Category Archives: Public Art

Art events, installations and creations by Philadelphia area artists in public spaces

Inside Out

public24Dog Barking at the Moon (1926) by Joan Miro, photographed by Laura Storck

Inside Out, Philadelphia Museum of Art,

Museum Masterpieces in Your Community

Written and photographed by Laura Storck

I spy art in unexpected places! That’s right — high-quality reproductions of famous art works have popped up in local communities as a part of the Inside Out program, a project sponsored by the Philadelphia Museum of Art through a grant from the John S. and James L. Knight Foundation. In this program, the museum is sharing 61 framed replicas from its collection around the region.  Brilliant!

public22Two Calla Lilies on Pink (1928), Georgia O’Keeffe, photographed by Laura Storck

What a great way to bring fine art outside of the confines of the gallery walls to the public realm. I felt absolutely ecstatic when I learned that 11 works would be sprinkled throughout my own backyard in Haddonfield, NJ. Not only does this allow for the convenience and easy accessibility to enjoy these works nearby, but I can savor them en plein air; I absolutely adore the organic context.public21The Libraries Are Appreciated (1943) by Jacob Lawrence, photographed by Laura Storck

Since I spend the majority of my free time in Philly, this outdoor exhibit also allows me to rediscover, reconnect, and to appreciate this beautiful neighborhood and all it has to offer.

public20The Kiss (1916) by Constanin Brancusi, photographed by Laura Storck

I was able to locate and photograph the pieces in under an hour (by the way, I DO love a good scavenger hunt!). These alluring works are very carefully placed, and complement each spot very well. The art at each location conveyed a cosmic romanticism and palpable energy that forcefully pulled me in.

public18Tanis (1915) by Daniel Garber, photographed by Laura Storckpublic16Portrait of a Roman Lady (La Nanna, 1859) by Sir Frederic Leighton, photographed by Laura Storckpublic15Poplars on the Bank of the Epte River (1891) by Claude Monet, photographed by Laura Storck

Here is the list of all 11 replica art works that are currently on view at various locations in Haddonfield:

  • Rondel Depicting Holofernes’s Army Crossing the Euphrates River (1246-48), from France
  • Mont Sainte-Victoire (1902-4), by Paul Cezanne
  • The Libraries Are Appreciated (1943), by Jacob Lawrence
  • Dog Barking at the Moon (1926), by Joan Miro
  • Marine (about 1652-53), by Simon Jacobsz de Vlieger
  • Tanis (1915), by Daniel Garber
  • Two Calla Lilies on Pink (1928), by Georgia O’Keeffe
  • Portrait of a Roman Lady (La Nanna) (1859), by Sir Frederic Leighton
  • Pichincha (1867), by Frederic Edwin Church
  • The Kiss (1916), by Constantin Brancusi
  • Poplars on the Bank of the Epte River (1891), by Claude Monet

I was thrilled to see a photograph one of my favorite masterpieces of all time, Brancusi’s The Kiss, included in this outdoor exhibit. This piece is so simple yet it conveys such emotion, tenderness, and gentle eroticism that runs deep to the core. Personally, I am always swept away and overcome with emotion when this amazing sculpture finds my gaze.

public13Pichincha (1867) by Frederic Edwin Church, photographed by Laura Storck

public12Mont Sainte-Victoire (1902-4) by Paul Cezanne, photographed by Laura StorckInside Out, Philadelphia Museum of Art, Laura StorckMarine (1652-3) by Simon Jacobsz de Vlieger, photographed by Laura Storck

Inside Out is being unveiled in two cycles between Summer and Autumn 2015. From mid-May until August, you may find art works in the following communities:

  • Haddonfield, Camden County, NJ
  • Chestnut Hill and Mount Airy, Philadelphia, PA   
  • East Passyunk, Philadelphia, PA  
  • Media, Delaware County, PA
  • Newtown, Bucks County, PA

From mid-August through November, you may stroll through these neighborhoods to find the next wave of pop-up collections:

  • Fishtown, and Kensington, Philadelphia, PA
  • Ambler, Montgomery County, PA
  • Norristown, Montgomery County, PA
  • Wayne, Delaware County, PA
  • West Chester, Chester County, PA

This project does an amazing job of reaching out to make this fine art accessible to communities that are relatively geographically distant from the museum.  I sincerely look forward to checking out the rest of the outdoor exhibits!

Go to www.philamuseum.org/insideout for maps and detailed information.

Included in this article are photographs of all but one of the Haddonfield art replicas on display. I’ll leave the challenge up to you to find it!

“Inside Out, May 15, 2015 – Mid-November 2015

Encounter high-quality replicas of artworks from the Museum’s collection in your neighborhood. The Philadelphia Museum of Art is sharing its art. This summer and fall, sixty high-quality replicas of Museum masterpieces will find their way into communities around the region. Each participating neighborhood will feature about ten artworks within a short distance of each other. Walk through the park, hop on a bike, or meander down Main Street through each exciting outdoor exhibition.Join your family and friends and encounter art in unexpected places. Picnic next to Claude Monet’s iconicJapanese Footbridge, stop to smell the flowers near Georgia O’Keeffe’s Calla Lilies, or shine a flashlight on Paul Gauguin’s Sacred Mountain during a midnight stroll. Never been to the Museum? Inside Out brings treasures from its collection to you. Pick a neighborhood, grab your friends and family, and explore.” – Philadelphia Museum of Art, Inside Out

Written and photographed  by Laura Storck except where noted

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Red Bull

Red Bull Art of the Can

The Red Bull Art of Can Comes to Dilworth Plaza, Philadelphia

NATIONAL MULTI-MEDIUM ART COMPETITION COMES TO PHILADELPHIA’S DILWORTH PARK

Calling Artists of All Formats to Create for the 2015 Red Bull Art of Can  

PHILADELPHIA, PA. – What can a creative mind design and create, all starting with a can of Red Bull for inspiration?  Coming this fall, the landscape of Philadelphia’s Dilworth Park will be transformed into an interactive, digital and physical art gallery as the nationwide creative competition, Red Bull Art of Can, comes to the city known for it’s famed public art. Artists of varying formats and aspiring creatives from across the country are challenged to make a work of art inspired by a can of Red Bull.

Now through June 15th, submitted art can come in the form of all art disciplines including physical, and digital mediums. A selection will then be made by a panel of judges from the art community to be displayed at a special showcase at Dilworth Park in Center City Philadelphia.

Participants can submit to three categories in the 2015 competition:

  • “Physical Art”: A physical piece of art that uses the actual Red Bull Can as the primary material in the final work.
  • “Digital Displayed Art”:A work of art that can be displayed on a screen and includes a digital version of the Red Bull Can in the final piece.  We are not designating a specific format or genre.  Submissions could take the form of an animation, a digital short film, stop motion, or GIF. Essentially any displayed digital medium is fair game.
  • “Interactive Installation Art”:A piece of artwork that merges both the physical and digital world and uses the Red Bull Can as its primary source of inspiration.

Red Bull Art of the Can

The Red Bull Art of Can exhibition will run from October 1 through October 8, with a special public opening event the weekend of Oct 2 -3 at Dilworth Park.

For more information and to register your art, please visit www.redbullartofcan.com

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Conclusions

Drawing Conclusions, LandLab, CFEVA,Drawing Conclusions: A LandLab Residency Exhibition

Exhibition runs April 13 – May 22.

Opening Reception Thursday, April 30, 5-7pm with Artist Talks at 6:00pm The Center for Emerging Visual Artists Gallery, 237 South 18th Street, The Barclay, 3rd Floor, Philadelphia, PA 19103 215-546-7775 | cfeva.org

Philadelphia, PA – The Center for Emerging Visual Artists (CFEVA) is pleased to present Drawing Conclusions an exhibition by CFEVA LandLab Artists in Residence. The exhibition will be on view in CFEVA’s gallery April 13 to May 22. There will be Artist Talks and a Reception on Thursday, April 30 from 5-7pm. There will be a closing reception featuring botanical cocktails by WE THE WEEDS on May 22 from 5-7pm. Gallery hours are Monday through Friday, 11am – 5pm and by appointment.

Drawing Conclusions features the work of LandLab Artist in Residents Jake BeckmanLeslie Birch, Hagan/Mills/Mills and WE THE WEEDS. This exhibition focuses on the results of each artist’s installation at the Schuylkill Center for Environmental Education and how the outcomes of their residency inform ecological restoration issues. Each artist will present the results of their installations, including documentation of the evolution of their installation over time, data collected and how their artistic process is influenced by the residency.

LandLab is a unique artist residency program that operates on multiple platforms: artistic creation, ecological restoration and education. A joint project of The Center for Emerging Visual Artists (CFEVA) and the Schuylkill Center for Environmental Education (SCEE) LandLab offers resources and space on the Schuylkill Center’s 340-acre wooded property for visual artists to engage audiences in the processes of ecological stewardship through scientific investigation and artistic creation.

Jake Beckman is a sculptor and educator living and working in Philadelphia. Jake teaches Art and Design at the Community College of Philadelphia and graduated with an M.F.A. in Sculpture from the Rhode Island School of Design and a B.A. in Art from Swarthmore College. In addition to making work that explores systems and materials that sustain our way of life through a wide range of media, Jake has had a lifelong interest in biology, chemistry and many of the other physical sciences. His work explores themes of transformation, process and legibility as he grapples with the relationship between labor, value and substance. Jake is interested in the origins of the manufactured environment, as well as a concept of the displaced and abstracted landscape; a landscape in which earth and rock are mined, crushed, sintered, shipped and recompiled into an ordered system of buildings, cities, and bridges. He uses the visual language of industry, as well as the raw ingredients of the built environment— coal, stone, ore, etc.—to explore the memory of a time when Americans were more intimately connected to the processes that constructed and sustained their material surroundings.

Leslie Birch fancies herself a tech geisha in Philadelphia. Her fascination with the combination of interactive art and robots led her swiftly to electronics. An original member of The Hacktory in Philadelphia, Leslie is an authority on LED “Throwies” and Arduino microcontrollers. Her artistic practice has led her to working with Leah Buechly, inventor of the first stitchable microcontroller and winning NASA’s International Space Apps Challenge for the Orbit Skirt – a skirt that can track the International Space Station, as well as Senti-8, a wrist band that allows astronauts to experience the scents they miss. More recently, another invention, the FLORAbrella, has garnered attention around the world as a color sensing umbrella that can match clothing and do rainbow patterns. Currently Leslie creates projects and tutorials for Adafruit, a DIY electronics company in New York promoting education. She can also be found blogging about wearables for both Adafruit and Element 14. Her hangout is Hive76, a hackerspace promoting open source hardware in the Spring Garden area. When not hacking hardware, Leslie shares her tech love through speaking engagements, teaching at the library’s MakerJawn program and planning events like LadyHacks. Her free time is spent hiking, camping, letterboxing and birding. Yes, she loves Star Wars and you can follow her @zengirl2.

Hagan/Mills/Mills is an arts collaborative consisting of Philadelphia based artists Maggie Mills, Ben Mills and Marguerita Hagan. Their LandLab project, Native Pollinator Garden focuses on Colony collapse Disorder (CCD). Colony Collapse Disorder (CCD)

“is a syndrome defined as a dead colony with no adult bees or dead bee bodies, but with a live queen and usually honey and immature bees still present.” (USDA)

Native Pollinator Garden provides a variety of native blooms that follow three full seasons of succession. This provides forage for several generations of pollinators each year. The beds are constructed of chemical-free Douglas fir, are filled with a blend of organic, local soil and leaf compost, and are planted with native, organically grown plants from a local nursery. Native Pollinator Garden addresses the threats posed by monoculture, non-native species’ parasites and disease, GMO’s, and pesticides. It serves as an example of the importance of local action on an individual level.

WE THE WEEDS is a botanical arts collaboration headed by artist Kaitlin Pomerantz and botanist Zya S. Levy that seeks to highlight and investigate the presence of the natural world within the manmade landscape. Past projects include ethno botanical tours, participatory art and science experiments, public art installations, educational outreach, and culinary and sensory plant experiences. WE THE WEEDS has worked in participation with Practice Gallery, the City of Philadelphia Mural Arts Program, the Asian Arts Initiative, and the Penn Center for Urban Research. The Schuylkill Center for Environmental Education inspires meaningful connections between people and nature. We use our forests and fields as a living laboratory to foster appreciation, deepen understanding, and encourage stewardship of the environment.

The Center for Emerging Visual Artists is dedicated to coordinating a strong regional support system for visual artists, to advance the careers of professional artists in the region, to promote relationships between artists and the communities in which they live, and to increase access to and promote interest and understanding of visual art among citizens of the community.

Support for LandLab is provided by the Knight Foundation, the National Endowment for the Arts, the Dolfinger-McMahon Foundation and the William Penn Foundation. This project was supported in part by the Pennsylvania Partners in the Arts program of the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency. Support also provided by PECO. This program is administered regionally by the Greater Philadelphia Cultural Alliance.

Thank you to Marnie Lersch, Program Associate for the content of this DoNArTNeWs post.  marnie@cfeva.org (215 )546-7775 ext 13

Philadelphia Open Studio Tours EAST: Oct 3 & 4 l WEST Oct. 17 & 18noon6pm

Center for Emerging Visual Artists The Barclay, 237 S. 18 St., Suite 3A Philadelphia PA 19103

www.cfeva.org l www.philaopenstudios.org

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Jazz

All That’s Jazz, Art in City HallArnold Brown, Bird’s Song; Toni Kersey, Gospel to Blues (Bessie Smith); Steven Mogck, John Coltrane: and Alan Ginsberg, Java Jive.

All That’s Jazz, Philadelphia City Hall Art Exhibit Celebrates Jazz

Philadelphia, PA Art in City Hall, a program of the City’s Office of Arts, Culture and the Creative Economy presents All That’s Jazz in celebration of April as Philadelphia Jazz Appreciation Month. Works in the exhibit were selected by Richard J. Watson, an artist and member of the Art in City Hall Exhibitions Advisory Committee. A call-for-artists was sent out to the Philadelphia region, seeking works inspired, motivated, and or influenced by the idiom of jazz music in all its permutations. Works were to reflect the essence of the spirit of the jazz idiom, extending well into the depths of imaginative interpretation. An opening reception is scheduled for April 8th, 5-7 pm in the Art Gallery at City Hall, Room 116.

Curator Richard J. Watson, an artist and musician sees the power in jazz:

“There is something about jazz that is as indescribable as it is beautiful. It is a most powerful driving force that has inspired a multitude of visual artists to embrace, absorb and transform sound into substance as they too create visions from within.”

Watson selected 60 artists whose works reflect his vision. The exhibit includes photographs capturing various Philadelphia jazz legends, works on paper, fiber, wood and found object sculpture, abstract paintings inspired by the jazz genre and more.

As Philadelphia celebrates Jazz Appreciation Month, visual artists from the region show how the music affects their work. Here is the list of participating artists:

Marlene Adler, Anne Andrei, Steven Berry. Rachel Bliss, Tanya Bracey, Chris Brizzard, Arnold Brown, Martha Bush, Constance Culpepper, Donna Douglass, Donna Dvorak, Eileen Eckstein, Melissa Gilstrap, Alan Ginsberg, Verna Hart, Reggie Jackson, Leroy Johnson, Cavin Jones, Toni Kersey, Marilyn Lavins, Betty Leacraft, Jesse Lentz, Amir Lyles, Claire Marcus, Dindga Mccannon-Mitchell, Dell Meriwether, Christiane Meunier, John Meza, Gina Michaels, Arlene Milgram, Betsy Miraglia, Jeannie Moberly, Steven Mogck, Michael Nathan, Sarah Nathan, Jeleata Nicole, Arthur Ostroff, Bernice Paul, Sibylle Pfaffenbichler, Ellen Priest, Jerry Puryear, Frank Root, Jack Rosenberg, Kathleen Shaver, Deborah Shedrick, Sonia Sherrod, Phyllis Sims, Paul Somerville, Leslie Sudock, Melissa Teasley, Vita Tew, Dane Tilghman, Jaither West, Michael Wiley, Sandra Williams

All That’s Jazz is located in the Art in City Hall on the first floor, and continues in display cases on the 2nd & 4th Floors, NE corner. The exhibit runs through May 29th.

About Art In City Hall:

Art in City Hall presents exhibitions that showcase contemporary artwork by professional and emerging artists from the Philadelphia region. Encompassing a variety of mediums, techniques, and subjects, this municipal program is committed to presenting a diversity of ideas and artistic explorations. The program strives to link visual artists with the larger community by providing the public with a greater knowledge and appreciation of their artistic achievements. For more information, visit: www.facebook.com/artincityhall.

About Office of Arts, Culture and the Creative Economy:

The mission of the City of Philadelphia’s Office of Arts, Culture and the Creative Economy is to support and promote arts, culture and the creative industries; and to develop partnerships and coordinate efforts that weave arts, culture and creativity into the economic and social fabric of the City. For more information on the Office of Arts, Culture and the Creative Economy, visit: www.creativephl.org,  and on Twitter @creativephl.

Philadelphia Jazz Appreciation Month:

With live performances, art exhibitions, discussion panels, and films showcasing the power of jazz in different shapes and forms, Philadelphia Jazz Appreciation Month, during the month of April, reflects on the jazz heritage of the city, along with the vibrant jazz scene that persists to this day. Creative Philadelphia – the Office of Arts, Culture and the Creative Economy (OACCE) is proud to lead the City of Philadelphia in the celebration of Philadelphia Jazz Appreciation Month. Creative Philadelphia has partnered with over 20 arts and culture organizations and groups to promote more than 40 jazz events throughout the city during the month. Philadelphia Jazz Appreciation Month partners include the Kimmel Center for the Performing Arts, Philadelphia Museum of Art, Annenberg Center for the Performing Arts, the Philadelphia Clef Club of Jazz and Performing Arts, Opera Philadelphia, Center City Jazz Festival, and Ars Nova Workshop.

All That’s Jazz, Art in City Hall

All That’s Jazz, Philadelphia City Hall Art Exhibit Celebrates Jazz

An opening reception is scheduled for April 8th, 5-7 pm in the Art Gallery at City Hall, Room 116

About Art In City Hall:

Art In City Hall presents exhibitions that showcase contemporary artwork by professional and emerging artists from the Philadelphia region.  Encompassing a variety of mediums, techniques, and subjects, this municipal program is committed to presenting a diversity of ideas and artistic explorations.  The program strives to link visual artists with the larger community by providing the public with a greater knowledge and appreciation of their artistic achievements.  For more information, visit:www.facebook.com/artincityhall.

About Office of Arts, Culture and the Creative Economy:

The mission of the City of Philadelphia’s Office of Arts, Culture and the Creative Economy is to support and promote arts, culture and the creative industries; and to develop partnerships and coordinate efforts that weave arts, culture and creativity into the economic and social fabric of the City. For more information on the Philadelphia Office of Arts, Culture and the Creative Economy, visit:www.creativephl.orgwww.facebook.com/creativephl and on Twitter @creativephl.

Tu Huynh, City Hall Exhibitions Manager, Office of Arts, Culture and the Creative Economy, 116 City Hall, Philadelphia PA 19107 215.686.8446 (Office) | 215.686.9912 (Direct) www.creativephl.org  www.facebook.com/artincityhall

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Lambertville

Lambertville Paint OutQuarry Silo, Robert Bohne,

Lambertville Historical Society Paint Out

“I’m wondering whether you can recommend emerging artists in the greater Philly/Bucks County/central Jersey area who may want to participate in Lambertville Historical Society’s plein air event this year?  We like the idea of supporting emerging artists, and also want to keep price points generally below $1,000, which would be consistent with folks looking to gain exposure more than to make a bigger profit.” – Caroline Armstrong

We don’t have a prospectus per say, but here is the basic information below

  • Paint out is on Sunday, October 18th.  In the event of inclement weather, artists can paint another day prior to or following the House Tour.
  • While most work is done in oil, we have accepted pastels, acrylics, water color and this year, even a charcoal drawing.
  • Each artist may submit up to two works. Since the silent auction will be scheduled most likely three months following the paint out, artists are free to finish their work in the studio.
  • Subject matter – anything produced from within or of the City of Lambertville. By way of example: viewsheds, streetscapes, landscapes, farmstead, buildings (though note that straight on views of buildings don’t generate quite so much interest), people, river scenes, canal scenes, skyscapes, the list goes on.  Representational, abstract, all good.
  • No size requirements for the artwork.
  • Submissions must be framed or, if not meant for frames, be ready to hang (I think those with frames tend to do better).
  • Artists set the suggested retail price.  Note that we are very much looking for price points below $1,000 – they sell better.
  • Silent auction takes place in the winter  of 2016 (date still to be determined).
  • Opening bid for all artwork starts at 40% of suggested retail value.
  • Proceeds from the sale of artwork are split 50/50 between the artist and the Lambertville Historical Society.
  • Items that are not sold are returned to the artists.

Some interesting historical facts based on our three years of the plein air fundraiser thus far:  Year One: 23 artists, 35 works, 33 sold, Year Two: 26 artists, 38 works, 37 sold, Year Three: 23 artists, 35 works, 32 sold.

We have a selection committee that meets in late June to finalize the list of participating artists.  In the meantime, to the extent you know folks who would be interested based on the above info, or would like to contact me or have me contact them to discuss this further, that would be absolutely great.

Contact Caroline Armstrongtypeting@comcast.net

Thanks to Ross Mitchell for sharing this opportunity with DoNArTNeWs.

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