Category Archives: Paintings Philadelphia

oils, acrylics, watercolor, mixed media, ink, philadelphia

natural memory spiritual traveling

Lilliana Didovic & Dexiang Qian

natural memory spiritual traveling, Exhibition by Lilliana S. Didovic & Dexiang Qian, Da Vinci Art Alliance, 704 Catharine Street, Philadelphia, PA., 19147, February 2014.

Opening Reception: February 1, 2014, 6:00 – 10:00pm.

Dexiang Qian paints with precision and a mystical realism, Lilliana S. Didovic paints with loose and lavish strokes of color creating idyllic cityscapes, together the divergent styles accentuates the strengths of each artist. The two artists are fast friends and share many of the challenges faced by integrating into American life, Philadelphia style. Imagine trying to learn English in a town that has ‘youse guys’ as a word?

Professor Dexiang Qian teaches at Hunan Normal University in China and he has has alsways been so kind and complementary to me and my art. Lilliana S. Didovic has made me part of her extended family, I even helped her write her book. But even through there are language barriers, a shared passion for creating exciting, beautiful art is shared.

Hunan Normal University (simplified Chinese: 湖南师范大学; traditional Chinese: 湖南師範大學; pinyin: Húnán Shīfàn Dàxué), founded in 1938, is a higher education institution located in Changsha, HunanProvince, People’s Republic of China. It has existed for 72 years. The University is a national 211 Project university, one of the country’s 100 key universities in the 21st century that enjoy priority in obtaining national funds. – facebook

Dexiang Qian calls Philadelphia home as well, traveling back and forth between China and Philadelphia, he has a studio here and there. Lilliana S. Didovic paints in her studio in at home, usually her son Gordan’s bedroom or at CHOP, Gordy needs full time arm’s length care. Lilliana paints her magic realist landscapes in high definition color on big canvasses. Dexiang works big, too. The show at Da Vinci Art Alliance is sure to be memorable.

Dexiang Qian, Da Vinci Art Alliance

Dexiang QianWorship, oil, 24″ X 18″, Da Vinci Art Alliance, February 2014

Born in the former Yugoslavia, Sibenik, Croatia, February 23, 1954, Lilliana S. Didovic escaped the war in her homeland, Sarajevo, Bosnia, 1992 and was granted political asylum in the United States, 1995. Her family became American citizens in November 2007. Member of the Board of Directors Da Vinci Art Alliance, Philadelphia, PA, April 2007 – January 2014.

Lilliana S. Didovic has earned a Master of Arts, Child and Adolescent Psychology, The Chicago School of Professional Psychology, Chicago, IL, USA, Match, 2011, Bachelor of Science in Economics, Major in Marketing and Market Research, University of Economic Sciences, Sarajevo, Bosnia & Herzegovina, Europe, December, 1976.

Lilliana S. Didovic at Da Vinci Art Alliance

Lilliana S. Didovic, Cathedrals,  40″ X 30″, mixed media on canvas, this painting represents three cathedrals from Sarajevo, Sibenik and Philadelphia. Da Vinci Art Alliance, February 2014

natural memory spiritual traveling, Exhibition by Lilliana S. Didovic & Dexiang Qian, Da Vinci Art Alliance is sure to be a memorable and historic art show. The global perspective, the artistic excellence, the iconic gallery, the big personalities, warm hearts and accepting open minds make this a Philadelphia art event not to be missed with people from, literally, all over the world planning to attend.

Happy Birthday Lilliana!

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Plastic Club

Sam Park, Plastic Club New Members

Sam Park, August Moon Hwatu Card, oil, $2200.00, Plastic Club New Members 2014

Hwa-tu is the Korean version of the Japanese playing card game Hanafuda (花札?) are playing cards of Japanese origin that are used to play a number of games. The name literally translates as “flower cards.”[1][2] The name also refers to games played with those cards. There are twelve suits, representing months. Each is designated a flower, and each suit has four cards. Typically, each suit will have two normal cards and two special cards. The point values could be considered unnecessary and arbitrary, as the most popular games only concern themselves with certain combinations of taken cards.” – wikipedia

Sam Park‘s painting is large, the limited palette and geometric composition richly layered with oil paint and symbolism. The artist uses the symbolism of the card game to reflect on the idea of being a new player in an established group. Sam created this painting for the Plastic Club New Members 2014 show, he explained to me a few weeks ago how he was looking forward to adding the final symbol after developing the surface of the painting. The cosmological composition is more than geometry, it speaks about light and the combination of clues toward realization. Park is also a realist painter, his self portrait in oils in the Tea Room is sensual and sensitive.

Elke H. Muller, Plastic Club New Members

Elke H. Muller, Bicycle, photograph, $85.00, Plastic Club New Members 2014

To become a member of the Plastic Club the artist has to be known by several members and present three artworks to be reviewed by the membership committee. At the Plastic Club the art of photography is held in high regard with a contemporary esthetic towards image making. Bicycle by Elke H. Muller is a complex composition with information rich shapes and planes. The vivid cyan blue print is artisanal and thought provoking, the composition is a deceptively simple descriptive urban landscape. This photo was made with tungsten film in daylight, hence the blue color.

Lauren Reed, Plastic Club New Members 2014

Lauren Reed, Colors of the Sky, watercolor & ink, $60.00, Plastic Club New Members 2014

Colors of the Sky seems influenced by photography with the repeated patterns but the mix of watercolor and ink uses the natural fractals of the media to create a cosmic landscape. Like watching the night sky fade through the trees, the paintings have an animated relationship as they each speak about precious moments of nature.

Janice Balson, Plastic Club New Members 2014

Janice Balson, Rising Tide, oil, $485.00,  Plastic Club New Members 2014

Janice Balson, Plastic Club New Members 2014

Janice Balson, River Walk, oil, $485.00, Plastic Club New Members 2014

Janice Balson’sRiver Walk is a meditative and atmospheric landscape that looks a lot like Forbidden Drive along the Wissahickon River to me. The sense of solitude in nature and the solid painting style creates a grounded perspective with a subtle depth of field and informative liquid-y paint strokes. The hues of color offer so much data towards the narrative of the scene, there is a sense of temperature, the sun on your face, creating a familiar sensation of being outdoors in Winter, walking the path.

Plastic Club New Members 2014

Roberta Gross, Vessels of Light, pastel, $1000.00, Glenn Benge, March on 6th Street, July 4, 2012, digital pigment print, $250.00, Louise Vinueza, Sun Sets, oil, $450.00,  Plastic Club New Members 2014 through January 24th, 2014 at 247 South Camac Street, Philadelphia, PA 19107

The Plastic Club New Members 2014 includes twenty-two new member artists with 71 works of art spread throughout the galleries of the Plastic Club. New member committer chair Michael Guinn has introduced the Philadelphia arts community to wonderful artistic talents and terrific personalities, the more the merrier.

I personally am so grateful for the acceptance, camaraderie and inspiration the Plastic Club provides to me and the arts community. The outstanding art shows, informative salons, artist’s workshops, eclectic movie nights, delightful dinners, parties, barbeques and cocktail parties all make for an inclusive and supportive yet expressive environment for an aspiring artist.

Thank you so much to Cythia Arkin, Susan Stromquist, Bob Jackson, Alan Klawans, Mike Guinn, the board of the  Plastic Club and the many enthusiastic volunteers for keeping the organization strong, resilient and relevant to the contemporary art scene. There may be an artistic renaissance happening in Philadelphia now, but the Plastic Club is the third oldest art club in the USA (established in 1897) and has been exhibiting contemporary art by Philadelphia regional artists all along.

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Coupling at Off the Wall Gallery

Alice Gonglewski, Coupling at Off the Wall Gallery

Alice Gonglewski, Union #2-4, popsicle sticks and acrylic paint, $40.00, Coupling at Off the Wall Gallery at Dirty Franks

Coupling is the theme of the 9th Annual Juried Art Show at Off the Wall Gallery and artists took the concept into elusive yet eloquent mind spaces. Alice Gonglewski‘s Union series uses popsicle sticks to create a visual expression of family and home to it’s simplest symbols. The round and straight lines of the sticks, the black and white paint and the open and closed shapes evokes memories of home. I can almost hear the Mister Softee song, an ear worm that stirs memories of prosperity and poverty. The bare sticks represent food, comfort, safety and caring with minimal information and maximal content of narrative.

Laura Storck, Coupling at Off the Wall Gallery

Laura Storck, Elvis Pelvis, cyanotype from digital negative, $200.00, Coupling at Off the Wall Gallery at Dirty Franks

The combination of different photography techniques makes Elvis Pelvis pop on a wall with fifty other cool artworks. Laura used an x-ray as the negative for the cyanotype print. Mildly photosensitive solution is applied to a as paper and allowed to dry in a dark place. When the paper is exposed to light the negative, in this case the x-ray, controls the amount of chemical reaction. By mixing technologies the piece couples a view of the interior of a body while exposing the lines of the exterior. The deep blue is rich with tone and texture, the lines are descriptive and articulated, almost holographic. The painterly strokes of the photo-sensitive solution add a sense of immediacy and urgency.

Laura Storck’s photography can currently be viewed as part of Philly Photo Day, in their gallery at North 3rd Street and on a billboard in West Philly. Her exploration into silver emulsion photography is included in a group show called Silver Emulsion Red Hook Coffee and Tea, 765 South 4th Street, Philadelphia, PA, 19147. Opening Reception: Friday December 20th, 2013, 6:00 – 9:00pm

Erica Harney, Coupling at Off the Wall Gallery

Erica Harney, Rabbit/Credit Card, oil and mixed media on panel, $80.00, Coupling at Off the Wall Gallery at Dirty Franks

Erica Harney has been working on an art project which dove tailed perfectly with the theme of Coupling. By asking people to name two nouns, a Dadaist idea of Exquisite Corpse is created which is then painted as literally as possible. The paintings are refreshingly entertaining, the randomness of the combinations are like real life with problems, delights, challenges and comforts. There are four paintings in the show each coupling dual identities into one composition but Erica Harney has painted dozens of paintings using these restraints yet each painting stands on it’s own merits.

Karen Frank, Coupling at Off the Wall Gallery

Karen Frank, Mutual Admiration, acrylic on board, $100.00, Coupling at Off the Wall Gallery at Dirty Franks

Coupling includes various media but the paintings are strong. It really feels like the paintings are active and intense paired with photography and mixed media. Karen Frank‘s seahorses, Mutual Admiration, combines the exotic and familiar with evocative marks and color ways. The piece is dreamy and child-like but the other-worldly context of life under water and the unintelligible form of communication between the beings feels empathic.

Jenn Warpoles paintings mix color, texture and surface to create evocations of emotion, experience and liveness. Abstracted yet anthropomorphic shapes create a visual dialog that speaks of love, despair, attraction and rejection. The small panels are powerful paintings with the atmospheric tones represented in washes of emotional color, a sensitive hand and restrained color palette design an emotional experience.

Jenn Warpole, Coupling at Off the Wall

Jenn Warpole, Untitled #2, oil on panel, $265.00, Coupling at Off the Wall Gallery at Dirty Franks

Hashtags and Archetypes by John Baccile is absolutely contemporary, elevating the computer screen shot from a moment of too much information into a rich and eloquent story. The visual language with overlays and multiple conversations feels so modern – post, post, post modern. Would the couple in the picture ever imagine a future with automatic photograph face recognition, predictive social media penetration and internet fame? John Baccile used a lowly material, the facebook page, and manipulated the elements with a sophisticated info-graphic capturing the past, present and future of portraiture.

John Baccile, Coupling at Off the Wall Gallery

John Baccile, Hashtags and Archetypes, digitally altered screen grab, $100.00, Coupling at Off the Wall Gallery at Dirty Franks

The photograph John Baccile used is one hundred years old, the algorithms in facebook look for identity matches in the faces creating an overlay of information and possible matches, it really gives off a Minority Report vibe and how we willingly allow investigation of our history.

Bill Myers photograph documents a modern sensibility towards photography and image making. The composition, color and forms takes the concept of Coupling to an intense contemporary level. The balance of the two figures, each with an emotional openness, evokes an emotional response, an autonomous reflex, from the energetic image layering character studies with line, tone and light. I can think of several artist to compare Bill Myers to but he truly is his own authentic self with a defined vision.

Bill Myers, Coupling at Off the Wall Gallery

Bill Myers, Standing Strong, digital photography, $50.00, Coupling at Off the Wall Gallery at Dirty Franks

Robert Yong Lee, Coupling at Off the Wall Gallery

Robert Yong Lee, Untitled (Ann Arbor, 2009), silver gelatin print, $150.00, Coupling at Off the Wall Gallery at Dirty Franks

Bob Lee‘s black and white photograph examines the idea of Coupling in a composition filled with memes, matches and metaphors. The seated figure before the painting has a jacket draped over his arm like the figure in the painting, while the seated man is looking down, the painted man is looking into the distance. The standing man on the left is reading while the statue of the standing woman is straining to listen. The two tableaus are divided by architectural elements that themselves represent similar yet opposite forces. This is the kind of art you can really spend time with finding deep and elusive narratives.

Coupling will be on the wall at Off the Wall Gallery through December 27th, there is a holiday party at Dirty Franks, 13th and Pine Streets, tonight, December 20th. I have two photographs in the show, too, I wrote about them in My Photo Day on DoNArTNeWs. The whole experience of the Coupling show was wonderfully creative; I was inspired to make new work and I was part of the creative team behind the show. The art I’ve described in this post is just a sampling of the excellence in the show and the diversity of talent in the Philadelphia contemporary art scene.

The experience of watching people actually look at the art show and really spend time looking at the work is the most satisfying feeling of all. I know I keep talking about Social Practice but Off the Wall Gallery at Dirty Franks has truly integrated itself into the fabric of the community by being inclusive and relevant through art and communications that is fun, high art in a dive bar, yet the result is intellectually satisfying in a really authentic feeling of community.

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Written by DoN Brewer. Thank you to Togo Travalia for the photographs in this post and for the excellent advertising and promotion of the show and individual artists through print and social media. I know of no other gallery who promotes each artist with such care. I really appreciate the effort and the love.

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Dora Ficher

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

 “Every painting starts with a grid. The vertical and horizontal lines calm my active brain and provide a structure on which to work.

I often paint within the cells of the grid before tying everything together. Because I use encaustic, I work slowly and deliberately. Building up sticky, fragrant layers of wax forces me to be present. This meditative process is as important as the end result.

Autobiographical stories on paper are encased inside the waxy pigment. The layers of narrative and paint parallel the layers of energy from daily life. Abstract shapes, patterns, and vivid color recall cherished memories of my native Argentina.” – Dora Ficher artist statement

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Bluestone Fine Art Gallery is located at 142 N. 2nd St. Philadelphia, PA 19106 on Gallery Row with a lovely storefront and a gallery for group shows on the lower level. The current show in the main gallery is a one-person show of encaustics by artist Dora Ficher.

Encaustics is an ancient form of painting dating back from around 100 – 300 AD using bees wax and pigment to create layers of color that literally endures for centuries. Encaustic art has seen a resurgence in popularity since the 1990s with people using electric irons, hotplates and heated stylus on different surfaces including card, paper and even pottery. The iron makes producing a variety of artistic patterns easier. The medium is not limited to just simple designs; it can be used to create complex paintings, just as in other media such as oil and acrylic. – Wikipedia

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Dora Ficher and DoN chatted about her art during November’s First Friday art crawl in Old City. I asked her about using encaustics and where she works? I wondered if it was dangerous.

“It depends if you use if safely. I have my whole studio set up with a window fan and I have ventilation. You have to be safe with it. I use bees wax and pigment, I warm them up and I even use a torch to fuse it. My studio is at 915 Spring Garden Street.”

I know that place! There are so many great artists there, it must be inspiring?

“Oh, yeah!. We had a bunch of the artists come by today, they’re very supportive.”

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

I asked Dora Ficher to explain her inspiration for the colorful artworks.

“My inspiration is mostly from growing up in Argentina. The colors, the people there. of Buenos Aires, are so inspiring. I love color, I get inspired by color, by houses, by doors…and when I travel I love looking at what goes on behind those doors. Some of my paintings have doors and there are things collaged into the background.”

Dora’s father was a musician and if you look closely you can see bits of his music scores embedded in the layers of wax. The poetry of the line, color and context is very invigorating and is a bold blast of brightness to lighten our shortened wintery days.

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

I told Dora that a bunch of Philadelphians, including Charles Cushing, are visiting Buenos Aires ostensibly to paint but were mostly partying every night at the Tango Malongas.

“Of course! When you’re there you don’t have dinner until 11:00 at night and go dancing at midnight, if you go at nine or ten o’clock there’s no one. It is a wonderful place. It’s a lot of fun and the city is very colorful. And I think that’s where I get all my color. I tried to do things that were a little lighter but I always go back and use the same colors.”

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Dora Ficher showed me her iPhone case with one of her designs on it, bright and colorful like her paintings.

“I have a company that licenses my work now, Dianoche Designs, and they are licensing my images and making them into pillows and other products. It’s fun! I do all the encaustics in my studio, at home I do a lot of watercolor and pen and ink. They’re small and that’s what they’re using, mostly. I can go more into detail with that.”

How did you meet Pam Regan of Bluestone Fine Art Gallery?

“I met Pam through Alyson Stanfield, author of I’d Rather Be in the Studio: The Artist’s No-Excuse Guide to Self-Promotion. She’s unbelievable, I just got back from Colorado for a conference with her. I taught for about thirty years, I taught art in an elementary school and about four or five years ago I decided to leave teaching and I started doing this full time.And I didn’t know where to start. I found the book, I went to a lot of her live workshops and on-line classes and I met Pam when Alyson came here to Philadelphia. She was here exactly two years ago. She’s unbelievable!”

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Written and photographed by DoN Brewer except where noted.

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Off the Wall Autumn Invitational 2013

Anders Hansen, Midnight Sun

Anders Hansen, Midnight Sun, charcoal and gesso on paper.

Off the Wall Gallery at Dirty Franks Bar Autumn Invitational 2013 features new artwork from their award-winning, top-selling artists: Jim Biglan, Bob Gorchov, Anders Hansen, Yeoun Lee, Jesse r Lentz, Bill Myers, Lance Pawling and Syd Torchio.

The gallery located in the corner bar has developed a reputation for discovering new artists, creating exciting art experiences and generating sales. Located near art schools, artist clubs and art galleries, Dirty Franks is a hub of artistic energy and talent. It’s not unusual to rub elbows with famous artists or aspiring art students, chef Anthony Bourdain even shot a segment of his show there and got a bit drunk while shooting the show (click his name to see the episode).

Curated by the multitalented Jody Sweitzer, who recently was celebrated with a one-person show at The Plastic Club with an eighteen year retrospective, Off the Wall Gallery is a unique venue which welcomes all kinds of art and artists. Togo Travalia, manager of the bar, tirelessly promotes the shows with outstanding publicity efforts including keepsake catalogs, posters and inventive facebook posts helping create the environment that the art is indeed for sale.

Anders Hansen, Somewhere in France

Anders Hansen, Somewhere in France, ink on paper

“I want my work to have density, complexity, movement, expressiveness. I like my materials to have a life and play of their own – ink that’s inky, charcoal that’s earthy, paint that’s rich, lines that cavort.” – Anders Hansen artist statement excerpt

Anders Hansen’s artwork never fails to surprise yet is totally accessible and decorative. Maybe his limited palette and fluid lines are the secret to his success, allowing the viewer to enjoy his art as it seeps into their consciousness with beautiful simplicity. But the work is the result of determined practice and years of work achieving a level of artistry that is reminiscent of the masters like Pollack or De Kooning. I’m not being flattering here, look for yourself, and you’ll see why collectors seek out his art to fill voids in their collections.

Bill Myers, Everyone Bleeds Now

Bill Myers, Everyone Bleeds Now, digital collage

Bill Myers mashes up original photography with found art to create his signature brand of surrealism. I love it that not everyone get’s it because the best art is often confusing. An accomplished professional photographer, Myers’ artwork mixes metaphors and memes with aplomb creating a balancing act between the real and unreal.

“My art mixes reality or fantasy and combines them to create a storyline that is TOTALLY TRUE OR FALSE!!!” – Bill Myers artist statement excerpt

Lance Pawling, Life on the Line

Lance Pawling, Life on the Line, found object assemblage

Lance Pawling has established himself as an important influence on the creative community of Philadelphia. As a performer with the Dumpsta Players, an employee of the Philadelphia Art Museum and an award-winning fine artist he demonstrates that living the artistic life can be fun and functional. His art, like his life, mixes what he finds into pleasing compositions of exotica, multi-media and history. Unafraid of criticism he laughs with the viewer when he puts Ben Franklin in drag, spoofs the Last Supper or assumes the personality of a Super-Star!

“I find inspiration everywhere I look. The spark might  emerge from the shadow of reflected light,or follow the path of a leaf delicately dancing through the air, set aloft by a passing bus. The delight of creation is all around me.” – Lance Pawling artist statement excerpt

Lance Pawling, Diamond J

Lance Pawling, Diamond J, found object assemblage

Lance Pawling, a Philadelphia-based artist, does performance art and creates handcrafted goods. Lance’s performance art takes the form of drag and female impersonation intended to delight his audience while making them squirm. Lance’s handcrafted art is made largely through found objects—often broken or discarded items—which he transforms into another state of material being that the viewer may not otherwise have seen or expected.” – Lance Pawling website

Bob Gorchov, untitled (Aves)

Bob Gorchov, Untitled (Aves), acrylic, watercolor, ink and pencil on paper

With naive abandon, Bob Gorchov, mixes media and styles to create exuberant creations that recall great artists like, you know, Picasso, Kandinsky, Bourgeois…seriously, before you buy copy-cat art from a big box store buy a Gorchov and you will own an original that no one else has.

Picasso famously said, “It took me four years to paint like Raphael, but a lifetime to paint like a child.”

“About my recent paintings, I can say that the use of color is bolder, less somber and more varied than in previous works. This probably has little to do with conscious choice. I start wirth a line or image and see where it leads me. Then it’s one accident after another – or almost.” – Bob Gorchov artist statement

Yeoun Lee, Spring Shades

Yeoun Lee, Spring Shades, acrylic on canvas

The Autumn Invitational show has some amazing tableaus spread across the wall but Yeoun Lee‘s work, even though it stands fully on it’s own, complements the works nearby. Paired with Anders Hansen‘s mysterious abstractions her brilliant colors deepen the darkness of Hansen’s moody artworks. Placed next to Syd Torchio‘s exquisite portraiture, her work sings the song you hear in your head but with color. Adjacent to Bob Gorchov‘s child-like exhuberance, Yeoun Lee‘s paintings act like the adult in the room. There are several of Lee’s award-winning paintings in this show that belong in collections. #BuyArt

“My greatest source of inspiration to paint comes from nature, which gives me the freedom to express myself and to forget about the darkness and hardships that are inherent in the journey of life. With nature as my inspiration, I feel completly free to my own colors and techniques to create my own world on canvas. In this respect, I consider myself a colorist, using techniques such as dripping, layering, overlapping, and brushwork in my paintings. – Yeoun Lee website

“We’re all affected by what we see around us, by our experience and also by our moods. My great source of inspiration comes from nature and colors. Through observation, memory and my imagination, nature inspires me.” Yeoun Lee artist statement excerpt

Off the Wall Gallery Autumn Invitational 2013

Off the Wall Gallery at Dirty Franks Bar Autumn Invitational 2013 features new artwork from their award-winning, top-selling artists: Jim BiglanBob GorchovAnders HansenYeoun LeeJesse r LentzBill MyersLance Pawling and Syd Torchio.

Jesse r Lentz, Off the Wall Gallery

Jesse r Lentz and Jim BiglanOff the Wall Gallery

The vitrine in the corner of the bar is dedicated to Jesse r Lentz‘ and Jim Biglan’s sculptures, drawings, paintings and mixed media objects with quirky mash-ups and objet trouve that makes me think that Dirty Franks invented the concept of ‘pop-up shop’. Like a mini museum, the glass case contains a fantastical array of the artists’ work that would enhance an urbane mantle, brighten a kitschy kitchen or add animal totem’s to a bedroom to occupy your dream-scapes. Lentz says, “I genuinely feel my small works can live peacefully in the dimly lit environment of Dirty Franks.”

Jesse r Lentz is a sculptor who focuses mainly on the idea of toy and touch. The physicality of an interactive sculpture has been a primary part of her sculptural work since she began practice. Learning the lost wax process of bronze sculpture as well as jewelry casting, welding, and other metal working techniques influenced her relationship to materials and craft. Animals and the human form have been a major inspiration point in all her studies.” – Jesse r Lentz artist statement excerpt from RAWartists.org

“This artwork represents three different avenues I’ve been exploring: 1) small humorous drawings sometimes using text, 2) my ‘moving drawings’, with slots, tabs, pulleys, etc., that can be manipulated to alter the drawing or reveal new areas; and small sculptures that are an extension of my love of mask and puppet-making.” – Jim Biglan artist statement

2013 Autumn Invitational at Off the Wall Gallery in Dirty Franks Bar, 13th and Pine Streets, Philadelphia on view through November 22nd.

The next show is called Coupling – the deadline for entry is 10/31/13

Written and photographed by DoN Brewer except where noted.

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