Category Archives: Social Practice

American

AFRICAN-AMERICAN ART IN PHILLYMartin Luther King, Jr., 1981, by John Woodrow Wilson (Philadelphia Museum of Art: 125th Anniversary Acquisition. Purchased with funds contributed by the Young Friends of the Philadelphia Museum of Art in honor of the 125th Anniversary of the Museum and in celebration of African American art © John Wilson/Licensed by VAGA, New York Credit: Courtesy Philadelphia Museum of Art

Bringing together more than 75 works from the Philadelphia Museum of Art’s extensive collection of art by African Americans, Represent: 200 Years of African-American Art displays works by 50 artists, including Henry Ossawa Tanner, Horace Pippin, Jacob Lawrence, Alma Thomas, Martin Puryear, Carrie Mae Weems and others. Highlighted by Tanner’s iconic painting The Annunciation, the exhibition features a wide range of items such as pre-Civil War-era decorative pottery, early 20th-century paintings and photography, sculpture and portraits. It runs through April 5, 2015.

In 2015, Philadelphia museums will mount six major exhibitions featuring some of the most celebrated African-American artists, further adding to the city’s reputation as one of the world’s great art centers. In addition to the Philadelphia Museum of Art’s special exhibition Represent: 200 Years of African American Art, featuring dozens of works from its collections, art lovers can take in the Brandywine Museum of Art’s landmark exhibition Horace Pippin: The Way I See It. Adding to the trove of artistic treasures is As We See It: Selected Works from the Petrucci Family Foundation Collection, coming to the African American Museum in Philadelphia, along with shows at the Pennsylvania Academy of the Fine Arts and the Woodmere Art Museum.

After touring these special exhibitions, visitors can discover the array of African and African-American art in the permanent collections at many institutions around town. Here’s a look at the exhibits and museums worth exploring this year especially:

Special Exhibitions:

  • With work by renowned artists such as Henry Ossawa Tanner, Horace Pippin, Jacob Lawrence, Martin Puryear and Carrie Mae Weems, Represent: 200 Years of African American Art showcases a range of subjects, styles, mediums and traditions. Since acquiring Tanner’s The Annunciation painting in 1899, the Philadelphia Museum of Art’s collection of African-American art has grown significantly, especially during the last three decades, and much of it will be on display in this exhibit. January 10-April 5, 2015. 2600 Benjamin Franklin Parkway, (215) 763-8100, philamuseum.org
  • The African American Museum in Philadelphia presents two major art exhibitions this year. Masterpieces by such luminaries as Edward BannisterHenry Ossawa Tanner and Elizabeth Catlett sit alongside works by school children who have been influenced by them during As We See It: Selected Works from the Petrucci Family Foundation Collection. February 5-March 21, 2015. In the spring, the museum explores the artistic side of Danny Simmons, who is best known as a writer, producer and Tony winner for his Broadway version of Def Poetry Jam. The United Nations and the Smithsonian count his art in their collections. Selected Works from the Danny Simmons Collection features Simmons’ art works and poetry, as well as items from his own collection (Beauford Delaney, James Van Der Zee, Mickalene Thomas, Sol Sax, Derrick Adams and Kara Walker). April 24-June 7, 2015. 701 Arch Street, (215) 574-0380, aampmuseum.org
  • In the first major exhibition of the artist’s works in the country in more than two decades, Horace Pippin: The Way I See It features more than 60 bold, colorful and candid paintings that reflect life in the African-American community and comment on race, religion, war and history. The Brandywine Museum of Art’s exhibition reveals Pippin as an artist who upheld his own aesthetic sensibility while addressing larger social issues. April 25-July 19, 2015.U.S. Route 1 by Creek Road (formerly Route 100), (610) 388-2700, brandywine.org
  • Through an array of works in a broad spectrum of media, African-American Artists of 20th-Century Philadelphia at the Woodmere Art Museum tells the stories of some of Philadelphia’s most celebrated African-American artists, such as James Brantley, Claude Clark, and Ellen Powell Tiberino, and the institutions that nurtured their talents and exhibited their works. Numerous oral histories round out the story. September 26, 2015-January 24, 2016. 9201 Germantown Avenue, (215) 247-0476, woodmereartmuseum.org
  • With more than 80 paintings, works on paper and the artist’s hand-made puppets all culled from major international private and public collections, Procession: The Art of Norman Lewis travels through four decades of the artist’s career from the 1930s through the 1970s. Through the exhibition, visitors to the Pennsylvania Academy of the Fine Arts learn about Lewis’ role in the Harlem art community and his contributions to abstract expressionism.November 13, 2014-April 3, 2016. 118 N. Broad Street, (215) 972-7600, pafa.org

Permanent Collections:
African Art:

  • Dr. Albert Barnes’ interest in African art dates back to the early 1920s when he acquired traditional African masks and sculptures from the Dan and possibly Kulango societies of Côte d’Ivoire, as well as from Guinea and northeast Liberia. Visitors can see theses works, which he describes as “the purest expression of the three-dimensional form,” at the Barnes Foundation. Home to a remarkable collection of paintings from the masters of modern art, the Barnes Foundation’s significant collection of African art is displayed in remarkable ensembles that show how the likes of Picasso and Modigliani were influenced by the stylistic and symbolic forms in African art. The Barnes Foundation also holds important works by American artists, including Horace Pippin. 20th Street & Benjamin Franklin Parkway, (866) 849-7056, barnesfoundation.org
  • The Penn Museum, or University of Pennsylvania Museum of Archaeology and Anthropology, boasts an extensive collection of African art and artifacts such as masks, sculptures, instruments, famed Benin bronzes, embroidered garments and jewelry. Visitors can also marvel at a wide range of other materials from throughout the continent, which are on permanent display in the African and Ancient Egyptian galleries. 3260 South Street, (215) 898-4000,penn.museum

African-American Art:

The With Art Philadelphia® collaborative is a first-of-its-kind partnership to position Philadelphia among the world’s great art destinations and to increase visitation to the region from around the world. The groups contributing financial and other resources to the campaign are: the City of Philadelphia, VISIT PHILADELPHIA, Barnes Foundation, Philadelphia Museum of Art, Pennsylvania Academy of the Fine Arts, Penn Museum (University of Pennsylvania Museum of Archaeology and Anthropology), Pennsylvania Horticultural Society, Philadelphia International Airport, Philadelphia Convention & Visitors Bureau, Greater Philadelphia Cultural Alliance, Commonwealth of Pennsylvania, The Lenfest Foundation, William Penn Foundation, Knight Foundation, Arts & Business Council of Greater Philadelphia, PNC and PECO.

For more information about travel to Philadelphia, visit visitphilly.com or uwishunu.com, where you can build itineraries; search event calendars; see photos and videos; view interactive maps; sign up for newsletters; listen to HearPhilly, an online radio station about what to see and do in the region; book hotel reservations and more. Or, call the Independence Visitor Center, located in Historic Philadelphia, at (800) 537-7676.

For more information about With Art Philadelphia and high-resolution photos of the Philadelphia art scene and the region, visit visitphilly.com/withartpress.

Thank You to With Art Philadelphia for the content of this blog post. DoNArTNeWs contributed links to artist’s website and Wikipedia pages.

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Forward

David Gerbstadt and NoelDavid Gerbstadt and Noel the Tripod Dog, photo by Tony Babcock

David Gerbstadt has been in my circle of influence for many years through the Philadelphia Dumpster Divers, the disabled artists scene and Philadelphia art galleries. Often people will ask me how to sell their art and I refer them to David’s facebook page to see how he gently pokes and prods people to buy his products. David has a way of asking for the sale that would make any sales manager proud. He offers a variety of products, he will do commissions, he up-cycles found objects, he makes gifts for kids and grownups and offers a variety of payment options. David Gerbstadt is an award-winning, prolific fine artist and author of One Breath At a Time. He’s handsome, funny, friendly and highly creative. And he died.

David was riding his bike one day and was run over by a tractor trailer truck and on the way to the hospital he flat-lined. Thank dog he was revived but he is haunted by PTSD nightmares and daytime memories that stop him in his tracks as the thoughts of being dragged under the truck invade his life. These intrusive memories don’t stop him from pursuing his art career and you would never know from his kid-friendly, optimistic artwork that he suffers almost everyday from the traumatic event that changed his life forever.

Noel the tripod dog changed his life, too, when he adopted her a few years ago and became his constant companion. The metaphor of Noel’s survival is sweet and sublime and offers us all hope that we can overcome adversity. David struggles to meet his expenses as you might well imagine. Let’s face it, even able bodied artists have a hard time making a living. But David is optimistic and every once in a while he will ask for help to meet his expenses through special offers and art sales.

David sent me this message:

“Hi DoN – i heard of the Rosa Pizza on 11th Street – $1 slice – you can
buy someone a slice who is in need. they put up a post its in place.
over 8,000 slices given away so far.

i am working on a similar idea. I am asking people to mail a check for $1 to my mortgage co.
if it can work for pizza and coffee – why not for mortgages — i posted on facebook and many people think it’s a great idea.

would you like to do a story on this?
let me know.
thank you
david.”

I think it’s a great idea! C’mon send a dollar and help David and Noel own a permanent home forever.

David Gerbstadt

Pay It Forward through the gift economy. Send $1.00 to Green Tree Payment Processing, PO Box 94710, Palatine, IL 60094-4710.  Make a payment note for: David Gerbstadt, 54 Aiken Road, Berwyn, PA, 19312. Make checks payable to Green Tree.

David Gerbstadt

David Gerbstadt on Etsy

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#BeatALS

BeatALS, Various Artists, released 14 October 2014. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. 100% of sales of this album directly benefit ALS research through Every90Minutes.org Album Art By: Joshua Davis & Jake Wooldridge. Curated By: Jay Smith, Jesse Brede, & John Burcham

DoN found himself in the middle of a lively debate over the state of pop music at The Plastic Club. I listen to pop music all the time, Pandora’s Lana Del Rey channel is my go to for walking around town. Art friend Alice expressed strongly that good music had stopped with opera. She also made a screeching sound which she said most pop sounds like. I didn’t even get to say the words EDM, trance or techno-jazz before a much younger artist took on the sisyphean task of describing state of the art popular digital music I put my earbuds back in my head and started drawing.

BeatALS is state of the art electronic music that Alice would just absolutely hate but makes me want to dance, bouncing my head to the beat and falling into a deep nod. The collection of tracks range from party to house to dance with a deep groove that is modern and distinct. The down tempo vibe is alive with ethereal riffs, classic techno, contemporary beats and an uplifting sentiment to always dance, even if others don’t like it, even if it’s just in your head.

“Beyond moving bodies and stirring emotion, music can also be a powerful vehicle for social change. Every90Minutes, in conjunction with Gravitas Recordings, has curated a unique compilation of electronic music for an important cause. “Beat ALS” spans 17 tracks across a number of genres with 100% of the proceeds directly benefiting Every90Minutes, a 501(c)3 nonprofit organization dedicated to funding ALS research through music and events.” – Gravitas Recordings

“Our mission is to support the most promising research to find a cure for ALS. We imagine a world where ALS is a treatable and manageable illness, rather than an underfunded and terminal disease, which devastates the lives of individuals and their families receiving a diagnosis every 90 minutes.

ALS, or Lou Gehrig’s disease, is a rapidly progressive and ultimately fatal disease. ALS robs you of the ability to walk, talk, eat, drink, and breathe, while leaving your fully-functioning mind trapped. There is no known cure, and the few treatment options that exist extend life a short period of time, around 2-3 months. Death usually occurs 2-to-4 years from diagnosis.

Doctors and researchers are leading the charge to find a cure, but are in desperate need of funding. With your help, we can accelerate the treatment and cure for ALS from decades to years, save the lives of tens of thousands of people, and create a future where ALS isn’t a fatal diagnosis.” – Every90Minutes

Worldwide Karaoke Throw Down

Please join us in Chicago for our 2014 Sing Your ALS Off Karaoke Throwdown! RSVP at the link: http://www.evite.com/event/00C7DMVYJBVIQAZIAEPEH3L6UZ3LY4

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#Every90Minutes

Social practice is a theory within psychology that seeks to determine the link between practice and context within social situations. Emphasized as a commitment to change, social practice occurs in two forms: activity and inquiry. Most often applied within the context of human development, social practice involves knowledge production and the theorization and analysis of both institutional and intervention practices.” – Wikipedia

An artist friend of mine asked, “You’re really into this ice bucket challenge thing. Aren’t you?” Yeah, I am. In June I learned that a friend from college was diagnosed with ALS. Jay Smith is young, smart, creative with a successful business and a beautiful family, the news was unbelievable and incredibly sad. Have you ever wept so hard tears literally shoot out of your eyes? The feeling of helplessness, the unfairness of the diagnosis, the mystery of what had happened was shocking, stultifying and confusing. There is no known cause for ALS and no treatment. Jay needed a miracle.

Then, something miraculous happened. The ALS Ice Bucket Challenge became a social media phenomenon like nothing else before. Within a few weeks people all over the world became aware of this insidious disease through social media platforms like YouTube, Facebook, and Twitter with silly, wacky and funny videos of people dumping a bucket of ice water over their heads, donating money and challenging their friends to do the same. The modern miracle of the internet and social media has raised awareness and money to unprecedented levels not since Lou Gehrig, the baseball heart throb, was diagnosed with amyotrophic lateral sclerosis in 1939.

The ALS Ice Bucket Challenge is one of the biggest Social Practice art projects the world has ever known. And like other art movements there are enthusiastic early adopters and those who doubt the authenticity of the art form. Even when some of the greatest minds on the planet opt in to dump ice water on their heads and gasp, there are some who are annoyed by the pervasiveness of the project and choose to throw a wet blanket on the idea.

Imagine if you as an artist create an art project that is so successful, so pervasive, so entertaining and popular that critics will pounce on it with lies, fear and distrust from out of nowhere? The ALS Ice Bucket Challenge is like the Jeff Koons of Social Practice art, either you love him and get it or you don’t. Either you delighted in the expressions of support or you doubted. I was kind of shocked when the signs of social media fatigue started to set in, the first complaint I noticed was a popular Philly DJ who’s voice reaches far and wide on the radio and internet. I tried to explain to him that dumping ice water on your head is a metaphor for living with the disease that literally takes your breath away. He decided to double down on his gripe and said he had already donated and was tired of the videos in his facebook newsfeed, with a smily face emogi 🙂

Facebook rage and rants, charity envy, misleading info-graphics, religious interference and science deniers have emerged from the social media troll layer like crazed zombies eating brains. From Pam Anderson placing the life of the poor little mice, worms and fruit flies used in efficacy testing over the lives of suffering humans to supposedly charitable institutions like churches spreading lies about stem cell research the disinformation being spread is stunningly ignorant. I can only imagine the rage in the minds of people trapped inside a non-responsive body while adrenaline surges though their brains listening to uninformed, narcissistic boneheads blabber and mouth off. I’m talking about you Bill Maher. But many ALS patients can’t speak for themselves and their advocates and caregivers don’t have time for this shit from the haters because they are too busy caring for their loved ones.

Now is a time when art, creativity, performance, science and technology have shined a light on what is hard to look at and not shy away. The ugly/beautiful Social Practice art movement called The ALS Ice Bucket Challenge is challenging the people of our world to open their eyes to a very difficult sight to see. Some are wondering what the next gimmick, meme, trick, game or challenge will be? Maybe a cure for cancer, heart disease, autoimmune diseases, autism, Alzheimer’s…? Through Social Practice art we can make real miracles happen in the real world. Suck it ALS!

Donate to Jay Smith‘s crowd-sourcing campaign, Every90Minutes, all of the money donated goes directly to ALS research. https://www.crowdrise.com/teamalsevery90minutes

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DoN ArT NeW NeWs

Randy Dalton’s Blue Grotto

 

Randy Dalton’s Blue Grotto

DoNArTNeWs New News – First Blog

The Blue Grotto, Randy Dalton‘s installation is at the Community Education Center (CEC), 3500 Lancaster Avenue in West Philadelphia, is open on Tuesday and Thursday Evenings from 4:30 to 8:30 pm and Saturdays from 12 to 5pm. Dalton can reached at 215-844-6253 or email randydalton@earthlink.net

March is Women’s History Month, this week’s DoN Art News is dedicated to all my strong women friends who have supported my efforts, inspired me and encouraged me to continue my artistic growth. Since DoN is an honorary girl, the rest of this article is about women’s art happening around town.

The current exhibit at The Center for Emerging Visual Artists in the Barclay Building on Rittenhouse Square is currated by friend of DoN, Brooke Hine. Adaptation: Celebrating Growth and Change is an exhibition dedicated to the transformation of environments, organisms, bodies and forgotten places. Brooke has gathered a cohesive collection of new art composed of unusual, unique materials from dryer sheets as an ethereal wall installation to drawings made with human hair to mobile sculpture activated by magnets. Brooke is a well known ceramics artist and has obviously taken great care to gather a collection of exciting new media mixed with traditional composition and craft techniques.

Brooke Hine Ceramic Installation

Brooke Hine’s ceramics.

The venerable Newman Gallery on Walnut Street has a superb group of art by women on the mezzanine level of this three story historic building. The Newman family has been running the gallery (the first in America) since 1865 and has been open at their present location since 1935! Terry Newman has gathered a group of strong paintings by 20th Century women artist’s demonstrating the influence of Impressionism and modern painting styles. Newman Galleries’ collection of works by American women of the early twentieth century includes numerous nationally recognized artists working in a variety of media and styles. Two of the most prominent women of that era were Elizabeth Washington, renowned for her soft impressions of the unspoiled Pennsylvania landscape, and Fern Coppedge, whose dazzling use of color and composition made her painted scenes come alive. The Cubist still life paintings of Dorcas Doolittle and the dramatic bronzes of Amelie Zell and Beatrice Fenton further illustrate the diversity of talent demonstrated by these women.

women’<p>s art

Newman Gallery mezzanine with art by women painters.

newman

The main floor of Newman’s Gallery is a trove of art, don’t be intimidated to visit and browse through the racks of drawings, prints and paintings; Newman’s staff is super-friendly and the third floor gallery is literally a museum of 18th, 19th and 20th century art.

Second Thursday at the Crane Arts Center was totally cool; Jocelyn Firth’sYou Might Find Yourself” show in the Icebox demonstrated that photography is not just “loft art” but inspiring, disturbing and influential. Thomas Prior’s, “Hotel Fire“, brought back the fear of distaster that CNN inflicts on us daily, Ian Baguskas‘, “Search for the American Landscape” elevates the mundane to the sublime with a simple shot of beach sand rendered as a passage of time and John Francis Peter‘s, “Red Tourism“, educates us to how photography and the pursuit of fame is universal if ephemeral. Firth’s curatorial debut in Philly is the beginning of a LoVe affair.icebox

The crowd at Icebox in the Crane Art Center.

NEXUS gallery’s 8 artists, 8 viewpoints featuring women artists from Philadelphia art schools, includes a lot of fiber art and unusual fabric constructions coinciding with the FiberPhiladelphia shows going on around town. DoN‘s favorite is Rebecca Landes‘, “I Embroider the Pain Away“; a collection of embroideries of phrases reflecting the angst of modern life and the irony of the old fashioned art of cross stitch intersecting computer age social life – “I’ll Never Look at Your MySpace Page”.

InLiquid’s show in the hallway is outstanding: Ruth Borgenicht and Leslie Pontz’s Collaboration: linking metal and clay is fabulous with constructions combining metal mesh and clay globs is fresh and soon to be influential since a group of hanging mesh bags filled with clay will soon be included in a famous, world-class collection. DoN appreciated how the duo utilized the old urinals in the space – so DuChampian.

ruth

 

Leslie Pontz & Ruth Borgenicht.

shirts

Fiber art construction in the InLiquid show (sorry I don’t know who the artist is but the construction is poignant and evocative of working life in American society.)

Smile Gallery‘s, “F Word” show is superb featuring work by prominent women artists is this intimate space on the second floor. Friend of DoN, Betsy Alexander is showing her signature crosses made from old CDs and her new digital photos. Speaking of Betsy and my rant from my last post about how women in Philly don’t dress up…

Betsy Alexander

 

Betsy Alexander shows how to wear art.

The “F Word” is all about feminism and other “F’s” from fecundity to fetishism by prominent female artist’s curated by Debra Miller with brave, charasmatic images, constructions and paintings.

F Word

Francine Strauss, Lilliana Didovic and curator Debra Miller at Smile’s “F Word”.Betsy Alexander reports that the Thai food on the first floor is the best in town. Smile is at 105 S. 22nd St., 215-564-2502.

The William Way Gay Community Centerr has a one woman show of fiber constructions by Kathryn Pannepacker in the main lobby. At once political and poetic, Pannepacker’s work combines mundane materials like Q-tips with traditional fibers like jute to produce a collection of flags, sculptures and hangings with messages of hope, tolerance and peace. 

Speaking of the Gay Community Center – the current issue of Equality, HRC’s magazine features photos from Rachelle Lee Smith‘s wonderful portraits of gay youths who wrote short bio’s on the their pictures from the last art show at the center. Way to go HRC even if you abandoned the T’s in LGBT. Thankfully The William Way Center includes everybody even if it’s a boy who wants to wear dresses or a girl with a moustache and sideburns. The idea that HRC could turn their backs on a sub-group of an already persecuted group in order to push through an agenda is unacceptable; the leadership of HRC should be replaced if they’re not able to understand the evil of discrimination against transgendered people.

Next: Coffee Shop Art Shows.

LoVe

DoN