Category Archives: Works on Paper

Submerging

Nile Livingston, Submerging, Urban Art Gallery

Submerging, Nile Livingston at Urban Art Gallery, 7/5/15

“I remember going to the beach with my family when I was little. My father was holding my baby sister as he walked through the ocean toward the horizon. I asked my uncle to pick me up and take me out to them. The water reached my uncle’s waist by the time my father turned around and noticed our approach. He yelled to his brother to take me back to the shore. I began to fuss in protest when my uncle dropped me. Under the salt water my eyes were wide open, fixated as I sank toward the deep pit beneath me. I felt calm as I slowly, peacefully drifted downward. I passed a starfish resting on a rock, perfectly lit by the sun’s rays under water. Still sinking, I reached out to touch it. My fingertips were less than a hair away from the creature when my body was ripped out of the water and I gasped for air as I’m back in my uncle’s arms. Back on the shore I spent the rest of the day playing in the sand.

There is so much to discover in this world. Consequently, my passions are extremely charged and my art is the by-product of human consciousness. Biographic interpretations of growing up in a home filled with rolls of drafting papers, collections of teapots, and acoustic instruments have inspired me to explore endless aesthetic propositions. I produce artworks in various mediums that include painting, drawing and sculpture. Themes present in my art range from genealogical dementia, loss, character encounters, decadence, and poverty. Similar to a public diary entry, each installation reveals pieces of an evolving story of who we are as people.

As I journey beyond the communities I’m most familiar with, into a more global existence I’d like to share my lessons from everyday masters, produce artworks that examine sources of anxiety, document interactions, shared memories, and provide evidence for narrative works that address social change, environmental deprivation, and technological advances.” – Nile Livingston

My mission is to promote self expression and fulfillment. There is so much to see and learn about, and for that my passions are extremely charged and my artworks are the by-product of human consciousness. Similar to a public diary entry, each installation reveals pieces of an evolving story of who we are as people. – Nile Livingston artist statement

Founded in an effort to bridge art and the urban community, Urban Art Gallery‘s goal is to create an exciting venue where emerging artists can exhibit and sell their work. Through this, Urban Art Gallery looks to stimulate appreciation and participation in the arts, by showcasing unique and inspirational creations, which include but are not limited to, poetry showcases; live performances; youth workshops; and private events. – About Urban Art Gallery

UrbanArtGallery
262 s. 52nd St.
Philadelphia PA 19139

OPENING RECEPTIONSunday, July 5th 2015, 4:00 – 7:00PM

Curator: Kalphonse Morris
KM@urban-artgallery.com
www.urban-artgallery.com

Thank you to Nile Livingston for providing the content of this post.

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Summertime

Summer Time, 10th Annual Community Juried Art Show

Summertime, 10th Annual Community Juried Art Show at Off the Wall Gallery at Dirty FranksNE Corner, 13th and Pine Streets, Philadelphia, May 31st through July 31st, 2015. Artist reception June 4th, 7:00 – 10:00pm.

SummertimeOff the Wall Gallery at Dirty Franks brings together the work of 45 talented artists across a range of media.

Amanda Abramson, James Biglan, Robert Bohne, Meryl Bonderow, DoN Brewer, Nick Brown, Paula Brumbelow Burns, Jackie Cassidy, Matt Cohen, Robert Critchlow, Lori Evensen, Rachel Glidden, Bob Gorchov, Rich Gunning, Diana Hamm, Erica Harney, Cynthia Harvey, Jen Hess, Bob Jackson,Thérèse Lavery, Robert Yong Lee, Barbara Lekus, Carla Liguori, Patricia Show Lima, Katy C. Lin, Rob Lybeck, Elizabeth H. MacDonald, Dan McCartney, Janice R. Moore, Michael Nathan, Sarah Watkins Nathan, Annette Newman, Tri Nguyen, A. V. Nowak, Alexandra Orgera, Fernando Poyatos, Karen Rodewald, Riikka Salo, Lois Schlachter, Julius Scissor, Al Stegeman, Emi Travalia, Vlad, Harvey Weinreich, Woodley White

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Shades

Shades and Tones, Poems at Da Vinci Art AllianceShades and TonesPoems at an Exhibition, Da Vinci Art AllianceGolden Forest, monotype by Linda Dubin Garfield

Shades and Tones, Poems at an Exhibition, Da Vinci Art Alliance

Da Vinci Art Alliance, 704 Catharine Street, Philadelphia, PA 19147, is pleased to present SHADES & TONES: Poems at an Exhibition on Sunday, May 17, 2- 5 PM. Three fine poets will be reading their work- Rosemary Cappello, Maria Fama and David Kozinski.  In the gallery, the exhibition SURPRISE OF THE NEW, featuring local artists inspired by travel- Bobbie Adams, Rachel Citrino, Linda Dubin Garfield, Carla Lombardi and Barbara B Rosin runs through May 27, 2015 with a closing reception. All receptions and events are free and open to the public.  This event has been selected for BEST IN MAY by uwishunu!  For more information, visit www.davinciartalliance.org.

Rosemary Cappello’s poetry has appeared in Voices in Italian Americana, Poet Lore, Iconoclast, Avanti Popolo, Sweet Lemons 2Schuylkill Valley Journal, Poetry Ink, and many other publications from 1971 to the present. She has often been the featured reader at places where poets congregate in the Philadelphia area, as well as venues in New Jersey, New York, and Connecticut. She was invited to read her immigrant father, John Petracca’s poetry and her own on Ellis Island in 1979, a memorable experience. Her most recent readings were at Fergie’s Pub, sponsored by the Moonstone Arts Center, and the Lansdowne Library, for the Cadence Crafters poetry group. Her poems have been translated into Italian, Spanish, and French. Rosemary’s most recent chapbook is San Paride, named for the patron saint of Teano, Italy. She is currently working on a collection of love poems. Rosemary’s most time-consuming work is that of editing and publishing the annual literary journal, Philadelphia Poets, which she founded in 1980, and planning and presiding over readings in connection with that publication. A graduate of Notre Dame High School, Moylan, Pennsylvania, she received her BA, Summa cum Laude, from Widener University in Chester. Her awards include the Nearing Prize for Literature and Widener University’s Prose and Poetry Awards.

Maria Famà has written six books of poetry, co-founded a video production company, recorded her poetry in CD compilations of music and poetry, and given readings across the United States as well as on TV, Radio, Video, and Film.  She appears in the 2007 film, “Pipes of Peace,” about the late jazz bagpipe musician, Rufus Harley, as well as in the award winning documentaries “Prisoners Among Us,” and “La Mia Strada, My Way.”  Famà was awarded the 2002 and the 2005 Aniello Lauri Award for Creative Writing.  She was the 2006 winner of the Amy Tritsch Needle Award for Poetry.   Famà’s latest book of poems, Mystics in the Family, was published by Bordighera Press in 2013.  Maria Famà lives and works in Philadelphia, where she teaches English at DeVry University.

David P. Kozinski won the Dogfish Head Poetry Prize, which included publication of his chapbook, Loopholes. He has been the featured poet in Schuylkill Valley Journal. Publications include Apiary, Fox Chase Reviewglimmertrain.comMad Poets Review, Philadelphia StoriesPoetry Repairs, Margie, and The Rathalla Review. Kozinski was one of ten poets chosen by Robert Bly for a workshop sponsored by American Poetry Review and has been nominated for the Pushcart Prize twice. Last November he conducted a poetry workshop for teens at the Montgomery County Youth Center and in 2012 offered a four-session workshop for adults titled “Poetry Presentation & Publication” at the Manayunk-Roxborough Art Center. He received Honorable Mention in Philadelphia Poets’ 7th Annual John & Rose Petracca & Family Award.In November 2007 he received the Dr. Eugene J. Szatkowski (“Schot-kov-ski’) Achievement Award from the Americans of Polish Descent Cultural Society (AMPOL) for his poetry and visual art. As a young child, he studied at the Delaware Art Museum. In the early 1970s he was a student at the École d’Art Americaines in Fontainebleau, France and was among the students who completed the first Art Major course offered at Tower Hill School in Wilmington, DE in 1974. Kozinski heads the publicity team for the Manayunk-Roxborough Art Center. He lives in Wilmington, DE with his wife, actress and journalist Patti Allis Mengers.

Thank you Linda Dubin Garfield, printmaker/mixed media artist/blogger, for the content of this post.
610.649.3174
www.lindadubingarfield.com
www.smARTbusinessconsulting.org
www.artsisters.org
blogs:
The ART of Travel – www.lindadubingarfield.blogspot.com
www.toooldtodieyoungblog.wordpress.com
www.smARTbusinessconsultingchats.wordpress.com

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Krimes

Jesse Krimes: Apokaluptein16389067: II

Jesse Krimes: Apokaluptein16389067: II

By Laura Storck

As a native Philadelphian, I’d never visited the Eastern State Penitentiary, which is attributable to my own design as well as lack of desire.  Known as America’s most historic prison, Eastern State Penitentiary was once the most famous prison in the world due to its grand architecture and strict disciplinary practices. Notions of such harsh discipline, imprisonment, and being confined to small spaces renders fear and paralysis in my mind. However, after learning about the May First Friday unveiling of several artists at the ESP, this art enthusiast felt it was a perfect time to make the guarded effort to see this well-known space.

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

I was especially intrigued after reading about the installation ofJesse Krimes, entitled Apokaluptein 16389067: II.  Jesse is a Philadelphia-based artist, who was indicted by the U.S. government on non-violent controlled substance charges, and served a 70-month federal prison term.  While serving his term, Jesse produced a breathtaking and evocative 39-panel landscape on bedsheets. His process is just as magnificent: Jesse transferred cutout images from the New York Times using a plastic spoon and hairgel he had purchased from the commissary. He used the spoon to press the sheet and hairgel onto the newspaper cutout which resulted in an inverse image on the sheet.  Lastly, the images were blended together with color pencil. With the help of prison guards who had supported his work, he was able to store the sheets in a prison locker before having each panel mailed home piece by piece upon completion. Jesse kept a running dialogue in his mind of each of the sheets, as he didn’t see the entire grouping of panels until his release.

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

In it’s original iteration, Apokaluptein16389067 is 15 feet tall and 40 feet long.  The images are a grouped according to three major sections: the bottom represents Hell, the middle portion is a depiction of Earth, and the upper portion signifies Heaven.  A facsimile of the original is on display along the interior walls of an abandoned cell at the ESP. I spoke with Jesse about his artistic process, and he explained that the current installation was made by scanning the original bedsheets onto a large scanner and making a large print. He then made a copy of the large print (to mimic the inverse images that appear on the bedsheets due to the transfer) and affixed those pieces onto the walls of the prison cell exhibition space using hand sanitizer and a sealant. Jesse feels that this project has reached it’s zenith in as it’s final iteration at the Penitentiary.

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

This installation is a brilliant collage of color, form, and text. The texture is reminiscent of decoupage or encaustic painting. In their entirety, the panels serve as an artistic time capsule.

The original title, Apokaluptein16389067, references the Greek origin of the word apocalypse which means to reveal; by definition, it is a cataclysmic event. The numbers reference the artist’s Federal Bureau of Prisons identification number. Of all the works on display at this First Friday event, I felt especially compelled to see this exhibit as I am both amazed and in awe of the power of human resilience.  Last year, I read wonderful meme that has since stuck with me:  “When written in Chinese, the word ‘crisis’ is composed of two characters. One represents danger and the other represents opportunity”. Jesse Krimes‘ work is the epitome and personification of this proverb. I hold much admiration for his creative self-motivation in making this impressively transcendent work of art during his own personal apocalypse.

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, Subscribe to Philly Mural Arts on YouTube

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

www.jessekrimes.com

http://www.easternstate.org

Written and photographed by Laura Storck

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Love

Paint a Face for Dawn's Place

ART IN LOVE PARK TO SUPPORT SURVIVORS OF HUMAN TRAFFICKING

Dawn’s Place to Display Public Art Project at Community Art Day: April 11 in Love Park

PHILADELPHIA –  Not many people are aware that slavery still exists. Most still find it hard to believe that slavery is happening in our country or state or neighborhoods today. Dawn’s Place the only residence of its kind in the tri-state area that proactively helps both domestic and international adult female victims of Commercial Sexual Exploitation (CSE) is striving to change that & in the neighborhoods of the Delaware Valley. And they need your support.

On Saturday, April 11 in Love Park (JFK Plaza) Philadelphia, Paint a Face for Dawn’s Place, a community art project to support survivors of human trafficking, will be displayed at Community Art Day. Art Day will take place from noon to 3:00 pm, featuring an outdoor installation of painted portraits of women, live music, spoken word performance, and live street portraits. For more information, visit www.aHomeforDawn.org.

“Human trafficking is just the tip of the iceberg”, says Sister Teresita Hinnegan, a medical mission Sister and co-founder of Dawn’s Place, a 9-bedroom residence in an undisclosed Philadelphia area location. It happens because of all the social and human injustice that’s been around from the beginning. We can focus on rescuing and restoring the victims, but unless we look at the demand side, the injustices that cause trafficking, it will continue.

Consider the following:

  • Within the United States, women, children and men are trafficked daily for commercial sex and forced labor.
  • Victims may be rich, poor, foreign nationals, U.S. citizens, adults, or children under 18.
  • Human trafficking generates $32 billion annually – half of that made in industrialized countries.
  • 80% of all transnational victims are women and girls.

 “It’s all about people who are living in poverty and have very few choices, and how to survive, Sister Teresita continues. Our culture has accepted prostitution. It s seen as a victimless crime. It is not. Prostitutes are labeled as criminals. They are not. They are victims. They need to be treated that way.”

Paint a Face for Dawn’s Place is a public art project organized by Dawn’s Place and Philadelphia artist, Joanna Fulginiti. The project asks members of the community to paint a face of a woman they love or admire. The paintings will be collected and displayed alongside information on human trafficking to rally community support for victims of this crime in the Delaware Valley. Community Art Day will include live performances by musician Rosa Diaz and artist Bonnie MacAllister. Members of the Photographic Society of Philadelphia will take professional street portraits that can be posted to social media or stored on a smartphone.

For interviews and additional media requests please contact: Sr. Michelle Loisel at 215-849-2396

Joanna Fulginiti at joannfulginiti@aol.com

Paint a Face for Dawn's Place

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