravy StudioNortheast KingdomAndrew FrostGravy Studio

This poignant collection of work initially evokes feelings of melancholy, isolation, sterility, and stagnation in a pastoral land where time appears to be standing still. Yet these observations will eventually transition the viewer towards feelings of hope, beauty, tenderness, and human connection. The exhalation and inner peace that has resulted in this journey of self-realization and reflection are undoubtedly witnessed when viewing Northeast Kingdom.

Northeast Kingdon, Andrew Frost, Gravy StudioNortheast KingdomAndrew Frost at Gravy Studio is on display through December 31st. Gravy Studio & Gallery, 155 Cecil B. Moore Ave., 2nd Floor, Philadelphia, PA 19122, (267) 825-7071, gravy-studio.com, gravy.photo@gmail.com

Andrew Frost was born in Yokosuka, Japan. He has an MFA from Syracuse University, and currently lives in Northern New Jersey where he makes books for Conveyor Arts.

Gravy Studio & Gallery is a collaborative photography workspace and gallery located near the Frankford Arts Corridor.  Serving as a multifunctional space that promotes the work of local photographers, opening receptions are held on the First Friday of every month.

http://www.andrewpfrost.com

http://conveyorarts.org

Written and Photographed by Laura Storck

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Portraits

Portraits at Plastic Club

Portraits at Plastic

Portraits at Plastic at The Plastic Club, 247 South Camac Street, Philadelphia, PA 19107. December 7th – 21st.

Artist Reception and Awards: Sunday, December 7th, 2:00 – 5:00pm

Portraits at Plastic includes work that portrays a person–a likeness or description, including single and double-portraits (portraits of two people together), self-portraits, and abstract portraits.

“A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expression is predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer.” – Wikipedia

Prize Juror: Sarah Stolfa, Fine Art Photographer and Educator, Founder/Executive Director of
Philadelphia Photo Arts Center, MFA Yale University, currently teaching at UPenn.

Sarah Stolfa was born in Winfield, Illinois in 1975.  She earned her BS in photography from Drexel University, Philadelphia, in 2005 and her MFA in Photography from Yale University in 2008.  In 2004, Stolfa won The New York Times Photography Contest for college students and several of her photographs were reproduced in The New York Times Magazine.  In 2006, Stolfa was included in the Second Woodmere Triennial of Contemporary Photography at the Woodmere Art Museum, Philadelphia.  In the same year, her work was exhibited at Gallery 339 in Philadelphia and Silverstein Photography in New York.  In 2007, Stolfa was included in “Women to Watch” at Moore College of Art, Philadelphia, and in “L’Autre” at the Rosenwald-Wolf Gallery of the University of the Arts, Philadelphia.” – Gallery 339

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Grid

On the Grid, Off the Wall Gallery

on the Grid

Tenth Annual Juried Exhibition at Off the Wall Gallery at Dirty Frank’s

November 23 – December 27. Opening Reception: December 4th, 7:00 – 10:00pm. Off the Wall Gallery at Dirty Frank’s, NE Corner, 13th & Pine, Philadelphia, PA 19107

John BaccileKyle BakerJessica BarberGlenn BengeJim Biglan, Meryl Bonderow, DoN BrewerPaula Brumbelow Burnsm, Vincent Bush, Nicole Clifford, Matt CohenJacque FerrettiLeroy ForneyJulia FoxWayne FranksRachel Glidden, Bob GorchovTed Gutswa, Robin Harrison, Robert Yong Lee, Rob LybeckStephen MillnerBill Myers, Michael Nathan, Annette Newman, Tri Nguyen, Alexandra OrgeraGene Renzi, Wendy Rush, Veronika Schmude, Chuck Schultz, Julius ScissorMina Smith-Segal, Ed SnyderLaura StorckMichael Tantaros, Jocelynn TiceNoa & Emi Travalia, Wa-oo-ba-ke, Katherine Weber, and Jaither West

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Worth

For What It's Worth, Richard Perkins PhotographyFor What It’s Worth, Richard Perkins Photography, The First Banana,

Written and photographed by Laura Storck.

Upon outlining my plan of attack for First Friday, I made a conscious effort to begin way out of the beaten art path, i.e., not in Old City, and venture even farther than many of the newer gallery openings on Frankford Avenue. My launch began at, the aptly-named, The First Banana in Fishtown to see the opening reception for the Richard Perkins solo photography exhibit, ‘For What It’s Worth‘. The photographs, mostly portraits of friends, were taken within the past 5 years to a mere week ago. Hailing from Portsmouth, Virginia, Perkins was in town for the occasion.

For What It's Worth, Richard Perkins PhotographyThe First Banana, 2152 E. Dauphin Street, Philadelphia, PA 19125

Richard Perkins’ collection of portraits are vibrant, edgy, and voyeuristic, yet have an intimate and candid vibe to them. The fact that they were printed and posted directly on the wall gives the viewer a sense of immediacy and urgency that they must be seen. Many images rely heavily on flash, which I like, and therefore appear similar to a “look book” feel – which, in fact, shouldn’t come as a surprise, as in 2013 he helped to photograph clothing for Play Cloths, a progressive street-wear brand, also located in Virginia.

For What It's Worth, Richard Perkins, The First BananaFor What It’s Worth, Richard Perkins Photography, The First Banana

Very interestingly, Richard’s photographs were taken with only a disposable film camera or a digital point-and-shoot (he graciously showed me his white Samsung camera tucked away in his pocket). He confided that he likes to be as unobtrusive as possible when photographing his subjects, as to not point a large intimidating camera in their direction.

For What It's Worth, Richard Perkins, The First BananaFor What It’s WorthRichard Perkins, photography at The First BananaFor What It's Worth, Richard Perkins, The First BananaFor What It’s WorthRichard Perkins, Untitled, photograph, The First Banana

To compliment the exhibition, one of Richard’s films was being projected on a side wall above the stage. Richard explained,

“The film was called ‘Down From The Mountains‘ and it’s of my girlfriend Tabitha Lopez. The film consisted of a bored night where we drew out of a hat of what to do and one was to “make a movie” so I wanted to make a 20 minute long short film of Tabitha against a wall doing whatever she thought fit.”

The film, shot in black and white, consists of Tabitha speaking directly to the camera. The footage has a very dreamy and mercurial quality to it, in which I felt uncertain of what to expect next but compelled to watch more.

For What It's Worth, Richard Perkins, The First BananaDown From The Mountains, video, Richard PerkinsThe First Banana

I thoroughly enjoyed seeing Richard Perkins’ work and meeting the artist himself, especially on my first stop on First Friday at the First Banana. Richard’s expressively charged, raw, and moody photographs can be seen on display through November. The First Banana is a member-driven gallery, venue and performance space created to meet the needs of performance artists and artists in other mediums finding it hard to establish themselves in the art world.

The First Banana is located at 2152 E. Dauphin Street, Philadelphia, PA 19125; (267) 934- 6263.

Written and photographed by Laura Storck.

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