Tag Archives: paintings

Form

Charles Sheeler, Michener Art MuseumBobbi Arnst (click photos for large images)

James A. Michener Art Museum Will Present Groundbreaking Exhibition

Charles Sheeler: Fashion, Photography,
and Sculptural Form 

Multimedia retrospective to display never-before-seen photographs from a modernist icon created during his five-year tenure at Condé Nast

DOYLESTOWN, PA – In March 2017, the James A. Michener Art Museum will present Charles Sheeler: Fashion, Photography, and Sculptural Form, a groundbreaking exhibition that features never-before-seen photographs by Charles Sheeler, one of America’s most celebrated modernists. Inspired by Sheeler’s portrait and fashion work for Condé Nast from 1926 to 1931, the multimedia show will feature a significant display of these newly discovered photographs as well as paintings and other photographs created by Sheeler, 1920s fashion ensembles, and Sheeler-designed textiles. Evoking the exuberance, glamour, and promise of the Jazz Age, the exhibition will be on view from March 18 through July 9, 2017.

Charles Sheeler, Michener Art MuseumAldous Huxley

A Philadelphia native, former Doylestown resident, and Pennsylvania Academy of the Fine Arts alumnus, Charles Sheeler is one of the founding figures of American modernism. In 1910, Sheeler and fellow artist Morton Schamberg searched for a place to retreat from Philadelphia to sketch. They found a creative and inspirational escape in Doylestown, making their home at the historic Worthington House on Mercer Avenue. It was here, a mile and a half from where the Michener Art Museum now stands, that Sheeler began to explore photography in earnest.

Charles Sheeler, Michener Art MuseumIna Clare as Betsy Ross

Sheeler’s fashion and portrait photography for Condé Nast, however, has been almost universally dismissed as purely commercial, a painter’s “day job,” and nothing more. In reality, this commercial work was instrumental in shaping his aesthetic vision. Trained in an impressionist approach to landscape painting, Sheeler experimented early in his career with compositions inspired by European modernism before developing a linear, hard-edged style now known as Precisionism. While working in this mode, he produced powerful and compelling images of the Machine Age: skyscrapers, factories, and power plants, images that established his reputation as a leading figure in American art. Charles Sheeler: Fashion, Photography, and Sculptural Form will show that his dramatic viewpoints, rhythmic patterning, and abstract compositions were influenced by his work at Condé Nast.

Charles Sheeler, Michener Art MuseumMadame Lasse

“This exhibition will show how Sheeler’s modernist vision was refined over the course of his time at Condé Nast,” said Kirsten M. Jensen, Ph.D., the Gerry & Marguerite Lenfest Chief Curator at the Michener Art Museum and curator of the exhibition. “It was while there he fine-tuned his particular style-objective, distant, and rigorously formal-that he then applied to all of his subsequent work.

The core of the exhibition is 85 portraits and fashion photographs from this period, on loan from the Condé Nast archives. Models adorned in jewels and couture gowns, literary giants of the era, and Broadway actors and Ziegfeld Follies dancers: the subject matter is as sensational as the Jazz Age itself. The exhibition also features select prints from Sheeler’s famous Doylestown House series as well as his photographs of modern sculpture and early portraiture, the film Manhatta (a collaboration with Paul Strand), period costumes on loan from the collections of the Museum of the City of New York and Drexel University’s Robert and Penny Fox Historic Costume Collection, and paintings and photographs on loan from the Metropolitan Museum of Art, Whitney Museum of American Art, Columbus Museum of Art, Yale University Art Gallery, Princeton University Art Museum, Philadelphia Museum of Art, and other major institutions.

Charles Sheeler, Michener Art MuseumHelen Menken

“The James A. Michener Art Museum is an especially relevant venue for Charles Sheeler: Fashion, Photography, and Sculptural Form considering Sheeler’s strong ties to the region,” said Lisa Tremper Hanover, director and CEO of the Michener Art Museum. “We’re thrilled to present this unknown body of work in Doylestown, where Sheeler made his first important photographs.”

Complementing the exhibit will be programming that includes lectures, curator talks, a Scholars Day, a film series, musical performances, and a New York-based symposium. For the full schedule, visit the exhibition website at CharlesSheeler.org.

Advance tickets and group tours for Charles Sheeler: Photography, Fashion, and Sculptural Form are available at MichenerArtMuseum.org or by calling 215.340.9800.

A member reception will be held on the evening of March 17, 2017, the day before the exhibition opens for public view. To become a Michener Art Museum member and receive an invitation, visit MichenerArtMuseum.org or call 215.340.9800 x110.

Major support for Charles Sheeler: Fashion, Photography, and Sculptural Form has been provided by The Pew Center for Arts & Heritage, with further support from The Coby Foundation, Ltd., Visit Bucks County, an anonymous donor, and the Bucks County Foundation.

Additional funding has been provided by Bonnie J. O’Boyle and Virginia W. Sigety, Independent cabi Stylist.

In-kind support is generously provided by Condé Nast Editions.

About the James A. Michener Art Museum

The James A. Michener Art Museum collects, preserves, interprets and exhibits American art, and promotes the work of nationally and internationally known Delaware Valley artists of all eras and creative disciplines. The museum presents exhibitions that explore a variety of artistic expressions and offers diverse educational programs that develop a lifelong involvement in the arts. Throughout the year, the Michener Art Museum hosts a wide range of programs open to the public, including lectures, artists conversations, gallery talks, artist studio tours, dance performances, jazz performances, family-themed activities, and other events. The museum also offers diverse selection of art classes for children and adults, which include instruction in drawing, painting, sculpting, and printmaking as well as programs for the public, schools, and teachers designed to support arts education. The James A. Michener Art Museum is accredited by the American Alliance of Museums.

The James A. Michener Art Museum is located at 138 South Pine St., Doylestown, PA. The Museum is open Tuesday through Friday, 10:00 am – 4:30 pm; Saturday, 10:00 am – 5:00 pm; and Sunday, noon – 5:00 pm. For more information, visit MichenerArtMuseum.org or call 215.340.9800.

Twitter: @MichenerArt

Facebook: MichenerArtMuseum

Instagram: michenerart

Thank you to Christine Triantos, James A. Michener Art Museum, Associate Director, Marketing and Communications for the content of this post.

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Paros

I Love Paros, Off the Wall Gallery

I Love Paros!, Winter Getaway Show at Off the Wall Gallery at Dirty Frank’s

“GETAWAY ALREADY?: While it’s the first day back for most of us, it’s also never too early to think about vacations ahead. That is exactly what our WINTER SHOW, which goes up this Saturday, will conjure in your head. On display will be the output of 10 talented artists, including several OFF THE WALL veterans, who traveled to the Greek island of PAROS last year — under the guidance and tutelage of ALICE MEYER-WALLACE – to create, celebrate life, collaborate, find inspiration and then create some more! Please mark your calendars for the OPENING RECEPTION on THURSDAY, JANUARY 12, 7:00 – 10:00pm. We look forward to seeing you then and getting away — if only for a few hours…and only through the power of art!” – Togo Travalia

  • Linda Avila
  • Meri Collier
  • Anders Hansen
  • Alice Meyer-Wallace
  • Jess Perlitz
  • Ron Ploeg
  • Susan Ploeg
  • Susan Stromquist
  • Phillis Dyer Weldon
  • Rick Wright

“Paros is a Greek island in the central Aegean Sea. One of the Cyclades island group, it lies to the west of Naxos, from which it is separated by a channel about 8 kilometres (5 miles) wide. It lies approximately 150 km (93 miles) south-east of Piraeus. The Municipality of Paros includes numerous uninhabited offshore islets totaling 196.308 square kilometres (75.795 sq mi) of land. It’s nearest neighbor is the municipality of Antiparos, which lies to its southwest.

Historically, Paros was known for its fine white marble, which gave rise to the term “Parian” to describe marble or china of similar qualities. Today, abandoned marble quarries and mines can be found on the island, but Paros is primarily known as a popular tourist spot.” – Wikipedia

The Dirty History of Franks, in a shot glass:

  • Dirty Frank’s opened its doors as “Franks” on November 8th, 1933, and was owned by Lou Silverman.
  • Prohibition was repealed December 5th, 1933 (how did Lou know?).
  • Frank Vigderman was the second owner. Apparently due to his hygiene, the name ‘Dirty Frank’s’ was born.
  • John Segal was the third owner from 1959-1978. He tried to change the name to the ‘347 bar’ but it never really stuck. In August of 1965 Dirty Frank’s was closed for 45 days as penalty for serving minors. John took the opportunity to tear down the dividing wall between the two rooms and to build the horseshoe-shaped bar that we still have today.
  • Jay McConnell became the fourth owner from 1978 – 2011. He completely embraced and embodied the Dirty Frank’s persona.
  • The Off the Wall Gallery was launched in 1979 by by Jay with Mary Liz, Bunky Devichios, and Phil Sumpter.
  • Since 2011,  Dirty Frank’s is owned by Brad Pierce and Jody Sweitzer, two longtime employees of the “institution”.

There you have it. And, as they say, much is still to be written…

Thank you to Togo Travalia for the content of this post.

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Remembering

Remembering the Past, Confronting the Future

Remembering the Past, Confronting the Future at Main Line Unitarian Church Fireside Gallery January 11- February 25, 2017

(Philadelphia, PA  December, 2016) Main Line Unitarian Church, Fireside Room Gallery, 816 South Valley Forge Road, Devon, PA 1933 presents Remembering the Past, Confronting the Future, Holocaust Art by Linda Dubin Garfield and Elsa Wachs from January 11 to February 25, 2017. The public is invited to a free artists’ reception on Sunday, January 29, 1- 3 PM.

With three shows, artists Linda Dubin Garfield and Elsa Wachs have collaborated on the theme of the Holocaust. Together and separately they explored, examined and expressed important issues through their art. In “Remembering the Past, Confronting the Future” they have combined them to make a powerful progression, sequencing history to affirming action.

Their brief, intimate peeks into the lives of those caught in the fiery Holocaust are what remembrance is all about. In these vignettes we see the threads that hold humanity together becoming the building blocks for our shared existence and hope for a better future

Here the artists have 18 works on paper and 18 fiber mixed media works.  Why 18 each? The word “chai’ translated from Hebrew to English means “life” and “18.”  Within the Jewish faith, the word “chai” possesses both numerical and symbolic meaning. The Hebrew word consists of two  letters in the alphabet: Chet and Yud. Together these letters form “chai” which signifies life and represents being alive . The artists ask the viewers to reflect on, deliberate, resolve, and hopefully pledge to help repair this world.

Linda Dubin Garfield
printmaker/mixed media artist/blogger
610.649.3174
www.lindadubingarfield.com
www.davinciartalliance.orgPresident
www.smARTbusinessconsulting.orgFounder
www.ARTsisters.orgFounder
blogs:
The ART of Travel – www.lindadubingarfield.blogspot.com
www.toooldtodieyoungblog.wordpress.com

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Look?

How do I look? DVAACharles Demuth, Turkish Bath, 1916

How do I Look?
Shifting Representations of Queer Identities
January 18th – 29th, 2017

This call is open to LGBTQ artists working in all mediums.
Work submitted must address personal, private, and public perceptions of the queer self and may also reflect on how these have historically changed over time. We are excited to have juror Craig Bruns, artist and Chief Curator at the Independence Seaport Museum in Philadelphia as the juror for the show.

Deadline to submit is Saturday, January 7th, 2017, mid-night 
Submissions coming in after the deadline will not be accepted.
Notification of Acceptance Thursday, January 8th 2017

  • APPLICATION FEE IS $20 FOR MEMBERS AND $30 FOR NON-MEMBERS.  FEE COVERS MULTIPLE SUBMISSIONS WHICH ARE ENCOURAGED.
  • SMALL WORKS ENCOURAGED GIVEN POTENTIAL LIMITS OF GALLERY SPACE.
  • DIGITAL WORK ACCEPTED INCLUDING VIDEO.
  • NO PERFORMANCE ART SUBMISSIONS GIVEN LIMITS OF GALLERY SPACE.
  • ONLINE APPLICATION ONLY.

TO SUBMIT
In the body of an email: Please include: For each jpeg- Artist’s Name, phone number, title, size, medium, price, and a short description of how the work fits into the exhibition ‘s theme. Number this info to match your images. All Jpegs should be 72 dpi and 2500 pixels max on longest dimension.

  • Identify each slide as follows: 1_full_name.jpeg
  • Email to: • armandoelduende@gmail.com with the title of the email: How Do I Look submission.
  • You will be notified after the jury selection process for drop off dates.VIEW FULL PROSPECTUS and SUBMIT by visiting: www.davinciartalliance.org*How do I Look is a Casa De Duende production

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Light

Kirby Fredendal, Bazemore Gallery

Kirby Fredendall, The Balance of Light

Opening Reception: Saturday December 17th, 6:00pm – 9:00pm

Exhibition through January 15th, 2017. Gallery Hours: Wednesday to Sunday, 12:00 – 9:00pm

The Bazemore Gallery, 4339 Main Street, Manayunk, Philadelphia, PA. 215-482-1119

“There is a stillness as a front gathers at the northern end of a lake – a calm. The clouds gather. The light becomes brilliant then dark. The wind curls itself into a directed force. The rain comes.” – Brian Bazemore

Kirby Fredendall, a Bucks County artist, paints to see these experiences reified.  With deep roots in her craft and a deeper sentient knowledge of the landscape she describes her work as representing “the changing energy of our relationships” not only with ourselves but with others and the very environment we inhabit. An art teacher at the prestigious Solebury School, Kirby lives her vocation and her passion. Come witness the landscape in all its ethereal glory and experience the interconnected relationships that Kirby espouses.

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