Tag Archives: Philadelphia Fine Art

American

AFRICAN-AMERICAN ART IN PHILLYMartin Luther King, Jr., 1981, by John Woodrow Wilson (Philadelphia Museum of Art: 125th Anniversary Acquisition. Purchased with funds contributed by the Young Friends of the Philadelphia Museum of Art in honor of the 125th Anniversary of the Museum and in celebration of African American art © John Wilson/Licensed by VAGA, New York Credit: Courtesy Philadelphia Museum of Art

Bringing together more than 75 works from the Philadelphia Museum of Art’s extensive collection of art by African Americans, Represent: 200 Years of African-American Art displays works by 50 artists, including Henry Ossawa Tanner, Horace Pippin, Jacob Lawrence, Alma Thomas, Martin Puryear, Carrie Mae Weems and others. Highlighted by Tanner’s iconic painting The Annunciation, the exhibition features a wide range of items such as pre-Civil War-era decorative pottery, early 20th-century paintings and photography, sculpture and portraits. It runs through April 5, 2015.

In 2015, Philadelphia museums will mount six major exhibitions featuring some of the most celebrated African-American artists, further adding to the city’s reputation as one of the world’s great art centers. In addition to the Philadelphia Museum of Art’s special exhibition Represent: 200 Years of African American Art, featuring dozens of works from its collections, art lovers can take in the Brandywine Museum of Art’s landmark exhibition Horace Pippin: The Way I See It. Adding to the trove of artistic treasures is As We See It: Selected Works from the Petrucci Family Foundation Collection, coming to the African American Museum in Philadelphia, along with shows at the Pennsylvania Academy of the Fine Arts and the Woodmere Art Museum.

After touring these special exhibitions, visitors can discover the array of African and African-American art in the permanent collections at many institutions around town. Here’s a look at the exhibits and museums worth exploring this year especially:

Special Exhibitions:

  • With work by renowned artists such as Henry Ossawa Tanner, Horace Pippin, Jacob Lawrence, Martin Puryear and Carrie Mae Weems, Represent: 200 Years of African American Art showcases a range of subjects, styles, mediums and traditions. Since acquiring Tanner’s The Annunciation painting in 1899, the Philadelphia Museum of Art’s collection of African-American art has grown significantly, especially during the last three decades, and much of it will be on display in this exhibit. January 10-April 5, 2015. 2600 Benjamin Franklin Parkway, (215) 763-8100, philamuseum.org
  • The African American Museum in Philadelphia presents two major art exhibitions this year. Masterpieces by such luminaries as Edward BannisterHenry Ossawa Tanner and Elizabeth Catlett sit alongside works by school children who have been influenced by them during As We See It: Selected Works from the Petrucci Family Foundation Collection. February 5-March 21, 2015. In the spring, the museum explores the artistic side of Danny Simmons, who is best known as a writer, producer and Tony winner for his Broadway version of Def Poetry Jam. The United Nations and the Smithsonian count his art in their collections. Selected Works from the Danny Simmons Collection features Simmons’ art works and poetry, as well as items from his own collection (Beauford Delaney, James Van Der Zee, Mickalene Thomas, Sol Sax, Derrick Adams and Kara Walker). April 24-June 7, 2015. 701 Arch Street, (215) 574-0380, aampmuseum.org
  • In the first major exhibition of the artist’s works in the country in more than two decades, Horace Pippin: The Way I See It features more than 60 bold, colorful and candid paintings that reflect life in the African-American community and comment on race, religion, war and history. The Brandywine Museum of Art’s exhibition reveals Pippin as an artist who upheld his own aesthetic sensibility while addressing larger social issues. April 25-July 19, 2015.U.S. Route 1 by Creek Road (formerly Route 100), (610) 388-2700, brandywine.org
  • Through an array of works in a broad spectrum of media, African-American Artists of 20th-Century Philadelphia at the Woodmere Art Museum tells the stories of some of Philadelphia’s most celebrated African-American artists, such as James Brantley, Claude Clark, and Ellen Powell Tiberino, and the institutions that nurtured their talents and exhibited their works. Numerous oral histories round out the story. September 26, 2015-January 24, 2016. 9201 Germantown Avenue, (215) 247-0476, woodmereartmuseum.org
  • With more than 80 paintings, works on paper and the artist’s hand-made puppets all culled from major international private and public collections, Procession: The Art of Norman Lewis travels through four decades of the artist’s career from the 1930s through the 1970s. Through the exhibition, visitors to the Pennsylvania Academy of the Fine Arts learn about Lewis’ role in the Harlem art community and his contributions to abstract expressionism.November 13, 2014-April 3, 2016. 118 N. Broad Street, (215) 972-7600, pafa.org

Permanent Collections:
African Art:

  • Dr. Albert Barnes’ interest in African art dates back to the early 1920s when he acquired traditional African masks and sculptures from the Dan and possibly Kulango societies of Côte d’Ivoire, as well as from Guinea and northeast Liberia. Visitors can see theses works, which he describes as “the purest expression of the three-dimensional form,” at the Barnes Foundation. Home to a remarkable collection of paintings from the masters of modern art, the Barnes Foundation’s significant collection of African art is displayed in remarkable ensembles that show how the likes of Picasso and Modigliani were influenced by the stylistic and symbolic forms in African art. The Barnes Foundation also holds important works by American artists, including Horace Pippin. 20th Street & Benjamin Franklin Parkway, (866) 849-7056, barnesfoundation.org
  • The Penn Museum, or University of Pennsylvania Museum of Archaeology and Anthropology, boasts an extensive collection of African art and artifacts such as masks, sculptures, instruments, famed Benin bronzes, embroidered garments and jewelry. Visitors can also marvel at a wide range of other materials from throughout the continent, which are on permanent display in the African and Ancient Egyptian galleries. 3260 South Street, (215) 898-4000,penn.museum

African-American Art:

The With Art Philadelphia® collaborative is a first-of-its-kind partnership to position Philadelphia among the world’s great art destinations and to increase visitation to the region from around the world. The groups contributing financial and other resources to the campaign are: the City of Philadelphia, VISIT PHILADELPHIA, Barnes Foundation, Philadelphia Museum of Art, Pennsylvania Academy of the Fine Arts, Penn Museum (University of Pennsylvania Museum of Archaeology and Anthropology), Pennsylvania Horticultural Society, Philadelphia International Airport, Philadelphia Convention & Visitors Bureau, Greater Philadelphia Cultural Alliance, Commonwealth of Pennsylvania, The Lenfest Foundation, William Penn Foundation, Knight Foundation, Arts & Business Council of Greater Philadelphia, PNC and PECO.

For more information about travel to Philadelphia, visit visitphilly.com or uwishunu.com, where you can build itineraries; search event calendars; see photos and videos; view interactive maps; sign up for newsletters; listen to HearPhilly, an online radio station about what to see and do in the region; book hotel reservations and more. Or, call the Independence Visitor Center, located in Historic Philadelphia, at (800) 537-7676.

For more information about With Art Philadelphia and high-resolution photos of the Philadelphia art scene and the region, visit visitphilly.com/withartpress.

Thank You to With Art Philadelphia for the content of this blog post. DoNArTNeWs contributed links to artist’s website and Wikipedia pages.

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City

Ken Tutjamnong, Painting the City, Video by John Thornton Films

“The artist Ken Tutjamnong has a unique painting style which meshes seemlessly with his subject matter. His cityscapes currently on display at The Rosenfeld Gallery brilliantly capture the feeling and texture of urban life.

Ken Tutjamnong, originally from Thailand, creates highly evocative images of urban neighborhoods of New York City and Philadelphia. He paints on aluminum and his rough technique joined with close observation make him a true painter’s painter. Ken is the owner of a wonderful Thai restaurant in Philadelphia, Smile Cafe, but he would rather be painting. And he is great at it!” – John Thornton

Ken Tutjamnong, The Rosenfeld GalleryKen Tutjamnong at The Rosenfeld Gallery, photograph by Lilliana S. Didovic

“I met Ken at an art exhibit at the Headhouse Square, Philadelphia. From the very beginning I noticed how great an artist he is, I loved his cityscapes. They were very different. Ken’s artistic style can best be described as neoimpressionist, with its moveable knife-work, and soft dispersed striking. His work has a mixture of Eastern and Western civilizations resulting in paintings that are at once delicate and direct, melting and friendly.

Ken and I became very close friends. We loved each other’s art. His art gallery Smile opened with my own solo art exhibit. Very soon after Ken and I had together a very perceptive exhibit, ‘City, Shapes and Colors‘ at Da Vinci Art Alliance, February 2008. I always enjoyed exhibiting my art together with Ken’s.

Also, I visit every place where Ken exhibits his amazing paintings. Every new exhibit makes me love Ken’s paintings more and more. If you ask me to describe him in only a couple of words, I would say, ‘Unique Person & Unique Artist. That is my friend Ken.'” – Lilliana S. DidovicM.Psyc. ATA, Inc.LC/BSC/MT Independent Fine Art Profess./Painter GENEVA Worldwide, foreign language interpreter

Located at 113 Arch Street in Philadelphia, The Rosenfeld Gallery was the first to open in Old City and has served the area for 35 years. The gallery is proud of its inclusive aesthetic representing diverse approaches, styles and media.

Ken TutjamnongKen Tutjamnong at The Rosenfeld Gallery, photograph by Lilliana S. Didovic

Thank you to John Thornton Films and Lilliana S. Didovic for providing content for this blog post.

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Before Me

James B. AbbottSpring Tide at Newcomb Hollow Beach, Cape Cod National Seashore, James B. Abbott

The Landscape Before Me: Cape Cod

The Photography of James B. Abbott is Always in Season

Currently on view through February 6, 2015, St. Joseph’s University Gallery, Merion Station, Pennsylvania.

Public Reception on Thursday January 22, 6:00 – 8:00pm

In his largest exhibition of this work to date, James B. Abbott presents a timely meditation on Cape Cod across time. Large scale, multi-image panoramas display the drama of shifting tides, dunes and seasons while more intimate prints examine the subtleties of the moors and marshes. Taken over 15 years, this collection of images moves audiences into a contemplative space where time, place and scale are in constant flux.

The Landscape Before Me, is on display at St. Joseph’s University Gallery through Friday, Feb. 6, 2015. A reception for the artist will be held on Thursday, Jan. 22, from 5-7 p.m.

“The space of the Outer Cape has an inherent ambiguity of scale with little reference to familiar things, which makes it very malleable from a photographic and optical perspective,” remarks Abbott of his work with this landscape. “The dunes, tides, light, and water are never the same and they combine in so many different ways that I continually find new and interesting approaches to recording them.”

The cross section of images presented in The Landscape Before Me is from an ongoing body of work started in 2000 in South Wellfleet, Massachusetts while the artist was vacationing with his family. The work took on full commitment after he was accepted the Outer Cape Artist-in-Residence Consortium, managed by the Peaked Hill Trust. Through volunteers, the organization facilitates artists spending two weeks in a primitive dune shack with no electricity or no running water. The shelter was 400 feet from the ocean, isolated in the Peaked Hill dunes of the Cape Cod National Seashore, and provided unparalleled concentration and immersion in the landscape. This opportunity placed Abbott in the epicenter of an extraordinary environment, gave him the solitude to think, and came with a mandate to create. With this increased knowledge and appreciation of the place, his work took a new direction with increased momentum in the years following the first residency. Abbott has returned independently over 20 times since the May 2003 residency and in the summer of 2007, was awarded a three week C-Scape Dune Shack Artist Residency. This second residency was situated in a shack in the dunes of Race Point, for an intense three week period, and provided another unique time and situation to produce work.

The images are taken mostly in the Outer Cape region of the Cape Cod National Seashore in all four seasons. Abbott works with polaroid positive/negative multi-image panoramic and single wide-angle images printed and toned in a darkroom on conventional silver gelatin paper. Working in black and white allows the artist to approach the landscape without obvious tourist references, focusing instead on structure and nuance as he attempts to record a changing landscape. The ever-shifting sand dunes act as a three dimensional model as they record the primary forces and rhythm of nature. The sandscape seems to capture everything from the most minute shift of wind and tide to events of catastrophic force. The vocabulary of this landscape reflects permanence and mutability: where sea meets sky and land, where human intervention imprints the environment, and where the sky, sea and land often blend and/or mirror each other. The effects of currents of air are as evident as those of the sea in this place. At the most basic level, Abbott makes two dimensional photographic interpretations of these highly transitory three-dimensional records of natural and inflicted change.

Abbott’s goal is that the work will deal not only with how one perceives a place or thing but how one thinks of that place after encountering a visual representation of it. With emphasis on simultaneous micro and macro views or layer of information, the artist exploits the inherent descriptive nature of the photographic medium. He works on long term projects in one location and usually towards complex and diverse interpretations of a subject.  In many ways, his collected works form a comprehensive and sincere portrait of a place. The artist learns and builds from each trip, so that as it grows, each body of work takes on a life of its own.

The work in Cape Cod is one of four long term, photo-based investigations of specific locations; he has also worked extensively in Berlin, Germany, on and around the Benjamin Franklin Bridge in Philadelphia, Pennsylvania, and currently in Florence and Venice, Italy.

James B. AbbottPeaked Hill Dunes in Winter, Cape Cod National Seashore, James B. Abbott

James B. Abbott is a photographer who has maintained a studio in Philadelphia on North Third Street since 1983 and is a resident of Ardmore,Pa.  Abbott earned a degree in Photography from Cranbrook Academy of Art, interned at the Light Gallery in New York, New York and completed an apprenticeship with renowned American photographer Burk Uzzle. Abbott has served as photographer for the Stieglitz Center at the Philadelphia Museum of Art and Gallery Director of the Burden Gallery at Aperture Foundation in New York City. Abbott has held faculty appointments at Penland School of Crafts, Moore College of Art and Design, the University of the Arts, Philadelphia University, Tyler School of Art, Temple University, and currently teaching in Italy for East Carolina University.

Over the course of the past twenty-five years Abbott has received many residencies and commissions; exhibited regularly; curated notable exhibitions and has built a successful international freelance photography and fine art practice. He has been a visiting artist and lecturer at Cranbrook Academy, a resident artist at the Cape Cod National Sea Shore, and lectured at the Griffin Museum of Photography in Winchester, Massachusetts. Abbott has been commissioned to create photographs for many projects and organizations including the Fairmount Park Art Association for their New.Land.Marks project, Rutgers University and NJN Public Television, and the Marriott Hotel. Abbott’s extensive exhibition history includes solo exhibitions at Harvard University, the Wellfleet Public Library, Free Library of Philadelphia, and the Lishui International Photo Festival in Lishui, China. Significant group exhibitions include the Atwater Kent Museum for the Museo Bardini in Florence, Italy, State Museum of Pennsylvania, The Print Center, and the National Constitution Center.

Abbott’s work is included in many public and private collections including the Federal Reserve Bank, the Philadelphia Museum of Art and The Wharton School of the University of Pennsylvania. Abbott’s curatorial endeavors brought outstanding and stimulating work to Philadelphia through his gallery/exhibition space Exhibit 231. He put together exhibitions by Carl Toth, John Geard, Joel Katz, Geanna Merola and Sandy Sorlien.

Abbott has also received a number of grants and awards for his work: he is the recipient of three Pennsylvania Council on the Arts Individual Artist Awards, a SOS grant, and an Independence Foundation Fellowship in the Arts.

A solo exhibition of select images from this body of work will be on view at The Saint Joseph’s University Gallery featuring work from nearly two decades of working on Cape Cod. The Landscape Before Me will be on view from Monday December 22, 2014 through Friday February 6, 2015. There is a public artist reception on Thursday, January 22 from 6-8 pm. Saint Joseph’s University Gallery is located in Merion Hall on the James J. Maguire ’58 Campus at 355 N. Latches Lane in Merion Station, PA. Gallery hours are Monday through Friday, 9 a.m. – 7 p.m., and Saturday, 10 a.m. – 1 p.m.  More at www.sju.edu/gallery or by calling 610-660-1845.

Thank You to Ann Peltz at akkoivunen@gmail.com for this press release.

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Garden

Bartram's Garden, DoN BrewerBartram’s Garden, DoN Brewer, oil on canvas, 16″ x 20″

My friend John Benigno asked me the other day if I had ever finished the painting I posted on Instagram? I think it’s done. Painting plein air with the Philadelphia Art Meetup Group ignites an energy in me that had been dormant. Going into the field, with the security of friends, to paint the natural world stimulates creativity through performance. It’s like being in a play and everyone is making up their own parts. Sometimes there is participation from the audience like a dog-walker with questions or a passing car horn honk.

Posting progress of the painting on Instagram and facebook is also a kind of performance art with the satisfaction of ‘likes’ and comments. The act of painting is as scientific and technological as computing, it’s hard work and experience to learn the combinations. You really need to know your codes to get results and with painting it’s about emulsions.

When I’m outdoors I use Liquin medium to thin the oils, the result is a nice soft texture with a bit of transparency. In a home studio, though, the fumes are too much. I learned about Gamblin Galkyd Lite at Plaza Artist Material Hands On Creativity event this past Summer. Using the Gamblin Galkyd Lite medium indoors to finish the painting from a photograph was not as smelly but you still need good ventilation. The finish was nice and slippery, the paint layered and stayed in place, and the drying was faster with time to work wet on wet.

Bartram's Garden, DoN BrewerBartram’s Garden, DoN Brewer, Philadelphia Art Meetup Group

Thank you to Bartram’s Garden for being such a welcoming host for artists to work in a beautiful, safe and accommodating environment. Thank you to Philadelphia Art Meetup Group for their support and encouragement for painters to gather together and make art. Thanks to Plaza Artist Material for the demo and free stuff, the education and fine materials you provided pushed me to paint. Thank you to my followers who continue to show interest in my work, provide support and encouragement for me to be an artist.

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Bella Vista

Jed Williams GalleryKimberly Neff Consulting kimberly@kimberlybneff.com C: 267-249-6185 Jed Williams Gallery http://www.jedwilliamsgallery.com/submissions/

Bella Vista Resident Art Show: January 24th at Jed Williams Gallery. This January 2015, Jed Williams Gallery will be holding a two-day show displaying artwork from Bella Vista residents. Artists can be amateur or professional and artwork can be of any medium. Residents interested in displaying their work are encouraged to submit an email to info@jedwilliamsgallery.com with 3-5 digital images of work, a description of their work, a short bio or artist statement and contact information. The show will be held at Jed Williams Gallery, at 615 Bainbridge St. Philadelphia, PA.

Deadline for show submissions is January 14, 2015. A selection of submitted works will be on display and for sale at the gallery and open to the community for viewing. All artists who submit work (whether they end up getting their actual artwork displayed at the gallery or not) will have the option of having images of their submitted work featured in a digital slideshow during the event.

Join us for music, light fare and beverages to see some of the talent and creativity of Bella Vista Resident Art Show Family Event January 25, 10-12pm. Little ones (of any age!) and their parents are welcome to view the Bella Vista resident art show, enjoy coffee and light fare and make a craft to take home.

About Jed Williams GalleryJed Williams Gallery is a unique art space owned and operated since 2010 by artist Jed Williams. JWG showcases up-and-coming and inspiring artists from the Philadelphia area. Artists featured are from all backgrounds including classically trained as well as self-taught outsider artists. The gallery shows a variety of thoughtful, cutting edge high quality works ranging from 2D, mixed media and painting, to video, installation and sculpture. www.jedwilliamsgallery.com

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