Tag Archives: Philadelphia Art Shows

Flower Art

Art of the Flower, J D Mitchell

Art of the Flower 2015, The Philadelphia Sketch Club, Donald C. Meyer Medal

Art of the Flower 2015 at The Philadelphia Sketch Club is a juried group art exhibition dedicated to florals in honor of Donald C. Meyer. Dianne Meyer presented the First Prize winner, Kimberle Nentwig for her watercolor painting titled Dahlia Darling, a golden medal in remembrance of her late husband.

The exhibition is an exuberant display of floral artwork, the jurors were Al Gury, chair of the painting department at Pennsylvania Academy of the Fine Arts, Lauren Sweeney, fine artist and Marylyn Waltzer, member of the Guild of Natural Science Illustrators. The entry process is completed on-line at The Philadelphia Sketch Club website and hundreds of artists submitted images for consideration by the jury who then select artworks for the awards. The jurors selected an eclectic mix of media for the awards but being in the show is a goal itself for many regional artists.

View the on-line gallery here.

Art of the Flower, Alice ChungArt of the Flower 2015, The Philadelphia Sketch Club, Alice Chung, Spring, oil, 17″ x 15″

Spring is all everyone is thinking about, The Art of the Flower show excites the desire to preserve some of that delightful satisfaction of better days. Alice Chung captures a moment of quiet and warmth in her composition, the balance of color, tone and brushwork feels satisfying and serene. Flowers have always been used for decoration, welcoming guests, gifts of love and adornment for sacred ceremonies. Alice Chung‘s Spring is naturally atmospheric, defining a magical moment in time with loose, liquid strokes, empathetic marks and gestural cues to an energetic concept of a space and time of renewal.

Art of the Flower. Doris PeltzmanArt of the Flower 2015, The Philadelphia Sketch Club, Doris PeltzmanA Cup Full of Peonies, oil on plexiglass, 10″x10″

“I am a direct painter, painting from life to capture the moment. The excitement of the moment and the immediacy are what drive me. It is that total impression that creates the completed painting. focus on color, harmony, light, mood, texture, composition and the calligraphy of my brush strokes. I love to experiment with a variety of palettes and surfaces. It is the visual stimulation that drives and moves me forward.” – Doris Peltzman artist statement, Artists’ House Gallery

A Cup Full of Peonies by Doris Peltzman possesses a subdued yet elegant presence, the painting has an ethereal quality. Even though the palette is restrained, the alla prima mark-making expresses the subject though tone, light and action in powerful impressionism. Peonies are my favorite flower but they really only last a day, Doris narrates that brevity with experience and skill.

Art of the Flower, Suzanne ComerArt of the Flower 2015, The Philadelphia Sketch Club, Suzanne Comer, Panoply, photo montage on archival paper, 21″ x 17″

Suzanne Comer was so sweet to me at the reception for Art of the Flower 2015 at The Philadelphia Sketch Cluboffering to take a photo of me with my accepted entry. She said people rarely take pictures of me with my work and we each took photos of each other with our artwork. It was a nice surprise to see that both of us had used digital photo montage to make floral artwork. While my composition has an informal composition, Suzanne Comer‘s Panoply is a formal composition with a coherent balance of shape, color and negative space with the charm of individual flowers emphasized.

Suzanne Comer regards photography as an art form, often expanding the boundaries by using portions of her photographs to digitally create a new and different whole or montage. With the perspective of a painter, Suzanne’s style stimulates the viewer’s own interpretation and feelings. Therefore, in full circle, creating new personal meanings” – Media Arts Council

Art of the Flower, The Philadelphia Sketch ClubArt of the Flower 2015, The Philadelphia Sketch Club, Kimberle Nentwig, Dahia Darling, watercolor, First Prize and Maria Kurtzman, White Roses and Kumquats, oil on board, Second Place

Art of the Flower, Laura DucceschiArt of the Flower 2015, The Philadelphia Sketch Club, Laura Ducceschi, Lotus in Repose, photography, Third Place

Laura Ducceschi’s photography captures the magical way natural light accentuates beauty in nature and in people. Laura’s award-winning fine art photography portrays an intimate view of our beautiful world. Her images reveal how natural light emphasizes color and texture._ excerpt Laura Ducceschi artist statement

As a photographer and painter I was particularly satisfied to see a top award go to a deserving photograph. Photography isn’t about just shooting hundreds of photos to find a good image, the photographer has to make it happen. The tools of a photographer are not unlike painters, the goals are similar, the time and effort equivalent. To have a jury of peers, experts in their field, select a photograph signals the change in acceptance towards the art form. There are a lot of photographs in the show, Philly is as much a photography town as it is a painters town. The history of photography in Philadelphia parallels PAFA and the influence of photography on modern painting is undeniable.

Art of the Flower, Gus SermasArt of the Flower 2015, The Philadelphia Sketch Club, Gus Sermas, Morning Flower, acrylic, work on paper, HM

Art of the Flower, J D MitchellArt of the Flower 2015, The Philadelphia Sketch Club, J D Mitchell, Chestnut Hill Iris, digital print on 100 lb paper, 12″ x 12″ framed

The excitement of an opening, meeting the artists and their families, taking pictures, drinking and eating, is a social practice that is a reward in itself. It is so much fun to watch folks checking out the competition, eves dropping on critiques and comparing and contrasting the artworks with friends. One wonders why artists subject themselves to the process of acceptance and I think it’s the feeling of accomplishment, aside from the exclusivity, of being recognized for your hard work.

Art of the Flower, Lauren SweeneyArt of the Flower 2015, The Philadelphia Sketch Club, Lauren Sweeney, One Person art show, Observations in Watercolor,  in The Stewart Room Gallery (the pool room).

Dear Artists and Art Lovers,

Please join us at historic The Philadelphia Sketch Club for an ongoing exhibition of works by one of our professional member. Free and open to the public. STEWART ROOM GALLERY New works by Lauren Sweeney. March 7-30, 2015See her Online Gallery under “Sweeney” in our PSC Member Gallery HERE . Reception: Saturday March 21, 20152:00 – 4:00pm at The Philadelphia Sketch Club. Open to all.

A lifetime of scientific observation is the underpinning of the artist’s interest in capturing the essence of her subjects in watercolor. In her still life compositions, she focuses on close observation of the organic forms of flowering plants, vegetables, seashells and gourds for their exuberant variations in shape, color, texture and pattern.” – Lauren Sweeney

Art of the Flower 2015, The Philadelphia Sketch Club through March 28th, 2015

Written and photographed by DoN Brewer except where noted.

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Tweak

Tweak of Nature, Seunghwui KooTweak of Nature, Seunghwui Koo, Narcissism, Acrylic on resin, mirror, 12.5” x 48” x 12”, © Seunghwui Koo 2012

Main Line Art Center Presents Tweak of Nature Featuring New York and Philadelphia Artists

2015 Meyer Family Award for Contemporary Art Recipients:
Seunghwui Koo, Tasha Lewis,  Kate Stewart
 

Curated by Amie Potsic, Executive Director of Main Line Art Center

March 9 – April 21, 2015

Artist Talks & Opening Reception: Friday, March 13

Artist Talks: 5:30-6:30 pm | Reception: 6:30-8:30 pm

Artist Workshops:

Piggy’s Treehouse: Story Inspired Sculpture Family Workshop
Seunghwui Koo | Saturday, April 11, 10:30 am-12 pm

Piggy Bank Family Workshop
Seunghwui Koo | Saturday, April 11, 1-2:30 pm

Alternative Drawing Techniques Adult Workshop
Kate Stewart
| Saturday, April 18, 1-4 pm

Sun Print Magnetic Butterflies Family Workshop
Tasha Lewis | Sunday, April 19, 1-4 pm
HAVERFORD, PA Main Line Art Center in Haverford is proud to announce Seunghwui Koo (New York, NY), Tasha Lewis (New York, NY), Kate Stewart (Philadelphia, PA) have been named recipients of the 2015 Meyer Family Award for Contemporary Art.

Selected by Members of Main Line Art Center’s Board of Artistic Advisors and Executive Director through a competitive application process, Koo, Lewis, and Stewart will be featured in Tweak of Nature, the 11th Annual Betsy Meyer Memorial Exhibition, on view at Main Line Art Center March 9 to April 21.  The exhibition hosts photo-based constructions, whimsical sculpture, large-scale paintings, and site-specific installation.  Inspired by the exhilarating energy of natural and urban environments, these artists speak to our collective experience as human beings navigating the elements, the animal kingdom, and each other.  Manipulating and tweaking our perception of nature and its creatures, they create new beings, surroundings, and realities that surprise, challenge, and delight.  The exhibition was curated by Amie Potsic, Executive Director of Main Line Art Center.

For over a decade, Main Line Art Center has presented an exhibition each spring in memory of Teaching Artist Betsy Meyer featuring the work of forward-thinking artists who are pushing boundaries within their artistic practice. As an artist, Betsy exemplified what is most exciting about engaging with the artwork of living artists: watching them experiment with their media and tackling complicated and tough subjects. As a teacher, she encouraged her students to follow her example and expand their practice into new frontiers. And finally, as a member of the board and exhibition committee, she assured that the Art Center was there for the artistic community of Philadelphia.

In 2014, Main Line Art Center and the Meyer Family expanded the exhibition program to include the Meyer Family Award for Contemporary Art, which consists of a solo exhibition and award of $1000 to each selected artist. The growth of this program is an effort to support the talented contemporary artists in the Mid-Atlantic region, to honor deserving artists in the field, and to encourage excellence and experimentation in artistic practice, presentation, and community involvement.  The 2014 recipients of the Meyer Family Award for Contemporary Art were Tim Portlock, Jennie Thwing, and Nic Coviello.

The Art Center will host artist talks Friday, March 13 from 5:30 to 6:30 pm, followed by a public reception from 6:30 to 8:30 pm featuring samplings from the center’s wine sponsor, Barefoot Wine & Bubbly.  The artist talk, reception and gallery visits are free and open to the public. The gallery is open Monday through Thursday from 10 am to 8 pm, andFriday through Sunday from 10 am to 4 pm.  Additional programs for Tweak of Nature include two family workshops presented by Seunghwui Koo on Saturday, April 11, a family workshop by Tasha Lewis on Sunday, April 19 from 1 to 4 pm, and a workshop for adults on alternative drawing techniques presented by Kate Stewart on Saturday, April 18 from 1 to 4 pm.  For more information about these programs, including registration, visit www.mainlinert.org or call610.525.0272.

Tweak of Nature, Tasha LewisTweak of Nature, Tasha Lewis, Horned Gazelle, Cyanotype sculpture , 8” x 11” x 6” © Tasha Lewis 2014

Tasha Lewis is an artist originally from Indianapolis, Indiana, whose sculptural and installation works combine the historic photographic process of cyanotype with paper sculpture, stitching, magnets, and ephemeral public art.  Lewis received her BAs in English Literature and Studio Arts from Swarthmore College in 2012, and has studied at the Firenze Arte Visive in Florence, Italy and the Qasid Institute in Amman, Jordan.   She has exhibited her work in Philadelphia, Indianapolis, Newark, New York City, Cambridge, Sarasota, and Grand Rapids, with recent exhibitions at The Bronx Museum of the Arts, the Cambridge Art Association in Massachusetts, and the Spartanburg Art Museum in South Carolina.  Her works have been featured in British Vogue and The Book of Alternative Photographic Processes by Christopher James.  Having recently completed a residency at Gallery Aferro in Newark, NJ, Lewis currently lives and works in the New York metropolitan area.

Tweak of Nature, Kate StewartKate StewartGötterdämmerung (detail). Custom wall covering and fabric, paint, chairs. Dimensions variable (20’ x 20’ x 20’) © Kate Stewart 2012

Kate Stewart is a painter and installation artist in Philadelphia whose wide-ranging work engages humanity’s relationship to the environment and disaster.  She received her MFA from The University of Pennsylvania in 2003, a BA from Dickinson College in 1998, and studied abroad in Toulouse, France and at the University of Yaounde, in Cameroon.   She was awarded a 6-month artist residency at 40th Street AIR in Philadelphia, received a Vermont Studio Center grant and one-month residency, and was a 2008 finalist for a Pew Center for Arts & Heritage Individual Artist Fellowship.  Stewart’s work has been exhibited at the Tate Modern in London, P.S. 122 in New York, Towson University, and the Institute of Contemporary Art in Philadelphia.  Her solo exhibitions include Vox Populi Gallery, Moore College of Art, West Chester University, The Art Institute of Philadelphia, Drexel University, Gettysburg College, and Seraphin Gallery.

Tweak of Nature, Seunghwui KooSeunghwui KooLambo, Acrylic on resin, 9” x 24” x 24”, © Seunghwui Koo 2013

Seunghwui Koo is a sculptor whose work draws inspiration from traditional South Korean culture and the daily happenings and intricate moments of her life in New York City.  She earned a BFA in Sculpture and Fine Art from the Kyungpook National University in South Korea in 2005.  Koo was awarded a Visual Art Studio Residency by Chashama in New York in 2013, and received the Allied Artists of America’s Members and Associated Award in 2014.  She has recently exhibited her work at the Belskie Museum of Art and Science in New Jersey, the Newark Museum in New Jersey, the Fountain Art Fair and Scope Art Fair in New York, and Gallery Shilla in South Korea.  In addition, she was the 2014 winner of the New Generation Able Fine Art Seoul Competition.

Amie Potsic, curator of the exhibition, began her tenure as Executive Director of Main Line Art Center in July of 2012.  Prior to that, she served as Director of Gallery 339 and Director of the Career Development Program at the Center for Emerging Visual Artists (CFEVA) in Philadelphia where she curated exhibitions and planned professional development programming for emerging and professional artists. Potsic has curated over 70 exhibitions at venues including The Philadelphia Museum of Art, Pittsburgh Center for the Arts and Moore College of Art & Design. Potsic is also an established photographic artist who has exhibited her work  internationally.  In addition, she is currently Chair of the Art In City Hall Artistic Advisory Board to the City of Philadelphia’s Office of Arts, Culture & the Creative Economy.

Main Line Art Center is our community’s home to create, experience, and discover the value of visual art.  From our award-winning visual art classes, to our contemporary and innovative exhibitions, you can count on quality and expect the unexpected at Main Line Art Center.  The art we exhibit, teach, and share is intended to exceed expectations as it inspires creativity, conversation, and joy. The mission that underscores all we do is to inspire and engage artistic creativity for all ages and abilities and to celebrate and strengthen the essential role of visual art in community life.  Last year we inspired 16,000 people a Main Line Art Center and touched the lives of over 80,000 through our Exhibitions in the Community and festivals across the Philadelphia area.

Main Line Art Center is located at 746 Panmure Road in Haverford, behind the Wilkie Lexus dealership just off of Lancaster Avenue. The Art Center is easily accessible from public transportation and offers abundant free parking. For more information about Tweak of Nature, please visit www.mainlineart.org or call 610.525.0272.

Photographs and content for this DoNArTNeWs blog post provided by Amie Potsic. Thank You!

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Waxing Poetic

Waxing Poetic, Laura PritchardWaxing PoeticLaura Pritchard

Waxing Poetic

Lyric Fest unveils an exciting new commission from LF’s first ever composer in residence, Kile Smith. This cross-fertilization of visual, poetic and musical arts features works of four Philadelphia poets inspired by Laura Pritchard’s imaginative paintings of fine-art batik. Join us for a unique and lively art happening ~ art viewing, poetry reading and musical premiere all wrapped in one. With baritone, David Teadt and mezzo soprano, Suzanne DuPlantis and Laura Ward, piano.You are invited to an extraordinary collaboration of paintings, poetry, and song. – Lyric Fest

Waxing Poetic, Laura PritchardWaxing PoeticLaura Pritchard, batik

“Waxing Poetic, presented by Lyric Fest features my paintings and the premier of the song cycle In This Blue Room by composer Kile Smith. The lyrics are the poems written in response to my paintings by poets Julia Blumenreich, Susan Fleshman, Siobhan Lyons, and Donna Wolf-Palacio.

Susan DuPlantis, mezzo soprano, Daniel Teadt, baritone, Laura Ward, piano, and Kaylee Goodwin and Jake Miller, readers, perform. Come join us for a glass or two of wine and experience this multi-dimensional event.” – Laura Pritchard

Waxing Poetic, Laura PritchardWaxing Poetic

Friday, March 13, 2015 at 7:30pm in Widener Hall at The Presbyterian Church of Chestnut Hill and Sunday, March 15, 2015 at 3pm at The Academy of Vocal Arts.

Venue and Parking Information:
The Presbyterian Church of Chestnut Hill
8855 Germantown Avenue, Philadelphia, PA 19118, http://www.chestnuthillpres.org/about/contact/location/ (On-site and street parking available)
Academy of Vocal Arts, Helen Corning Warden Theater
1920 Spruce Street, Philadelphia, PA 19103, http://avaopera.org/venue/warden.php near Rittenhouse Square. (Garage parking at 226 W. Rittenhouse Square or 1945 Walnut Street)

The Fantastic World of Laura Pritchard, video by John Thornton

“Some who have inquired about the event, Waxing Poetic, (information in previous post). My paintings are part of this multidimensional experience that involves performance of poetry and song. The paintings are not being exhibited separately. However, my other work is often available for viewing (for free!) at galleries throughout the Philadelphia area. I would be happy to add you to my mailing list so that you receive information about future shows. I have lots of thoughts re. the relationship of time and art which I will not expound about here but this exhibition/performance is going to be worth every nickel. . . .” – Laura Pritchard

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American

AFRICAN-AMERICAN ART IN PHILLYMartin Luther King, Jr., 1981, by John Woodrow Wilson (Philadelphia Museum of Art: 125th Anniversary Acquisition. Purchased with funds contributed by the Young Friends of the Philadelphia Museum of Art in honor of the 125th Anniversary of the Museum and in celebration of African American art © John Wilson/Licensed by VAGA, New York Credit: Courtesy Philadelphia Museum of Art

Bringing together more than 75 works from the Philadelphia Museum of Art’s extensive collection of art by African Americans, Represent: 200 Years of African-American Art displays works by 50 artists, including Henry Ossawa Tanner, Horace Pippin, Jacob Lawrence, Alma Thomas, Martin Puryear, Carrie Mae Weems and others. Highlighted by Tanner’s iconic painting The Annunciation, the exhibition features a wide range of items such as pre-Civil War-era decorative pottery, early 20th-century paintings and photography, sculpture and portraits. It runs through April 5, 2015.

In 2015, Philadelphia museums will mount six major exhibitions featuring some of the most celebrated African-American artists, further adding to the city’s reputation as one of the world’s great art centers. In addition to the Philadelphia Museum of Art’s special exhibition Represent: 200 Years of African American Art, featuring dozens of works from its collections, art lovers can take in the Brandywine Museum of Art’s landmark exhibition Horace Pippin: The Way I See It. Adding to the trove of artistic treasures is As We See It: Selected Works from the Petrucci Family Foundation Collection, coming to the African American Museum in Philadelphia, along with shows at the Pennsylvania Academy of the Fine Arts and the Woodmere Art Museum.

After touring these special exhibitions, visitors can discover the array of African and African-American art in the permanent collections at many institutions around town. Here’s a look at the exhibits and museums worth exploring this year especially:

Special Exhibitions:

  • With work by renowned artists such as Henry Ossawa Tanner, Horace Pippin, Jacob Lawrence, Martin Puryear and Carrie Mae Weems, Represent: 200 Years of African American Art showcases a range of subjects, styles, mediums and traditions. Since acquiring Tanner’s The Annunciation painting in 1899, the Philadelphia Museum of Art’s collection of African-American art has grown significantly, especially during the last three decades, and much of it will be on display in this exhibit. January 10-April 5, 2015. 2600 Benjamin Franklin Parkway, (215) 763-8100, philamuseum.org
  • The African American Museum in Philadelphia presents two major art exhibitions this year. Masterpieces by such luminaries as Edward BannisterHenry Ossawa Tanner and Elizabeth Catlett sit alongside works by school children who have been influenced by them during As We See It: Selected Works from the Petrucci Family Foundation Collection. February 5-March 21, 2015. In the spring, the museum explores the artistic side of Danny Simmons, who is best known as a writer, producer and Tony winner for his Broadway version of Def Poetry Jam. The United Nations and the Smithsonian count his art in their collections. Selected Works from the Danny Simmons Collection features Simmons’ art works and poetry, as well as items from his own collection (Beauford Delaney, James Van Der Zee, Mickalene Thomas, Sol Sax, Derrick Adams and Kara Walker). April 24-June 7, 2015. 701 Arch Street, (215) 574-0380, aampmuseum.org
  • In the first major exhibition of the artist’s works in the country in more than two decades, Horace Pippin: The Way I See It features more than 60 bold, colorful and candid paintings that reflect life in the African-American community and comment on race, religion, war and history. The Brandywine Museum of Art’s exhibition reveals Pippin as an artist who upheld his own aesthetic sensibility while addressing larger social issues. April 25-July 19, 2015.U.S. Route 1 by Creek Road (formerly Route 100), (610) 388-2700, brandywine.org
  • Through an array of works in a broad spectrum of media, African-American Artists of 20th-Century Philadelphia at the Woodmere Art Museum tells the stories of some of Philadelphia’s most celebrated African-American artists, such as James Brantley, Claude Clark, and Ellen Powell Tiberino, and the institutions that nurtured their talents and exhibited their works. Numerous oral histories round out the story. September 26, 2015-January 24, 2016. 9201 Germantown Avenue, (215) 247-0476, woodmereartmuseum.org
  • With more than 80 paintings, works on paper and the artist’s hand-made puppets all culled from major international private and public collections, Procession: The Art of Norman Lewis travels through four decades of the artist’s career from the 1930s through the 1970s. Through the exhibition, visitors to the Pennsylvania Academy of the Fine Arts learn about Lewis’ role in the Harlem art community and his contributions to abstract expressionism.November 13, 2014-April 3, 2016. 118 N. Broad Street, (215) 972-7600, pafa.org

Permanent Collections:
African Art:

  • Dr. Albert Barnes’ interest in African art dates back to the early 1920s when he acquired traditional African masks and sculptures from the Dan and possibly Kulango societies of Côte d’Ivoire, as well as from Guinea and northeast Liberia. Visitors can see theses works, which he describes as “the purest expression of the three-dimensional form,” at the Barnes Foundation. Home to a remarkable collection of paintings from the masters of modern art, the Barnes Foundation’s significant collection of African art is displayed in remarkable ensembles that show how the likes of Picasso and Modigliani were influenced by the stylistic and symbolic forms in African art. The Barnes Foundation also holds important works by American artists, including Horace Pippin. 20th Street & Benjamin Franklin Parkway, (866) 849-7056, barnesfoundation.org
  • The Penn Museum, or University of Pennsylvania Museum of Archaeology and Anthropology, boasts an extensive collection of African art and artifacts such as masks, sculptures, instruments, famed Benin bronzes, embroidered garments and jewelry. Visitors can also marvel at a wide range of other materials from throughout the continent, which are on permanent display in the African and Ancient Egyptian galleries. 3260 South Street, (215) 898-4000,penn.museum

African-American Art:

The With Art Philadelphia® collaborative is a first-of-its-kind partnership to position Philadelphia among the world’s great art destinations and to increase visitation to the region from around the world. The groups contributing financial and other resources to the campaign are: the City of Philadelphia, VISIT PHILADELPHIA, Barnes Foundation, Philadelphia Museum of Art, Pennsylvania Academy of the Fine Arts, Penn Museum (University of Pennsylvania Museum of Archaeology and Anthropology), Pennsylvania Horticultural Society, Philadelphia International Airport, Philadelphia Convention & Visitors Bureau, Greater Philadelphia Cultural Alliance, Commonwealth of Pennsylvania, The Lenfest Foundation, William Penn Foundation, Knight Foundation, Arts & Business Council of Greater Philadelphia, PNC and PECO.

For more information about travel to Philadelphia, visit visitphilly.com or uwishunu.com, where you can build itineraries; search event calendars; see photos and videos; view interactive maps; sign up for newsletters; listen to HearPhilly, an online radio station about what to see and do in the region; book hotel reservations and more. Or, call the Independence Visitor Center, located in Historic Philadelphia, at (800) 537-7676.

For more information about With Art Philadelphia and high-resolution photos of the Philadelphia art scene and the region, visit visitphilly.com/withartpress.

Thank You to With Art Philadelphia for the content of this blog post. DoNArTNeWs contributed links to artist’s website and Wikipedia pages.

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Before Me

James B. AbbottSpring Tide at Newcomb Hollow Beach, Cape Cod National Seashore, James B. Abbott

The Landscape Before Me: Cape Cod

The Photography of James B. Abbott is Always in Season

Currently on view through February 6, 2015, St. Joseph’s University Gallery, Merion Station, Pennsylvania.

Public Reception on Thursday January 22, 6:00 – 8:00pm

In his largest exhibition of this work to date, James B. Abbott presents a timely meditation on Cape Cod across time. Large scale, multi-image panoramas display the drama of shifting tides, dunes and seasons while more intimate prints examine the subtleties of the moors and marshes. Taken over 15 years, this collection of images moves audiences into a contemplative space where time, place and scale are in constant flux.

The Landscape Before Me, is on display at St. Joseph’s University Gallery through Friday, Feb. 6, 2015. A reception for the artist will be held on Thursday, Jan. 22, from 5-7 p.m.

“The space of the Outer Cape has an inherent ambiguity of scale with little reference to familiar things, which makes it very malleable from a photographic and optical perspective,” remarks Abbott of his work with this landscape. “The dunes, tides, light, and water are never the same and they combine in so many different ways that I continually find new and interesting approaches to recording them.”

The cross section of images presented in The Landscape Before Me is from an ongoing body of work started in 2000 in South Wellfleet, Massachusetts while the artist was vacationing with his family. The work took on full commitment after he was accepted the Outer Cape Artist-in-Residence Consortium, managed by the Peaked Hill Trust. Through volunteers, the organization facilitates artists spending two weeks in a primitive dune shack with no electricity or no running water. The shelter was 400 feet from the ocean, isolated in the Peaked Hill dunes of the Cape Cod National Seashore, and provided unparalleled concentration and immersion in the landscape. This opportunity placed Abbott in the epicenter of an extraordinary environment, gave him the solitude to think, and came with a mandate to create. With this increased knowledge and appreciation of the place, his work took a new direction with increased momentum in the years following the first residency. Abbott has returned independently over 20 times since the May 2003 residency and in the summer of 2007, was awarded a three week C-Scape Dune Shack Artist Residency. This second residency was situated in a shack in the dunes of Race Point, for an intense three week period, and provided another unique time and situation to produce work.

The images are taken mostly in the Outer Cape region of the Cape Cod National Seashore in all four seasons. Abbott works with polaroid positive/negative multi-image panoramic and single wide-angle images printed and toned in a darkroom on conventional silver gelatin paper. Working in black and white allows the artist to approach the landscape without obvious tourist references, focusing instead on structure and nuance as he attempts to record a changing landscape. The ever-shifting sand dunes act as a three dimensional model as they record the primary forces and rhythm of nature. The sandscape seems to capture everything from the most minute shift of wind and tide to events of catastrophic force. The vocabulary of this landscape reflects permanence and mutability: where sea meets sky and land, where human intervention imprints the environment, and where the sky, sea and land often blend and/or mirror each other. The effects of currents of air are as evident as those of the sea in this place. At the most basic level, Abbott makes two dimensional photographic interpretations of these highly transitory three-dimensional records of natural and inflicted change.

Abbott’s goal is that the work will deal not only with how one perceives a place or thing but how one thinks of that place after encountering a visual representation of it. With emphasis on simultaneous micro and macro views or layer of information, the artist exploits the inherent descriptive nature of the photographic medium. He works on long term projects in one location and usually towards complex and diverse interpretations of a subject.  In many ways, his collected works form a comprehensive and sincere portrait of a place. The artist learns and builds from each trip, so that as it grows, each body of work takes on a life of its own.

The work in Cape Cod is one of four long term, photo-based investigations of specific locations; he has also worked extensively in Berlin, Germany, on and around the Benjamin Franklin Bridge in Philadelphia, Pennsylvania, and currently in Florence and Venice, Italy.

James B. AbbottPeaked Hill Dunes in Winter, Cape Cod National Seashore, James B. Abbott

James B. Abbott is a photographer who has maintained a studio in Philadelphia on North Third Street since 1983 and is a resident of Ardmore,Pa.  Abbott earned a degree in Photography from Cranbrook Academy of Art, interned at the Light Gallery in New York, New York and completed an apprenticeship with renowned American photographer Burk Uzzle. Abbott has served as photographer for the Stieglitz Center at the Philadelphia Museum of Art and Gallery Director of the Burden Gallery at Aperture Foundation in New York City. Abbott has held faculty appointments at Penland School of Crafts, Moore College of Art and Design, the University of the Arts, Philadelphia University, Tyler School of Art, Temple University, and currently teaching in Italy for East Carolina University.

Over the course of the past twenty-five years Abbott has received many residencies and commissions; exhibited regularly; curated notable exhibitions and has built a successful international freelance photography and fine art practice. He has been a visiting artist and lecturer at Cranbrook Academy, a resident artist at the Cape Cod National Sea Shore, and lectured at the Griffin Museum of Photography in Winchester, Massachusetts. Abbott has been commissioned to create photographs for many projects and organizations including the Fairmount Park Art Association for their New.Land.Marks project, Rutgers University and NJN Public Television, and the Marriott Hotel. Abbott’s extensive exhibition history includes solo exhibitions at Harvard University, the Wellfleet Public Library, Free Library of Philadelphia, and the Lishui International Photo Festival in Lishui, China. Significant group exhibitions include the Atwater Kent Museum for the Museo Bardini in Florence, Italy, State Museum of Pennsylvania, The Print Center, and the National Constitution Center.

Abbott’s work is included in many public and private collections including the Federal Reserve Bank, the Philadelphia Museum of Art and The Wharton School of the University of Pennsylvania. Abbott’s curatorial endeavors brought outstanding and stimulating work to Philadelphia through his gallery/exhibition space Exhibit 231. He put together exhibitions by Carl Toth, John Geard, Joel Katz, Geanna Merola and Sandy Sorlien.

Abbott has also received a number of grants and awards for his work: he is the recipient of three Pennsylvania Council on the Arts Individual Artist Awards, a SOS grant, and an Independence Foundation Fellowship in the Arts.

A solo exhibition of select images from this body of work will be on view at The Saint Joseph’s University Gallery featuring work from nearly two decades of working on Cape Cod. The Landscape Before Me will be on view from Monday December 22, 2014 through Friday February 6, 2015. There is a public artist reception on Thursday, January 22 from 6-8 pm. Saint Joseph’s University Gallery is located in Merion Hall on the James J. Maguire ’58 Campus at 355 N. Latches Lane in Merion Station, PA. Gallery hours are Monday through Friday, 9 a.m. – 7 p.m., and Saturday, 10 a.m. – 1 p.m.  More at www.sju.edu/gallery or by calling 610-660-1845.

Thank You to Ann Peltz at akkoivunen@gmail.com for this press release.

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