Category Archives: Philadelphia Art

Art in Philadelphia, PA.

Tweak

Tweak of Nature, Seunghwui KooTweak of Nature, Seunghwui Koo, Narcissism, Acrylic on resin, mirror, 12.5” x 48” x 12”, © Seunghwui Koo 2012

Main Line Art Center Presents Tweak of Nature Featuring New York and Philadelphia Artists

2015 Meyer Family Award for Contemporary Art Recipients:
Seunghwui Koo, Tasha Lewis,  Kate Stewart
 

Curated by Amie Potsic, Executive Director of Main Line Art Center

March 9 – April 21, 2015

Artist Talks & Opening Reception: Friday, March 13

Artist Talks: 5:30-6:30 pm | Reception: 6:30-8:30 pm

Artist Workshops:

Piggy’s Treehouse: Story Inspired Sculpture Family Workshop
Seunghwui Koo | Saturday, April 11, 10:30 am-12 pm

Piggy Bank Family Workshop
Seunghwui Koo | Saturday, April 11, 1-2:30 pm

Alternative Drawing Techniques Adult Workshop
Kate Stewart
| Saturday, April 18, 1-4 pm

Sun Print Magnetic Butterflies Family Workshop
Tasha Lewis | Sunday, April 19, 1-4 pm
HAVERFORD, PA Main Line Art Center in Haverford is proud to announce Seunghwui Koo (New York, NY), Tasha Lewis (New York, NY), Kate Stewart (Philadelphia, PA) have been named recipients of the 2015 Meyer Family Award for Contemporary Art.

Selected by Members of Main Line Art Center’s Board of Artistic Advisors and Executive Director through a competitive application process, Koo, Lewis, and Stewart will be featured in Tweak of Nature, the 11th Annual Betsy Meyer Memorial Exhibition, on view at Main Line Art Center March 9 to April 21.  The exhibition hosts photo-based constructions, whimsical sculpture, large-scale paintings, and site-specific installation.  Inspired by the exhilarating energy of natural and urban environments, these artists speak to our collective experience as human beings navigating the elements, the animal kingdom, and each other.  Manipulating and tweaking our perception of nature and its creatures, they create new beings, surroundings, and realities that surprise, challenge, and delight.  The exhibition was curated by Amie Potsic, Executive Director of Main Line Art Center.

For over a decade, Main Line Art Center has presented an exhibition each spring in memory of Teaching Artist Betsy Meyer featuring the work of forward-thinking artists who are pushing boundaries within their artistic practice. As an artist, Betsy exemplified what is most exciting about engaging with the artwork of living artists: watching them experiment with their media and tackling complicated and tough subjects. As a teacher, she encouraged her students to follow her example and expand their practice into new frontiers. And finally, as a member of the board and exhibition committee, she assured that the Art Center was there for the artistic community of Philadelphia.

In 2014, Main Line Art Center and the Meyer Family expanded the exhibition program to include the Meyer Family Award for Contemporary Art, which consists of a solo exhibition and award of $1000 to each selected artist. The growth of this program is an effort to support the talented contemporary artists in the Mid-Atlantic region, to honor deserving artists in the field, and to encourage excellence and experimentation in artistic practice, presentation, and community involvement.  The 2014 recipients of the Meyer Family Award for Contemporary Art were Tim Portlock, Jennie Thwing, and Nic Coviello.

The Art Center will host artist talks Friday, March 13 from 5:30 to 6:30 pm, followed by a public reception from 6:30 to 8:30 pm featuring samplings from the center’s wine sponsor, Barefoot Wine & Bubbly.  The artist talk, reception and gallery visits are free and open to the public. The gallery is open Monday through Thursday from 10 am to 8 pm, andFriday through Sunday from 10 am to 4 pm.  Additional programs for Tweak of Nature include two family workshops presented by Seunghwui Koo on Saturday, April 11, a family workshop by Tasha Lewis on Sunday, April 19 from 1 to 4 pm, and a workshop for adults on alternative drawing techniques presented by Kate Stewart on Saturday, April 18 from 1 to 4 pm.  For more information about these programs, including registration, visit www.mainlinert.org or call610.525.0272.

Tweak of Nature, Tasha LewisTweak of Nature, Tasha Lewis, Horned Gazelle, Cyanotype sculpture , 8” x 11” x 6” © Tasha Lewis 2014

Tasha Lewis is an artist originally from Indianapolis, Indiana, whose sculptural and installation works combine the historic photographic process of cyanotype with paper sculpture, stitching, magnets, and ephemeral public art.  Lewis received her BAs in English Literature and Studio Arts from Swarthmore College in 2012, and has studied at the Firenze Arte Visive in Florence, Italy and the Qasid Institute in Amman, Jordan.   She has exhibited her work in Philadelphia, Indianapolis, Newark, New York City, Cambridge, Sarasota, and Grand Rapids, with recent exhibitions at The Bronx Museum of the Arts, the Cambridge Art Association in Massachusetts, and the Spartanburg Art Museum in South Carolina.  Her works have been featured in British Vogue and The Book of Alternative Photographic Processes by Christopher James.  Having recently completed a residency at Gallery Aferro in Newark, NJ, Lewis currently lives and works in the New York metropolitan area.

Tweak of Nature, Kate StewartKate StewartGötterdämmerung (detail). Custom wall covering and fabric, paint, chairs. Dimensions variable (20’ x 20’ x 20’) © Kate Stewart 2012

Kate Stewart is a painter and installation artist in Philadelphia whose wide-ranging work engages humanity’s relationship to the environment and disaster.  She received her MFA from The University of Pennsylvania in 2003, a BA from Dickinson College in 1998, and studied abroad in Toulouse, France and at the University of Yaounde, in Cameroon.   She was awarded a 6-month artist residency at 40th Street AIR in Philadelphia, received a Vermont Studio Center grant and one-month residency, and was a 2008 finalist for a Pew Center for Arts & Heritage Individual Artist Fellowship.  Stewart’s work has been exhibited at the Tate Modern in London, P.S. 122 in New York, Towson University, and the Institute of Contemporary Art in Philadelphia.  Her solo exhibitions include Vox Populi Gallery, Moore College of Art, West Chester University, The Art Institute of Philadelphia, Drexel University, Gettysburg College, and Seraphin Gallery.

Tweak of Nature, Seunghwui KooSeunghwui KooLambo, Acrylic on resin, 9” x 24” x 24”, © Seunghwui Koo 2013

Seunghwui Koo is a sculptor whose work draws inspiration from traditional South Korean culture and the daily happenings and intricate moments of her life in New York City.  She earned a BFA in Sculpture and Fine Art from the Kyungpook National University in South Korea in 2005.  Koo was awarded a Visual Art Studio Residency by Chashama in New York in 2013, and received the Allied Artists of America’s Members and Associated Award in 2014.  She has recently exhibited her work at the Belskie Museum of Art and Science in New Jersey, the Newark Museum in New Jersey, the Fountain Art Fair and Scope Art Fair in New York, and Gallery Shilla in South Korea.  In addition, she was the 2014 winner of the New Generation Able Fine Art Seoul Competition.

Amie Potsic, curator of the exhibition, began her tenure as Executive Director of Main Line Art Center in July of 2012.  Prior to that, she served as Director of Gallery 339 and Director of the Career Development Program at the Center for Emerging Visual Artists (CFEVA) in Philadelphia where she curated exhibitions and planned professional development programming for emerging and professional artists. Potsic has curated over 70 exhibitions at venues including The Philadelphia Museum of Art, Pittsburgh Center for the Arts and Moore College of Art & Design. Potsic is also an established photographic artist who has exhibited her work  internationally.  In addition, she is currently Chair of the Art In City Hall Artistic Advisory Board to the City of Philadelphia’s Office of Arts, Culture & the Creative Economy.

Main Line Art Center is our community’s home to create, experience, and discover the value of visual art.  From our award-winning visual art classes, to our contemporary and innovative exhibitions, you can count on quality and expect the unexpected at Main Line Art Center.  The art we exhibit, teach, and share is intended to exceed expectations as it inspires creativity, conversation, and joy. The mission that underscores all we do is to inspire and engage artistic creativity for all ages and abilities and to celebrate and strengthen the essential role of visual art in community life.  Last year we inspired 16,000 people a Main Line Art Center and touched the lives of over 80,000 through our Exhibitions in the Community and festivals across the Philadelphia area.

Main Line Art Center is located at 746 Panmure Road in Haverford, behind the Wilkie Lexus dealership just off of Lancaster Avenue. The Art Center is easily accessible from public transportation and offers abundant free parking. For more information about Tweak of Nature, please visit www.mainlineart.org or call 610.525.0272.

Photographs and content for this DoNArTNeWs blog post provided by Amie Potsic. Thank You!

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High School

31st Annual High School Art ShowBoss, pastel, Tyreese Tunnell, Frankford High School, Grade 12, winner Judges Choice Philadelphia Sketch Club High School Art Show 2014

31st Annual High School Art Show at The Philadelphia Sketch Club

2015 Annual Philadelphia School District High School Student Art  Exhibition: This is a juried exhibition open to Philadelphia High School Students. Chair: Dorothy Roschen

You are cordially invited to the artists reception and awards ceremony February 22, 2015, 2:00 – 4:00pm. Philadelphia Sketch Club 235 South Camac Street, Philadelphia, PA, 19107.

Hours: Wednesday, Friday, Saturday  & Sunday 1:00 – 5:00pm

“The Philadelphia Sketch Club “support[s] and nurture[s] working visual artists ” by providing studio space through our workshops program as well as by providing exhibition and networking opportunities; we support “ the appreciation of the visual arts ” by providing free public access to our exhibitions; we support “ visual arts education ” through our low cost, open enrollment workshop program; and lastly, we promote “ the historical value of the visual arts to the community ” by providing free public access to our historic collections and facility.”

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SIMULATE – PERMEATE

Simulate - Permeate, Rowan University Art GalleryInstructions to the Internet, Christopher McManus

SIMULATE – PERMEATE

Exhibition examines materiality, experience, and authorship in technology-based art.

Glassboro, NJ – Rowan University Art Gallery presents Simulate – Permeate from January 20 to March 7, 2015 with a reception and artist’s talk on Wednesday, February 11 from 5:00 to 7:00 pm.

Curated by Mat Tomezsko, Curator and Program Manager at InLiquid Art & Design, the exhibition features the work of eight Philadelphia-based artists and artist groups making innovative use of new media that collectively examine concepts of materiality, experience, and authorship in technology-based contemporary art.

  • Lyn Godley makes use of naturally occurring responses to particular light wavelengths and imagery in her photographs of water, which are altered digitally and threaded (by hand) with optic fiber and lit with LEDs to achieve an undulating effect.
  • Juggling Wolf, a multidisciplinary collective dedicated to creating video and animation that is technically challenging and visually rewarding, offers two versions of a new video: one full length playing in the gallery and a shorter version broadcast across campus using the technological infrastructure of the university.
  • Christopher McManus’ work is a sculpture and a 20 second video that plays in reaction to the audience’s interaction with the sculpture, which is a piece meant to be a physical representation of the internet: friendly, cute, and enticing while simultaneously being completely repulsive, mean-spirited, and horrifying.
  • A collective of artists, engineers, and designers dedicated to bringing engaging and empowering art to the public, and to encouraging a sense of ownership to community spaces, New American Public Art has created an encounter with a monitor of a live video feed with a temporal delay. The delay is just long enough to create a disconnect, yet remain familiar as viewers are faced with images of themselves from the near past, but just beyond immediate memory.
  • Maria Schneider’s work begins with a pencil on paper drawing, which is then scanned and laser printed onto layers of polycarbonate and illuminated with LED light. The drawings evoke a common experience and a familiar medium, but are transformed by the technological process to become something new.
  • Jody Sweitzer’s outdoor sound and video installation is triggered by the movement of pedestrians on the patio after dark. The seemingly sinister messenger subverts the familiar recitation of the Pledge of Allegiance and emphasizes the tendency to insert religion into what is supposed to be a secular context.
  • Chris Vecchio’s work is about interaction and meant to be touched, and contains more than 500 samples of audio that can be triggered by the angle of movement, ensuring that every interaction between the viewer and the sculpture is unique and questions the traditional role of the art object.
  • TangenT is an artist collective dedicated to mixed-media, project-based immersive art environments exploring socially relevant and politically current themes. At Rowan, their immersive installation of disparate physical, visual, and sound elements seeks to examine the simultaneous connection and disconnection of experience, perception, and knowledge using government reporting on individuals and institutions as a meditation on information control, privacy, and truth.

Simulate - Permeate, Lyn GodleyLyn Godley, Waterwall

InLiquid Art & Design is a nonprofit organization committed to creating opportunities and exposure for visual artists while serving as a free, online public hub for arts information in the Philadelphia area. By providing the public with immediate access to view the portfolios and credentials of over 280 artists and designers via the internet; through meaningful partnerships with other cultural organizations; through community-based activities and exhibitions; and through an extensive online body of timely art information, InLiquid brings to light the richness of our region’s art activity, broadens audiences, and heightens appreciation for all forms of visual culture.

Admission to Rowan University Art Gallery, talks and reception is free and open to the public. Regular gallery hours are Monday – Friday, 10 am to 5 pm (with extended hours on Wednesdays to 7 pm); and Saturday, 12 to 5 pm.

Rowan University Art Gallery is located on the lower level of Westby Hall on the university campus, Route 322 in Glassboro, NJ. Directions can be found on the gallery or university websites. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

This program is made possible in part with funds from the New Jersey State Council on the Arts.

Thank you to Mary Salvante for the content of this blog post.

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Time

Responce Time, Scott McMahon & Ahmed Salvador

The University of the Arts Presents Photographers Scott McMahon ’95 & Ahmed Salvador ’95: Response Time

January 9 – February 6, 2015, The Sol Mednick Gallery of Photography, Terra Hall, 15th floor, 211 South Broad Street, Philadelphia, Pa.

With “Response Time”, University of the Arts alumni Scott McMahon & Ahmed Salvador (both ’95) continue to refine their collaborative photographic explorations. The process involves one of them sending to the other bits of traditional silver based photographic paper or film in the mail and in the process exposing them for days. Once the parcel is received, it is opened, developed, and the results sent back to the sender. At times, initial lens exposures were made, but the material and/or packaging was later subjugated to light leaks from violently made drill holes or cutmarks. In a way, these perverse techniques push these factory-made films and papers to the end of their silver tether, and also squeeze the true nature of ‘writing with light’ out of them. However brutal, the end result is still a vestige of the first 150 years of traditional photography’s innovation grasping, but not gasping, for relevance. Their performative approach argues against the strict engineering controls that photographic media is designed to adhere to, with results that are always unique, and whose humor and capricious intent are infectious.

Ahmed Salvador received his MFA from Cranbrook Academy of Art in Bloomfield Hills, Michigan and his BFA in Photography from The University of the Arts in 1995. Salvador’s work has been exhibited in solo and collaborative shows in Philadelphia, at venues including The LightroomBridgette Mayer Gallery, The University City Arts League, The Philadelphia Art Alliance, Nexus Foundation for Today’s Art, and a Challenge show at Fleisher Art Memorial. Most recently his work was exhibited at Space 1026, and a solo show at Columbia College’s Hardwick Gallery in Missouri. He is an exhibitions preparator at the Philadelphia International Airport Art & Exhibitions Program and a wet-process photography instructor at the Fleisher Art Memorial in Philadelphia.

Scott McMahon received his MFA from Massachusetts College of Art in Boston and his BFA in Photography from The University of the Arts in 1995. Recent exhibitions include the Palace of the Governors New Mexico History Museum, Santa Fe, NM; PS Gallery, Columbia, MO; Galeria Pusta, Katowice, Poland; Three Columns Gallery, Harvard University; Bridgette Mayer Gallery, Philadelphia (collaborative) and The Bioluminescent Firefly Experiment, University City Arts League, Philadelphia (collaborative). McMahon’s work has been published in Pinhole Photography: Rediscovering a Historic Technique by Eric Renner, The Book of Alternative Photographic Processes by Christopher James, Anthotypes by Malin Fabbri, and Poetics of Light –Contemporary Pinhole Photography by Eric Renner and Nancy Spencer. He was a resident artist at Haystack Mountain School of Crafts in Deer Isle, Maine; çin East Haddam, CT; and Border Art Residency in La Union, New Mexico. He is an Assistant Professor of Art at Columbia College in Missouri.

There will be a reception for the artists from 4:00 to 7:00pm for “Response Time” in the Mednick Gallery on Thursday, February 5th.

The Sol Mednick Gallery offers a year-round regular schedule of exhibitions of contemporary photography. This exhibition is concurrent with “Tom Young: Timeline: Learning to See with My Eyes Closed” in Gallery 1401 (the Sol Mednick Gallery’s sister space) on the 14th floor of Terra Hall. The UArts Photography program operates both galleries.

2015 is The Sol Mednick Gallery’s 37th year of operation and Gallery 1401’s 17th year. The only endowed gallery in Philadelphia dedicated solely to the exhibition of photography, the Mednick Gallery earned the Photo Review Award for service to photography. Associate Professor and former director of the Photography program Harris Fogel has been director/curator of both galleries since 1997 and founded Gallery 1401 in 1999. Gallery hours are Monday through Friday, 10 a.m.-5 p.m., Saturday and Sunday by appointment. Call 215-717-6300 for more information. Images are available upon request.

About the University of the Arts

The University of the Arts is one of the nation’s only universities dedicated to the visual and performing arts, design, and writing. More than 1,800 students are enrolled in undergraduate and graduate programs on its campus in the heart of Philadelphia’s Avenue of the Arts. The institution’s roots as a leader in educating creative individuals date back to 1868.

Thank You to Harris Fogel for the content of this blog post.

CONTACT: Harris FogelUniversity of the Arts

Tel: 215-717-6301 Email: hfogel@uarts.edu

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American

AFRICAN-AMERICAN ART IN PHILLYMartin Luther King, Jr., 1981, by John Woodrow Wilson (Philadelphia Museum of Art: 125th Anniversary Acquisition. Purchased with funds contributed by the Young Friends of the Philadelphia Museum of Art in honor of the 125th Anniversary of the Museum and in celebration of African American art © John Wilson/Licensed by VAGA, New York Credit: Courtesy Philadelphia Museum of Art

Bringing together more than 75 works from the Philadelphia Museum of Art’s extensive collection of art by African Americans, Represent: 200 Years of African-American Art displays works by 50 artists, including Henry Ossawa Tanner, Horace Pippin, Jacob Lawrence, Alma Thomas, Martin Puryear, Carrie Mae Weems and others. Highlighted by Tanner’s iconic painting The Annunciation, the exhibition features a wide range of items such as pre-Civil War-era decorative pottery, early 20th-century paintings and photography, sculpture and portraits. It runs through April 5, 2015.

In 2015, Philadelphia museums will mount six major exhibitions featuring some of the most celebrated African-American artists, further adding to the city’s reputation as one of the world’s great art centers. In addition to the Philadelphia Museum of Art’s special exhibition Represent: 200 Years of African American Art, featuring dozens of works from its collections, art lovers can take in the Brandywine Museum of Art’s landmark exhibition Horace Pippin: The Way I See It. Adding to the trove of artistic treasures is As We See It: Selected Works from the Petrucci Family Foundation Collection, coming to the African American Museum in Philadelphia, along with shows at the Pennsylvania Academy of the Fine Arts and the Woodmere Art Museum.

After touring these special exhibitions, visitors can discover the array of African and African-American art in the permanent collections at many institutions around town. Here’s a look at the exhibits and museums worth exploring this year especially:

Special Exhibitions:

  • With work by renowned artists such as Henry Ossawa Tanner, Horace Pippin, Jacob Lawrence, Martin Puryear and Carrie Mae Weems, Represent: 200 Years of African American Art showcases a range of subjects, styles, mediums and traditions. Since acquiring Tanner’s The Annunciation painting in 1899, the Philadelphia Museum of Art’s collection of African-American art has grown significantly, especially during the last three decades, and much of it will be on display in this exhibit. January 10-April 5, 2015. 2600 Benjamin Franklin Parkway, (215) 763-8100, philamuseum.org
  • The African American Museum in Philadelphia presents two major art exhibitions this year. Masterpieces by such luminaries as Edward BannisterHenry Ossawa Tanner and Elizabeth Catlett sit alongside works by school children who have been influenced by them during As We See It: Selected Works from the Petrucci Family Foundation Collection. February 5-March 21, 2015. In the spring, the museum explores the artistic side of Danny Simmons, who is best known as a writer, producer and Tony winner for his Broadway version of Def Poetry Jam. The United Nations and the Smithsonian count his art in their collections. Selected Works from the Danny Simmons Collection features Simmons’ art works and poetry, as well as items from his own collection (Beauford Delaney, James Van Der Zee, Mickalene Thomas, Sol Sax, Derrick Adams and Kara Walker). April 24-June 7, 2015. 701 Arch Street, (215) 574-0380, aampmuseum.org
  • In the first major exhibition of the artist’s works in the country in more than two decades, Horace Pippin: The Way I See It features more than 60 bold, colorful and candid paintings that reflect life in the African-American community and comment on race, religion, war and history. The Brandywine Museum of Art’s exhibition reveals Pippin as an artist who upheld his own aesthetic sensibility while addressing larger social issues. April 25-July 19, 2015.U.S. Route 1 by Creek Road (formerly Route 100), (610) 388-2700, brandywine.org
  • Through an array of works in a broad spectrum of media, African-American Artists of 20th-Century Philadelphia at the Woodmere Art Museum tells the stories of some of Philadelphia’s most celebrated African-American artists, such as James Brantley, Claude Clark, and Ellen Powell Tiberino, and the institutions that nurtured their talents and exhibited their works. Numerous oral histories round out the story. September 26, 2015-January 24, 2016. 9201 Germantown Avenue, (215) 247-0476, woodmereartmuseum.org
  • With more than 80 paintings, works on paper and the artist’s hand-made puppets all culled from major international private and public collections, Procession: The Art of Norman Lewis travels through four decades of the artist’s career from the 1930s through the 1970s. Through the exhibition, visitors to the Pennsylvania Academy of the Fine Arts learn about Lewis’ role in the Harlem art community and his contributions to abstract expressionism.November 13, 2014-April 3, 2016. 118 N. Broad Street, (215) 972-7600, pafa.org

Permanent Collections:
African Art:

  • Dr. Albert Barnes’ interest in African art dates back to the early 1920s when he acquired traditional African masks and sculptures from the Dan and possibly Kulango societies of Côte d’Ivoire, as well as from Guinea and northeast Liberia. Visitors can see theses works, which he describes as “the purest expression of the three-dimensional form,” at the Barnes Foundation. Home to a remarkable collection of paintings from the masters of modern art, the Barnes Foundation’s significant collection of African art is displayed in remarkable ensembles that show how the likes of Picasso and Modigliani were influenced by the stylistic and symbolic forms in African art. The Barnes Foundation also holds important works by American artists, including Horace Pippin. 20th Street & Benjamin Franklin Parkway, (866) 849-7056, barnesfoundation.org
  • The Penn Museum, or University of Pennsylvania Museum of Archaeology and Anthropology, boasts an extensive collection of African art and artifacts such as masks, sculptures, instruments, famed Benin bronzes, embroidered garments and jewelry. Visitors can also marvel at a wide range of other materials from throughout the continent, which are on permanent display in the African and Ancient Egyptian galleries. 3260 South Street, (215) 898-4000,penn.museum

African-American Art:

The With Art Philadelphia® collaborative is a first-of-its-kind partnership to position Philadelphia among the world’s great art destinations and to increase visitation to the region from around the world. The groups contributing financial and other resources to the campaign are: the City of Philadelphia, VISIT PHILADELPHIA, Barnes Foundation, Philadelphia Museum of Art, Pennsylvania Academy of the Fine Arts, Penn Museum (University of Pennsylvania Museum of Archaeology and Anthropology), Pennsylvania Horticultural Society, Philadelphia International Airport, Philadelphia Convention & Visitors Bureau, Greater Philadelphia Cultural Alliance, Commonwealth of Pennsylvania, The Lenfest Foundation, William Penn Foundation, Knight Foundation, Arts & Business Council of Greater Philadelphia, PNC and PECO.

For more information about travel to Philadelphia, visit visitphilly.com or uwishunu.com, where you can build itineraries; search event calendars; see photos and videos; view interactive maps; sign up for newsletters; listen to HearPhilly, an online radio station about what to see and do in the region; book hotel reservations and more. Or, call the Independence Visitor Center, located in Historic Philadelphia, at (800) 537-7676.

For more information about With Art Philadelphia and high-resolution photos of the Philadelphia art scene and the region, visit visitphilly.com/withartpress.

Thank You to With Art Philadelphia for the content of this blog post. DoNArTNeWs contributed links to artist’s website and Wikipedia pages.

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