Tag Archives: Laura Storck

Paths

Deirdre Murphy – Migratory Paths at URBN at the Navy Yard

Deirdre Murphy – Migratory Paths at URBN

Written and photographed by Laura Storck

The concept of the symbiotic relationship between art and science is nothing new – many would affirm that it has been in existence since the dawn of time. Many artists and scientists (perhaps one in the same?) have studied the relationships and potential intersections of these phenomena (DaVinci, Seurat, and Hershel, to name a few).

Deirdre Murphy – Migratory Paths at URBN at the Navy Yard

The brain ambidexterity that informs the esoteric outlook of those fortunate enough to possess those qualities still pervades. Deirdre Murphy is a contemporary artist whose work is influenced by the connections between art and science, as can be seen by one of her current exhibitions, “Migratory Paths”, is currently on view at URBN at the Navy Yard. This series explores the migratory flight patterns of birds and how they may be affected by climate change. Her abstract works are extremely eye-catching, attractive, and thought-provoking her with use of bright colors, geometric shapes, and repetition.

Deirdre Murphy, The Boundless (2012)_silkscreen and mixed media on paper, at URBN at the Navy Yard

Deirdre Murphy, Synchronized Formation (2012), silkscreen and mixed media on paper, at URBN at the Navy Yard

According to a recent interview with PennDesign about a summer residency a Hawk Mountain Sanctuary, Ms. Murphy explained that:

“The collective intelligence of flocking birds and the unpredictable patters have been a source of inspiration to me. I wanted to work directly with the Hawk Mountain Scientists and ask the how global warming has changed the raptors migratory flight patterns and then to see how I might translate that information into paintings.”

Deirdre Murphy, Sentinel II (2008), oil on canvas, at URBN at the Navy Yard

Deirdre Murphy, Flamingo, 2008, oil on canvas, at URBN at the Navy Yard

In case you weren’t aware, I should mention that I’m an artist and scientist myself. I have a great fondness for the use of bold pigments, as well as a natural affinity towards the cleanliness and mechanics of simple lines and angular structures. This sensibility applies not only in my personal design preferences and photographic compositions, but in life itself.

Nocturnal Migration (2010), silkscreen on paper, Deirdre Murphy, at URBN at the Navy Yard

Deirdre Murphy, Libra (2015), gouache on paper

Pigeon Flight (2009), oil on canvas, Deirdre Murphy at URBN at the Navy Yard

I engaged with this beautifully celestial and otherworldly exhibit on it’s opening day, and after some pondering, I concluded that “Migratory Paths” not only applies to migratory patterns of birds, but to all lifeforms. To my chagrin, I had received a polite yet disappointing email that day that I did not land a coveted job that I desperately wanted, also located at the Navy Yard, and was feeling quite crestfallen. On that bright and warm afternoon, Ms. Murphy’s art spoke to my resilient self in URBN’s sleek headquarters, and expressed to me that nature endures, perseveres, and maneuvers along it’s own migratory path, and we must follow our instincts to find our way.

Deirdre Murphy at URBN at the Navy Yard

I highly recommend everyone to take a flight of fancy to URBN to see this exhibit in this amazing and ethereal space. Enjoy a light lunch at Shop 543 or a warm cup of java at Jharoka while taking a gander at the Ms. Murphy’s artwork with the zen feeling of the nearby koi pond just a few steps away. “Migratory Paths” are works on paper that span from 2010-2015 and will be on display at URBN until December 7, 2015.

Deirdre Murphy, Dome of the Sky (2010), silkscreen on paper, at URBN at the Navy Yard

Written and photographed by Laura Storck

Laura Storck Photography ARTIST. SCIENTIST. PHOTOGRAPHER. ROCK STAR.: https://laurastorck.wordpress.com/

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Spinning

Spinning Yarns : Photographic Storytellers

Written and photographed by Laura Storck

To spin a yarn: (idiomatic) To tell or create a story, especially one which is lengthy or far-fetched (Source: wikitionary.org). The twenty-three photographers featured in this show reach outside of the scope of this simple definition. They are masters of their craft as portrayed through the feelings provoked by the stunning narratives that each artist individually conveys to the viewer.

Rachel Girard Reisert, Still series, archival inkjet prints

Spinning Yarns was curated by Anne Leighton Massoni, UArts Photography Program Director, and Libby Rowe, a professor at the University of Texas at San Antonio. After nearly five years as a traveling exhibition, this show is wrapping up and the photographs will be auctioned off to support student scholarships for the UArts Photography program. Eighty-one framed images are available for purchase.

Rachel Girard Reisert, Bee (from Still series), 2007, archival ink jet print

Several of the artists’ stories are personally moving, such as Joy Christiansen Erb’s series Portrait of a Mother, which explores motherhood, family, and illness. Rachel Girard Reisert’s Still series shines a light on a smaller universe that routinely takes shape in the backyard. Anne Massoni’s project, Holding Leighton, explores concepts of memory and evidence of experience and existence. And each amusing image that Andy Bloxham’s Beta series provides a limited glimpse into a larger anecdotal account.

Morgan Konn, Rebecca, Undergraduate Student, Art (from Her House, Her Clothes series), 2006, Lightjet Print

Using photography as their chosen art form, each artist’s narrative simply pulls the spectator in…further…beyond the image, and subsequently plugs both into an engaging dialogue. A new awareness can emerge, as well as a distinctive ending, all depending on the unique experiences and mindset of the viewer — thus the yarn has spun.

Morgan Konn_First Year Law Student (from Her House, Her Clothes series), 2006, Lightjet Print

All images can be seen and starting bids made here: www.paddle8.com/auction/uarts. However, I encourage everyone to see these photographs in person, if possible, on display at UArts’ Hamilton Hall. For me, the experience of tangibly engaging with each of these images in person is ethereal, intense, and penetrating.

Joy Christiansen Erb, Portrait of a Mother Series, 2010, archival pigment prints

The online auction is already taking place through noon on Friday, October 9th, with a live auction and closing reception from 6-8 pm. Auction catalogs can be purchased from Anne Massoni at amassoni@uarts.edu for $15. For more information, please visit: http://www.uarts.edu/spinningyarns.

Grace Weston, Fuji Crystal, Archive C-prints

Participating Artists:

Anne Leighton Massoni, Holding Leighton series, archival pigment prints

The University of the Arts, Hamilton & Arronson Galleries, 320 S. Broad Street, Philadelphia, PA, 19102, (215) 717-6300

Written and photographed by Laura Storck

Laura Storck Photography ARTIST. SCIENTIST. PHOTOGRAPHER. ROCK STAR.: https://laurastorck.wordpress.com/

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PHOTOgraphy

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PHOTOgraphy 2015 Juried Exhibition, The Philadelphia Sketch Club, Laura Storck, Untitled (My Philadelphia), 11″ x 14″, archival pigment print

PHOTOgraphy 2015 Juried Exhibition at The Philadelphia Sketch Club

Written and photographed by Jeff Stroud

Going to The Philadelphia Sketch Club’s PHOTOgraphy 2015 Juried exhibition reception, I went as a fellow photographer to support friends and members of photographic clubs in the city and local areas. I did not go to review this collection, so, my view of the work is not as extensive has it could have been. The best way to see any collection is to go during regular gallery hours which in this case, are Wed. Fri. Sat. Sun. 1:00 to 5:00 PM.

PHOTOgraphy 2015, The Philadelphia Sketch Club, Susan Knott, Incomplete, 4″ x 5″ negative scanned and digitally printed, 20″ x 20″

You will find works “utilizing any photography process, traditional and digital, black & white and color.” There are nature landscapes; there are street scenes, studio work, and creative blurs (abstracts). There are works from long time photographers who know their craft, there are brilliant photographs from photographs who recently begun making photos, getting the feel of genre. Creating for the jurors a task that I don’t envy, jurors Melvin Chappel, Stuart Shils, and Ron Tarver’s selections offer a vision for the senses.

PHOTOgraphy 2015, The Philadelphia Sketch Club, Molly Carpenter, The Burlap Bag, photograph, 11″ x 17″, Third Prize

I am not going to select particular photos or photographs to feature here as favorites, for that would not be fair, to all the other wonderful creative works involved. To me having one’s art juried into the show is an honor in itself. To be selected to exhibit at The Philadelphia Sketch Club’s annual PHOTOgraphy exhibition is a prize worthy to place in each photographer’s artist statement.

Give yourself an artistic treat and go visit The Philadelphia Sketch Club’s galleries, the show is on display until August 15^th.

The Philadelphia Sketch Club 235 South Camac Street, The Avenue of the Artists, Center City, Philadelphia, PA, 19107, 215-545-9398

Written and photographed by Jeff Stroud

View the The Philadelphia Sketch Club online exhibition here.

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A Moment

Michael Somoroff: A Moment.

Master Photographers, Sol Mednick Gallery of Photography, UArts

Michael Somoroff: A Moment, Sol Mednick Gallery of Photography, The University of the Arts

Written and photographed by Laura Storck

As a photography student at The University of the Arts, I make every effort to take advantage of the wonderful rotating exhibits on display Sol Mednick Gallery of Photography on the 15th floor. I was especially motivated to see the current exhibit by ‘Michael Somoroff: A Moment. Master Photographers‘ which includes several gorgeous platinum prints of well-known luminaries such as Elliott Erwitt, Mary Ellen Mark, Frances McLaughlin-Gill, Ben Somoroff, Ben Stern, and Arnold Newman.

moment2 Michael Somoroff: A Moment, Sol Mednick Gallery of Photography, The University of the Arts

According to The University of the Arts May 2015 news release of this exhibit:

Between 1977 and 1983, Michael Somoroff, then a young New York photographer, had the privilege of photographing photographers who played a dominant role in shaping the medium during the climax of analog image making, including Robert Doisneau, Elliott Erwitt, Ralph Gibson, Jacques Henri Lartigue, Duane Michals and Helmut Newton, among others. He was first introduced to many of these icons through his father, Ben Somoroff, who studied under Alexey Brodovitch at the School of Industrial Arts in Philadelphia, now The University of the Arts, and had become a well-known and respected still life photographer working in both Philadelphia and New York. These portraits were originally created as a kind of visual journal, a tribute to the modern masters of the medium by a young photographer. Intensely personal, the images were never intended for publication and were put aside for many years. Thirty-five years later, this body of work is finally being shown and published.

Ben Somoroff, New York City, 1977, platinum print

Michael Somoroff studied art and photography at the New School for Social Research in New York, opening his own studio in the mid-seventies, eventually moving for a time to Europe. In Europe, he contributed to such publications as Life, Vogue, Harper’s Bazaar, Stern, Time, and Der Spiegel. His work is represented in collections including the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Smithsonian Institution, Washington, D.C.; and Museo Correr, Venice; it has been exhibited at the International Center of Photography, New York; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; and Museum of Contemporary Art in Chicago. In 2006, Somoroff created a large-scale outdoor installation, “Illumination I” for the Rothko Chapel in Houston, as the first artist invited to do so since Barnett Newman. Somoroff’s homage to legendary photographer August Sander, “Absence of Subject,” was presented during the 2011 Venice Biennale, the only private exhibit in the artistic history of the city to be placed on Piazza San Marco. Since 2011, “Absence of Subject” has traveled continuously throughout Europe and soon in South America. In 2012, “A Moment. Master Photographers: Portraits” by Michael Somoroff was awarded Best Photo Books of the Year prize chosen by American Photo.

moment9 Michael Somoroff: A Moment, Sol Mednick Gallery of Photography, The University of the Arts

Upon viewing the beautiful platinum printed image of each master photographer, I felt inspiration, connection, and catharsis. The platinum print process is prized for its rich, long tonal range that includes lush blacks as well as delicate gray mid-tones and for its ability to show fine detail. Somoroff rendered his subject’s essence with the utmost expertise and transcendence. To pay personal homage to the images of these icons felt akin to a spiritual journey in a sacred space.

moment8 Mary Ellen Mark, New York City, 2011, platinum print, Michael Somoroff: A Moment, Sol Mednick Gallery of Photography, The University of the Arts moment5 Ben Stern, New York City, 1979, platinum print Michael Somoroff: A Moment, Sol Mednick Gallery of Photography, The University of the Arts

I felt especially moved when seeing Mary Ellen Mark’s portrait, and particularly saddened by her recent passing. I remember first learning about her work when visiting the Philadelphia Museum of Art in September 2012 for her exhibition Prom: Photographs by Mary Ellen Mark. This exhibit occurred in conjunction with her husband’s work, cinematographer Martin Bell’s film Prom (2010), and I was very fortunate to witness a roundtable discussion among Mary Ellen Mark, Martin Bell, and the curator of photographs of the PMA, Peter Barberie. Mary Ellen Mark’s photography has been a major influence on my desire to capture documentary and street images, which has therefore inspired and helped me to feel more empathy, compassion, and responsiveness toward the human condition.

moment6 Elliott Erwitt, Easthampton, NY, 1979, platinum print, Michael Somoroff: A Moment, Sol Mednick Gallery of Photography, The University of the Arts

This experience forces me to ponder where my photographic path may lead…Will my portrait ever adorn a gallery wall? All I can offer with certainty is that I appreciate every little struggle and triumph along life’s serpentine journey; I cherish and find value in the many relationships I have formed; and I strive to keep going with continued optimism. Peach and love to all.

moment7 Frances McLaughlin-Gill, New York City, 1978, platinum print, Michael Somoroff: A Moment, Sol Mednick Gallery of Photography, The University of the Arts

Now in it’s 37th year, the Sol Mednick Gallery of Photography offers a year-round regular schedule of exhibitions of contemporary photography. The only endowed gallery in Philadelphia dedicated solely to the exhibition of photography, the Mednick Gallery earned the Photo Review Award for service to photography. Associate Professor and former director of the Photography program Harris Fogel, who founded Gallery 1401 in 1999, has been director/curator of both galleries since 1997. Gallery hours are Monday through Friday, 10:00am – 5:00pm., Saturday and Sunday by appointment. The exhibit is on display through July 31st.

The University of the Arts, The Sol Mednick Gallery of Photography, Terra Hall, 15th Floor 211 South Broad Street, Philadelphia, PA 19102 (215) 717-6300

Event page – http://www.uarts.edu/about/sol-mednick-gallery

website – www.uarts.edu

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Written and photographed by Laura Storck except where noted

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Inside Out

Inside Out, Philadelphia Museum of Art,

Museum Masterpieces in Your Community

Written and photographed by Laura Storck

I spy art in unexpected places! That’s right — high-quality reproductions of famous art works have popped up in local communities as a part of the Inside Out program, a project sponsored by the Philadelphia Museum of Art through a grant from the John S. and James L. Knight Foundation. In this program, the museum is sharing 61 framed replicas from its collection around the region. Brilliant!

Two Calla Lilies on Pink (1928), Georgia O’Keeffe, photographed by Laura Storck

What a great way to bring fine art outside of the confines of the gallery walls to the public realm. I felt absolutely ecstatic when I learned that 11 works would be sprinkled throughout my own backyard in Haddonfield, NJ. Not only does this allow for the convenience and easy accessibility to enjoy these works nearby, but I can savor them en plein air; I absolutely adore the organic context. public21 The Libraries Are Appreciated (1943) by Jacob Lawrence, photographed by Laura Storck

Since I spend the majority of my free time in Philly, this outdoor exhibit also allows me to rediscover, reconnect, and to appreciate this beautiful neighborhood and all it has to offer.

The Kiss (1916) by Constanin Brancusi, photographed by Laura Storck

I was able to locate and photograph the pieces in under an hour (by the way, I DO love a good scavenger hunt!). These alluring works are very carefully placed, and complement each spot very well. The art at each location conveyed a cosmic romanticism and palpable energy that forcefully pulled me in.

Tanis (1915) by Daniel Garber, photographed by Laura StorckPortrait of a Roman Lady (La Nanna, 1859) by Sir Frederic Leighton, photographed by Laura StorckPoplars on the Bank of the Epte River (1891) by Claude Monet, photographed by Laura Storck

Here is the list of all 11 replica art works that are currently on view at various locations in Haddonfield:

Rondel Depicting Holofernes’s Army Crossing the Euphrates River (1246-48), from France
Mont Sainte-Victoire (1902-4), by Paul Cezanne
The Libraries Are Appreciated (1943), by Jacob Lawrence
Dog Barking at the Moon (1926), by Joan Miro
Marine (about 1652-53), by Simon Jacobsz de Vlieger
Tanis (1915), by Daniel Garber
Two Calla Lilies on Pink (1928), by Georgia O’Keeffe
Portrait of a Roman Lady (La Nanna) (1859), by Sir Frederic Leighton
Pichincha (1867), by Frederic Edwin Church
The Kiss (1916), by Constantin Brancusi
Poplars on the Bank of the Epte River (1891), by Claude Monet

I was thrilled to see a photograph one of my favorite masterpieces of all time, Brancusi’s The Kiss, included in this outdoor exhibit. This piece is so simple yet it conveys such emotion, tenderness, and gentle eroticism that runs deep to the core. Personally, I am always swept away and overcome with emotion when this amazing sculpture finds my gaze.

public13 Pichincha (1867) by Frederic Edwin Church, photographed by Laura Storck

Mont Sainte-Victoire (1902-4) by Paul Cezanne, photographed by Laura StorckMarine (1652-3) by Simon Jacobsz de Vlieger, photographed by Laura Storck

Inside Out is being unveiled in two cycles between Summer and Autumn 2015. From mid-May until August, you may find art works in the following communities:

Haddonfield, Camden County, NJ
Chestnut Hill and Mount Airy, Philadelphia, PA
East Passyunk, Philadelphia, PA
Media, Delaware County, PA
Newtown, Bucks County, PA

From mid-August through November, you may stroll through these neighborhoods to find the next wave of pop-up collections:

Fishtown, and Kensington, Philadelphia, PA
Ambler, Montgomery County, PA
Norristown, Montgomery County, PA
Wayne, Delaware County, PA
West Chester, Chester County, PA

This project does an amazing job of reaching out to make this fine art accessible to communities that are relatively geographically distant from the museum. I sincerely look forward to checking out the rest of the outdoor exhibits!

Go to www.philamuseum.org/insideout for maps and detailed information.

Included in this article are photographs of all but one of the Haddonfield art replicas on display. I’ll leave the challenge up to you to find it!

“Inside Out, May 15, 2015 – Mid-November 2015

Encounter high-quality replicas of artworks from the Museum’s collection in your neighborhood. The Philadelphia Museum of Art is sharing its art. This summer and fall, sixty high-quality replicas of Museum masterpieces will find their way into communities around the region. Each participating neighborhood will feature about ten artworks within a short distance of each other. Walk through the park, hop on a bike, or meander down Main Street through each exciting outdoor exhibition.Join your family and friends and encounter art in unexpected places. Picnic next to Claude Monet’s iconicJapanese Footbridge, stop to smell the flowers near Georgia O’Keeffe’s Calla Lilies, or shine a flashlight on Paul Gauguin’s Sacred Mountain during a midnight stroll. Never been to the Museum? Inside Out brings treasures from its collection to you. Pick a neighborhood, grab your friends and family, and explore.” – Philadelphia Museum of Art, Inside Out

Written and photographed by Laura Storck except where noted

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